barriers before direct constant rise - Search

Flaming Sphere

Spells Player’s Handbook

the sphere into a creature’s space, that creature makes the save against the sphere, and the sphere stops moving for the turn. When you move the sphere, you can direct it over barriers up to 5

Control Water

Spells Player’s Handbook

repeat the same effect or choose a different one. Flood. You cause the water level of all standing water in the area to rise by as much as 20 feet. If you choose an area in a large body of water, you

directions. The water in the area moves as you direct it, but once it moves beyond the spell’s area, it resumes its flow based on the terrain. The water continues to move in the direction you

Fire Hellion

Monsters Bigby Presents: Glory of the Giants

, hoping to learn tactics the devils have fine-tuned over millennia and to acquire magical gifts to help the giant rise in the ordning. Over time, the giant is corrupted, becoming a Fiend in its own right

this way, the devil stands to gain a constant supply of souls from the giant’s enemies, as well as the promise that the giant will serve the devil as a smith in the Nine Hells after death. The

Trickery Domain

classes Player’s Handbook (2014)

Gods of trickery — such as Tymora, Beshaba, Olidammara, the Traveler, Garl Glittergold, and Loki — are mischief-makers and instigators who stand as a constant challenge to the accepted

, stealing from the rich, freeing captives, and flouting hollow traditions. They prefer subterfuge, pranks, deception, and theft rather than direct confrontation. Trickery Domain Spells Cleric

Trickery Domain

classes Player’s Handbook

, mocking tyrants, freeing captives, and flouting hollow traditions. They prefer subterfuge and pranks to direct confrontation. Gods of trickery are mischief-makers and instigators who stand as a constant

Flaming Sphere Legacy

Spells Basic Rules (2014)

a creature, that creature must make the saving throw against the sphere's damage, and the sphere stops moving this turn. When you move the sphere, you can direct it over barriers up to 5 feet tall

Control Water Legacy

Spells Basic Rules (2014)

. As an action on your turn, you can repeat the same effect or choose a different one. Flood. You cause the water level of all standing water in the area to rise by as much as 20 feet. If the area

in the area to move in a direction you choose, even if the water has to flow over obstacles, up walls, or in other unlikely directions. The water in the area moves as you direct it, but once it moves

Young Suneater Owlbear

monsters

Observer Mimic. If the owlbear is in dim light or darkness, it appears to be an observer, a type of powerful, floating eye tyrant. Photometabolise. If the owlbear is in direct sunlight, it regains 5

owlbear is used to a constant food supply and the diurnal cycle to which so many Material Plane beasts are adapted leaves a suneater feeling particularly hangry and irritable. Indolent and Iridescent

Ruinblade

Magic Items Infernal Machine Rebuild

spell or similar magic, you are unwilling to part with the weapon. The weapon must take direct part in the destruction of 1,000 gp worth of materials and objects every seven days, or a conflict

blank slate. It thus encourages its wielder to engage in constant destruction, claiming that this will allow the creation of a more superior vision from the ruin of what came before.

Adult Suneater Owlbear

monsters

of powerful, floating eye tyrant. Photometabolise. If the owlbear is in direct sunlight, it regains 10 hit points at the start of its turn. Radiant Absorption. Whenever the owlbear is subjected to

used to a constant food supply and the diurnal cycle to which so many Material Plane beasts are adapted leaves a suneater feeling particularly hangry and irritable. Indolent and Iridescent. The term

Ancient Suneater Owlbear

monsters

of powerful, floating eye tyrant. Photometabolise. If the owlbear is in direct sunlight, it regains 15 hit points at the start of its turn. Radiant Absorption. Whenever the owlbear is subjected to

owlbear is used to a constant food supply and the diurnal cycle to which so many Material Plane beasts are adapted leaves a suneater feeling particularly hangry and irritable. Indolent and Iridescent

Yuan-ti Pureblood Legacy

races Volo's Guide to Monsters

and eaten as part of the procedure. Undercover Empire The human civilization that gave rise to the yuan-ti was among the richest in the mortal world. It rapidly progressed in metalworking, using

’ serpent gods into their religions. These victories sent a constant influx of food, ore, and slaves back to the home cities. The wealth of the empire allowed the ruling elite plenty of time to

Lost Spire Overview

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

buried, and upside down. The spire’s constant features are summarized below: Everything Is Upside Down. Every traversable location shown on map 2.10 is upside down. To get around, the characters have

and passageways are 12 feet high, with flat ceilings and floors unless the text says otherwise. All doorways are 8 feet high and arched; being upside down turns them into concave, 4-foot-high barriers

Lost Spire Overview

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

buried, and upside down. The spire’s constant features are summarized below: Everything Is Upside Down. Every traversable location shown on map 2.10 is upside down. To get around, the characters have

and passageways are 12 feet high, with flat ceilings and floors unless the text says otherwise. All doorways are 8 feet high and arched; being upside down turns them into concave, 4-foot-high barriers

Lost Spire Overview

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

buried, and upside down. The spire’s constant features are summarized below: Everything Is Upside Down. Every traversable location shown on map 2.10 is upside down. To get around, the characters have

and passageways are 12 feet high, with flat ceilings and floors unless the text says otherwise. All doorways are 8 feet high and arched; being upside down turns them into concave, 4-foot-high barriers

Demon Portal

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

Demon Portal Years ago, a wise and humble acolyte of Torm named Opallita the Devout wanted to speak directly to her god. Through decades of constant prayer in the crypts beneath the chapel, she

created a direct link between the ossuary and the celestial essence of Torm, as her prayers made the chamber that she prayed in sensitive to psychic connections between mortals and higher powers. When

Demon Portal

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

Demon Portal Years ago, a wise and humble acolyte of Torm named Opallita the Devout wanted to speak directly to her god. Through decades of constant prayer in the crypts beneath the chapel, she

created a direct link between the ossuary and the celestial essence of Torm, as her prayers made the chamber that she prayed in sensitive to psychic connections between mortals and higher powers. When

Demon Portal

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

Demon Portal Years ago, a wise and humble acolyte of Torm named Opallita the Devout wanted to speak directly to her god. Through decades of constant prayer in the crypts beneath the chapel, she

created a direct link between the ossuary and the celestial essence of Torm, as her prayers made the chamber that she prayed in sensitive to psychic connections between mortals and higher powers. When

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

into a creature, that creature must make the saving throw against the sphere’s damage, and the sphere stops moving this turn. When you move the sphere, you can direct it over barriers up to 5 feet

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

into a creature, that creature must make the saving throw against the sphere’s damage, and the sphere stops moving this turn. When you move the sphere, you can direct it over barriers up to 5 feet

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

into a creature, that creature must make the saving throw against the sphere’s damage, and the sphere stops moving this turn. When you move the sphere, you can direct it over barriers up to 5 feet

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

into a creature, that creature must make the saving throw against the sphere’s damage, and the sphere stops moving this turn. When you move the sphere, you can direct it over barriers up to 5 feet

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

into a creature, that creature must make the saving throw against the sphere’s damage, and the sphere stops moving this turn. When you move the sphere, you can direct it over barriers up to 5 feet

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

into a creature, that creature must make the saving throw against the sphere’s damage, and the sphere stops moving this turn. When you move the sphere, you can direct it over barriers up to 5 feet

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

creature’s space, that creature makes the save against the sphere, and the sphere stops moving for the turn. When you move the sphere, you can direct it over barriers up to 5 feet tall and jump it across

Flaming Sphere

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

creature’s space, that creature makes the save against the sphere, and the sphere stops moving for the turn. When you move the sphere, you can direct it over barriers up to 5 feet tall and jump it across

Hosts of the Nine Hells

Compendium - Sources->Dungeons & Dragons->Hoard of the Dragon Queen

who expended tremendous amounts of magical power to breach the barriers that separate the Nine Hells from other planes. Using Devils Devils aren’t numerous in The Rise of Tiamat until the final