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Cultural Melancholy

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

Cultural Melancholy The reason that elves are seldom frivolous and carefree is rooted in an inborn malaise or sorrow that infused the primal elves when they chose to stop following Corellon’s path

. These feelings of regret and sadness grip all elves at various times in their lives and impact every aspect of their society. Priests among the elves typically believe that the broken link can never be

Orc Legacy

races Volo's Guide to Monsters

scythe. Only a skilled and determined hero can hope to survive single combat with an orc. Savage and fearless, orc tribes are ever in search of elves, dwarves, and humans to destroy. Motivated by their

chief can plan where to send raiders next. The territory that orc war parties cover can extend for many miles around the lair, and any encampment or settlement of elves, dwarves, or humans in that

The Second Wind

Compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Light of Xaryxis

improve their wardrobes. Flinch is an old comrade-in-arms of Commodore Krux and stands by the giff through thick and thin. The hadozee knows about Krux’s history with the astral elves but says nothing

rooted to the Second Wind’s sterncastle is a treant named Starbough, who is largely indifferent to the aims of either Krux or the party. Like many of its kind, the treant considers most Humanoids

Island Approach and First Floor

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

vines (see appendix C). Brought to the island by a druid named Tallos (one of those killed by the drowned ones), the vines are rooted in large clay pots. Tallos grew the vines for their fruit, which

to search for other survivors, the undead intend to drag their load of corpses back to the Pit of Hatred as a sacrifice to its foul essence. The thirteen corpses are mostly humans and half-elves

Cottage Locations

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

portraits depicting grumpy, sad, frightened, and angry people. The figures include humans, elves, halflings, bullywugs, and goblins, among others. The portraits are rendered in a variety of mediums

twig blight with a speed of 0 feet because it is rooted to its pot. The twig blights are thirsty but unable to reach the watering can resting on the chest of drawers. If the characters help the twig

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