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Urchin Legacy

Backgrounds Player’s Handbook (2014)

You grew up on the streets alone, orphaned, and poor. You had no one to watch over you or to provide for you, so you learned to provide for yourself. You fought fiercely over food and kept a constant

shaped by lives of desperate poverty, for good and for ill. They tend to be driven either by a commitment to the people with whom they shared life on the street or by a burning desire to find a better

Gruul Anarch

Backgrounds Guildmasters’ Guide to Ravnica

, conjure barrage 4th dominate beast, stoneskin 5th destructive wave Fueled by the fire of rage burning in your heart, your magic is almost always accompanied by fiery

;AAAAAARRRRggggh! [To live is to feel and express the rage burning in your belly.] (Chaotic) 6 Tradition. The Old Ways must be preserved and upheld. (Any) Bonds d6 Bond 1

Temple of the Gods

Spells Xanathar's Guide to Everything

the door. The temple’s interior is an open space with an idol or altar at one end. You decide whether the temple is illuminated and whether that illumination is bright light or dim light. The

smell of burning incense fills the air within, and the temperature is mild. The temple opposes types of creatures you choose when you cast this spell. Choose one or more of the following: celestials

Urchin - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

learned to provide for yourself. You fought fiercely over food and kept a constant watch out for other desperate souls who might steal from you. You slept on rooftops and in alleyways, exposed to the

of desperate poverty, for good and for ill. They tend to be driven either by a commitment to the people with whom they shared life on the street or by a burning desire to find a better life &mdash

Dhampir Legacy

races

overindulge their thirst risk losing control and forever viewing others as prey. Those who resist might find exceptional ways of controlling their urges or suppress them through constant, molar-grinding

Build” section offers suggestions on which scores to increase. You’re free to follow those suggestions or to ignore them. Whichever scores you decide to increase, none of the scores can be

Occultant Abacus

Magic Items Acquisitions Incorporated

glasses. 3 Burning a small piece of the body and looking for shapes in the smoke. 4 A cautious, reasoned, professional guesstimate. 5 Careful measurements. The distance between nostrils

. The difference between the index finger and the middle finger. The elasticity of the ear lobe. 6 You take a long, careful look, and then decide based on which fellow franchisee has been nice to

Attack Rolls

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Attack Rolls In combat, an attack roll is used to determine whether an attack hits. You can also use attack rolls to resolve noncombat activities that are similar to attacks in combat, such as an

archery contest or a game of darts. Assign an Armor Class to the target, decide whether the character is proficient with the weapon used, then have the player make an attack roll. (See also “Degrees of Success” in this chapter.)

Rakdos Cultist

Backgrounds Guildmasters’ Guide to Ravnica

Spell Level Spells Cantrip fire bolt, vicious mockery 1st burning hands, dissonant whispers, hellish rebuke 2nd crown of madness, enthrall,

Orzhov oligarch has taken an interest in my career, like a patron of the arts. 8 Roll an additional Rakdos contact; you can decide if the contact is an ally or a rival. 9 A Selesnya healer

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

attached to. Personality Traits d8 Personality Trait 1 I can’t wait to see what I become next! 2 I am convinced that everything inclines toward constant improvement

make a nice sideshow act. 9 I left the Selesnya — and a lover — behind when I joined the Simic. 10 Roll an additional Simic contact; you can decide if the contact is an ally or a rival.

Guiding Aspect

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

die and the new spring forth. 2 Oak trees represent strength and vitality. Meditating under an oak fills your body and mind with resolve and fortitude. 3 The river’s endless flow reminds you of the

great span of the world. You seek to act with the long-term interests of nature in mind. 4 The sea is a constant, churning cauldron of power and chaos. It reminds you that accepting change is necessary

Guiding Aspect

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

die and the new spring forth. 2 Oak trees represent strength and vitality. Meditating under an oak fills your body and mind with resolve and fortitude. 3 The river’s endless flow reminds you of the

great span of the world. You seek to act with the long-term interests of nature in mind. 4 The sea is a constant, churning cauldron of power and chaos. It reminds you that accepting change is necessary

Guiding Aspect

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

die and the new spring forth. 2 Oak trees represent strength and vitality. Meditating under an oak fills your body and mind with resolve and fortitude. 3 The river’s endless flow reminds you of the

great span of the world. You seek to act with the long-term interests of nature in mind. 4 The sea is a constant, churning cauldron of power and chaos. It reminds you that accepting change is necessary

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Top Card: The Challenge

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

road, or a situation the characters are asked to resolve. You decide the scope of the decision the characters must make. You can ask them to make a simple choice (“Do you want to take the path along

ability checks (though another character can help, at your discretion). Whatever choice or challenge you decide the top card represents, the characters’ success or failure while dealing with that situation determines how you read the bottom card.

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Top Card: The Challenge

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

road, or a situation the characters are asked to resolve. You decide the scope of the decision the characters must make. You can ask them to make a simple choice (“Do you want to take the path along

ability checks (though another character can help, at your discretion). Whatever choice or challenge you decide the top card represents, the characters’ success or failure while dealing with that situation determines how you read the bottom card.

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Top Card: The Challenge

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

road, or a situation the characters are asked to resolve. You decide the scope of the decision the characters must make. You can ask them to make a simple choice (“Do you want to take the path along

ability checks (though another character can help, at your discretion). Whatever choice or challenge you decide the top card represents, the characters’ success or failure while dealing with that situation determines how you read the bottom card.

Encounters

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

bookshelf. Outside combat, the characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s

sections offer more detailed information on how an encounter typically unfolds, in three steps. Step 1: Describe the Situation As the DM, you decide how much to tell the players and when. All the

Encounters

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

bookshelf. Outside combat, the characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s

sections offer more detailed information on how an encounter typically unfolds, in three steps. Step 1: Describe the Situation As the DM, you decide how much to tell the players and when. All the

Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s actions. In combat, everyone takes

the DM, you decide how much to tell the players and when. All the information the players need to make choices comes from you. Within the rules of the game and the limits of the characters’ knowledge

Encounters

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

bookshelf. Outside combat, the characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s

sections offer more detailed information on how an encounter typically unfolds, in three steps. Step 1: Describe the Situation As the DM, you decide how much to tell the players and when. All the

Features of Avernus

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

continually swells up from just below the horizon as though lit by nine setting suns, yet no actual celestial bodies fill the sky — no sun, moons, or stars. This constant twilight makes it difficult for

the denizens of Avernus to track the passage of time. The atmosphere reeks of brimstone and burning tar, and hot gusts of wind shriek across the hellscape to scour the land below. Sometimes these winds

Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s actions. In combat, everyone takes

the DM, you decide how much to tell the players and when. All the information the players need to make choices comes from you. Within the rules of the game and the limits of the characters’ knowledge

Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s actions. In combat, everyone takes

the DM, you decide how much to tell the players and when. All the information the players need to make choices comes from you. Within the rules of the game and the limits of the characters’ knowledge

Aftermath of the Last War

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

strengthen Thrane resolve. The common people are united by their faith and sure of the righteousness of their cause. The Silver Flame urges people to stand together in the face of evil, and across the nation

wound. The Council of Cardinals is determined to hold onto this prize, but it is a bitter point of contention with Aundair and a constant source of tension and violence. In creating a Thrane character

Aftermath of the Last War

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

strengthen Thrane resolve. The common people are united by their faith and sure of the righteousness of their cause. The Silver Flame urges people to stand together in the face of evil, and across the nation

wound. The Council of Cardinals is determined to hold onto this prize, but it is a bitter point of contention with Aundair and a constant source of tension and violence. In creating a Thrane character

Features of Avernus

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

continually swells up from just below the horizon as though lit by nine setting suns, yet no actual celestial bodies fill the sky — no sun, moons, or stars. This constant twilight makes it difficult for

the denizens of Avernus to track the passage of time. The atmosphere reeks of brimstone and burning tar, and hot gusts of wind shriek across the hellscape to scour the land below. Sometimes these winds

Features of Avernus

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

continually swells up from just below the horizon as though lit by nine setting suns, yet no actual celestial bodies fill the sky — no sun, moons, or stars. This constant twilight makes it difficult for

the denizens of Avernus to track the passage of time. The atmosphere reeks of brimstone and burning tar, and hot gusts of wind shriek across the hellscape to scour the land below. Sometimes these winds

Aftermath of the Last War

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

strengthen Thrane resolve. The common people are united by their faith and sure of the righteousness of their cause. The Silver Flame urges people to stand together in the face of evil, and across the nation

wound. The Council of Cardinals is determined to hold onto this prize, but it is a bitter point of contention with Aundair and a constant source of tension and violence. In creating a Thrane character

Teeth of Dahlver-Nar

Magic Items Tasha’s Cauldron of Everything

(Perception) checks from constant whispers of memories and nearby minds. 9 The Disappearances of Half Hollow (vomerine tooth of a Large toad) 4 giant toad;giant toads Your long jump is up to 30

use this property, it can’t be used again until the next dawn. You smell strongly of burning sulfur. 17 Why the Sky Screams (blue dragon fang) 1 ancient blue dragon You gain immunity to

Everyone's Unhappy

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

Everyone’s Unhappy The Nine Hells is a place of abject misery where no one is happy. Weaker devils are exploited and tormented by their superiors. Stronger devils live in constant fear of being

undercut that success in some small way. For example, the character’s belt might snap, or a hellish insect might sting the character on the neck and leave a welt. If a character rolls a natural 1 on an attack roll made with a nonmagical weapon, you can decide that the weapon breaks.

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