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Sammaster (Dracolich Form)

Monsters Forgotten Realms: Adventures in Faerûn

dracoliches, magically bound dragons to his service, and learned how to drive dragons across Faerûn into a berserk rage. He considered his intellect beyond morality and became paranoid, resentful, and

megalomaniacal. Sammaster’s travels brought him into contact with people who revered dragons as icons of primeval might. Masquerading his desire to dominate dragonkind as devotion, Sammaster

Sammaster (Lich Form)

Monsters Forgotten Realms: Adventures in Faerûn

bound dragons to his service, and learned how to drive dragons across Faerûn into a berserk rage. He considered his intellect beyond morality and became paranoid, resentful, and megalomaniacal

. Sammaster’s travels brought him into contact with people who revered dragons as icons of primeval might. Masquerading his desire to dominate dragonkind as devotion, Sammaster established himself

Feral Ashenwight

Monsters Phandelver and Below: The Shattered Obelisk

or thoughts beyond a compulsive desire to destroy all living creatures they encounter. Ashenwights When a Humanoid consumed by cruelty and rage dies in an area corrupted by the Far Realm, the

Opteran

races

short lives, opterans make some of the most renowned performers. Tales are told of the bard group Wings of a Butterfly’s first and final world tour. So in-demand were tickets to this once-in-their

, and ready for adventure. However, the destruction of an opteran’s home, the search for a loved one, or the desire to be the next Wings of a Butterfly could all be worthy motivators to risk undergoing the change.

Bard

classes Basic Rules (2014)

, ensuring that her companions’ words will be well received. Whether scholar, skald, or scoundrel, a bard weaves magic through words and music to inspire allies, demoralize foes, manipulate minds

, create illusions, and even heal wounds. Music and Magic In the worlds of D&D, words and music are not just vibrations of air, but vocalizations with power all their own. The bard is a master

Gruul Anarch

Backgrounds Guildmasters’ Guide to Ravnica

ruins. You are part of a savage society that clings desperately to the Old Ways — attuned to nature, full of primal rage, and given short shrift by a world consumed with continuing civilization

, conjure barrage 4th dominate beast, stoneskin 5th destructive wave Fueled by the fire of rage burning in your heart, your magic is almost always accompanied by fiery

Reborn

Species Van Richten’s Guide to Ravenloft

, silent stretches. Occasionally, though, in a moment of peace, stress, or excitement, a reborn gains a glimpse of what came before. When you desire to have such a dreamlike vision, roll on the Lost

itchy straw stuffing inside you. Reborn in the Domains of Dread When creating a reborn, consult with your DM to see if it’s appropriate to tie your origins to one of the following Domains

Hexblood

races Van Richten’s Guide to Ravenloft

Where wishing fails, ancient magic can offer a heart’s desire—at least, for a time. Hexbloods are individuals infused with eldritch magic, fey energy, or mysterious witchcraft. Some who

creating a hexblood, consult with your DM to see if it’s appropriate to tie your origins to one of the following Domains of Dread (detailed in chapter 3): Hazlan. The bizarre magic of this crumbling

Reborn

races

, silent stretches. Occasionally, though, in a moment of peace, stress, or excitement, a reborn gains a glimpse of what came before. When you desire to have such a dreamlike vision, roll on the Lost

itchy straw stuffing inside you. Reborn in the Domains of Dread When creating a reborn, consult with your DM to see if it’s appropriate to tie your origins to one of the following

Path of the Ancestral Guardian

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Spirit Shield (2d6) 10th Consult the Spirits, Spirit Shield (3d6) 14th Vengeful Ancestors, Spirit Shield (4d6) Ancestral Protectors Starting when you choose this path at 3rd level, spectral warriors

appear when you enter your rage. While you’re raging, the first creature you hit with an attack on your turn becomes the target of the warriors, which hinder its attacks. Until the start of your next

Path of the Ancestral Guardian

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Spirit Shield (2d6) 10th Consult the Spirits, Spirit Shield (3d6) 14th Vengeful Ancestors, Spirit Shield (4d6) Ancestral Protectors Starting when you choose this path at 3rd level, spectral warriors

appear when you enter your rage. While you’re raging, the first creature you hit with an attack on your turn becomes the target of the warriors, which hinder its attacks. Until the start of your next

Path of the Ancestral Guardian

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Spirit Shield (2d6) 10th Consult the Spirits, Spirit Shield (3d6) 14th Vengeful Ancestors, Spirit Shield (4d6) Ancestral Protectors Starting when you choose this path at 3rd level, spectral warriors

appear when you enter your rage. While you’re raging, the first creature you hit with an attack on your turn becomes the target of the warriors, which hinder its attacks. Until the start of your next

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

magic set bards apart from their fellows. Only rarely do bards settle in one place for long, and their natural desire to travel — to find new tales to tell, new skills to learn, and new discoveries

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

magic set bards apart from their fellows. Only rarely do bards settle in one place for long, and their natural desire to travel — to find new tales to tell, new skills to learn, and new discoveries

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

magic set bards apart from their fellows. Only rarely do bards settle in one place for long, and their natural desire to travel — to find new tales to tell, new skills to learn, and new discoveries

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

magic set bards apart from their fellows. Only rarely do bards settle in one place for long, and their natural desire to travel — to find new tales to tell, new skills to learn, and new discoveries

Species

compendium - Sources->Dungeons & Dragons->Heliana’s Guide to Monster Hunting: Part 2

Natural Performers Due to their brilliant colouration and short lives, opterans make some of the most renowned performers. Tales are told of the bard group Wings of a Butterfly’s first and final

wider world are often old, tired of the sedentary life, and ready for adventure. However, the destruction of an opteran’s home, the search for a loved one, or the desire to be the next Wings of a Butterfly could all be worthy motivators to risk undergoing the change.

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

magic set bards apart from their fellows. Only rarely do bards settle in one place for long, and their natural desire to travel — to find new tales to tell, new skills to learn, and new discoveries

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

magic set bards apart from their fellows. Only rarely do bards settle in one place for long, and their natural desire to travel — to find new tales to tell, new skills to learn, and new discoveries

Subclasses

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

3rd Filled with a rage that channels the primal magic of the storm Barbarian Path of the Zealot 3rd Fueled by a religious zeal that visits destruction on foes Bard College of Glamour 3rd Wields the

beguiling, glorious magic of the Feywild Bard College of Swords 3rd Entertains and slays with daring feats of weapon prowess Bard College of Whispers 3rd Plants fear and doubt in the minds of others

Subclasses

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

3rd Filled with a rage that channels the primal magic of the storm Barbarian Path of the Zealot 3rd Fueled by a religious zeal that visits destruction on foes Bard College of Glamour 3rd Wields the

beguiling, glorious magic of the Feywild Bard College of Swords 3rd Entertains and slays with daring feats of weapon prowess Bard College of Whispers 3rd Plants fear and doubt in the minds of others

Subclasses

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

3rd Filled with a rage that channels the primal magic of the storm Barbarian Path of the Zealot 3rd Fueled by a religious zeal that visits destruction on foes Bard College of Glamour 3rd Wields the

beguiling, glorious magic of the Feywild Bard College of Swords 3rd Entertains and slays with daring feats of weapon prowess Bard College of Whispers 3rd Plants fear and doubt in the minds of others

Worshiping Mogis

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

Worshiping Mogis Mogis exhorts his followers to channel their hatred and rage into ever greater acts of cruelty and violence. He demands actions over words, making his followers an active and

) MYTHS OF MOGIS The tales of Mogis’s deeds exemplify his need to unmake, his brutality, and his desire to destroy his hated brother. The Endless Feud. One legend claims that Mogis and Iroas were once

Worshiping Mogis

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

Worshiping Mogis Mogis exhorts his followers to channel their hatred and rage into ever greater acts of cruelty and violence. He demands actions over words, making his followers an active and

) MYTHS OF MOGIS The tales of Mogis’s deeds exemplify his need to unmake, his brutality, and his desire to destroy his hated brother. The Endless Feud. One legend claims that Mogis and Iroas were once

Worshiping Mogis

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

Worshiping Mogis Mogis exhorts his followers to channel their hatred and rage into ever greater acts of cruelty and violence. He demands actions over words, making his followers an active and

) MYTHS OF MOGIS The tales of Mogis’s deeds exemplify his need to unmake, his brutality, and his desire to destroy his hated brother. The Endless Feud. One legend claims that Mogis and Iroas were once

Defining Work

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Defining Work Every successful bard is renowned for at least one piece of performance art, typically a song or a poem that is popular with everyone who hears it. These performances are spoken about

Defining Work 1 “The Three Flambinis,” a ribald song concerning mistaken identities and unfettered desire 2 “Waltz of the Myconids,” an upbeat tune that children in particular enjoy 3 “Asmodeus’s Golden

Defining Work

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Defining Work Every successful bard is renowned for at least one piece of performance art, typically a song or a poem that is popular with everyone who hears it. These performances are spoken about

Defining Work 1 “The Three Flambinis,” a ribald song concerning mistaken identities and unfettered desire 2 “Waltz of the Myconids,” an upbeat tune that children in particular enjoy 3 “Asmodeus’s Golden

Defining Work

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Defining Work Every successful bard is renowned for at least one piece of performance art, typically a song or a poem that is popular with everyone who hears it. These performances are spoken about

Defining Work 1 “The Three Flambinis,” a ribald song concerning mistaken identities and unfettered desire 2 “Waltz of the Myconids,” an upbeat tune that children in particular enjoy 3 “Asmodeus’s Golden

Fenthaza

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

, begin tracking how much time the characters spend in the temple. At the end of each hour, roll percentile dice and consult the Temple Reinforcements table to see what else arrives. Reinforcements enter

the temple from area 1 or 23 and behave as you desire. The temple is a living community. Outside combat, inhabitants move between chambers, feed, wash, rest, and engage in all the villainous deceptions of yuan-ti life. You can use the Temple Reinforcements table to simulate this.

Fenthaza

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

, begin tracking how much time the characters spend in the temple. At the end of each hour, roll percentile dice and consult the Temple Reinforcements table to see what else arrives. Reinforcements enter

the temple from area 1 or 23 and behave as you desire. The temple is a living community. Outside combat, inhabitants move between chambers, feed, wash, rest, and engage in all the villainous deceptions of yuan-ti life. You can use the Temple Reinforcements table to simulate this.

Fenthaza

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

, begin tracking how much time the characters spend in the temple. At the end of each hour, roll percentile dice and consult the Temple Reinforcements table to see what else arrives. Reinforcements enter

the temple from area 1 or 23 and behave as you desire. The temple is a living community. Outside combat, inhabitants move between chambers, feed, wash, rest, and engage in all the villainous deceptions of yuan-ti life. You can use the Temple Reinforcements table to simulate this.

Character Classes

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

with Rage, and wade into hand-to-hand combat. Then follow the Path of the Berserker to unleash raw violence. Bard. Perform spells that inspire and heal allies or beguile foes. Then join the College of

Appendix B—Spells

compendium - Sources->Dungeons & Dragons->Heliana’s Guide to Monster Hunting: Part 2

: Bard, Sorcerer, Wizard You imperceptibly tangle the threads of the Weave in a 20-foot-radius sphere centred on a point you can see within range. Whenever a creature attempts to cast a spell of 1st

spell and produces an additional effect. Roll a d10 and consult the following table to determine the additional effect: d10 Effect 1 The spellcaster casts gravity smash* 2 The spellcaster casts

To the Nine Hells!

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

on acquiring the Sword of Zariel or helping Zariel find redemption, as Gargauth is quick to point out should the characters consult with him. There are other ways to free Elturel, but only if the

Avernus. They might stoke the rage of a horrific demon called Crokek’toeck and trick it into gnawing through Elturel’s chains. They might come to terms with an evil dragonborn paladin named Arkhan the

Character Classes

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

with Rage, and wade into hand-to-hand combat. Then follow the Path of the Berserker to unleash raw violence. Bard. Perform spells that inspire and heal allies or beguile foes. Then join the College of

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