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Markos Delphi

Monsters Keys from the Golden Vault

Multiattack. Markos makes two Ceremonial Blade attacks, two Psychic Orb attacks, or one of each. Ceremonial Blade. Melee Weapon Attack: +4;{"diceNotation":"1d20+4", "rollType":"to hit", "rollAction

":"Ceremonial Blade"} to hit, reach 5 ft., one target. Hit: 5 (1d6 + 2);{"diceNotation":"1d6+2", "rollType":"damage", "rollAction":"Ceremonial Blade", "rollDamageType":"piercing"} piercing damage plus

Bladesinging

classes Sword Coast Adventurer's Guide

who have observed a bladesinger at work remember the display as one of the more beautiful experiences in their life, a glorious dance accompanied by a singing blade.

Bladesingers master a tradition of wizardry that incorporates swordplay and dance. Originally created by elves, this tradition has been adopted by non-elf practitioners, who honor and expand on the

College of Creation

classes Tasha’s Cauldron of Everything

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

too can teach the mountains to sing and dance.” Dwarves and gnomes often encourage their bards to become students of the Song of Creation. And among dragonborn, the Song of Creation is revered

College of Creation (TCoE)

classes Tasha’s Cauldron of Everything

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

too can teach the mountains to sing and dance.” Dwarves and gnomes often encourage their bards to become students of the Song of Creation. And among dragonborn, the Song of Creation is revered

Bladesinging (Legacy)

classes Sword Coast Adventurer's Guide

who have observed a bladesinger at work remember the display as one of the more beautiful experiences in their life, a glorious dance accompanied by a singing blade.

Bladesingers master a tradition of wizardry that incorporates swordplay and dance. Originally created by elves, this tradition has been adopted by non-elf practitioners, who honor and expand on the

Bladesinger

classes Forgotten Realms: Heroes of Faerûn

experiences in their life— a glorious dance accompanied by a singing blade. Bladesinging is associated with the ancient elven societies that first mastered the art and coined the term. Even today

Wield Weapon and Wizardry in Elegant Tandem Bladesingers master a tradition of wizardry that incorporates swordplay and dance. In combat, a Bladesinger uses intricate, elegant maneuvers that fend

Tinderstrike

Magic Items Princes of the Apocalypse

A flint dagger, Tinderstrike is uncommonly sharp, and sparks cascade off its edge whenever it strikes something solid. Its handle is always warm to the touch, and the blade smolders for 1d4 minutes

monster (save DC 17) on a fire elemental. Once you have done so, Tinderstrike can’t be used this way again until the next dawn. Dance of the All-Consuming Fire. While inside a fire node, you can

College of Dance

classes Player’s Handbook

Move in Harmony with the Cosmos Bards of the College of Dance know that the Words of Creation can’t be contained within speech or song; the words are uttered by the movements of celestial

bodies and flow through the motions of the smallest creatures. These Bards practice a way of being in harmony with the whirling cosmos that emphasizes agility, speed, and grace.

College of Swords

classes Xanathar's Guide to Everything

Bards of the College of Swords are called blades, and they entertain through daring feats of weapon prowess. Blades perform stunts such as sword swallowing, knife throwing and juggling, and mock

combats. Though they use their weapons to entertain, they are also highly trained and skilled warriors in their own right. Their talent with weapons inspires many blades to lead double lives. One blade

College of Swords (XGtE)

classes Xanathar's Guide to Everything

Bards of the College of Swords are called blades, and they entertain through daring feats of weapon prowess. Blades perform stunts such as sword swallowing, knife throwing and juggling, and mock

combats. Though they use their weapons to entertain, they are also highly trained and skilled warriors in their own right. Their talent with weapons inspires many blades to lead double lives. One blade

Windfall

Monsters Vecna: Eve of Ruin

legendary action at a time and only at the end of another creature’s turn. Windfall regains spent legendary actions at the start of her turn. Deft Dance. Windfall moves up to her speed without

, Windfall has been granted phenomenal power by her master. Her skin glitters with patches of multicolored scales, and in combat, her blade sings with all five of the chromatic dragons’ elements

Shadow Fey

races

. A shadow fey character could easily be a minor noble from the courts of the shadow fey (see Chapter 6 of Book of Ebon Tides), from one of the handful of cities of the Shadow Realm, or from a remote

blade. Involvement in the eternal drama of the courts gives purpose to their long lives. Still, their constant desire for novelty can easily see them indulge in long periods of travel or other

Bard

classes Basic Rules (2014)

of song, speech, and the magic they contain. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation

still resound throughout the cosmos. The music of bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer

Priest of Osybus (Deathly)

Monsters Van Richten’s Guide to Ravenloft

turn.Multiattack. The priest attacks twice. Soul Blade. Melee Weapon Attack: +5;{"diceNotation":"1d20+5","rollType":"to hit","rollAction":"Soul Blade"} to hit, reach 5 ft., one target. Hit: 7 (2d4 + 2

);{"diceNotation":"2d4+2","rollType":"damage","rollAction":"Soul Blade","rollDamageType":"piercing"} piercing damage, and if the target is a creature, it is paralyzed until the start of the priest’s

Priest of Osybus (Dread)

Monsters Van Richten’s Guide to Ravenloft

it is immune to poison and psychic damage. It has 15 hit points, but it regains all its hit points at the end of every combatant’s turn.Multiattack. The priest attacks twice. Soul Blade. Melee

Weapon Attack: +5;{"diceNotation":"1d20+5","rollType":"to hit","rollAction":"Soul Blade"} to hit, reach 5 ft., one target. Hit: 7 (2d4 + 2);{"diceNotation":"2d4+2","rollType":"damage","rollAction

Priest of Osybus

Monsters Van Richten’s Guide to Ravenloft

it regains all its hit points at the end of every combatant’s turn.Multiattack. The priest attacks twice. Soul Blade. Melee Weapon Attack: +5;{"diceNotation":"1d20+5","rollType":"to hit

","rollAction":"Soul Blade"} to hit, reach 5 ft., one target. Hit: 7 (2d4 + 2);{"diceNotation":"2d4+2","rollType":"damage","rollAction":"Soul Blade","rollDamageType":"piercing"} piercing damage, and if the

Graz'zt

Monsters Mordenkainen Presents: Monsters of the Multiverse

one Wave of Sorrow attack. Dance, My Puppet! One creature charmed by Graz’zt that Graz’zt can see must use its reaction to move up to its speed as Graz’zt directs.The appearance of

provoked. He wields the greatsword Angdrelve, also called Wave of Sorrow, whose wavy, razor-edged blade drips acid at his command.Graz’zt’s Lair Graz’zt’s principal lair is his

Priest of Osybus (Ectoplasmic)

Monsters Van Richten’s Guide to Ravenloft

and psychic damage. It has 15 hit points, but it regains all its hit points at the end of every combatant’s turn.Multiattack. The priest attacks twice. Soul Blade. Melee Weapon Attack: +5

;{"diceNotation":"1d20+5","rollType":"to hit","rollAction":"Soul Blade"} to hit, reach 5 ft., one target. Hit: 7 (2d4 + 2);{"diceNotation":"2d4+2","rollType":"damage","rollAction":"Soul Blade

Priest of Osybus (Spectral)

Monsters Van Richten’s Guide to Ravenloft

15, and it is immune to poison and psychic damage. It has 15 hit points, but it regains all its hit points at the end of every combatant’s turn.Multiattack. The priest attacks twice. Soul Blade

. Melee Weapon Attack: +5;{"diceNotation":"1d20+5","rollType":"to hit","rollAction":"Soul Blade"} to hit, reach 5 ft., one target. Hit: 7 (2d4 + 2);{"diceNotation":"2d4+2","rollType":"damage

Priest of Osybus (Vampiric)

Monsters Van Richten’s Guide to Ravenloft

points, but it regains all its hit points at the end of every combatant’s turn.Multiattack. The priest attacks twice. Soul Blade. Melee Weapon Attack: +5;{"diceNotation":"1d20+5","rollType":"to

hit","rollAction":"Soul Blade"} to hit, reach 5 ft., one target. Hit: 7 (2d4 + 2);{"diceNotation":"2d4+2","rollType":"damage","rollAction":"Soul Blade","rollDamageType":"piercing"} piercing damage, and

Bard

classes Player’s Handbook

;Daggers, Musical Instrument of your choice, Entertainer's Pack, and 19 GP; or (B) 90 GP Invoking magic through music, dance, and verse, Bards are expert at inspiring others, soothing hurts

, disheartening foes, and creating illusions. Bards believe the multiverse was spoken into existence and that remnants of its Words of Creation still resound and glimmer on every plane of existence. Bardic

Graz'zt Legacy

Monsters Out of the Abyss

legendary actions at the start of his turn. Attack. Graz’zt attacks once with the Wave of Sorrow. Dance, My Puppet! One creature charmed by Graz’zt that Graz’zt can see must use its

, the Wave of Sorrow, its wavy, razor-edged blade dripping acid at his command.Graz’zt’s Lair Graz’zt’s principal lair is his Argent Palace, a grandiose structure in the city of

Nafas

Monsters Quests from the Infinite Staircase

of twinkling stardust follows Nafas wherever he goes, as evidence of his cosmic might. No bottle, vase, ring, or lamp can contain Nafas. The genie is bound to the Infinite Staircase itself, anchored

melodious chimes dance in the shutterless windows of its vaulted halls. Held aloft by genie magic and the staircases that branch from it, the palace is a pit stop for planar travelers and a haven for

Bard

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Choose A or B: (A) Leather Armor, 2 Daggers, Musical Instrument of your choice, Entertainer’s Pack, and 19 GP; or (B) 90 GP Invoking magic through music, dance, and verse, Bards are expert at inspiring

Bard EVYN FONG An Inspiring Performer of Music, Dance, and Magic Core Bard Traits Primary Ability Charisma Hit Point Die D8 per Bard level Saving Throw Proficiencies Dexterity and Charisma Skill

Bard

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Choose A or B: (A) Leather Armor, 2 Daggers, Musical Instrument of your choice, Entertainer’s Pack, and 19 GP; or (B) 90 GP Invoking magic through music, dance, and verse, Bards are expert at inspiring

Bard EVYN FONG An Inspiring Performer of Music, Dance, and Magic Core Bard Traits Primary Ability Charisma Hit Point Die D8 per Bard level Saving Throw Proficiencies Dexterity and Charisma Skill

Bard

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Choose A or B: (A) Leather Armor, 2 Daggers, Musical Instrument of your choice, Entertainer’s Pack, and 19 GP; or (B) 90 GP Invoking magic through music, dance, and verse, Bards are expert at inspiring

Bard EVYN FONG An Inspiring Performer of Music, Dance, and Magic Core Bard Traits Primary Ability Charisma Hit Point Die D8 per Bard level Saving Throw Proficiencies Dexterity and Charisma Skill

Klauth

Monsters Storm King's Thunder

beaked snout vents smoke at all times, and its eyes dance with flame when it is angry. Klauthen Vale is a narrow, winding valley in the mountains west of Mirabar. Thanks to ancient and powerful magic, the

contain numerous caves, two of them large enough for Klauth to shelter in. He keeps his legendary hoard in tunnels beneath one cavern, which can be entered only by lifting or pushing aside a massive slab of

Music and Magic

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Music and Magic In the worlds of D&D, words and music are not just vibrations of air, but vocalizations with power all their own. The bard is a master of song, speech, and the magic they contain