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backgrounds
Player’s Handbook
as soon as you were strong enough to carry a bucket. When you were old enough to apprentice, you learned to create basic crafts of your own, as well as how to sweet-talk the occasional demanding customer. Your trade has also given you a keen eye for detail.
Compendium
- Sources->Dungeons & Dragons->Player’s Handbook
artisan’s workshop for a few coppers per day as soon as you were strong enough to carry a bucket. When you were old enough to apprentice, you learned to create basic crafts of your own, as well as how to sweet-talk the occasional demanding customer. Your trade has also given you a keen eye for detail.
Compendium
- Sources->Dungeons & Dragons->Player’s Handbook
artisan’s workshop for a few coppers per day as soon as you were strong enough to carry a bucket. When you were old enough to apprentice, you learned to create basic crafts of your own, as well as how to sweet-talk the occasional demanding customer. Your trade has also given you a keen eye for detail.
Compendium
- Sources->Dungeons & Dragons->Player’s Handbook
artisan’s workshop for a few coppers per day as soon as you were strong enough to carry a bucket. When you were old enough to apprentice, you learned to create basic crafts of your own, as well as how to sweet-talk the occasional demanding customer. Your trade has also given you a keen eye for detail.
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
adventure matter in the next. Plotting and running that kind of campaign can be demanding on the DM, but the payoff is a great and memorable story. An episodic campaign, in contrast, is like a
episodic game like this lets you create adventures — or buy published ones — and drop them into your campaign without worrying about how they fit with the adventures that came before and follow after.
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
adventure matter in the next. Plotting and running that kind of campaign can be demanding on the DM, but the payoff is a great and memorable story. An episodic campaign, in contrast, is like a
episodic game like this lets you create adventures — or buy published ones — and drop them into your campaign without worrying about how they fit with the adventures that came before and follow after.
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
adventure matter in the next. Plotting and running that kind of campaign can be demanding on the DM, but the payoff is a great and memorable story. An episodic campaign, in contrast, is like a
episodic game like this lets you create adventures — or buy published ones — and drop them into your campaign without worrying about how they fit with the adventures that came before and follow after.
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
wasn’t a possibility you anticipated, and you don’t have anything prepared for it. One option is to say yes and use the tools at your disposal to create a suitable mages’ guild. By doing this, you
. This approach rewards the creative player while demanding less work from you. Aids to Improvisation When you need to make up something on the spot—say, a mages’ guild in a town where you hadn’t
Compendium
- Sources->Dungeons & Dragons->Tomb of Annihilation
redeem himself, Taban offers to join the party as a follower, demanding no pay for the duration of the adventure. Create a Distraction at Fort Beluarian. Rokah (N male Chultan human spy) works for
commander. He asks the adventurers to escort him safely to the fort and create a distraction so that he can ransack the commander’s quarters. As a reward, Rokah offers to cover the cost of a charter
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
Collect the materials necessary to create a revolutionary oracular device.
12 Protect an oracle who must deliver bad news to a worshiper who is both influential and unpredictable.
Oracular
oracles hostage, demanding they alter the future after predicting his defeat in an upcoming match.
6 An oracle (see chapter 6) makes false predictions to convince nobles to give him money and lavish gifts.
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
Collect the materials necessary to create a revolutionary oracular device.
12 Protect an oracle who must deliver bad news to a worshiper who is both influential and unpredictable.
Oracular
oracles hostage, demanding they alter the future after predicting his defeat in an upcoming match.
6 An oracle (see chapter 6) makes false predictions to convince nobles to give him money and lavish gifts.
Compendium
- Sources->Dungeons & Dragons->Tomb of Annihilation
redeem himself, Taban offers to join the party as a follower, demanding no pay for the duration of the adventure. Create a Distraction at Fort Beluarian. Rokah (N male Chultan human spy) works for
commander. He asks the adventurers to escort him safely to the fort and create a distraction so that he can ransack the commander’s quarters. As a reward, Rokah offers to cover the cost of a charter
Compendium
- Sources->Dungeons & Dragons->Tomb of Annihilation
redeem himself, Taban offers to join the party as a follower, demanding no pay for the duration of the adventure. Create a Distraction at Fort Beluarian. Rokah (N male Chultan human spy) works for
commander. He asks the adventurers to escort him safely to the fort and create a distraction so that he can ransack the commander’s quarters. As a reward, Rokah offers to cover the cost of a charter
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
Collect the materials necessary to create a revolutionary oracular device.
12 Protect an oracle who must deliver bad news to a worshiper who is both influential and unpredictable.
Oracular
oracles hostage, demanding they alter the future after predicting his defeat in an upcoming match.
6 An oracle (see chapter 6) makes false predictions to convince nobles to give him money and lavish gifts.
Compendium
- Sources->Dungeons & Dragons->Monster Manual (2014)
methods and abyssal metals to create an amulet into which part of that essence is ceded. If the demon’s abyssal form is ever destroyed, the amulet allows the fiend to reform at a time and place of
. Though demons yearn to sow chaos on the Material Plane, they show no gratitude when brought there, raging against their prisons and demanding release. Those who would risk summoning a demon might do
Compendium
- Sources->Dungeons & Dragons->Monster Manual (2014)
methods and abyssal metals to create an amulet into which part of that essence is ceded. If the demon’s abyssal form is ever destroyed, the amulet allows the fiend to reform at a time and place of
. Though demons yearn to sow chaos on the Material Plane, they show no gratitude when brought there, raging against their prisons and demanding release. Those who would risk summoning a demon might do
Compendium
- Sources->Dungeons & Dragons->Monster Manual (2014)
methods and abyssal metals to create an amulet into which part of that essence is ceded. If the demon’s abyssal form is ever destroyed, the amulet allows the fiend to reform at a time and place of
. Though demons yearn to sow chaos on the Material Plane, they show no gratitude when brought there, raging against their prisons and demanding release. Those who would risk summoning a demon might do
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
and powerful dragon moves into the region, upsetting the ecology and demanding tribute from nearby settlements. The Foe Time Forgot. An evil foe believed long dead emerges from the Feywild, alive and
greater importance than combat. Make sure your players know ahead of time that you want to run this kind of campaign. Otherwise, a player might create a combat-focused character, only to feel out of place
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
and powerful dragon moves into the region, upsetting the ecology and demanding tribute from nearby settlements. The Foe Time Forgot. An evil foe believed long dead emerges from the Feywild, alive and
greater importance than combat. Make sure your players know ahead of time that you want to run this kind of campaign. Otherwise, a player might create a combat-focused character, only to feel out of place
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
and powerful dragon moves into the region, upsetting the ecology and demanding tribute from nearby settlements. The Foe Time Forgot. An evil foe believed long dead emerges from the Feywild, alive and
greater importance than combat. Make sure your players know ahead of time that you want to run this kind of campaign. Otherwise, a player might create a combat-focused character, only to feel out of place
Compendium
- Sources->Dungeons & Dragons->Ghosts of Saltmarsh
from the Marshal, after which they share their knowledge of the ship’s original purpose and then fade into the afterlife. Wreck Adventures You can create your own stories for adventuring at this site
or use the information in the Marshal Wreck Encounters table to create an adventure. You can roll randomly or choose an encounter appropriate for the average level of the characters. Each encounter
Compendium
- Sources->Dungeons & Dragons->Ghosts of Saltmarsh
from the Marshal, after which they share their knowledge of the ship’s original purpose and then fade into the afterlife. Wreck Adventures You can create your own stories for adventuring at this site
or use the information in the Marshal Wreck Encounters table to create an adventure. You can roll randomly or choose an encounter appropriate for the average level of the characters. Each encounter
Compendium
- Sources->Dungeons & Dragons->Ghosts of Saltmarsh
from the Marshal, after which they share their knowledge of the ship’s original purpose and then fade into the afterlife. Wreck Adventures You can create your own stories for adventuring at this site
or use the information in the Marshal Wreck Encounters table to create an adventure. You can roll randomly or choose an encounter appropriate for the average level of the characters. Each encounter
Compendium
- Sources->Dungeons & Dragons->Storm King's Thunder
aren’t the only evil giants vying for glory and their gods’ admiration. Other giant lords might be engaged in foul plots throughout the North. Here are a few examples of lords you could create:
A
preserve the natural order by rooting out unnatural threats. They struggle to keep civilization and the wilderness from destroying each other, and they help others survive the natural perils of the
Compendium
- Sources->Dungeons & Dragons->Storm King's Thunder
aren’t the only evil giants vying for glory and their gods’ admiration. Other giant lords might be engaged in foul plots throughout the North. Here are a few examples of lords you could create:
A
preserve the natural order by rooting out unnatural threats. They struggle to keep civilization and the wilderness from destroying each other, and they help others survive the natural perils of the
Compendium
- Sources->Dungeons & Dragons->Storm King's Thunder
aren’t the only evil giants vying for glory and their gods’ admiration. Other giant lords might be engaged in foul plots throughout the North. Here are a few examples of lords you could create:
A
preserve the natural order by rooting out unnatural threats. They struggle to keep civilization and the wilderness from destroying each other, and they help others survive the natural perils of the
Compendium
- Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants
worlds, or giants shared the worlds with dragons. In other myths, Annam worked with other gods to create worlds together. Diancastra’s Saga, told in part in the introduction to this book, describes
Annam gathering the shattered fragments of the First World (the original creation of Bahamut and Tiamat) and spreading them across the Material Plane to create countless worlds. Still other myths
Compendium
- Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants
worlds, or giants shared the worlds with dragons. In other myths, Annam worked with other gods to create worlds together. Diancastra’s Saga, told in part in the introduction to this book, describes
Annam gathering the shattered fragments of the First World (the original creation of Bahamut and Tiamat) and spreading them across the Material Plane to create countless worlds. Still other myths
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
interact with mortal folk as if they were equals—particularly dragons who enjoy taking on Humanoid form. They might create a fellowship or collegial society and treat their companions with kindness and
), and create tales and hymns to stoke their deities’ egos. But other Humanoids might also feel (or at least feign) religious devotion to a dragon, sometimes even manifesting magical power as a result
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
interact with mortal folk as if they were equals—particularly dragons who enjoy taking on Humanoid form. They might create a fellowship or collegial society and treat their companions with kindness and
), and create tales and hymns to stoke their deities’ egos. But other Humanoids might also feel (or at least feign) religious devotion to a dragon, sometimes even manifesting magical power as a result
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
interact with mortal folk as if they were equals—particularly dragons who enjoy taking on Humanoid form. They might create a fellowship or collegial society and treat their companions with kindness and
), and create tales and hymns to stoke their deities’ egos. But other Humanoids might also feel (or at least feign) religious devotion to a dragon, sometimes even manifesting magical power as a result
Compendium
- Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants
worlds, or giants shared the worlds with dragons. In other myths, Annam worked with other gods to create worlds together. Diancastra’s Saga, told in part in the introduction to this book, describes
Annam gathering the shattered fragments of the First World (the original creation of Bahamut and Tiamat) and spreading them across the Material Plane to create countless worlds. Still other myths
Compendium
- Sources->Dungeons & Dragons->Phandelver and Below: The Shattered Obelisk
text assumes that the characters have darkvision or a light source. The upper floors of this tower have collapsed to create a hollow silo thirty feet high. The upper reaches of the room are lost in
heated discussion—a loud, growling voice demanding payment for something, and a silky-smooth reply. This chamber has been set up as a living space, with thick furs serving as carpets, old trophies
Compendium
- Sources->Dungeons & Dragons->Phandelver and Below: The Shattered Obelisk
text assumes that the characters have darkvision or a light source. The upper floors of this tower have collapsed to create a hollow silo thirty feet high. The upper reaches of the room are lost in
heated discussion—a loud, growling voice demanding payment for something, and a silky-smooth reply. This chamber has been set up as a living space, with thick furs serving as carpets, old trophies
Compendium
- Sources->Dungeons & Dragons->Lost Mine of Phandelver
slits here are shuttered, leaving the room dark. The boxed text assumes that the characters have darkvision or a light source. Owlbear The upper floors of this tower have collapsed to create a hollow
character who listens at the door hears two voices in a heated discussion—a loud, growling voice demanding payment for something, and a silky smooth reply. This chamber has been set up as a crude living