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Returning 22 results for 'bard blow diffusing caution relying'.
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use it as a Spellcasting Focus for your Bard spells. Bard spells cast using the warhorn gain the following benefits:
If the spell has a duration of 1 minute or longer, its duration is doubled, to a
spell slot you expended.
The Sound of Victory. While holding the warhorn in both hands, you can take a Magic action to blow it, empowering your allies and intimidating your foes. For the next 10
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
prestidigitation to blow your hair back, making it look like you have the speed and grace of Corellon themself. Cutting Wit and Wicked Barbs When others pick on you about being a bard, you need only remind
Bard There is nothing I would like to do more than explain to you why I’m standing here with stolen goods and my rapier sticking out of this still-warm corpse, officer. I assure you, I have a
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
prestidigitation to blow your hair back, making it look like you have the speed and grace of Corellon themself. Cutting Wit and Wicked Barbs When others pick on you about being a bard, you need only remind
Bard There is nothing I would like to do more than explain to you why I’m standing here with stolen goods and my rapier sticking out of this still-warm corpse, officer. I assure you, I have a
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
prestidigitation to blow your hair back, making it look like you have the speed and grace of Corellon themself. Cutting Wit and Wicked Barbs When others pick on you about being a bard, you need only remind
Bard There is nothing I would like to do more than explain to you why I’m standing here with stolen goods and my rapier sticking out of this still-warm corpse, officer. I assure you, I have a
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
quite like you do. War Magic Success in business requires prudent caution and take-charge offense in equal measure. As a war mage, your focus on abjuration and evocation is thus a good fit for success
whole new level. You cast spells under pressure, never blinking in the face of death or financial ruin. And when it’s necessary, you can blow up an adversary like nobody’s business. Just make sure your franchise’s collateral damage insurance is all up to date.
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
quite like you do. War Magic Success in business requires prudent caution and take-charge offense in equal measure. As a war mage, your focus on abjuration and evocation is thus a good fit for success
whole new level. You cast spells under pressure, never blinking in the face of death or financial ruin. And when it’s necessary, you can blow up an adversary like nobody’s business. Just make sure your franchise’s collateral damage insurance is all up to date.
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
quite like you do. War Magic Success in business requires prudent caution and take-charge offense in equal measure. As a war mage, your focus on abjuration and evocation is thus a good fit for success
whole new level. You cast spells under pressure, never blinking in the face of death or financial ruin. And when it’s necessary, you can blow up an adversary like nobody’s business. Just make sure your franchise’s collateral damage insurance is all up to date.
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
most epic of all his achievements is chronicled in The Trial of Asmodeus, a play based on purportedly true events as researched by the aasimar bard Anodius. In ancient times, as the Blood War raged
. Asmodeus dwells in a great fortress somewhere in the wasteland, at the bottom of its deepest pit. Only his most trusted followers and most important advisors know the route to it. He remains inside, relying on messengers and magic to convey his dictates.
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
most epic of all his achievements is chronicled in The Trial of Asmodeus, a play based on purportedly true events as researched by the aasimar bard Anodius. In ancient times, as the Blood War raged
. Asmodeus dwells in a great fortress somewhere in the wasteland, at the bottom of its deepest pit. Only his most trusted followers and most important advisors know the route to it. He remains inside, relying on messengers and magic to convey his dictates.
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
most epic of all his achievements is chronicled in The Trial of Asmodeus, a play based on purportedly true events as researched by the aasimar bard Anodius. In ancient times, as the Blood War raged
. Asmodeus dwells in a great fortress somewhere in the wasteland, at the bottom of its deepest pit. Only his most trusted followers and most important advisors know the route to it. He remains inside, relying on messengers and magic to convey his dictates.
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
2,400 4,900 7,300 10,900 20th 2,800 5,700 8,500 12,700 CHALLENGE RATING
When putting together an encounter or adventure, especially at lower levels, exercise caution when using monsters whose
of 2, but it can kill a 1st-level wizard with a single blow.
In addition, some monsters have features that might be difficult or impossible for lower-level characters to overcome. For example, a
Compendium
- Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
the characters one dandelion apiece and encourages each of them to make a wish and then blow the dandelion’s seeds into the air. Sycamore Seeds. A creature can attempt to catch a falling sycamore seed
Intervention. If the characters haven’t found a way to Prismeer by the end of the evening, Ellywick Tumblestrum (see “Feasting Orchard” earlier in the chapter) comes to their aid. The gnome bard appears
Compendium
- Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
the characters one dandelion apiece and encourages each of them to make a wish and then blow the dandelion’s seeds into the air. Sycamore Seeds. A creature can attempt to catch a falling sycamore seed
Intervention. If the characters haven’t found a way to Prismeer by the end of the evening, Ellywick Tumblestrum (see “Feasting Orchard” earlier in the chapter) comes to their aid. The gnome bard appears
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
2,400 4,900 7,300 10,900 20th 2,800 5,700 8,500 12,700 CHALLENGE RATING
When putting together an encounter or adventure, especially at lower levels, exercise caution when using monsters whose
of 2, but it can kill a 1st-level wizard with a single blow.
In addition, some monsters have features that might be difficult or impossible for lower-level characters to overcome. For example, a
Compendium
- Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
the characters one dandelion apiece and encourages each of them to make a wish and then blow the dandelion’s seeds into the air. Sycamore Seeds. A creature can attempt to catch a falling sycamore seed
Intervention. If the characters haven’t found a way to Prismeer by the end of the evening, Ellywick Tumblestrum (see “Feasting Orchard” earlier in the chapter) comes to their aid. The gnome bard appears
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
2,400 4,900 7,300 10,900 20th 2,800 5,700 8,500 12,700 CHALLENGE RATING
When putting together an encounter or adventure, especially at lower levels, exercise caution when using monsters whose
of 2, but it can kill a 1st-level wizard with a single blow.
In addition, some monsters have features that might be difficult or impossible for lower-level characters to overcome. For example, a
Compendium
- Sources->Dungeons & Dragons->Ghosts of Saltmarsh
Bayleaf (LE male elf bard; see appendix C) is a mercenary who works for the highest bidder. He was hired by the abbey as a training instructor for the guards. If the party does not attack him immediately
. Ogmund Ogmund (CE male human gladiator) is a huge, stupid, mean-spirited fighter. In battle he is awesome, wielding his spear untiringly. During the battle with the pirates, a blow from a warhammer
Compendium
- Sources->Dungeons & Dragons->Ghosts of Saltmarsh
Bayleaf (LE male elf bard; see appendix C) is a mercenary who works for the highest bidder. He was hired by the abbey as a training instructor for the guards. If the party does not attack him immediately
. Ogmund Ogmund (CE male human gladiator) is a huge, stupid, mean-spirited fighter. In battle he is awesome, wielding his spear untiringly. During the battle with the pirates, a blow from a warhammer
Compendium
- Sources->Dungeons & Dragons->Ghosts of Saltmarsh
Bayleaf (LE male elf bard; see appendix C) is a mercenary who works for the highest bidder. He was hired by the abbey as a training instructor for the guards. If the party does not attack him immediately
. Ogmund Ogmund (CE male human gladiator) is a huge, stupid, mean-spirited fighter. In battle he is awesome, wielding his spear untiringly. During the battle with the pirates, a blow from a warhammer
Compendium
- Sources->Dungeons & Dragons->Princes of the Apocalypse
cultists stop playing. Frustrated with the mediocre initiates, Windharrow asks if the characters are skilled musicians and if they would like to audition for the band. If a bard character or a character
an action to blow the horn (see below). The djinni Ahtayir (area A15) arrives at the end of Aerisi’s next turn. She orders the djinni to cover her escape and flies down the shaft in area A18. Horn
Compendium
- Sources->Dungeons & Dragons->Princes of the Apocalypse
cultists stop playing. Frustrated with the mediocre initiates, Windharrow asks if the characters are skilled musicians and if they would like to audition for the band. If a bard character or a character
an action to blow the horn (see below). The djinni Ahtayir (area A15) arrives at the end of Aerisi’s next turn. She orders the djinni to cover her escape and flies down the shaft in area A18. Horn
Compendium
- Sources->Dungeons & Dragons->Princes of the Apocalypse
cultists stop playing. Frustrated with the mediocre initiates, Windharrow asks if the characters are skilled musicians and if they would like to audition for the band. If a bard character or a character
an action to blow the horn (see below). The djinni Ahtayir (area A15) arrives at the end of Aerisi’s next turn. She orders the djinni to cover her escape and flies down the shaft in area A18. Horn