Mulligan's senses prickle as he circles the balcony, that great square mirror always somehow looming at the edge of his vision, too large, too still, too... interested. He forces himself to breathe and begins a methodical search, looking both for signs of arcane involvement, hidden access points, or mechanical tricks.
While he works, Break-a-leg speaks quietly about his recollection of Endelyn watching (the very few shows that he performed in) from the higher balcony... the one above this one. Mulligan recalls seeing that level from below, along with what is likely to be the ornithopter.
The bench yields nothing. The masks are just leering, alabaster things. The velvet curtains billow with the faint draft crawling in from the open stage. Then he moves back to the mirror... and the sense of wrongness sharpens. His own reflection is perfectly ordinary... no distortion, no magical shimmer, nothing like the Carnival’s trick mirrors, and yet the feeling remains. The reflection of the theater beyond is equally mundane.
Then he sees it. The frame sits ever so slightly away from the stone, not flush, not fixed, as though the wall behind it isn’t a wall at all. With a practiced fingertip, Mulligan finds the seam. A door. A secret door. Tracing the perimeter, the rogue's practiced finger soon finds where a central pivot hinge would be, where a latch would make sense, and tests a few carvings... nothing, nothing, then...
Click. The panel loosens pivots on its central axis, revealing a dark, semicircular chamber behind it, with a doorway at the rear of the chamber on the curved wall.
A small figure sits on the middle of three padded chairs which face the mirror, perfectly still except for the slow tilt of its head, which is shrouding in the hood of a dark cloak. Glittering eyes reflect the faint light from the outside... pale, predatory, curious, amused.
A darkling. And it has been there the whole time, watching Mulligan sneak and search and finally step through the mirror, which Mulligan can now see is completely transparent from the other side... a perfect one-way window.
The darkling does not speak. It does not rise. It only lifts one hand, slowly... and waves. A tiny, ambiguous gesture. Is it a greeting? A warning? A casual dismissal?
Rowan
The walls of this gloomy chamber are lined with black-veiled compartments that contain makeshift beds. The furniture is sparse: a few wooden tables and chairs, a box of junk in one corner, and flickering lanterns resting here and there. Five performers occupy the room. Two of them are on their feet - one is a female tiefling talking to a skull, the other a male human pacing angrily and muttering - but neither look up at Rowan's furtive peek. A male halfling is crouched in a corner, studying a sheaf of papers that are blotched with tears. Two others are difficult to see but appear to be on their bunks, sobbing into their pillows.
Barria
The hairy creature's head barely turns at Barria's greeting. It droops as though even lifting it is too much effort.
Huh. Good, evil. What does it matter? I've given up trying to remember my lines.
His voice is like despair dragged over gravel. Then he turns properly, and only then seems to register Barria's presence. A faint spark brighten his eyes as he says: Huh, you're new.Then after a thoughtful pause: What did she promise you?
He sniffs once, as if smelling the carnival air that still clings to Barria's cloak. Then, almost belatedly adds:
I'm Hurly, what's your name?
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How does a red dragon blow out the candles on its birthday cake?
Rowan pauses to look at the sad scene ahead of him. These were not happy people.
"Hi," Rowan says as he walks through the curtains. "Is this a tragedy you're rehearsing for?"
But something twigs in the back of his mind. Something about hope. Or maybe it was the lack of hope.
"Are you all feeling hopeless? I've heard that gets taken from you here. I'm curious how that happens. Does Lyn just talk you into despair, telling you really nasty things? My grandmother would do that, telling me about all the friends and relatives of hers who had already died. I always felt about down after that. Or is it some sort of magic, where Lyn literally sucks the hope from you? Do you know if she keeps it anywhere? Maybe then you could find yours and get it back."
Greg follows along as Rowan and Barria enter the rooms of what feels like a backstage prep area. Though the gnome doesn't take much notice of the frustrations and despairs of the other actors, he instead is very much in his own head about the plan. If there is a chair near the hairy dragonclad creature he too will slump down upon a perch and let the party get to what they might, adding merely, "find me a suitable costume would you?", to anyone who might listen.
Mulligan sighs. The higher balcony? he thinks to himself after Break-A-Leg mentions it. I thought this was the higher balcony!
Except no he didn't. After a moments reflection he realizes he wanted to go to the highest balcony but then settled for the first one he got to. Whatever, it's tough to keep track of everything when you're sneaking about!
And speaking of reflections... That mirror bugged Mulligan since he first entered this balcony. Even as he tried to dismiss it the thing somehow kept drawing his eye and his attention. Even searching and examining freaked him out, as if he was being watched despite all his efforts at being hidden and stealthy. Almost as if it was these action drawing the attention of an unseen...
Click. The panel loosened and pivoted on its central axis, revealing a dark, semicircular chamber behind it, with a doorway at the rear of the chamber on the curved wall. And a small figure...
A rather colorful curse floated through Mulligan's brain. One that would undoubtedly make even Break-A-Leg blush if he shared it.
Frozen in his tracks, Mulligan just eyes the figure for a moment. And then another. It seems like forever before the creature, a Darkling perhaps?, lifts one hand, slowly... and waves. And just what was Mulligan supposed to do with that?? Except respond in kind, of course. Slowly Mulligan lifts his hand in response and produces a lazy little wave in response.
Sorry to interrupt. The play will begin shortly. I just need to be on my way and make sure the lighting is set. Special lighting. Quite a dramatic and special surprise, just you wait and see...
Even as Mulligan is transmitting the thoughts he begins to slowly, almost carefully, replace the mirror to how it was and then creep back towards the door in the back of the room.
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Mulligan
Mulligan's senses prickle as he circles the balcony, that great square mirror always somehow looming at the edge of his vision, too large, too still, too... interested. He forces himself to breathe and begins a methodical search, looking both for signs of arcane involvement, hidden access points, or mechanical tricks.
While he works, Break-a-leg speaks quietly about his recollection of Endelyn watching (the very few shows that he performed in) from the higher balcony... the one above this one. Mulligan recalls seeing that level from below, along with what is likely to be the ornithopter.
The bench yields nothing. The masks are just leering, alabaster things. The velvet curtains billow with the faint draft crawling in from the open stage. Then he moves back to the mirror... and the sense of wrongness sharpens. His own reflection is perfectly ordinary... no distortion, no magical shimmer, nothing like the Carnival’s trick mirrors, and yet the feeling remains. The reflection of the theater beyond is equally mundane.
Then he sees it. The frame sits ever so slightly away from the stone, not flush, not fixed, as though the wall behind it isn’t a wall at all. With a practiced fingertip, Mulligan finds the seam. A door. A secret door. Tracing the perimeter, the rogue's practiced finger soon finds where a central pivot hinge would be, where a latch would make sense, and tests a few carvings... nothing, nothing, then...
Click. The panel loosens pivots on its central axis, revealing a dark, semicircular chamber behind it, with a doorway at the rear of the chamber on the curved wall.
A small figure sits on the middle of three padded chairs which face the mirror, perfectly still except for the slow tilt of its head, which is shrouding in the hood of a dark cloak. Glittering eyes reflect the faint light from the outside... pale, predatory, curious, amused.
A darkling. And it has been there the whole time, watching Mulligan sneak and search and finally step through the mirror, which Mulligan can now see is completely transparent from the other side... a perfect one-way window.
The darkling does not speak. It does not rise. It only lifts one hand, slowly... and waves. A tiny, ambiguous gesture. Is it a greeting? A warning? A casual dismissal?
Rowan
The walls of this gloomy chamber are lined with black-veiled compartments that contain makeshift beds. The furniture is sparse: a few wooden tables and chairs, a box of junk in one corner, and flickering lanterns resting here and there. Five performers occupy the room. Two of them are on their feet - one is a female tiefling talking to a skull, the other a male human pacing angrily and muttering - but neither look up at Rowan's furtive peek. A male halfling is crouched in a corner, studying a sheaf of papers that are blotched with tears. Two others are difficult to see but appear to be on their bunks, sobbing into their pillows.
Barria
The hairy creature's head barely turns at Barria's greeting. It droops as though even lifting it is too much effort.
Huh. Good, evil. What does it matter? I've given up trying to remember my lines.
His voice is like despair dragged over gravel. Then he turns properly, and only then seems to register Barria's presence. A faint spark brighten his eyes as he says: Huh, you're new. Then after a thoughtful pause: What did she promise you?
He sniffs once, as if smelling the carnival air that still clings to Barria's cloak. Then, almost belatedly adds:
I'm Hurly, what's your name?
How does a red dragon blow out the candles on its birthday cake?
Rowan
Rowan pauses to look at the sad scene ahead of him. These were not happy people.
"Hi," Rowan says as he walks through the curtains. "Is this a tragedy you're rehearsing for?"
But something twigs in the back of his mind. Something about hope. Or maybe it was the lack of hope.
"Are you all feeling hopeless? I've heard that gets taken from you here. I'm curious how that happens. Does Lyn just talk you into despair, telling you really nasty things? My grandmother would do that, telling me about all the friends and relatives of hers who had already died. I always felt about down after that. Or is it some sort of magic, where Lyn literally sucks the hope from you? Do you know if she keeps it anywhere? Maybe then you could find yours and get it back."
Greg follows along as Rowan and Barria enter the rooms of what feels like a backstage prep area. Though the gnome doesn't take much notice of the frustrations and despairs of the other actors, he instead is very much in his own head about the plan. If there is a chair near the hairy dragonclad creature he too will slump down upon a perch and let the party get to what they might, adding merely, "find me a suitable costume would you?", to anyone who might listen.
Mulligan sighs. The higher balcony? he thinks to himself after Break-A-Leg mentions it. I thought this was the higher balcony!
Except no he didn't. After a moments reflection he realizes he wanted to go to the highest balcony but then settled for the first one he got to. Whatever, it's tough to keep track of everything when you're sneaking about!
And speaking of reflections... That mirror bugged Mulligan since he first entered this balcony. Even as he tried to dismiss it the thing somehow kept drawing his eye and his attention. Even searching and examining freaked him out, as if he was being watched despite all his efforts at being hidden and stealthy. Almost as if it was these action drawing the attention of an unseen...
Click. The panel loosened and pivoted on its central axis, revealing a dark, semicircular chamber behind it, with a doorway at the rear of the chamber on the curved wall. And a small figure...
A rather colorful curse floated through Mulligan's brain. One that would undoubtedly make even Break-A-Leg blush if he shared it.
Frozen in his tracks, Mulligan just eyes the figure for a moment. And then another. It seems like forever before the creature, a Darkling perhaps?, lifts one hand, slowly... and waves. And just what was Mulligan supposed to do with that?? Except respond in kind, of course. Slowly Mulligan lifts his hand in response and produces a lazy little wave in response.
Sorry to interrupt. The play will begin shortly. I just need to be on my way and make sure the lighting is set. Special lighting. Quite a dramatic and special surprise, just you wait and see...
Even as Mulligan is transmitting the thoughts he begins to slowly, almost carefully, replace the mirror to how it was and then creep back towards the door in the back of the room.