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College of Creation

classes Tasha’s Cauldron of Everything

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

too can teach the mountains to sing and dance.” Dwarves and gnomes often encourage their bards to become students of the Song of Creation. And among dragonborn, the Song of Creation is revered

College of Creation (TCoE)

classes Tasha’s Cauldron of Everything

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

too can teach the mountains to sing and dance.” Dwarves and gnomes often encourage their bards to become students of the Song of Creation. And among dragonborn, the Song of Creation is revered

College of the Moon

classes Forgotten Realms: Heroes of Faerûn

stories of the islands and their people. Bards of this college draw from the isles’ fey magic and the primal power of the moonwells to bolster their allies, protect the natural world, and inspire their bardic works.

Inspire Allies with Primal Tales The College of the Moon traces its origins to the ancient druidic circles of the Moonshae Isles, who entrusted the first Bards of this tradition with chronicling the

Character Creation Options

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

Character Creation Options Next are four chapters of character-focused content: Chapter 6: Rogue. This chapter provides advice and new magic items suited to bards, rangers, rogues, and other

also includes character creation advice and magic items appropriate for clerics, druids, paladins, and other characters with a connection to the divine. Chapter 9: Knight. Characters who draw the

Character Creation Options

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

Character Creation Options Next are four chapters of character-focused content: Chapter 6: Rogue. This chapter provides advice and new magic items suited to bards, rangers, rogues, and other

also includes character creation advice and magic items appropriate for clerics, druids, paladins, and other characters with a connection to the divine. Chapter 9: Knight. Characters who draw the

Character Creation Options

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

Character Creation Options Next are four chapters of character-focused content: Chapter 6: Rogue. This chapter provides advice and new magic items suited to bards, rangers, rogues, and other

also includes character creation advice and magic items appropriate for clerics, druids, paladins, and other characters with a connection to the divine. Chapter 9: Knight. Characters who draw the

A Bard's Muse

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

A Bard’s Muse Naturally, every bard has a repertoire of songs and stories. Some bards are generalists who can draw from a wide range of topics for each performance, and who take pride in their

versatility. Others adopt a more personal approach to their art, driven by their attachment to a muse — a particular concept that inspires much of what those bards do in front of an audience. A bard who

A Bard's Muse

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

A Bard’s Muse Naturally, every bard has a repertoire of songs and stories. Some bards are generalists who can draw from a wide range of topics for each performance, and who take pride in their

versatility. Others adopt a more personal approach to their art, driven by their attachment to a muse — a particular concept that inspires much of what those bards do in front of an audience. A bard who

A Bard's Muse

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

A Bard’s Muse Naturally, every bard has a repertoire of songs and stories. Some bards are generalists who can draw from a wide range of topics for each performance, and who take pride in their

versatility. Others adopt a more personal approach to their art, driven by their attachment to a muse — a particular concept that inspires much of what those bards do in front of an audience. A bard who

College of Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance

College of Creation One bard’s song of creation is the score to another person’s nightmares. Tasha Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That

College of Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance

College of Creation One bard’s song of creation is the score to another person’s nightmares. Tasha Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That

College of Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance

College of Creation One bard’s song of creation is the score to another person’s nightmares. Tasha Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That

Modifying a Class

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

their masters, drawn from the sorcerer or wizard lists. Suddenly, the paladin feels like a different class. Be cautious when changing the warlock spell list. Since warlocks regain their spell slots

firmly in the world by associating the class with a particular race or culture. For example, you might decide that bards, sorcerers, warlocks, and wizards represent the magical traditions of four

Redcloak Battalion

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Battalion. This elite unit fought at the forefront of the Last War, and Brelish bards still sing of the exploits of Khandan the Hammer and Meira the Huntress. At the end of the war, the battalion was split

the support of the crown, the King’s Citadel, and the larger Brelish army, largely summarized as the following parties: King Boranel. The king of Breland is a cautious advocate of the Redcloaks. He

Redcloak Battalion

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Battalion. This elite unit fought at the forefront of the Last War, and Brelish bards still sing of the exploits of Khandan the Hammer and Meira the Huntress. At the end of the war, the battalion was split

the support of the crown, the King’s Citadel, and the larger Brelish army, largely summarized as the following parties: King Boranel. The king of Breland is a cautious advocate of the Redcloaks. He

Redcloak Battalion

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Battalion. This elite unit fought at the forefront of the Last War, and Brelish bards still sing of the exploits of Khandan the Hammer and Meira the Huntress. At the end of the war, the battalion was split

the support of the crown, the King’s Citadel, and the larger Brelish army, largely summarized as the following parties: King Boranel. The king of Breland is a cautious advocate of the Redcloaks. He

K36. Dining Hall of the Count

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

with a successful DC 10 Wisdom (Perception) check. If the characters take the groom figurine out of the room, read the following if they return to the room at a later time: Billowing drapes draw your

doesn’t appear again. If the characters attack the ghost, it attacks them in turn. Treasure The lute, though old and covered in dust, has survived the passage of time. It is a magic instrument of the bards called a Doss lute.

K36. Dining Hall of the Count

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

with a successful DC 10 Wisdom (Perception) check. If the characters take the groom figurine out of the room, read the following if they return to the room at a later time: Billowing drapes draw your

doesn’t appear again. If the characters attack the ghost, it attacks them in turn. Treasure The lute, though old and covered in dust, has survived the passage of time. It is a magic instrument of the bards called a Doss lute.

K36. Dining Hall of the Count

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

with a successful DC 10 Wisdom (Perception) check. If the characters take the groom figurine out of the room, read the following if they return to the room at a later time: Billowing drapes draw your

doesn’t appear again. If the characters attack the ghost, it attacks them in turn. Treasure The lute, though old and covered in dust, has survived the passage of time. It is a magic instrument of the bards called a Doss lute.

Step 5: Add Flavor

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

attachments exist among the monsters in an encounter? If so, you can use such relationships to inform the monsters’ behavior during combat. The death of a much-revered leader might throw its followers into

other features might draw the characters’ attention, either before or during the fight? Why are monsters lurking in this area to begin with — does it offer good hiding places, for instance? To add

Step 5: Add Flavor

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

attachments exist among the monsters in an encounter? If so, you can use such relationships to inform the monsters’ behavior during combat. The death of a much-revered leader might throw its followers into

other features might draw the characters’ attention, either before or during the fight? Why are monsters lurking in this area to begin with — does it offer good hiding places, for instance? To add

Step 5: Add Flavor

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

attachments exist among the monsters in an encounter? If so, you can use such relationships to inform the monsters’ behavior during combat. The death of a much-revered leader might throw its followers into

other features might draw the characters’ attention, either before or during the fight? Why are monsters lurking in this area to begin with — does it offer good hiding places, for instance? To add

Sovereign

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

in a wilderness they’re not prepared to endure. 4 Ruler Returned. A tribe’s revered leader has returned from the dead and seeks to resurrect their past glories. 5 Hidden Power. A mysterious figure

. You are required to account for your expenses and must explain any extraordinary expenditures, but routine travel, ordinary equipment, and basic services don’t draw a second glance. Immunity. As long

Sovereign

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

in a wilderness they’re not prepared to endure. 4 Ruler Returned. A tribe’s revered leader has returned from the dead and seeks to resurrect their past glories. 5 Hidden Power. A mysterious figure

. You are required to account for your expenses and must explain any extraordinary expenditures, but routine travel, ordinary equipment, and basic services don’t draw a second glance. Immunity. As long

Sovereign

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

in a wilderness they’re not prepared to endure. 4 Ruler Returned. A tribe’s revered leader has returned from the dead and seeks to resurrect their past glories. 5 Hidden Power. A mysterious figure

. You are required to account for your expenses and must explain any extraordinary expenditures, but routine travel, ordinary equipment, and basic services don’t draw a second glance. Immunity. As long

Creating a Race or Subrace

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

subrace has history in the D&D multiverse, so you already have some stories to draw on when building its traits. Example Subrace: Eladrin Creatures of magic with strong ties to nature, eladrin live in the

society, although they usually rise to the top, becoming revered leaders and honorable heroes. You might decide to use the aasimar as a counterpoint to the tiefling race. The two races could even be

Cackling Chasm Locations

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

descending into the rock. Blood has been used to draw crude symbols on the skulls. The skulls belong to humans, dwarves, goblins, goliaths, and orcs. The symbol on each skull looks like a three

various caves is slick with ice, cautious characters can move on it without falling. Every loud noise in the chasm can be heard in the surrounding caves, and vice versa. Characters who make enough

Cackling Chasm Locations

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

descending into the rock. Blood has been used to draw crude symbols on the skulls. The skulls belong to humans, dwarves, goblins, goliaths, and orcs. The symbol on each skull looks like a three

various caves is slick with ice, cautious characters can move on it without falling. Every loud noise in the chasm can be heard in the surrounding caves, and vice versa. Characters who make enough

Cackling Chasm Locations

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

descending into the rock. Blood has been used to draw crude symbols on the skulls. The skulls belong to humans, dwarves, goblins, goliaths, and orcs. The symbol on each skull looks like a three

various caves is slick with ice, cautious characters can move on it without falling. Every loud noise in the chasm can be heard in the surrounding caves, and vice versa. Characters who make enough

Obviator