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Example of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Example of Play These pages present a short example of play, similar to the ones in the Player’s Handbook, to illustrate how everything outlined in the “How to Run a Session” section works in

practice. In this example, the Dungeon Master is running an adventure (“The Fouled Stream”) from chapter 4. The four players are Amy (playing Auro, a Halfling Rogue), Maeve (playing Mirabella, an Elf Wizard

Elf

Species Player’s Handbook

shaped by it. Some drow individuals and societies avoid the Underdark altogether yet carry its magic. In the Eberron setting, for example, drow dwell in rainforests and cyclopean ruins on the continent of

Xen’drik. High Elves High elves have been infused with the magic of crossings between the Feywild and the Material Plane. On some worlds, high elves refer to themselves by other names. For

Instrument of the Bards Legacy

Magic Items Dungeon Master’s Guide (2014)

An instrument of the bards is an exquisite example of its kind, superior to an ordinary instrument in every way. Seven types of these instruments exist, each named after a legendary bard college. The

following table lists the spells common to all instruments, as well as the spells specific to each one and its rarity. A creature that attempts to play the instrument without being attuned to it must

Abracadabrus

Magic Items Icewind Dale: Rime of the Frostmaiden

) worth a total of 1 gp or less. The named objects magically appear in the chest, provided they can all fit inside it and the chest doesn’t contain anything else. For example, the chest can conjure a

plate of strawberries, a bowl of hot soup, a flagon of water, a stuffed animal, or a bag of twenty caltrops. Food and drink conjured by the chest are delicious, and they spoil if not consumed after

Swarmkeeper

classes Tasha’s Cauldron of Everything

character’s bond with nature spirits. Take the opportunity to describe the swarm and the ranger’s magic in play. For example, when your ranger casts gaseous form, they might appear to melt

Goliath Legacy

Species Elemental Evil Player's Companion

seek out a larger, more powerful wyrm to battle. Few goliath adventurers reach old age, as most die attempting to surpass their past accomplishments. Fair Play For goliaths, competition exists only

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

Swarmkeeper (TCoE)

classes Tasha’s Cauldron of Everything

character’s bond with nature spirits. Take the opportunity to describe the swarm and the ranger’s magic in play. For example, when your ranger casts gaseous form, they might appear to melt

Auril (First Form)

Monsters Icewind Dale: Rime of the Frostmaiden

. Protruding from her feathery owl’s head is a pair of curved goat horns. A cloak and cowl made of pristine white snow conceals much of her tripartite form, which her worshipers refer to as the

incapable of showing mercy or compassion. Play her as a supremely cold and unfeeling entity. Have Auril speak only when necessary. The less she talks, the less risk you have of unintentionally

Race Legacy

Rules

in mind the kind of character you want to play. For example, a halfling could be a good choice for a sneaky rogue, a dwarf makes a tough warrior, and an elf can be a master of arcane magic.

Acolyte Legacy

Backgrounds Basic Rules (2014)

particular hero of my faith, and constantly refer to that person’s deeds and example. 2 I can find common ground between the fiercest enemies, empathizing with them and always working toward

Leonin

Species Mythic Odysseys of Theros

adversaries—incredibly clever and well-prepared to play a long game but ultimately doomed to lose their games. 4 I’m certain every bad thing that happens can ultimately be blamed on the

personal names, leonin identify themselves by their pride. A member of the Flintclaw pride with the personal name of Ziore, for example, would likely style herself as Ziore of the Flintclaw. Female Names

Adventuring Equipment

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Adventuring Equipment As adventurers explore, their equipment can help them in many ways. For example, they can reach out-of-the-way places with a Ladder, perceive things they wouldn’t otherwise

notice with a Torch or another light source, bypass locked doors and containers with Thieves’ Tools, and create obstacles for pursuers with Caltrops. See chapter 6 for rules on many items that are useful

Adventuring Equipment

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Adventuring Equipment As adventurers explore, their equipment can help them in many ways. For example, they can reach out-of-the-way places with a Ladder, perceive things they wouldn’t otherwise

notice with a Torch or another light source, bypass locked doors and containers with Thieves’ Tools, and create obstacles for pursuers with Caltrops. See “Equipment” for rules on many items that are

Acolyte - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

be some hidden hypocrisy or heretical idea, or an ideal or bond taken to an extreme. d8 Personality Trait 1 I idolize a particular hero of my faith, and constantly refer to that

person’s deeds and example. 2 I can find common ground between the fiercest enemies, empathizing with them and always working toward peace. 3 I see omens in every event and action. The

Ancient Moonstone Dragon

Monsters Fizban's Treasury of Dragons

of one plane to wander into others. Moonstone Dragon Lair Features You can look to other maps in this chapter as inspiration for the scattered parts of a moonstone dragon’s lair. For example

nearest unoccupied space. Compulsive Dance. The dragon targets a creature it can see in its lair, and a merry waltz begins to play that only the target can hear. The target must succeed on a DC 15

Preparing for Play

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

Preparing for Play Players feel more immersed in the setting when their characters’ backgrounds, bonds, and faction choices come to life at the table. Once your players make their characters, make a

list of key story elements that you can refer to throughout the course of the adventure. Include locations and NPCs important to each character’s faction and background. As the characters become more involved in aspects of the adventure, keep this list up to date.

Faction Agent

Backgrounds Sword Coast Adventurer's Guide

Personality Trait 1 I idolize a particular hero of my faith, and constantly refer to that person’s deeds and example. 2 I can find common ground between the fiercest enemies

Adult Moonstone Dragon

Monsters Fizban's Treasury of Dragons

look to other maps in this chapter as inspiration for the scattered parts of a moonstone dragon’s lair. For example, a well maintained and above-water version of the black dragon lair’s

see in its lair, and a merry waltz begins to play that only the target can hear. The target must succeed on a DC 15 Intelligence saving throw or dance until initiative count 20 on the following round

Strahd von Zarovich Legacy

monsters Curse of Strahd

card reading in chapter 1, unless he has been forced into his tomb in the catacombs of Castle Ravenloft. Strahd's Tactics Because the entire adventure revolves around Strahd, you must play him

to Strahd is quickly undone. For example, a critical hit might dislocate Strahd’s jaw, but only for a moment; then the vampire’s jaw quickly resets itself. The ability of the Heart of

Monsters

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Darklord’s evil and which might work against the Darklord’s schemes. For example, a wicked scientist Darklord might be aided by flesh golems and crawling claws, but they are opposed by dryads and

ghosts who suffer from the Darklord’s experiments. For inspiration, refer to the “Darklord’s Shadows” section and your answers to the questions there, as well as the Monsters tables in the “Genres of Horror” section later in this chapter.

Layers of the Outer Planes

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

travelers refer to them as layers. For example, Mount Celestia resembles a seven-tiered layer cake, the Nine Hells has nine layers, and the Abyss has a seemingly endless number of layers. Most

Sinister Reflections

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

constantly refer to that person’s deeds and example” into “I’m obsessed with a hero of my faith, and I must become exactly like them so I can take their place.” The more unreasonable, the better

particular hero of my faith, and constantly refer to that person’s deeds and example” into “I loathe a particular hero and their followers, and I will prove the hypocrisy of that person’s deeds and

Using the Tables

Compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

use with characters in the third tier of play (levels 11–16). If you’re creating giant-themed encounters for lower-level characters, you might use more dangerous creatures in the background to

establish the setting of the adventure, or use them in a nonhostile capacity. For example, if you’re creating encounters for a 6th-level party, a fight against two storm giants would make for a dreadfully

Handling Mobs

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Handling Mobs Keeping combat moving along at a brisk pace can be difficult when there are dozens of monsters involved in a battle. When handling a crowded battlefield, you can speed up play by

needs in order to hit a target by subtracting its attack bonus from the target’s AC. You’ll need to refer to the result throughout the battle, so it’s best to write it down. Look up the minimum d20 roll

Inspiration for the DM

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

card from the deck. Rather than adding it to the communal hand, you keep that card secret until you play it on behalf of one of the characters’ opponents. You can play your inspiration cards soon

players are likely to follow your example, so if you want them to use their inspiration cards freely, you should do so as well.

Dice Notation

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

. For example, “3d8 + 5” means you roll three eight-sided dice, add them together, and add 5 to the total. Percentile Dice The rules sometimes refer to a d100. While such dice exist, the common way to

a 7 for the tens digit and a 1 for the ones digit, for example, the number rolled is 71. Two 0s represent 100. Some ten-sided dice are numbered in tens (00, 10, 20, and so on), making it easier to

Dice Notation

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

. For example, “3d8 + 5” means you roll three eight-sided dice, add them together, and add 5 to the total. Percentile Dice The rules sometimes refer to a d100. While such dice exist, the common way to

a 7 for the tens digit and a 1 for the ones digit, for example, the number rolled is 71. Two 0s represent 100. Some ten-sided dice are numbered in tens (00, 10, 20, and so on), making it easier to

Ending a Session

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

character back when the player returns. Sometimes a cliffhanger can serve this purpose: the character charges in to help their beleaguered companions. Allow a few minutes at the end of play for

everyone to discuss the events of the session. Ask your players what parts of the session they liked and what they would have liked to see more. Take notes on what happened and the situation at the end of the session so you can refer back to those notes as you prepare the next session.

Session Zero

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Session Zero After you learn what topics your players are excited about, it’s time to discuss what you’ve learned with your potential players during a preliminary, before-play gathering or “session

content goes. Chapter 1 provides guidance for players participating in horror adventures. Make sure you and the players are aware of this and use it to inform character creation and play. Establish

Ending a Session

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

character back when the player returns. Sometimes a cliffhanger can serve this purpose: the character charges in to help their beleaguered companions. Allow a few minutes at the end of play for

everyone to discuss the events of the session. Ask your players what parts of the session they liked and what they would have liked to see more. Take notes on what happened and the situation at the end of the session so you can refer back to those notes as you prepare the next session.

Every DM Is Unique

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Every DM Is Unique The preceding example of play shows how one Dungeon Master might run an encounter, but no two DMs run the game in exactly the same way—and that’s how it should be! You’ll be most

successful as a DM if you choose a play style that works best for you and your players. The Rule of Fun D&D is a game, and everyone should have fun playing it. Everyone shares equal responsibility in

Creating a Sidekick

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

to a character’s backstory or to events that have transpired in play. For example, a sidekick could be a childhood friend or pet, or it might be a creature the adventurers saved. As DM, you determine

play the sidekick. You play the sidekick. There’s no limit on the number of sidekicks in a group, but having more than one per player character can noticeably slow down the game. And when estimating the difficulty of an upcoming encounter, count each sidekick as a character.

Age

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

of the game. You can choose any age for your character, which could provide an explanation for some of your ability scores. For example, if you play a young or very old character, your age could

Time in the Realms

Compendium - Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide

name. For example, sages would record an event as occurring on “1 Mirtul” or “27 Uktar.” People might also refer to a given day by its relationship to the current date (“two tendays from today”) or the nearest holiday (“three days past Greengrass”).

Religion in the Realms

Compendium - Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide

have need. The gods play a role in the lives of nearly everyone, from the mightiest lord to the meanest urchin. The various races of Toril worship their pantheons, which remain largely the same from

region to region, with different cultures and societies emphasizing some deities over others. Although exceptions exist — the gods of Mulhorand, for example — all the gods are revered across all of Faerûn.

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