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Returning 35 results for 'beat both diffusing compound rules'.
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The Rifts
 Compendium - Sources->Dungeons & Dragons->Out of the Abyss
drow compound overlooking the Clawrift. (The compound was once House Oblodra, a powerful drow house that was destroyed by Lolth over one hundred years ago during the Time of Troubles.) Mistrift This
5 of the Dungeon Master’s Guide for rules on escaping webs. Characters entering Menzoberranzan by means of Vizeran DeVir’s secret tunnel come to a secret door that pulls open to reveal a narrow ledge
The Rifts
 Compendium - Sources->Dungeons & Dragons->Out of the Abyss
drow compound overlooking the Clawrift. (The compound was once House Oblodra, a powerful drow house that was destroyed by Lolth over one hundred years ago during the Time of Troubles.) Mistrift This
5 of the Dungeon Master’s Guide for rules on escaping webs. Characters entering Menzoberranzan by means of Vizeran DeVir’s secret tunnel come to a secret door that pulls open to reveal a narrow ledge
The Rifts
 Compendium - Sources->Dungeons & Dragons->Out of the Abyss
drow compound overlooking the Clawrift. (The compound was once House Oblodra, a powerful drow house that was destroyed by Lolth over one hundred years ago during the Time of Troubles.) Mistrift This
5 of the Dungeon Master’s Guide for rules on escaping webs. Characters entering Menzoberranzan by means of Vizeran DeVir’s secret tunnel come to a secret door that pulls open to reveal a narrow ledge
Death Must Be Fair
 Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide
and as a fair arbiter of the rules. Provide Fair Warning. Let characters face the consequences of their foolish actions, but make sure you give enough cues for the players to recognize self-destructive
encounters. It’s fine to throw tough encounters at them and sometimes to let them face monsters they can’t beat. But it’s not fair if the players have no way to know they can’t win the fight or have
Death Must Be Fair
 Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide
and as a fair arbiter of the rules. Provide Fair Warning. Let characters face the consequences of their foolish actions, but make sure you give enough cues for the players to recognize self-destructive
encounters. It’s fine to throw tough encounters at them and sometimes to let them face monsters they can’t beat. But it’s not fair if the players have no way to know they can’t win the fight or have
Death Must Be Fair
 Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide
and as a fair arbiter of the rules. Provide Fair Warning. Let characters face the consequences of their foolish actions, but make sure you give enough cues for the players to recognize self-destructive
encounters. It’s fine to throw tough encounters at them and sometimes to let them face monsters they can’t beat. But it’s not fair if the players have no way to know they can’t win the fight or have
3. Cyclopes' Pasture
 Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons
questions but explain the rules of their game: the characters’ boulder must fly farther than the cyclops’s. How the characters accomplish this is unimportant to the cyclopes, but the boulder can’t be
dragged or carried—it must fly at least part of the distance. The characters can beat this challenge in several ways. The most straightforward solution is to reduce the boulder with an enlarge/reduce spell
3. Cyclopes' Pasture
 Compendium - Sources->Dungeons & Dragons->Rise of Tiamat
questions but explain the rules of their game: the characters’ boulder must fly farther than the cyclops’s. How the characters accomplish this is unimportant to the cyclopes, but the boulder can’t be
dragged or carried — it must fly at least part of the distance. The characters can beat this challenge in several ways. The most straightforward solution is to reduce the boulder with an enlarge/reduce
3. Cyclopes' Pasture
 Compendium - Sources->Dungeons & Dragons->Rise of Tiamat
questions but explain the rules of their game: the characters’ boulder must fly farther than the cyclops’s. How the characters accomplish this is unimportant to the cyclopes, but the boulder can’t be
dragged or carried — it must fly at least part of the distance. The characters can beat this challenge in several ways. The most straightforward solution is to reduce the boulder with an enlarge/reduce
3. Cyclopes' Pasture
 Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons
questions but explain the rules of their game: the characters’ boulder must fly farther than the cyclops’s. How the characters accomplish this is unimportant to the cyclopes, but the boulder can’t be
dragged or carried—it must fly at least part of the distance. The characters can beat this challenge in several ways. The most straightforward solution is to reduce the boulder with an enlarge/reduce spell
3. Cyclopes' Pasture
 Compendium - Sources->Dungeons & Dragons->Rise of Tiamat
questions but explain the rules of their game: the characters’ boulder must fly farther than the cyclops’s. How the characters accomplish this is unimportant to the cyclopes, but the boulder can’t be
dragged or carried — it must fly at least part of the distance. The characters can beat this challenge in several ways. The most straightforward solution is to reduce the boulder with an enlarge/reduce
3. Cyclopes' Pasture
 Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons
questions but explain the rules of their game: the characters’ boulder must fly farther than the cyclops’s. How the characters accomplish this is unimportant to the cyclopes, but the boulder can’t be
dragged or carried—it must fly at least part of the distance. The characters can beat this challenge in several ways. The most straightforward solution is to reduce the boulder with an enlarge/reduce spell
Limbo
 Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
Large, and DC 25 for Huge or larger. On a successful check, the creature moves the object 5 feet plus 1 foot for every point by which it beat the DC. A creature can also use an action to make an
Intelligence check to alter a nonmagical object that isn’t being worn or carried. The same rules for distance apply, and the DC is based on the object’s size: DC 10 for Tiny, DC 15 for Small, DC 20 for
It's a Sing-off!
 Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
sense in the context of the sing-off. A character might bench press a huge stack of books to the song’s beat while lying on a table, making a Strength (Athletics) check. Or a character might leap
sing-off, characters might mingle with the other students. If there are students the characters wish to earn Relationship Points with, treat this as a Relationship encounter, as described in the rules
It's a Sing-off!
 Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
sense in the context of the sing-off. A character might bench press a huge stack of books to the song’s beat while lying on a table, making a Strength (Athletics) check. Or a character might leap
sing-off, characters might mingle with the other students. If there are students the characters wish to earn Relationship Points with, treat this as a Relationship encounter, as described in the rules
Limbo
 Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
Large, and DC 25 for Huge or larger. On a successful check, the creature moves the object 5 feet plus 1 foot for every point by which it beat the DC. A creature can also use an action to make an
Intelligence check to alter a nonmagical object that isn’t being worn or carried. The same rules for distance apply, and the DC is based on the object’s size: DC 10 for Tiny, DC 15 for Small, DC 20 for
Limbo
 Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
Large, and DC 25 for Huge or larger. On a successful check, the creature moves the object 5 feet plus 1 foot for every point by which it beat the DC. A creature can also use an action to make an
Intelligence check to alter a nonmagical object that isn’t being worn or carried. The same rules for distance apply, and the DC is based on the object’s size: DC 10 for Tiny, DC 15 for Small, DC 20 for
It's a Sing-off!
 Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
sense in the context of the sing-off. A character might bench press a huge stack of books to the song’s beat while lying on a table, making a Strength (Athletics) check. Or a character might leap
sing-off, characters might mingle with the other students. If there are students the characters wish to earn Relationship Points with, treat this as a Relationship encounter, as described in the rules
Arrival at Korth
 Compendium - Sources->Dungeons & Dragons->Fated Flight of the Recluse
a tall spire on the outskirts of the city and stops at one of the three airship docks jutting from its upper reaches. Without missing a beat, crewmen leap from the ship with mooring lines and secure
human’s dragonmark and garb suggests high ranking in House Cannith. If the check succeeds by 5 or more, the character recognizes the human as Zorlan d’Cannith, the Cannith baron that rules Cannith
L3. Parlor
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
crunching leaves. “Let’s have some tea.” Skabatha Nightshade (see appendix B) obeys the rule of hospitality (see “Rules of Conduct” in chapter 2) and presents herself as a kind host who is keen to
to adhere to her guests and beat them unconscious while she watches with amusement. Treasure. Characters who scour the parlor for treasure find the following items: A spell scroll of speak with plants
Arrival at Korth
 Compendium - Sources->Dungeons & Dragons->Fated Flight of the Recluse
a tall spire on the outskirts of the city and stops at one of the three airship docks jutting from its upper reaches. Without missing a beat, crewmen leap from the ship with mooring lines and secure
human’s dragonmark and garb suggests high ranking in House Cannith. If the check succeeds by 5 or more, the character recognizes the human as Zorlan d’Cannith, the Cannith baron that rules Cannith
L3. Parlor
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
crunching leaves. “Let’s have some tea.” Skabatha Nightshade (see appendix B) obeys the rule of hospitality (see “Rules of Conduct” in chapter 2) and presents herself as a kind host who is keen to
to adhere to her guests and beat them unconscious while she watches with amusement. Treasure. Characters who scour the parlor for treasure find the following items: A spell scroll of speak with plants
Arrival at Korth
 Compendium - Sources->Dungeons & Dragons->Fated Flight of the Recluse
a tall spire on the outskirts of the city and stops at one of the three airship docks jutting from its upper reaches. Without missing a beat, crewmen leap from the ship with mooring lines and secure
human’s dragonmark and garb suggests high ranking in House Cannith. If the check succeeds by 5 or more, the character recognizes the human as Zorlan d’Cannith, the Cannith baron that rules Cannith
L3. Parlor
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
crunching leaves. “Let’s have some tea.” Skabatha Nightshade (see appendix B) obeys the rule of hospitality (see “Rules of Conduct” in chapter 2) and presents herself as a kind host who is keen to
to adhere to her guests and beat them unconscious while she watches with amusement. Treasure. Characters who scour the parlor for treasure find the following items: A spell scroll of speak with plants
Lockbury Henge
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
otherwise irritate the korreds, Argantle and Jagu emerge from their megaliths and attack the characters for their insolence. Otherwise, the rule of hospitality (see “Rules of Conduct” in chapter 2
(Insight) check determine that Shale can beat Chalk in a single move. Making this move causes the victorious Queen Argantle to emerge from her stone, laughing and cheering. Jagu emerges grumpily to join
Lockbury Henge
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
otherwise irritate the korreds, Argantle and Jagu emerge from their megaliths and attack the characters for their insolence. Otherwise, the rule of hospitality (see “Rules of Conduct” in chapter 2
(Insight) check determine that Shale can beat Chalk in a single move. Making this move causes the victorious Queen Argantle to emerge from her stone, laughing and cheering. Jagu emerges grumpily to join
Lockbury Henge
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
otherwise irritate the korreds, Argantle and Jagu emerge from their megaliths and attack the characters for their insolence. Otherwise, the rule of hospitality (see “Rules of Conduct” in chapter 2
(Insight) check determine that Shale can beat Chalk in a single move. Making this move causes the victorious Queen Argantle to emerge from her stone, laughing and cheering. Jagu emerges grumpily to join
Encounters in the Mere
 Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath
the suffocation rules in the Player’s Handbook). A creature not sunk in the quicksand can pull another creature within its reach out of a quicksand pit by using its action and succeeding on a Strength
characters can remain quiet, the trolls beat each other up even more, until they are all down to a quarter of their starting hit points. The first troll to die carries a sack, and in it there are three
Encounters in the Mere
 Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath
the suffocation rules in the Player’s Handbook). A creature not sunk in the quicksand can pull another creature within its reach out of a quicksand pit by using its action and succeeding on a Strength
characters can remain quiet, the trolls beat each other up even more, until they are all down to a quarter of their starting hit points. The first troll to die carries a sack, and in it there are three
Encounters in the Mere
 Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath
the suffocation rules in the Player’s Handbook). A creature not sunk in the quicksand can pull another creature within its reach out of a quicksand pit by using its action and succeeding on a Strength
characters can remain quiet, the trolls beat each other up even more, until they are all down to a quarter of their starting hit points. The first troll to die carries a sack, and in it there are three
Bard Class Features
 Compendium - Sources->Dungeons & Dragons->Player’s Handbook
have learned to cast spells through your bardic arts. See chapter 7 for the rules on spellcasting. The information below details how you use those rules with Bard spells, which appear in the Bard
spellcasting ability for your Bard spells. Spellcasting Focus. You can use a Musical Instrument as a Spellcasting Focus for your Bard spells. Level 2: Expertise You gain Expertise (see the rules glossary
Bard Class Features
 Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules
have learned to cast spells through your bardic arts. See “Spells” for the rules on spellcasting. The information below details how you use those rules with Bard spells, which appear in the Bard spell
spellcasting ability for your Bard spells. Spellcasting Focus. You can use a Musical Instrument as a Spellcasting Focus for your Bard spells. Level 2: Expertise You gain Expertise (see the rules glossary) in
Bard Class Features
 Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules
have learned to cast spells through your bardic arts. See “Spells” for the rules on spellcasting. The information below details how you use those rules with Bard spells, which appear in the Bard spell
spellcasting ability for your Bard spells. Spellcasting Focus. You can use a Musical Instrument as a Spellcasting Focus for your Bard spells. Level 2: Expertise You gain Expertise (see the rules glossary) in
Bard Class Features
 Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules
have learned to cast spells through your bardic arts. See “Spells” for the rules on spellcasting. The information below details how you use those rules with Bard spells, which appear in the Bard spell
spellcasting ability for your Bard spells. Spellcasting Focus. You can use a Musical Instrument as a Spellcasting Focus for your Bard spells. Level 2: Expertise You gain Expertise (see the rules glossary) in
Bard Class Features
 Compendium - Sources->Dungeons & Dragons->Player’s Handbook
have learned to cast spells through your bardic arts. See chapter 7 for the rules on spellcasting. The information below details how you use those rules with Bard spells, which appear in the Bard
spellcasting ability for your Bard spells. Spellcasting Focus. You can use a Musical Instrument as a Spellcasting Focus for your Bard spells. Level 2: Expertise You gain Expertise (see the rules glossary