Search Results
All Results
Characters
Compendium
Spells
Items
Monsters
Vehicles
Forums
Returning 35 results for 'touch singing'.
Other Suggestions:
though singing
touch shining
touch sending
Monsters
Mythic Odysseys of Theros
attacks twice with its fiery touch or fire bolt.
Fiery Touch. Melee Spell Attack: +6;{"diceNotation":"1d20+6","rollType":"to hit","rollAction":"Fiery Touch"} to hit, reach 5 ft., one target. Hit: 9
(1d10 + 4);{"diceNotation":"1d10+4","rollType":"damage","rollAction":"Fiery Touch","rollDamageType":"fire"} fire damage.
Fire Bolt (Cantrip). Ranged Spell Attack: +6;{"diceNotation":"1d20+6","rollType
Compendium
- Sources->Dungeons & Dragons->Candlekeep Mysteries
uncanny pitch, you recognize Ebder’s voice.
Anyone in area F2 sees that Ebder’s eyes are bulging in terror. As he hums the rhyme’s melody, the rest of his body is paralyzed. He’s cold to the touch
console the child, with little effect. Shemshime’s influence has begun to reach into the world. When Ebder stops singing, roll on the Shemshime’s Influence table to find out what happens next. Haunting
Compendium
- Sources->Dungeons & Dragons->Candlekeep Mysteries
uncanny pitch, you recognize Ebder’s voice.
Anyone in area F2 sees that Ebder’s eyes are bulging in terror. As he hums the rhyme’s melody, the rest of his body is paralyzed. He’s cold to the touch
console the child, with little effect. Shemshime’s influence has begun to reach into the world. When Ebder stops singing, roll on the Shemshime’s Influence table to find out what happens next. Haunting
Compendium
- Sources->Dungeons & Dragons->Candlekeep Mysteries
uncanny pitch, you recognize Ebder’s voice.
Anyone in area F2 sees that Ebder’s eyes are bulging in terror. As he hums the rhyme’s melody, the rest of his body is paralyzed. He’s cold to the touch
console the child, with little effect. Shemshime’s influence has begun to reach into the world. When Ebder stops singing, roll on the Shemshime’s Influence table to find out what happens next. Haunting
Compendium
- Sources->Dungeons & Dragons->Basic Rules (2014)
Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires
wandering across the land gathering lore, telling stories, and living on the gratitude of audiences, much like any other entertainer. But a depth of knowledge, a level of musical skill, and a touch of
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires
wandering across the land gathering lore, telling stories, and living on the gratitude of audiences, much like any other entertainer. But a depth of knowledge, a level of musical skill, and a touch of
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires
wandering across the land gathering lore, telling stories, and living on the gratitude of audiences, much like any other entertainer. But a depth of knowledge, a level of musical skill, and a touch of
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
their holy symbol and speak a prayer. To use remove curse instead, a character must cast the spell and touch an object that is part of the trap. Whichever disarming method is used, the trap itself then
former owner or singing a lullaby that soothes a restless spirit. Haunted traps disarmed in such ways typically remain disarmed for 24 hours.
Compendium
- Sources->Dungeons & Dragons->Basic Rules (2014)
Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires
wandering across the land gathering lore, telling stories, and living on the gratitude of audiences, much like any other entertainer. But a depth of knowledge, a level of musical skill, and a touch of
Compendium
- Sources->Dungeons & Dragons->Basic Rules (2014)
Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires
wandering across the land gathering lore, telling stories, and living on the gratitude of audiences, much like any other entertainer. But a depth of knowledge, a level of musical skill, and a touch of
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires
wandering across the land gathering lore, telling stories, and living on the gratitude of audiences, much like any other entertainer. But a depth of knowledge, a level of musical skill, and a touch of
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
their holy symbol and speak a prayer. To use remove curse instead, a character must cast the spell and touch an object that is part of the trap. Whichever disarming method is used, the trap itself then
former owner or singing a lullaby that soothes a restless spirit. Haunted traps disarmed in such ways typically remain disarmed for 24 hours.
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
their holy symbol and speak a prayer. To use remove curse instead, a character must cast the spell and touch an object that is part of the trap. Whichever disarming method is used, the trap itself then
former owner or singing a lullaby that soothes a restless spirit. Haunted traps disarmed in such ways typically remain disarmed for 24 hours.
classes
Basic Rules (2014)
from Experience
True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires hard study
wandering across the land gathering lore, telling stories, and living on the gratitude of audiences, much like any other entertainer. But a depth of knowledge, a level of musical skill, and a touch of magic
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
magical energy 16 Statue 17 Stone obelisk 18 Suit of armor 19 Tapestry or rug 20 Target dummy Tricks d100 Trick Effect 01–03 Ages the first person to touch the object 04–06 The touched object
, or turns into a monster 85–87 Casts suggestion on the characters 88–90 Wails loudly when touched 91–93 Talks (normal speech, nonsense, poetry and rhymes, singing, spellcasting, or screaming) 94–97 Teleports characters to another place 98–00 Swaps two or more characters’ minds
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
magical energy 16 Statue 17 Stone obelisk 18 Suit of armor 19 Tapestry or rug 20 Target dummy Tricks d100 Trick Effect 01–03 Ages the first person to touch the object 04–06 The touched object
, or turns into a monster 85–87 Casts suggestion on the characters 88–90 Wails loudly when touched 91–93 Talks (normal speech, nonsense, poetry and rhymes, singing, spellcasting, or screaming) 94–97 Teleports characters to another place 98–00 Swaps two or more characters’ minds
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
magical energy 16 Statue 17 Stone obelisk 18 Suit of armor 19 Tapestry or rug 20 Target dummy Tricks d100 Trick Effect 01–03 Ages the first person to touch the object 04–06 The touched object
, or turns into a monster 85–87 Casts suggestion on the characters 88–90 Wails loudly when touched 91–93 Talks (normal speech, nonsense, poetry and rhymes, singing, spellcasting, or screaming) 94–97 Teleports characters to another place 98–00 Swaps two or more characters’ minds
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
.
Actions
Multiattack. The alseid makes two radiant touch attacks.
Radiant Touch. Melee Spell Attack: +6 to hit, reach 5 ft., one target. Hit: 9 (1d10 + 4) radiant damage.
Lampad
(JASON FELIX
material components:
At will: chill touch (see “Actions” below), gentle repose
Magic Resistance. The lampad has advantage on saving throws against spells and other magical effects.
Actions
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
.
Actions
Multiattack. The alseid makes two radiant touch attacks.
Radiant Touch. Melee Spell Attack: +6 to hit, reach 5 ft., one target. Hit: 9 (1d10 + 4) radiant damage.
Lampad
(JASON FELIX
material components:
At will: chill touch (see “Actions” below), gentle repose
Magic Resistance. The lampad has advantage on saving throws against spells and other magical effects.
Actions
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
.
Actions
Multiattack. The alseid makes two radiant touch attacks.
Radiant Touch. Melee Spell Attack: +6 to hit, reach 5 ft., one target. Hit: 9 (1d10 + 4) radiant damage.
Lampad
(JASON FELIX
material components:
At will: chill touch (see “Actions” below), gentle repose
Magic Resistance. The lampad has advantage on saving throws against spells and other magical effects.
Actions
Magic Items
Infernal Machine Rebuild
. The first time during a combat that a creature attacks you with a metal weapon, that creature has disadvantage on the attack roll.
Metal rusts in response to your touch—including metal armor you
finish a short rest, up to 100 silver pieces already in your possession become gold pieces, and up to 100 copper pieces become silver pieces.
All coins you touch become worthless tin.
27
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
calls for the crowd to place their bets. 31–34 Three harpies fly through the streets singing a jolly drinking song. Each carries a bucket around her neck, and passersby occasionally drop coins in one. 35
rats in a merry dance. 77–80 Four orcs jab at an ochre jelly with long staffs, trying to herd the ooze into the sewers. 81–82 Several Cyran refugees are gathered in a circle, singing a haunting song. 83
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
calls for the crowd to place their bets. 31–34 Three harpies fly through the streets singing a jolly drinking song. Each carries a bucket around her neck, and passersby occasionally drop coins in one. 35
rats in a merry dance. 77–80 Four orcs jab at an ochre jelly with long staffs, trying to herd the ooze into the sewers. 81–82 Several Cyran refugees are gathered in a circle, singing a haunting song. 83
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
calls for the crowd to place their bets. 31–34 Three harpies fly through the streets singing a jolly drinking song. Each carries a bucket around her neck, and passersby occasionally drop coins in one. 35
rats in a merry dance. 77–80 Four orcs jab at an ochre jelly with long staffs, trying to herd the ooze into the sewers. 81–82 Several Cyran refugees are gathered in a circle, singing a haunting song. 83
Compendium
- Sources->Dungeons & Dragons->Candlekeep Mysteries
. Confrontation Singing the final stanza draws Shemshime into the room. The book trembles, and its mechanical inner workings squeal to a halt for a moment before whirring back to life. You hear clicks, and shadows
inside an object.
Actions
Maddening Touch. Melee Spell Attack: +5 to hit, reach 5 ft., one target. Hit: 17 (4d6 + 3) psychic damage.
Whispers of Violence. Shemshime chooses up to two creatures it can
compendium
- Sources->Dungeons & Dragons->Faster, Purple Worm! Everybody Dies, Vol. 1
, folded in a worn silk cloth, from a drawer in a rickety table just beside her. After a moment of shuffling and singing softly to herself, she deals each character one tarokka card, face down, with the
strict instruction not to touch it until told.
For each character who gazed into the [Tooltip Not Found] and shared what they saw there, roll or choose a boon from the Tarokka Cards table
compendium
- Sources->Dungeons & Dragons->Faster, Purple Worm! Everybody Dies, Vol. 1
human-style clothing. During combat, the rats begin singing in eerie, off-key tones. The song doesn’t seem to be in any discernible language. After the rats are defeated or avoided, the party can safely
makes three Cursed Touch attacks.
Cursed Touch. Melee Attack Roll: +10, reach 5 ft. Hit: 12 (2d6 + 5) Slashing damage plus 19 (3d12) Necrotic damage. If the target is a creature, it is cursed. While
Compendium
- Sources->Dungeons & Dragons->Candlekeep Mysteries
. Confrontation Singing the final stanza draws Shemshime into the room. The book trembles, and its mechanical inner workings squeal to a halt for a moment before whirring back to life. You hear clicks, and shadows
inside an object.
Actions
Maddening Touch. Melee Spell Attack: +5 to hit, reach 5 ft., one target. Hit: 17 (4d6 + 3) psychic damage.
Whispers of Violence. Shemshime chooses up to two creatures it can
Compendium
- Sources->Dungeons & Dragons->Candlekeep Mysteries
. Confrontation Singing the final stanza draws Shemshime into the room. The book trembles, and its mechanical inner workings squeal to a halt for a moment before whirring back to life. You hear clicks, and shadows
inside an object.
Actions
Maddening Touch. Melee Spell Attack: +5 to hit, reach 5 ft., one target. Hit: 17 (4d6 + 3) psychic damage.
Whispers of Violence. Shemshime chooses up to two creatures it can
Compendium
- Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants
Encounters d12† Encounter
1 2d4 gargoyles (attitude: 1d8) keeping watch, crouching utterly still
2 2 galeb duhrs (attitude: 1d10) singing a rumbling bass duet to an audience of boulders
3
stalking
4 1 storm crab* (attitude: 1d8) traveling in a straight path with purpose
5 1 frost giant of Evil Water* (attitude: 1d6) considering going on a rampage
6 1 marid singing as it
Compendium
- Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants
Encounters d12† Encounter
1 2d4 gargoyles (attitude: 1d8) keeping watch, crouching utterly still
2 2 galeb duhrs (attitude: 1d10) singing a rumbling bass duet to an audience of boulders
3
stalking
4 1 storm crab* (attitude: 1d8) traveling in a straight path with purpose
5 1 frost giant of Evil Water* (attitude: 1d6) considering going on a rampage
6 1 marid singing as it
Compendium
- Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants
Encounters d12† Encounter
1 2d4 gargoyles (attitude: 1d8) keeping watch, crouching utterly still
2 2 galeb duhrs (attitude: 1d10) singing a rumbling bass duet to an audience of boulders
3
stalking
4 1 storm crab* (attitude: 1d8) traveling in a straight path with purpose
5 1 frost giant of Evil Water* (attitude: 1d6) considering going on a rampage
6 1 marid singing as it
Compendium
- Sources->Dungeons & Dragons->Waterdeep: Dragon Heist
from Caravan Court to the Trollwall in the Southern Ward is haunted by the hooded ghost of the mage Ruid, whose touch causes deathly chills to those he meets on foggy nights. All attempts to banish or
, and to occasionally attack folk in the darkness, strangling them or tripping them into fatal falls. Most often, though, it takes no notice of those who don’t bother or follow it, eerily singing
Compendium
- Sources->Dungeons & Dragons->Waterdeep: Dragon Heist
from Caravan Court to the Trollwall in the Southern Ward is haunted by the hooded ghost of the mage Ruid, whose touch causes deathly chills to those he meets on foggy nights. All attempts to banish or
, and to occasionally attack folk in the darkness, strangling them or tripping them into fatal falls. Most often, though, it takes no notice of those who don’t bother or follow it, eerily singing
Compendium
- Sources->Dungeons & Dragons->Waterdeep: Dragon Heist
from Caravan Court to the Trollwall in the Southern Ward is haunted by the hooded ghost of the mage Ruid, whose touch causes deathly chills to those he meets on foggy nights. All attempts to banish or
, and to occasionally attack folk in the darkness, strangling them or tripping them into fatal falls. Most often, though, it takes no notice of those who don’t bother or follow it, eerily singing