bards before define contact reflected

Auril (Third Form)

Monsters Icewind Dale: Rime of the Frostmaiden

to be cautious and avoid contact with other creatures that can harm her. Auril’s worshipers know better than to disturb her self-imposed isolation. Terrible blizzards have cut off Icewind Dale

, define her. Lesser gods in the D&D multiverse are extremely powerful and arrogant, but also fallible and blind to their own flaws. It’s appropriate for Auril to act as though she’s

Auril (First Form)

Monsters Icewind Dale: Rime of the Frostmaiden

weak and vulnerable. In her self-inflicted weakened state, Auril is inclined to be cautious and avoid contact with other creatures that can harm her. Auril’s worshipers know better than to

demystifying her in the eyes of your players. Let her actions, not her words, define her. Lesser gods in the D&D multiverse are extremely powerful and arrogant, but also fallible and blind to their

Auril (Second Form)

Monsters Icewind Dale: Rime of the Frostmaiden

night while also granting spells to her devoted followers leaves Auril weak and vulnerable. In her self-inflicted weakened state, Auril is inclined to be cautious and avoid contact with other creatures

. The less she talks, the less risk you have of unintentionally demystifying her in the eyes of your players. Let her actions, not her words, define her. Lesser gods in the D&D multiverse are

Entertainer - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

; Entertainer Routines A good entertainer is versatile, spicing up every performance with a variety of different routines. Choose one to three routines or roll on the table below to define your expertise as an

occupation or social class that frequents the establishment. This contact is delighted to talk with you, and to listen. Variant Entertainer: Gladiator A gladiator is as much an

Faceless

Backgrounds Baldur’s Gate: Descent into Avernus

part of them expressed to an extreme. To define a persona, feel free to choose characteristics from other backgrounds, particularly folk hero, hermit, or noble. For the person behind the persona, the

comes to us all eventually. 2 I never make eye contact or hold it unflinchingly. 3 I have no sense of humor. Laughing is uncomfortable and embarrassing. 4 I overexert myself

Crime Syndicate Contacts

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

. This person might be a criminal mastermind who plans all your exploits, or they could leave the planning to your group. In any case, the Syndicate Contact table can help you define the personality of

Crime Syndicate Contacts Everyone has a well-defined place in the Boromar Clan hierarchy. You report to a contact who oversees your work, giving you assignments, and collecting the syndicate’s cut

Something to Lose

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

have something to lose beyond hit points, vulnerabilities not reflected in game statistics: fear of a tarnished reputation, a threat to a friend or lover, a favorite business destroyed or taken over

such details). A DM who introduces an old buddy who served with the player characters during the war could describe the person and then ask each player to define a connection to them. Present each

Chapter 2: Creating a Multiverse

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Limbo to contact a wizened githzerai sage. Planes of existence define the extremes of strange and often dangerous environments. The most bizarre locations present settings undreamed of in the natural

Halflings of the Five Nations

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Halflings of the Five Nations Quick and charming, many halflings put their natural talents to use as bards, barristers, merchants, and politicians throughout Khorvaire. Of course, these same talents

the criminal empire, but your past may yet catch up with you. You could also be the point of contact who has made the Boromar Clan your party’s group patron, as described later in this chapter.

Alignment

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

, evil, or neutral), and the other describes attitudes toward society and order (lawful, chaotic, or neutral). Thus, nine distinct alignments define the possible combinations. These brief summaries of the

townsfolk. Chaotic neutral (CN) creatures follow their whims, holding their personal freedom above all else. Many rogues and bards are chaotic neutral. Lawful evil (LE) creatures methodically take what

Guild

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

DM decides if the guild has tutors available for a given subject. Guild Contact Even as a member in good standing of the guild, you can’t simply stroll up to the guild master and demand their attention

. Your superiors within the guild manage work contracts, request the use of guild resources, and facilitate getting your group in contact with the right people to assist their interests. Roll or pick

Bard: College of Spirits

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Bard: College of Spirits Bards of the College of Spirits seek tales with inherent power—be they legends, histories, or fictions—and bring their subjects to life. Using occult trappings, these bards

number on both dice, you can ignore the number and choose any effect on the table. SPIRIT TALES Storytellers, like bards of the College of Spirits, often give voice to tales inspired by some greater

Roleplaying

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

facial expressions help convey a creature’s emotions. Smile, scowl, snarl, yawn, or pout, as appropriate. Use Motions and Posture. Movement and posture can help define an NPC’s personality. You might

readily get involved in social interactions, you can create situations tailored for their characters. Perhaps the NPC in question is a family member or a contact of a particular adventurer and

Lorehold Student

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

are in the broad field of history. You might dream of using magic to contact great historical figures or your own ancestors or of recreating the mighty magic of a distant age. Skill Proficiencies

Lorehold. Bards thrive in Lorehold, and wizards (particularly those of the School of Divination) are numerous among its students. Clerics (often with the Knowledge or Light domains) are also quite common

Skill Variants

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Skill Variants A skill dictates the circumstances under which a character can add his or her proficiency bonus to an ability check. Skills define those circumstances by referring to different aspects

check to which the character’s prior training and experience (reflected in the character’s background) reasonably applies. The DM is the ultimate judge of whether the character’s background applies. For

Alignment

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

, evil, or neutral), and the other describes attitudes toward society and order (lawful, chaotic, or neutral). Thus, nine distinct alignments define the possible combinations. These brief summaries of the

townsfolk. Chaotic Neutral. (CN) creatures follow their whims, holding their personal freedom above all else. Many rogues and bards are chaotic neutral. Lawful Evil. (LE) creatures methodically take

Faceless (New Background)

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

Characteristics A faceless character usually plays their persona — the hero or extraordinary person they are every day. That’s all a facade, though, or a part of them expressed to an extreme. To define a

do everything for those who were taken from me. Faceless Flaws d6 Flaw 1 I am callous about death. It comes to us all eventually. 2 I never make eye contact or hold it

New Ability Scores: Honor and Sanity

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

increases to Honor—or impose reductions—based on a character’s actions. At the end of an adventure, if you think a character’s actions in the adventure reflected well or poorly on his or her

for the first time Making direct contact with the mind of an alien creature Being subjected to spells that affect mental stability, such as the insanity option of the symbol spell Passing through a

Faceless (New Background)

Compendium - Sources->Dungeons & Dragons->Baldur’s Gate Gazetteer

hero or extraordinary person they are every day. That’s all a facade, though, or a part of them expressed to an extreme. To define a persona, feel free to choose characteristics from other backgrounds

. 6 I do everything for those who were taken from me. Faceless Flaws d6 Flaw 1 I am callous about death. It comes to us all eventually. 2 I never make eye contact or hold it unflinchingly. 3 I have

Halflings

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

Scholars, wizards, druids, and bards of other races have different ideas about how halflings escape peril, suggesting that by virtue of something in their nature, they occupy a special place in the

makes them wary of any new “friend” that doesn’t come across as genuine. Although they might not be able to define the feeling, halflings sense when something isn’t quite right, keeping their distance

Factions

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

another. The first visit to Red Larch is a good time to establish these protocols and give each character some face time with a faction contact. (See the “Important Red Larchers” section of “Red Larch

least discretion. Bards and wizards are their most prominent members. Harpers operate in small cells throughout the North. One is based in Triboar: Darathra Shendrel, the Lord Protector, belongs to the

Ooze Grottos

Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal->a5

quarterstaff that deals 1d4 force damage instead of the normal damage of that weapon. The prod suffers no damage from contact with oozes. In addition, an ooze hit by a prod has its speed reduced to 0 until

contain a bed, a table strewn with writing implements and books, and shelves piled with bound volumes and scrolls. Contact Stone. A circle of glowing glyphs above Sarkalla’s southern table is a contact

Auril the Frostmaiden

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

while also granting spells to her devoted followers leaves Auril weak and vulnerable. In her self-inflicted weakened state, Auril is inclined to be cautious and avoid contact with other creatures that

you have of unintentionally demystifying her in the eyes of your players. Let her actions, not her words, define her. Lesser gods in the D&D multiverse are extremely powerful and arrogant, but also

Gods of the Orcs

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

Gods of the Orcs Orcs believe their gods to be invincible. They see the principles that define them and their deities at work every day in the world around them — nature rewards the strong and

when contact with spirits occurs. The White Hands. Shamans who heed the telepathic whispers of Yurtrus walk the perilous line between the living and the dead, and gain uncanny powers from doing so

Black Earth Cultists

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

stone. They don gargoyle masks and use a finely honed sense of touch to measure their surroundings by contact with the ground. They avoid speaking, or extraneous thought for that matter. They live only

start of its next turn, when it can decide to avert its eyes again. If the creature looks at Marlos in the meantime, it must immediately make the save. If Marlos sees himself reflected on a

Platinum Room Locations

Compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Turn of Fortune’s Wheel

. Creatures of Shemeshka’s choice in contact with the floor must make a DC 18 Dexterity saving throw. On a failed save, a creature takes 22 (4d10) slashing damage and has the restrained condition until the

). Treasure. A character who searches the room finds curios worth 15,000 gp, a dagger of venom, a suit of demon armor, and an instrument of the bards (Anstruth harp), all designed with vulpine shapes

Chromatic Dragons

Compendium - Sources->Dungeons & Dragons->Monster Manual (2014)

an avalanche as it attacks. Overlords and Minions. Blue dragons covet valuable and talented creatures whose service reinforces their sense of superiority. Bards, sages, artists, wizards, and assassins

dragon’s favored treasures are the sentient creatures it bends to its will, including significant figures such as popular heroes, well-known sages, and renowned bards. Among material treasures, a green

Brimstone Hold Locations

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

warning the first time anyone makes unapproved contact with a prisoner, and they turn hostile after a second instance, attempting to subdue and capture the offender. Most of the prisoners are too fearful

here when he isn’t conducting business in area B25 or entertaining visitors in area B26. Treasure. The lyre is an instrument of the bards (Cli lyre) decorated with carvings of phoenixes. Jarazoun

Headquarters Features

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

define the changes to the current configuration. Perhaps the headquarters expands in size laterally, or gains an extra floor. Perhaps a new basement is excavated — or poking around the existing basement

contact with a warded area takes 13 (3d8) lightning damage, and must succeed on a Constitution saving throw or have its speed reduced to 0 until the start of its next turn. Grease Compartment. Whether

Metallic Dragons

Compendium - Sources->Dungeons & Dragons->Monster Manual (2014)

opinions of humanoids based on previous contact with related humanoids. Good dragons can recognize humanoid bloodlines by smell, sniffing out each person they meet and remembering any relatives they have

come into contact with over the years. A gold dragon might never suspect duplicity from a cunning villain, assuming that the villain is of the same mind and heart as a good and virtuous grandmother. On

Lair Locations

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

. Carvings of reptiles decorate the throne, and glints of reflected light hint at the presence of inset gemstones. The heads of several creatures hang on the walls, mounted on plaques of wood for display as

is meditating. He is roused by the sound of combat or any direct attempts to contact him. Unless cornered, he flees to area 20 and returns with the occupants of that room. If they are gone or slain

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