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Returning 5 results for 'before banners defining could rival'.
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Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
. This student should be a character’s Friend, Rival, or Beloved. The student looks at the characters with trepidation before giving the character they know best a hug, a pat on the shoulder, or another
the Ruins of Caerdoon. They have organized a fete, or something like it, to send you off. Banners that read “We Believe in You!” and “Heroes of Strixhaven!” hang all about the tavern. Friends
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
. Defining a relationship to these discoveries can be an important element of your character’s background; you might be a Mroranon paladin or ranger dedicated to expunging any trace of daelkyr magic from
character is why you have left the Holds. The Leaving the Mror Holds table offers some suggestions that might spark further ideas. Leaving the Mror Holds d8 Reason for Leaving 1 A feud with a rival clan
Compendium
- Sources->Dungeons & Dragons->Wayfinder's Guide to Eberron
Starting Points Sharn holds the potential for endless adventures. The City of Towers can serve as the foundation of a single adventure or an entire campaign. Defining a starting point is a way to
your home—what does it say about your character that this place is your home? Friends and Rivals. Who do you know in the district? The DM should work with each player to develop a friend or rival in the
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
, town, or city in your campaign. Defining Traits 1d20 Trait 1–2 Fortified outer wall 3–4 Lots of gardens, parks, and greenery 5–6 Lots of mud, filth, and litter 7–8 Sprawling cemetery 9–10
guilds 19 Patriotism 20 Ancient ruins Current Calamities 1d12 Calamity 1 Monsters infest the settlement. 2 A key figure died; murder is suspected. 3 War brews between rival guilds or gangs. 4 A
Compendium
- Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen
rival or a non-spellcasting ally steps between those trying to escape and the oncoming dragon. Unaware of the character, this rival uses the incredible magic of a glowing staff to hold off the dragon
situations to heighten the drama—like by turning innocents into allies or childhood friends. Timing. The test should last as long as feels dramatic and end after a character-defining moral choice. If it






