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Example of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Example of Play These pages present a short example of play, similar to the ones in the Player’s Handbook, to illustrate how everything outlined in the “How to Run a Session” section works in

practice. In this example, the Dungeon Master is running an adventure (“The Fouled Stream”) from chapter 4. The four players are Amy (playing Auro, a Halfling Rogue), Maeve (playing Mirabella, an Elf Wizard

Suggestion

Spells Player’s Handbook

involve anything that would obviously deal damage to the target or its allies. For example, you could say, “Fetch the key to the cult’s treasure vault, and give the key to me.” Or

you could say, “Stop fighting, leave this library peacefully, and don’t return.” The target must succeed on a Wisdom saving throw or have the Charmed condition for the duration or

Instrument of the Bards Legacy

Magic Items Dungeon Master’s Guide (2014)

An instrument of the bards is an exquisite example of its kind, superior to an ordinary instrument in every way. Seven types of these instruments exist, each named after a legendary bard college. The

following table lists the spells common to all instruments, as well as the spells specific to each one and its rarity. A creature that attempts to play the instrument without being attuned to it must

Crystal Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

;t help but lose myself in the emotions of others. 5 The stars have much to tell us, and folk need me to interpret what the stars say. 6 All play and no work—those are the words I

. (Neutral) 4 Determinism. Our destinies may already be written, but the way we achieve them still matters. (Any) 5 Fun and Games. Play is learning, but without the boredom. (Chaotic

Hermit Legacy

Backgrounds Player’s Handbook (2014)

hence the reason for your return to society. Work with your DM to determine the details of your discovery and its impact on the campaign. Other Hermits This hermit background assumes a

contemplative sort of seclusion that allows room for study and prayer. If you want to play a rugged wilderness recluse who lives off the land while shunning the company of other people, look at the outlander

Phantom Warrior

Monsters Curse of Strahd

master or because it believes it must perform a task to satisfy its honor or sense of duty. For example, a guard who dies defending a wall might return as a phantom warrior and continue guarding the

Young Crystal Dragon

Monsters Fizban's Treasury of Dragons

well. I can’t help but lose myself in the emotions of others. 5 The stars have much to tell us, and folk need me to interpret what the stars say. 6 All play and no work—those are

lives with others. (Neutral) 4 Determinism. Our destinies may already be written, but the way we achieve them still matters. (Any) 5 Fun and Games. Play is learning, but without the boredom

Swarmkeeper

classes Tasha’s Cauldron of Everything

character’s bond with nature spirits. Take the opportunity to describe the swarm and the ranger’s magic in play. For example, when your ranger casts gaseous form, they might appear to melt

Swarmkeeper (TCoE)

classes Tasha’s Cauldron of Everything

character’s bond with nature spirits. Take the opportunity to describe the swarm and the ranger’s magic in play. For example, when your ranger casts gaseous form, they might appear to melt

Skabatha Nightshade

Monsters The Wild Beyond the Witchlight

Hourglass Coven. Better known as Granny Nightshade, she offers her assistance to those who are haunted by regret. Her deals often result in cruel twists; for example, a petitioner who asks to be reunited

regains all of its shared spells. Alter Size. Skabatha magically shrinks herself to Tiny size (between 4 and 8 inches tall) or returns to her normal size. If Skabatha lacks the room to return

Selenelion Twin

Monsters The Wild Beyond the Witchlight

moonlight. She wears a crescent moon mask and is one-half of an acrobatic duo called the Selenelion twins, alongside Glister, her sunny twin. Gleam wants to reunite with her twin and return to the

. Chaotic good. Personality Trait. “I like to play with fire. I’m confident and take risks, even when the odds are stacked against me.” Ideal. “Everyone should be free to express

Shapechange Legacy

Spells Basic Rules (2014)

, and you must have seen the sort of creature at least once. You transform into an average example of that creature, one without any class levels or the Spellcasting trait. Your game statistics are

can't use any legendary actions or lair actions of the new form. You assume the hit points and Hit Dice of the new form. When you revert to your normal form, you return to the number of hit points you

Adult Crystal Dragon

Monsters Fizban's Treasury of Dragons

empathy is a bottomless well. I can’t help but lose myself in the emotions of others. 5 The stars have much to tell us, and folk need me to interpret what the stars say. 6 All play and no

shame not to share our lives with others. (Neutral) 4 Determinism. Our destinies may already be written, but the way we achieve them still matters. (Any) 5 Fun and Games. Play is learning, but

Ancient Crystal Dragon

Monsters Fizban's Treasury of Dragons

All play and no work—those are the words I live by. 7 I am always the first to offer a compliment. 8 Get off my snowfield, you immature bipeds! When I was a wyrmling, people respected

would be a shame not to share our lives with others. (Neutral) 4 Determinism. Our destinies may already be written, but the way we achieve them still matters. (Any) 5 Fun and Games. Play

Race Legacy

Rules

in mind the kind of character you want to play. For example, a halfling could be a good choice for a sneaky rogue, a dwarf makes a tough warrior, and an elf can be a master of arcane magic.

Courtier

Backgrounds Sword Coast Adventurer's Guide

. 5 I’m rude to people who lack my commitment to hard work and fair play. 6 I like to talk at length about my profession. 7 I don’t part with my money easily and will haggle

looking for someone worthy. 3 I owe my guild a great debt for forging me into the person I am today. 4 I pursue wealth to secure someone’s love. 5 One day I will return to my

Hermit - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

superseding event. Suddenly directionless and unable to return to your homeland, you have lingered, adrift, in this wretched city. Feature: Discovery The quiet seclusion of your extended

past that could rewrite history. It might be information that would be damaging to the people who consigned you to exile, and hence the reason for your return to society. Work with your DM to

Leonin

Species Mythic Odysseys of Theros

adversaries—incredibly clever and well-prepared to play a long game but ultimately doomed to lose their games. 4 I’m certain every bad thing that happens can ultimately be blamed on the

personal names, leonin identify themselves by their pride. A member of the Flintclaw pride with the personal name of Ziore, for example, would likely style herself as Ziore of the Flintclaw. Female Names

Tabaxi Legacy

Species Volo's Guide to Monsters

stories, artifacts, and lore. Those who survive this period of wanderlust return home in their elder years to share news of the outside world. In this manner, the tabaxi remain isolated but never ignorant

learning their way in the world. They travel in small, colorful wagons, moving from settlement to settlement. When they arrive, they set up a small stage in a public square where they sing, play

Soldier - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

clothes, and a pouch containing 10 gp Specialty During your time as a soldier, you had a specific role to play in your unit or army. Roll a d8 or choose from the options in the table below to

regular shift patrolling either the Lower City or the Outer City. In return, you have access to the Flaming Fist’s fortresses and a direct line of communication with Flaming Fist officers and

Clan Crafter

Backgrounds Sword Coast Adventurer's Guide

’m rude to people who lack my commitment to hard work and fair play. 6 I like to talk at length about my profession. 7 I don’t part with my money easily and will haggle

for someone worthy. 3 I owe my guild a great debt for forging me into the person I am today. 4 I pursue wealth to secure someone’s love. 5 One day I will return to my guild

Ancient Moonstone Dragon

Monsters Fizban's Treasury of Dragons

of one plane to wander into others. Moonstone Dragon Lair Features You can look to other maps in this chapter as inspiration for the scattered parts of a moonstone dragon’s lair. For example

nearest unoccupied space. Compulsive Dance. The dragon targets a creature it can see in its lair, and a merry waltz begins to play that only the target can hear. The target must succeed on a DC 15

Adult Moonstone Dragon

Monsters Fizban's Treasury of Dragons

look to other maps in this chapter as inspiration for the scattered parts of a moonstone dragon’s lair. For example, a well maintained and above-water version of the black dragon lair’s

see in its lair, and a merry waltz begins to play that only the target can hear. The target must succeed on a DC 15 Intelligence saving throw or dance until initiative count 20 on the following round

Strahd von Zarovich Legacy

monsters Curse of Strahd

card reading in chapter 1, unless he has been forced into his tomb in the catacombs of Castle Ravenloft. Strahd's Tactics Because the entire adventure revolves around Strahd, you must play him

to Strahd is quickly undone. For example, a critical hit might dislocate Strahd’s jaw, but only for a moment; then the vampire’s jaw quickly resets itself. The ability of the Heart of

Experts at the Table

Compendium - Sources->Dungeons & Dragons->Forgotten Realms: Adventures in Faerûn

return to an earlier example, if the characters arrive in Waterdeep and you don’t have an inn prepared, you can ask one of the experts at your table, “What inn do you stay at, and what’s unique about

Realms history, the Realms lore experts at your table will enjoy recognizing the Easter eggs you’ve placed. The adventure in chapter 7 of this book, “The Lost Library of Lethchauntos,” is a good example

Ancient Dragon Turtle

Monsters Fizban's Treasury of Dragons

notice taking from the sea’s bounty without offering something in return. 6 I think of sailors’ songs as their “water speech” and try to converse with them by humming

. As an example, map 5.14 depicts a topaz dragon’s lair in a seaside cavern, but it could be reimagined as a grotto in the side of a coral reef rising from a shelf on the ocean floor, with the

Phenax's Champions

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

the countryside. 4 Assassinate or protect the local magistrate who has been cracking down on Phenax worshipers. 5 Create a grand prank built around obfuscation and deceit to embarrass a

one of the necropoleis in expanding or dealing with various threats. Plots and schemes are Phenax’s lifeblood, suggesting a complex, shifting campaign full of surprises and twists. For example, a

The Solitaire Cracks

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

when this event might occur: 1d8 hours after the characters return to the Material Plane with the shard solitaire in their possession If the characters are trapped in area P20 with the Far Realm entity

and have no means of escape After the night hags obtain the shard solitaire but before they can use their plane shift spells to escape with it The cracking of the shard solitaire is audible to anyone

Conclusion

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

Conclusion If the adventurers achieve their objectives and return safely to Saltmarsh, they receive a hero’s welcome. They are granted Saltmarsh citizenship, and a house is set aside for them to use

stronghold and provides guidance on how to play out those events. If you and the group want to move on to other challenges instead, a full-scale assault on the fortress takes place about fourteen days after

Chapter 5: Final Showdown

Compendium - Sources->Dungeons & Dragons->Infernal Machine Rebuild

they return to their original time, Lynx and Sir Ursas both make a play for the components, desiring to use them to complete and control the Infernal Machine of Lum the Mad.

Inspiration for the DM

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

card from the deck. Rather than adding it to the communal hand, you keep that card secret until you play it on behalf of one of the characters’ opponents. You can play your inspiration cards soon

players are likely to follow your example, so if you want them to use their inspiration cards freely, you should do so as well.

Return to the Cathedral

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

Return to the Cathedral The characters can make their way back to the relative safety of the cathedral in the High Hall. If they helped defeat the devils that attempted to take the cathedral earlier

, the trip should be uneventful. Alternatively, to keep the tension high, you can roll for random encounters in the western portion of the city (see “More Encounters in Elturel”). An encounter or two while the characters protect Duke Ravengard could make for memorable play.

Rules Discussions

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

prefer to let the DM make a call and continue with the action. If you gloss over a rules issue in play, make a note of it (a good task to delegate to a player) and return to the issue later.

Every DM Is Unique

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Every DM Is Unique The preceding example of play shows how one Dungeon Master might run an encounter, but no two DMs run the game in exactly the same way—and that’s how it should be! You’ll be most

successful as a DM if you choose a play style that works best for you and your players. The Rule of Fun D&D is a game, and everyone should have fun playing it. Everyone shares equal responsibility in

Creating a Sidekick

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

to a character’s backstory or to events that have transpired in play. For example, a sidekick could be a childhood friend or pet, or it might be a creature the adventurers saved. As DM, you determine

play the sidekick. You play the sidekick. There’s no limit on the number of sidekicks in a group, but having more than one per player character can noticeably slow down the game. And when estimating the difficulty of an upcoming encounter, count each sidekick as a character.

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