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Purphoros as Campaign Villain

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

Purphoros as Campaign Villain As a campaign villain, Purphoros is more likely to be driven by his impulses rather than by any coherent plan. He might begin by encouraging his champions to create

works and spread tales that belittle the other gods. When other deities retaliate against his chosen, Purphoros reacts with rage, taking vengeance on other gods’ temples and priests across Theros

Campaign Theme

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

confront not only the savagery of the bestial creatures of the world, but also the beast within — the rage and fury that lies in their own hearts. A campaign exploring the insatiable thirst for power

adventures that aren’t necessarily connected by a common villain. One adventure might feature the dead bursting from their graves and threatening to overwhelm a whole town. In the next adventure, a

The Dark Six

Compendium - Sources->Dungeons & Dragons->Wayfinder's Guide to Eberron

evil. If you’re a barbarian, it’s the Fury who unleashes your rage. If you’re an assassin, you walk the path of the Mockery as opposed to that of Dol Arrah. The creatures of Droaam generally revere the

Dark Six. Humanity sees the Shadow as a villain who gave the harpy her voice and the medusa her gaze; to the harpy and the medusa, this makes the Shadow a hero.

Thassa as Campaign Villain

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

Thassa as Campaign Villain Many of Thassa’s schemes begin with some perceived slight, or even a genuine threat, perpetrated by one of the other gods. But Thassa’s acts of intervention are seldom

subtle, and her resistance to change sometimes causes her to let a situation worsen until she erupts in rage. Thassa might begin by answering another god’s offensive act with a display of power—which

Darklords in Your Adventures

Compendium - Sources->Dungeons & Dragons->Ravenloft: The Horrors Within

other lands. Thwarting a Darklord and escaping their clutches ultimately means delivering the villain a dramatic defeat—one that sends them into such a state of rage, desolation, or uncertainty that

. As characters adventure in a Darklord’s domain, they learn about the Darklord, hear reports of the Darklord’s infamy, and eventually discover secrets to frustrate or undermine the villain. Consider

Chapter 22: Euryale

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

were dismissed. In desperation, she broke out of the keep, but she was overwhelmed by guards. Only then, after exhausting all options, did Asteria give in to rage, screaming at the stars that were her

Asteria’s destiny to be a dutiful daughter and princess, and it was Euryale’s fate to be remembered forever as a tragic villain. Asteria wasn’t sure which part of this destiny she resented more. “We

World-Shaking Events

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

might be a tyrant, a fiend, or black-hearted villain, and the era that just ended could have been one of peace, tranquility, and justice. A new leader shakes the foundations of your campaign world and

begins must end. With the fall of kings and queens, the maps of the world are redrawn. Laws change, new customs become all the rage, and old ones fall out of favor. The attitude of the citizens toward

Locations I - L

Compendium - Sources->Dungeons & Dragons->Storm King's Thunder

animals or get too nosy, a sudden rage overcomes him, and he launches a series of hit-and-run attacks. Jets of fire and bolts of lightning spring forth as he swoops down on foes — the discharges of wands he

stronghold until that villain was finally dispatched. Most recently, an attempt to rebuild Llorkh had just gotten under way when the stone giants of Deadstone Cleft attacked. The residents were driven out

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