With nothing presenting itself as sturdy enough to do much to the lower section of the rod, Ben quickly checks the doors around the periphery of the orrery, seeing if there is anything useful behind them for his purposes. He knows there are many things in the prop room that might serve, but that is too far away and past the beings in the library. He also worries about taking too much time away from his friends--surely the play has started by now.
Rollback Post to RevisionRollBack
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Pud shuffles about with his hunched back. He approaches the crowd and speaks in the most mean spirited spiteful voice he can muster.
“Oh, joy! Please, swallow me up you wretched beast!
Doing so would rid me of my pitiful existence living a life in servitude of this princess! One so spoiled rotten and blind to her old crone of a mother’s true nature!
But, know this! You’re wretched old mother’s days are numbered!”
Performance check: 3
The dragon leapt high into the air on frantically fluttering wings thudding back down with blistering speed.
" Come princess! Join me in my feast! We will both dine upon this oafs succulent flesh to seal our vow of friendship!"
Ben safely walks around the periphery of the Orrery of Tragedies. Two short hallways lead east ending in sturdy wood doors with iron handles and fittings. Each one has a bronze knocker on it shaped like a smiling theater mask.
A third short hallway leads northwest, ending in a jet-black wooden door, and a fourth, longer hallway leads southwest to a heavy, weathered wooden door. All of the doors are closed.
There are no loose items or furniture to be found. The machine crackles with flashes of lightning that begins to bother Ben's eyes, occasionally giving off puffs of smoke shaped like strange symbols and letters.
----
Meanwhile, the audience continues to watch the muddled performances of Pud, Titaani, Matilda, and Elkhorn (who runs offstage howling in mock terror of Matilda-dragon. Performance: 7)
At the periphery of the amphitheater, Horatio continues to keep a wary eye out.
Pud twirls around, arms spread wide palms to the air as if showing off the pitiful state of the mean spirited servant. While doing so, he's careful to observe the theater in search of any naturalopen flames.
Perception check: 14
After he scans the area, he faces Titaani and Matilda and says...
"Do your worst! Gobble me up if you will!
But, I'll have you know. My flesh is anything but succulent! For I am not much more than a pitiful old wretch who's been spat on and beaten my whole life!
Have at it, dragon. You too princess.
I hope you choke on my boot, the both of you!"
Performance check: 12
Rollback Post to RevisionRollBack
Pronouns: he/him/his
Pud - lvl 7 Human Artificer - Alchemist (The Wild Beyond the Witchlight).
Quinn - lvl 4 Human Ranger - Hunter (Phandelver and Below: The Shattered Obelisk)
This post has potentially manipulated dice roll results.
"Pitiful you may be, but the dragon's word is my command! I shall conduct this dark sacrifice, killing first you and then my mother!" Titaani declares, changing her disguise self to give herself evil red eyes. "Then I shall become the dragon queen, and rule alongside my greatest and most powerful new friend!"
Titaani takes out her dagger and pretends to stab Pud with it, only stabbing the air beside him instead. "Die, pathetic servant! Rejoice in knowing that your life has finally amounted to something worthwhile!"
Performance: 11
Rollback Post to RevisionRollBack
Pronouns: She/her/her's
Currently playing as Titaani Leelathae in The Wild beyond the Witchlight
Ben: (If the doors aren’t locked, Ben will open them and look in as he checks them to see what is behind. If one is locked, he will continue on (or if all are locked he won’t get to check any).
Ben tries and peeks through each of the doors, in turn. They are all unlocked.
The southwest (weathered) door opens into a sparsely furnished guest room attached to an open stone balcony. The door connecting them swings back and forth in the wind.
The northwest (black) door opens into an audience chamber of some sort. The walls are jet black, with gold-painted scrollwork where the walls meet the ceiling and each other. Ornate, high-backed armchairs face a raised dais. An alcove at the back of the dais is half hidden by a black curtain.
The two eastern doors both open into identical theater boxes, or rather, rooms that look out upon them. They are semicircular rooms each containing a pair of padded armchairs that face a slightly tinted window. Through the windows you can see stone balconies fringed with thick drapes of musty velvet trimmed with black lace, and black marble railings are decorated with leering alabaster masks. An upholstered bench on each balcony faces a grand view of the stage and the stormy sky. Ahead, Ben can just make out Titaani, Matilda, and Pud, performing on the stage. There are no doors between the theater boxes and the rooms that view the theater boxes, just the tinted windows.
Meanwhile, the performance continues onstage. Just offstage, Stagefright looks unhappy and dejected, shaking his head.
Pud glances around, looking for flames. He can see the odd-colored arcane flames in the lighting cylinders, and more of those glowing orbs of red glass set into wrought-iron wall sconces in the interior hallways leading into the castle, but nothing in the way of natural fire.
"Let us dance in the whistling wind!" hisses Stagefright.
The hag stirs, and begins to stand up in her balcony, high above the amphitheater. She is very tall and hunched, her face in shadow.
Finding nothing truly solid to throw at the center of the orrery (unless those chairs or tables are made out of stone), Ben comes up with a crazy idea. Grabbing the black curtain in front of the dais, he yanks it hard, trying to pull it down! Assuming it comes down (and there is nothing portable and solid behind it he can use as a heavy projectile to damage the center pole), he grabs it and runs into the orrery room.
Taking one end of the curtain, he tosses it up over the longer orrery arm with the smaller sphere on the end, then grabs both ends of the curtain and hangs from the arm, using his body weight to try and bend the arm down. Maybe it pops off the smaller sphere, or perhaps the curtain gets tangled in the crescent-shaped arm sweeping underneath...His intent is to use the curtain to tangle two of the arms together so that the motion of the orrery itself provides the force to damage itself--and do it all without touching the metal himself!
OOC: Not sure what to roll, but here are a few athletics checks (beyond the one in the previous post spoiler if that one is to be used):
Athletics: 19
Athletics: 21
Rollback Post to RevisionRollBack
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Ben opens the black curtains concealing a small, empty alcove behind the audience chamber. Then he tears them down, and runs into the Orrery, tossing it successfully over one of the heavy arms. Unfortunately, it's too short to either tangle itself with another arm, or give him a grip on two ends to try to pull it down without stepping dangerously close to the mechanism.
"Hey!" cries one of the goggled goblins. "Stop that!"
Ben notices that the smoke letters drifting out of the Orrery, now in Common, seem to form something akin to a word. "E...N...J...A...M...I..."
--
The hag seems to pause for a moment at Pud's antics, but then clambers atop an 8-foot-long wooden ornithopter behind her – a mechanical skeletal bird-like mechanism. She takes flight upon it, and she glides down through the stormy sky before landing on the stage. The audience stands, oohing and ahhing, and applauds heartily as she lands upon the stage.
"Let me weave a tapestry of sorrow, of anguish, of despair," she creaks, "a tale to make your darkling hearts lay bare."
"Once, I danced with the angels, bathed in heavenly light, but now I dwell in shadows, consumed by endless night. Betrayed by those I loved, forsaken and forlorn, my soul is tattered, my heart, forever torn."
Her voice crescendos as she continues: "I am the embodiment of pain, the epitome of strife, a puppet in the hands of fate, with every string cut by a cursed knife. In this world, there's no escape, no solace to be found, only suffering and torment, in a never-ending, joyless round."
She goes limp from her midsection up. As she finishes her soliloquy, the audience erupts into applause.
She turns to Pud, Titaani, and Matilda. "You disappoint, strangers. This place is not for you. Please depart."
This post has potentially manipulated dice roll results.
Ben:
Worried about his friends, and being unsuccessful at trying to damage this machine, Ben pulls the curtain back down and tosses it over the smoky letters forming in the vain hope it will do something useful, then he heads out of the room to one of the balconies that overlook the stage.and tries to crash through the tinted window onto the balcony.
If he is successful, he booms in a loud voice with his opening line!
Athletics to jump through the window: 25
Opening line if successful:
“Behold, I have arrived! I am the knight returned from the dead, though my valiant unicorn steed could not join me among the living because his horn was stolen!”
"What a good little girl," remarks Endelyn Moongrave (aka Creeping Lyn aka Bitter End) from behind her gauzy 'theater curtain' veil, watching Matilda depart. Then she turns to Titaani and Pud. "I have a parting gift for you two." Her long fingers twitch, and extra hands appear from within the folds of her ghastly dress. She gazes upon both of you in turn before saying, “Glimpse your doom. Behold!”
The hag unveils a puppet theater that was hidden in her clothing. It includes stringed marionettes that resemble Titaani and Pud. With each tug of the strings, the puppets bob around the stage, speaking in the hag’s scratchy voice. "I will be eaten alive by a dragon!"shrieks Titaani's marionette before collapsing in spasms on the miniature theater floor. "I will be crushed by a falling castle!" croaks Pud's marionette as it is repeatedly whacked against a miniature wall.
Just then, a muffled thud is heard, as a few members of the audience and crew look up to an empty theater box with a large, square mirror flanked by wooden panels painted with thunderclouds and lightning bolts. It appears to be only a minor interruption, but then a second noise occurs, as Ben crashes through the mirror awkwardly. He shouts something nearly inaudible - something about a valiant unicorn.
(Ben makes two attempts to crash through the one-way mirror; the second one succeeds.)
"Oh, what terrible timing," grumbles the hag. "Bring that one to the mask collection," she tells the audience, pointing at Ben. Twenty-five cloaked figures stand and turn toward Ben. Endelyn climbs back aboard her ornithopter. Looking back at Titaani and Pud she adds, "You two will leave my theater at once, never to return."
Standing up tall and drawing his sword, Ben strikes a dramatic pose. Pointing the tip of his blade to the sky, the stonemason reaches for words persuasive and theatrical. With the attention of the entire audience now focused on him, he speaks in a clear loud voice the poetry that comes to his mind, his prayer that Sune blesses his efforts.
"Harken unto me, citizens of Prismeer, I have a tale to tell, so lend me your ear.
No story so dreary as the vile Creeping Lyn, At the Witchlight Carnival does my tale begin.
Stolen from the sky were the sun, moon, and star, In the mother cat's heart it left a great scar.
Shadow ripped from moon, Sun locked away, Horn torn from steed, Hags now hold sway.
Have your memories been taken by magic gourd? Your needs and wants completely ignored?
Have your friends been killed or made into a mask? Or your life become just one trite dreary task?
Join with me and defeat these hags—have no fear! And together we’ll free Zybilna of Prismeer!"
Persuasion: 13
Rollback Post to RevisionRollBack
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Titaani seems to contemplate the hag's words, a look of resigned defeat on her face before her ears prick up at Ben's declaration. Seemingly inspired by his brave display, she drops her disguise self and joins Ben in reciting poetry, hoping to help persuade the audience as well.
"Listen to this warrior bold....men, women, young and old," She begins falteringly, then slowly gains confidence. "He will lead you to freedom, and return the archfey's...queendom! Rise up against the tyrant, do not stay silent! Ben is completely right, to free Prismeer we must fight!"
(Help action for Ben's persuasion roll)
Rollback Post to RevisionRollBack
Pronouns: She/her/her's
Currently playing as Titaani Leelathae in The Wild beyond the Witchlight
Titaani seems to contemplate the hag's words, a look of resigned defeat on her face before her ears prick up at Ben's declaration. Seemingly inspired by his brave display, she drops her disguise self and joins Ben in reciting poetry, hoping to help persuade the audience as well.
"Listen to this warrior bold....men, women, young and old," She begins falteringly, then slowly gains confidence. "He will lead you to freedom, and return the archfey's...queendom! Rise up against the tyrant, do not stay silent! Ben is completely right, to free Prismeer we must fight!"
(Help action for Ben's persuasion roll)
(Titaani is awesome!)
Persuasion advantage roll: 14
Rollback Post to RevisionRollBack
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Horatio is at first relieved when Endolyn tells the others they can go unharmed... then she orders Ben taken. His fists clenched and eyes cold with murderous intent, he begins to march towards Stagefright just behind the stage. He gets right up to the man, then whispers, "If you are against Endolyn then give me the scepter so we can end this. If you are for her, then surrender it or have your every bone broken right here and now. You have three seconds to choose or I start tearing you up." As he speaks he grows larger.
(( Ready action to attack if he tries to run, attack, or yell for help. ))
Ben:
With nothing presenting itself as sturdy enough to do much to the lower section of the rod, Ben quickly checks the doors around the periphery of the orrery, seeing if there is anything useful behind them for his purposes. He knows there are many things in the prop room that might serve, but that is too far away and past the beings in the library. He also worries about taking too much time away from his friends--surely the play has started by now.
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
The dragon leapt high into the air on frantically fluttering wings thudding back down with blistering speed.
" Come princess! Join me in my feast! We will both dine upon this oafs succulent flesh to seal our vow of friendship!"
Performance- 11
Ben safely walks around the periphery of the Orrery of Tragedies. Two short hallways lead east ending in sturdy wood doors with iron handles and fittings. Each one has a bronze knocker on it shaped like a smiling theater mask.
A third short hallway leads northwest, ending in a jet-black wooden door, and a fourth, longer hallway leads southwest to a heavy, weathered wooden door. All of the doors are closed.
There are no loose items or furniture to be found. The machine crackles with flashes of lightning that begins to bother Ben's eyes, occasionally giving off puffs of smoke shaped like strange symbols and letters.
----
Meanwhile, the audience continues to watch the muddled performances of Pud, Titaani, Matilda, and Elkhorn (who runs offstage howling in mock terror of Matilda-dragon. Performance: 7)
At the periphery of the amphitheater, Horatio continues to keep a wary eye out.
Pud twirls around, arms spread wide palms to the air as if showing off the pitiful state of the mean spirited servant. While doing so, he's careful to observe the theater in search of any natural open flames.
Perception check: 14
After he scans the area, he faces Titaani and Matilda and says...
"Do your worst! Gobble me up if you will!
But, I'll have you know. My flesh is anything but succulent! For I am not much more than a pitiful old wretch who's been spat on and beaten my whole life!
Have at it, dragon. You too princess.
I hope you choke on my boot, the both of you!"
Performance check: 12
Pronouns: he/him/his
Pud - lvl 7 Human Artificer - Alchemist (The Wild Beyond the Witchlight).
Quinn - lvl 4 Human Ranger - Hunter (Phandelver and Below: The Shattered Obelisk)
"Pitiful you may be, but the dragon's word is my command! I shall conduct this dark sacrifice, killing first you and then my mother!" Titaani declares, changing her disguise self to give herself evil red eyes. "Then I shall become the dragon queen, and rule alongside my greatest and most powerful new friend!"
Titaani takes out her dagger and pretends to stab Pud with it, only stabbing the air beside him instead. "Die, pathetic servant! Rejoice in knowing that your life has finally amounted to something worthwhile!"
Performance: 11
Pronouns: She/her/her's
Currently playing as Titaani Leelathae in The Wild beyond the Witchlight
Horatio cringes at the performance, and the silence it evokes. He is at a loss of what he can do to help though....
Ben tries and peeks through each of the doors, in turn. They are all unlocked.
The southwest (weathered) door opens into a sparsely furnished guest room attached to an open stone balcony. The door connecting them swings back and forth in the wind.
The northwest (black) door opens into an audience chamber of some sort. The walls are jet black, with gold-painted scrollwork where the walls meet the ceiling and each other. Ornate, high-backed armchairs face a raised dais. An alcove at the back of the dais is half hidden by a black curtain.
The two eastern doors both open into identical theater boxes, or rather, rooms that look out upon them. They are semicircular rooms each containing a pair of padded armchairs that face a slightly tinted window. Through the windows you can see stone balconies fringed with thick drapes of musty velvet trimmed with black lace, and black marble railings are decorated with leering alabaster masks. An upholstered bench on each balcony faces a grand view of the stage and the stormy sky. Ahead, Ben can just make out Titaani, Matilda, and Pud, performing on the stage. There are no doors between the theater boxes and the rooms that view the theater boxes, just the tinted windows.

All of the rooms are unoccupied.
Meanwhile, the performance continues onstage. Just offstage, Stagefright looks unhappy and dejected, shaking his head.
Pud glances around, looking for flames. He can see the odd-colored arcane flames in the lighting cylinders, and more of those glowing orbs of red glass set into wrought-iron wall sconces in the interior hallways leading into the castle, but nothing in the way of natural fire.
"Let us dance in the whistling wind!" hisses Stagefright.
The hag stirs, and begins to stand up in her balcony, high above the amphitheater. She is very tall and hunched, her face in shadow.
Ben:
Finding nothing truly solid to throw at the center of the orrery (unless those chairs or tables are made out of stone), Ben comes up with a crazy idea. Grabbing the black curtain in front of the dais, he yanks it hard, trying to pull it down! Assuming it comes down (and there is nothing portable and solid behind it he can use as a heavy projectile to damage the center pole), he grabs it and runs into the orrery room.
Taking one end of the curtain, he tosses it up over the longer orrery arm with the smaller sphere on the end, then grabs both ends of the curtain and hangs from the arm, using his body weight to try and bend the arm down. Maybe it pops off the smaller sphere, or perhaps the curtain gets tangled in the crescent-shaped arm sweeping underneath...His intent is to use the curtain to tangle two of the arms together so that the motion of the orrery itself provides the force to damage itself--and do it all without touching the metal himself!
OOC: Not sure what to roll, but here are a few athletics checks (beyond the one in the previous post spoiler if that one is to be used):
Athletics: 19
Athletics: 21
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Pud grabs his chest and shrieks in pain. He falls to the floor, scream in agony and flailing his arms about before coming to a rest.
”Princess, your dark sacrifice, is my pleasure. Finally, I’ll be rid…of…this…wretched…world.”
Performance check: 15
Pronouns: he/him/his
Pud - lvl 7 Human Artificer - Alchemist (The Wild Beyond the Witchlight).
Quinn - lvl 4 Human Ranger - Hunter (Phandelver and Below: The Shattered Obelisk)
Ben opens the black curtains concealing a small, empty alcove behind the audience chamber. Then he tears them down, and runs into the Orrery, tossing it successfully over one of the heavy arms. Unfortunately, it's too short to either tangle itself with another arm, or give him a grip on two ends to try to pull it down without stepping dangerously close to the mechanism.
"Hey!" cries one of the goggled goblins. "Stop that!"
Ben notices that the smoke letters drifting out of the Orrery, now in Common, seem to form something akin to a word. "E...N...J...A...M...I..."
--
The hag seems to pause for a moment at Pud's antics, but then clambers atop an 8-foot-long wooden ornithopter behind her – a mechanical skeletal bird-like mechanism. She takes flight upon it, and she glides down through the stormy sky before landing on the stage. The audience stands, oohing and ahhing, and applauds heartily as she lands upon the stage.
"Let me weave a tapestry of sorrow, of anguish, of despair," she creaks, "a tale to make your darkling hearts lay bare."
"Once, I danced with the angels, bathed in heavenly light, but now I dwell in shadows, consumed by endless night. Betrayed by those I loved, forsaken and forlorn, my soul is tattered, my heart, forever torn."
Her voice crescendos as she continues: "I am the embodiment of pain, the epitome of strife, a puppet in the hands of fate, with every string cut by a cursed knife. In this world, there's no escape, no solace to be found, only suffering and torment, in a never-ending, joyless round."
She goes limp from her midsection up. As she finishes her soliloquy, the audience erupts into applause.
She turns to Pud, Titaani, and Matilda. "You disappoint, strangers. This place is not for you. Please depart."
Ben:
Worried about his friends, and being unsuccessful at trying to damage this machine, Ben pulls the curtain back down and tosses it over the smoky letters forming in the vain hope it will do something useful, then he heads out of the room to one of the balconies that overlook the stage.and tries to crash through the tinted window onto the balcony.
If he is successful, he booms in a loud voice with his opening line!
Athletics to jump through the window: 25
Opening line if successful:
“Behold, I have arrived! I am the knight returned from the dead, though my valiant unicorn steed could not join me among the living because his horn was stolen!”
Perform: 8
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Matilda shrugged and turned to head back to the backstage area....
"What a good little girl," remarks Endelyn Moongrave (aka Creeping Lyn aka Bitter End) from behind her gauzy 'theater curtain' veil, watching Matilda depart. Then she turns to Titaani and Pud. "I have a parting gift for you two." Her long fingers twitch, and extra hands appear from within the folds of her ghastly dress. She gazes upon both of you in turn before saying, “Glimpse your doom. Behold!”
The hag unveils a puppet theater that was hidden in her clothing. It includes stringed marionettes that resemble Titaani and Pud. With each tug of the strings, the puppets bob around the stage, speaking in the hag’s scratchy voice. "I will be eaten alive by a dragon!" shrieks Titaani's marionette before collapsing in spasms on the miniature theater floor. "I will be crushed by a falling castle!" croaks Pud's marionette as it is repeatedly whacked against a miniature wall.
Just then, a muffled thud is heard, as a few members of the audience and crew look up to an empty theater box with a large, square mirror flanked by wooden panels painted with thunderclouds and lightning bolts. It appears to be only a minor interruption, but then a second noise occurs, as Ben crashes through the mirror awkwardly. He shouts something nearly inaudible - something about a valiant unicorn.
(Ben makes two attempts to crash through the one-way mirror; the second one succeeds.)
"Oh, what terrible timing," grumbles the hag. "Bring that one to the mask collection," she tells the audience, pointing at Ben. Twenty-five cloaked figures stand and turn toward Ben. Endelyn climbs back aboard her ornithopter. Looking back at Titaani and Pud she adds, "You two will leave my theater at once, never to return."
Ben:
Standing up tall and drawing his sword, Ben strikes a dramatic pose. Pointing the tip of his blade to the sky, the stonemason reaches for words persuasive and theatrical. With the attention of the entire audience now focused on him, he speaks in a clear loud voice the poetry that comes to his mind, his prayer that Sune blesses his efforts.
"Harken unto me, citizens of Prismeer, I have a tale to tell, so lend me your ear.
No story so dreary as the vile Creeping Lyn, At the Witchlight Carnival does my tale begin.
Stolen from the sky were the sun, moon, and star, In the mother cat's heart it left a great scar.
Shadow ripped from moon, Sun locked away, Horn torn from steed, Hags now hold sway.
Have your memories been taken by magic gourd? Your needs and wants completely ignored?
Have your friends been killed or made into a mask? Or your life become just one trite dreary task?
Join with me and defeat these hags—have no fear! And together we’ll free Zybilna of Prismeer!"
Persuasion: 13
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Titaani seems to contemplate the hag's words, a look of resigned defeat on her face before her ears prick up at Ben's declaration. Seemingly inspired by his brave display, she drops her disguise self and joins Ben in reciting poetry, hoping to help persuade the audience as well.
"Listen to this warrior bold....men, women, young and old," She begins falteringly, then slowly gains confidence. "He will lead you to freedom, and return the archfey's...queendom! Rise up against the tyrant, do not stay silent! Ben is completely right, to free Prismeer we must fight!"
(Help action for Ben's persuasion roll)
Pronouns: She/her/her's
Currently playing as Titaani Leelathae in The Wild beyond the Witchlight
(Titaani is awesome!)
Persuasion advantage roll: 14
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Horatio is at first relieved when Endolyn tells the others they can go unharmed... then she orders Ben taken. His fists clenched and eyes cold with murderous intent, he begins to march towards Stagefright just behind the stage. He gets right up to the man, then whispers, "If you are against Endolyn then give me the scepter so we can end this. If you are for her, then surrender it or have your every bone broken right here and now. You have three seconds to choose or I start tearing you up." As he speaks he grows larger.
(( Ready action to attack if he tries to run, attack, or yell for help. ))
Ben:
(If he can otherwise take an action during his soliloquy, Ben will protect himself against good and evil, casting Protection from Evil and Good).
Gerrard Feldren - Human Noble in Ghosts of Saltmarsh
Kerric Brightblade - Elven Warrior in "Apocalypse"
Matilda continues backstage but slips into the shadows to sneak back around to the other side of the stage.
Stealth- 15