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Returning 35 results for 'story of intend battle'.
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Backgrounds
Sword Coast Adventurer's Guide
determine your inheritance from among the possibilities in the table below. Work with your Dungeon Master to come up with details: Why is your inheritance so important, and what is its full story? You might
prefer for the DM to invent these details as part of the game, allowing you to learn more about your inheritance as your character does.
The Dungeon Master is free to use your inheritance as a story
Monsters
Acquisitions Incorporated
damage if he fails. He can't use this trait if he's incapacitated.
Second-Story Work. Climbing does not cost Viari extra movement. Additionally, when he makes a running jump, the distance he covers
adventurer was nearly cut short during a battle of which the bards still sing. Unleashing a devastating attack with the aptly named Apocalypse Dagger, the rogue destroyed a giant single-handedly — and lost
Monsters
The Book of Many Things
everyone deserves a chance to write their own story on their own terms, and her deeds have inspired countless heroic tales.
Even after so many years, Asteria maintains a joyous wanderlust and passion for
discovery. She’s as likely to be found climbing trees or poring over arcane texts as she is brandishing her sword in battle. Anyone who engages Asteria in conversation about her interests finds
Backgrounds
Ghosts of Saltmarsh
ten other people each day.
FISHING TALE
You can tell a compelling tale, whether tall or true, to impress and entertain others. Once a day, you can tell your story to willing listeners. At the DM
turn day into night.
7
Dive into the Abyss. You found yourself in an underwater cave leading to the Abyss, and your luck has been sour ever since.
8
Love Story. You fell in love with a
Backgrounds
Guildmasters’ Guide to Ravnica
;s web. (Lawful)
5
Ambition. The time of Golgari ascendance is at hand, and I intend to have a prominent place in the new world order. (Evil)
6
Live and Let Live. Meddling in the
joined the Gruul in a battle against the Boros once, and the sergeant of that Boros squad would love to prove that it was me.
3
I had a romance with a Dimir agent whom I still feed secrets to
monsters
battle, Caradoc refused to capture her spirit unless Soth bargained with Takhisis to restore Caradoc to life. Enraged, Soth tried to destroy Caradoc as the Mists rose around them.
When the Mists faded
over.
Soth was trapped in Sithicus, escaped, and was trapped again, perpetuating a cycle of despair. Soth’s story and where characters encounter him are for you to detail in your adventures
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
explore in the next campaign.) You don’t have to take a campaign all the way to level 20 for it to be satisfying; wrap up the campaign whenever the story reaches its natural conclusion. Allow time near
the end of your campaign for the characters to finish up any personal goals. Their stories need to end in a satisfying way, just as the campaign story does. Ideally, some of the characters
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
campaign whenever your story reaches its natural conclusion. Make sure you allow space and time near the end of your campaign for the characters to finish up any personal goals. Their own stories need
to end in a satisfying way, just as the campaign story does. Ideally, some of the characters’ individual goals will be fulfilled by the ultimate goal of the final adventure. Give characters with
Compendium
- Sources->Dungeons & Dragons->The Book of Many Things
toward warriors—particularly fighters, barbarians, and monks—but any character’s story can benefit from the ideas presented here. When using this table to shape your character’s story, you can either
inheritance if you can make a name for yourself as a hero. Donjon You’re stranded far from home and intend to fight your way back. Euryale A year of solitude gave you clarity and led you down the
Magic Items
Lost Laboratory of Kwalish
draw a card, you must declare how many cards you intend to draw and then draw them randomly (you can use an altered deck of playing cards to simulate the deck). Any cards drawn in excess of this number
tattered black robe. It appears in a space of the DM’s choice within 10 feet of you and attacks you, warning all others that you must win the battle alone. The avatar fights until you die or it
Deck of Many Things
Legacy
This doesn't reflect the latest rules and lore.
Learn More
Magic Items
Basic Rules (2014)
draw a card, you must declare how many cards you intend to draw and then draw them randomly (you can use an altered deck of playing cards to simulate the deck). Any cards drawn in excess of this number
you, warning all others that you must win the battle alone. The avatar fights until you die or it drops to 0 hit points, whereupon it disappears. If anyone tries to help you, the helper summons its
Compendium
- Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus
story evolve beyond the suggested endings outlined in this chapter. If the characters don’t want to save Elturel, they don’t need to. However, if they intend to save Elturel, the players should be
Compendium
- Sources->Dungeons & Dragons->Out of the Abyss
Menzoberranzan. Placing the talisman there only ensures that the drow city becomes the site of the demon lords’ battle — and might well be laid waste in the process. If pressed, Grin admits that he isn’t
doing, arrange a different battlefield for the demon lord showdown. He refuses to go along with any effort to leave the talisman in Menzoberranzan. If the characters intend to place the dark heart as
Compendium
- Sources->Dungeons & Dragons->Eberron: Forge of the Artificer
Chapter 4: Sharn Inquisitives Chapter 04
Sharn Inquisitives
Chapter 04
Adventure Genre: Film Noir
Pop Culture: Philip Marlowe, Sam Spade, Mike Hammer, Dick Tracy
Kuno A Battle Smith
Hammer, and Dick Tracy in a fantastical environment. If you decide to run this kind of campaign, it’s a good idea to discuss with your players how serious you intend the game to be. There’s a fine
Compendium
- Sources->Dungeons & Dragons->Dragon Delves
dragon slay the cult’s leader. Meeting the Dragon. If the characters don’t prove themselves in battle against the cult, the silver dragon tests them with commands. The characters must either fulfill three commands or realize the dragon’s deception. The dragon tells his story if the characters win his trust.
Key Plot Points The following information is key to the adventure’s story: Disturbing Activity. An aasimar innkeeper named Oriann Solaris asks the characters to investigate evil cultists who have
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
story of the world and the characters. When players who are also DMs are playing their characters, they shouldn’t let their knowledge of the campaign’s story influence their characters’ actions. Those
enjoy or the DMs trading focus from session to session. One DM might run combat description and keep a battle moving while the other focuses on miniatures and music. The two DMs can play two different
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
Dragon Campaigns Dragons occupy a prominent place in most D&D worlds, but in some realms, they are central to a world’s story. Consider these three examples. Laurana and Kitiara—generals and
dragonriders in opposing armies—battle in the temple of the Dragon Queen Krynn. The home of the Dragonlance setting is the battleground for an unending conflict between Bahamut and Tiamat. Tiamat commands
Compendium
- Sources->Dungeons & Dragons->Tyranny of Dragons
Chromatic Dragons Severin and his supporters intend to use the ancient draconic artifact known as the Draakhorn to rally the chromatic dragons to Tiamat’s cause. However, chromatic dragons are
are evil and merciless, and every battle against these creatures should be a life-or-death struggle. No dragon should ever fall without the heroes suffering during the battle. Chromatic dragons use
Compendium
- Sources->Dungeons & Dragons->Lost Mine of Phandelver
wizards fought alongside their dwarf and gnome allies to defend the Forge of Spells, and the ensuing spell battle destroyed much of the cavern. Few survived the cave-ins and tremors, and the location of
Cave, and they intend to reopen the mines. Unfortunately for the Rockseekers, they are not the only ones interested in Wave Echo Cave. A mysterious villain known as the Black Spider controls a
Compendium
- Sources->Dungeons & Dragons->Phandelver and Below: The Shattered Obelisk
their dwarf and gnome allies to defend the Forge of Spells, and the ensuing spell battle destroyed much of the cavern. Few survived the cave-ins and tremors, and knowledge of the location of Wave Echo
resettled the area, and Phandalin is now a rough-and-tumble frontier town. Recently, a trio of dwarves—the Rockseeker brothers—discovered the entrance to Wave Echo Cave, and they intend to reopen the mines
Compendium
- Sources->Dungeons & Dragons->Forgotten Realms: Adventures in Faerûn
characters to die in the final battle, especially if that battle is a series of encounters strung out over a single day, like a siege or an infiltration of the villain’s lair. But epic stories often also
include a character that dies halfway through the story in a heroic last stand that both saddens and inspires the other characters for the rest of the campaign. (Some players will even agree for their characters to serve this role ahead of time!) Epic heroes need epic challenges! AUDY RAVINDRA
Compendium
- Sources->Dungeons & Dragons->Hoard of the Dragon Queen
Chromatic Dragons Severin and his supporters intend to use the ancient draconic artifact known as the Draakhorn to rally the chromatic dragons to Tiamat’s cause. However, chromatic dragons are
are evil and merciless, and every battle against these creatures should be a life-or-death struggle. No dragon should ever fall without the heroes suffering during the battle. Chromatic dragons use
Compendium
- Sources->Dungeons & Dragons->Rise of Tiamat
Chromatic Dragons Severin and his supporters intend to use the ancient draconic artifact known as the Draakhorn to rally the chromatic dragons to Tiamat’s cause. However, chromatic dragons are
are evil and merciless, and every battle against these creatures should be a life-or-death struggle. No dragon should ever fall without the heroes suffering during the battle. Chromatic dragons use
Compendium
- Sources->Dungeons & Dragons->Ghosts of Saltmarsh
adventures for characters who did not participate in the missions. The Final Enemy is designed for four to six characters of 7th level. If you want to use story-based character advancement (see
final battle where the characters have a chance to lead a final, decisive assault on the sahuagin fortress.
Compendium
- Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen
Thornwall Keep Veins of bronze-colored ivy cling to Thornwall Keep’s ancient three-story stone tower, the tallest structure in Vogler. From its crenelated roof rises an elaborate device resembling a
, he hoped you’d take his place during the reenactment of the Battle of High Hill. Every year, he looked forward to participating—and dying—in an even more ludicrous way than the year before
Compendium
- Sources->Dungeons & Dragons->Storm King's Thunder
must change the timing of events so that the Tyranny of Dragons story and the events that precipitate Storm King’s Thunder happen concurrently, with Annam the All-Father breaking the ordning to stir
be 5th level. You can use the party’s arrival in Waterdeep to shift attention away from the Tyranny of Dragons story by dropping reports of giant sightings near the temple-farm of Goldenfields. The
Compendium
- Sources->Dungeons & Dragons->Forgotten Realms: Adventures in Faerûn
higher level for a new adventure. Connect to the Greater Story To help make a low-level adventure feel epic, give it a clear connection to the campaign’s greater story. For example, if your campaign
druid who becomes their mentor (and who you intend the campaign villain to murder by the time the characters reach level 5). By doing this, even humble adventures feel connected to a greater whole
Compendium
- Sources->Dungeons & Dragons->Lost Mine of Phandelver
and keep the story going. The DM is a narrator. The DM sets the pace of the story and presents the various challenges and encounters the players must overcome. The DM is the players’ interface to the
and villains the adventurers battle against, choosing their actions and rolling dice for their attacks. The DM also plays the part of all the other characters the players meet in the course of their
Compendium
- Sources->Dungeons & Dragons->Ravenloft: The Horrors Within
share their suffering with the living. Examples include The Woman in Black and The Haunting of Hill House. Ghost Story Principles Consider the following principles when creating Darklords and domains
is shaken by the story’s events. Look for ways to test heroes’ psychology with your hauntings. Resolving a Haunt. Heroes need a way to put spirits to rest. Once you reveal the story, ensure the way to
Compendium
- Sources->Dungeons & Dragons->Rise of Tiamat
bears sculpted images of the deities Cyric and Bhaal, commemorating the legendary battle they fought on the bridge during the Time of Troubles. This way station settlement is little more than a
reaching the Serpent Hills before he got there, but it has made him something of a local hero. Bolo is happy to share what she knows as long as the characters don’t let on that they intend to harm the
Compendium
- Sources->Dungeons & Dragons->Tyranny of Dragons
bears sculpted images of the deities Cyric and Bhaal, commemorating the legendary battle they fought on the bridge during the Time of Troubles. This way station settlement is little more than a
reaching the Serpent Hills before he got there, but it has made him something of a local hero. Bolo is happy to share what she knows as long as the characters don’t let on that they intend to harm the
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
the brains of a specific kind of humanoid. 6 I’m curious about how other races live and how their societies function. 7 I find battle stimulating. 8 I’m curious about the limits of other creatures
believe my minions will always do precisely as I intend. 3 I never assume others understand and always explain everything. 4 I have a memory that isn’t mine. I’m obsess about it. 5 It is inconceivable that another creature could outsmart me. 6 I sometimes confuse others’ thoughts with my own.
Compendium
- Sources->Dungeons & Dragons->Xanathar's Guide to Everything
. An encounter might indeed be the prelude to a battle, a parley, or some other interaction. What happens next depends on what the characters try, or what you decide is bound to occur. The tables also
them to the story of your campaign. And in so doing, you’ve taken a step toward making your own personalized encounter table. Now, keep going!
Compendium
- Sources->Dungeons & Dragons->Sleeping Dragon’s Wake
rocks and fall into the ocean. BRONZE SHRINE FEATURES
The Bronze Shrine is a clean, bright, two-story temple that smells of ocean air.
Ceilings. The ceilings throughout the shrine are 30 feet high
carries. If the characters engage in battle, set off a trap, shout, or otherwise make loud noises on this level, the Scaly Eye members in areas B2 and B4 investigate the disturbance.
Rage of Bahamut. If
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
Claw in battle. But part of the flavor of pulp adventure includes recurring villains who closely match the heroes—rivals who advance in power as you do. To create a compelling villain, the DM and
from that tower in Sharn. A DM could engage the players in determining the answer: It’s Halas Martain, all right. How do you think he survived your last encounter? This collaboration can produce a compelling story and a sense of investment in the world.