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Amethyst Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

, seeking to understand itself. (Any) 3 Self-Improvement. I am a complex gem, and I constantly polish and refine my many facets to make the whole that much more perfect. (Any) 4 Responsibility

rarely cultivating connections with other creatures. When they do connect with others, it is most often for intellectual and philosophical pursuits or to fulfill some arcane purpose involving the dragons

Ancient Amethyst Dragon

Monsters Fizban's Treasury of Dragons

. (Any) 3 Self-Improvement. I am a complex gem, and I constantly polish and refine my many facets to make the whole that much more perfect. (Any) 4 Responsibility. Having knowledge and

connections with other creatures. When they do connect with others, it is most often for intellectual and philosophical pursuits or to fulfill some arcane purpose involving the dragons’ echoes across

Adult Amethyst Dragon

Monsters Fizban's Treasury of Dragons

, seeking to understand itself. (Any) 3 Self-Improvement. I am a complex gem, and I constantly polish and refine my many facets to make the whole that much more perfect. (Any) 4

and rarely cultivating connections with other creatures. When they do connect with others, it is most often for intellectual and philosophical pursuits or to fulfill some arcane purpose involving the

Young Amethyst Dragon

Monsters Fizban's Treasury of Dragons

, and I constantly polish and refine my many facets to make the whole that much more perfect. (Any) 4 Responsibility. Having knowledge and power gives one a responsibility to those who have less

. Connected Creatures Amethyst dragons are generally aloof creatures, dwelling in isolation for long periods of time and rarely cultivating connections with other creatures. When they do connect

Building a Party

Compendium - Sources->Dungeons & Dragons->Eberron: Forge of the Artificer

table suggests ways to justify why the characters are cooperating. Party Makeup 1d8 Composition 1 One-House Party. Choose a dragonmarked house and connect all characters to it. 2 Bodyguards. A

Deneith Fighter, a Jorasco Cleric, a Medani Wizard, and a Phiarlan Monk are assigned to protect important people. 3 Bounty Hunters. A Sivis Bard, a Tharashk Barbarian, a Tharashk Ranger, and a Vadalis

Symbol

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Symbol Level 7 Abjuration (Bard, Cleric, Druid, Wizard) Casting Time: 1 minute Range: Touch Components: V, S, M (powdered diamond worth 1,000+ GP, which the spell consumes) Duration: Until

object, common triggers include opening that object or seeing the glyph. You can refine the trigger so that only creatures of certain types activate it (for example, the glyph could be set to affect

Glyph of Warding

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Glyph of Warding Level 3 Abjuration (Bard, Cleric, Wizard) Casting Time: 1 hour Range: Touch Components: V, S, M (powdered diamond worth 200+ GP, which the spell consumes) Duration: Until

object, common triggers include opening that object or seeing the glyph. Once a glyph is triggered, this spell ends. You can refine the trigger so that only creatures of certain types activate it (for

Glyph of Warding

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Glyph of Warding Level 3 Abjuration (Bard, Cleric, Wizard) Casting Time: 1 hour Range: Touch Components: V, S, M (powdered diamond worth 200+ GP, which the spell consumes) Duration: Until

object, common triggers include opening that object or seeing the glyph. Once a glyph is triggered, this spell ends. You can refine the trigger so that only creatures of certain types activate it (for

Symbol

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Symbol Level 7 Abjuration (Bard, Cleric, Druid, Wizard) Casting Time: 1 minute Range: Touch Components: V, S, M (powdered diamond worth 1,000+ GP, which the spell consumes) Duration: Until

object, common triggers include opening that object or seeing the glyph. You can refine the trigger so that only creatures of certain types activate it (for example, the glyph could be set to affect

Guilds and Groups

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

each year. The primary benefit of belonging to a guild is access to work, since the guildmaster can connect parties of adventurers with patrons and jobs suited to their talents. Beyond that, there are

how his members do their jobs, as long as they don’t fail. The Circle of Song A bard is a versatile individual, equally skilled at entertainment and espionage. These talents are perfectly matched to the

Hirelings

Compendium - Sources->Dungeons & Dragons->Lost Laboratory of Kwalish

ignored as he attacks them. Garret Levistusson CN male tiefling bard/rogue The Cartophile’s first choice to join the characters’ expedition, Garret is an untrustworthy bon vivant and magpie. His mapmaking

. None as such. Gearbox genuinely wishes to help the characters, but he will be tempted to connect with the monastery control room. Alternative Entry. Gearbox can appear with Garret whenever the

Stage 1: The Dran & Courtier?

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

to the fireplace is an unoccupied raised stage where a bard might strike up a tune. The bar is to your left, where a half-elf in a heavy leather duster receives a drink from a tall female elf wearing a

in one room — a ring of free action, forgotten by a guest. 8. Shared Study These areas connect to the four rooms adjacent to them, and contain a table, chairs, and bookshelves. The shared study

Masters' Domain

Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal->a5

that exit this area to the north and the east have white gates that connect with the Temples of Despair and the Hall of Necromancy. 30. Training Floor An arsenal of weapons and armor hangs from the

, he provides information that decreases the Doomvault’s alert level by 1. Hall of Necromancy Red Wizards practice and refine their darkest magic in the Hall of Necromancy. 31. Undying Laboratory If

The Mountain Door

Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal->a2

. Inspecting the small room behind the door reveals the full extent of the trap’s counterweight mechanism, as well as a system of pipes that connect the spouts to two 20-gallon copper drums (containing

. (The ogre would never stoop to wielding the delicate blade like some prancing bard.) 13. Dwarven Statue At the end of the passage stands a statue of a fierce-looking dwarf in heavy mail armor. The stone

Areas of the Air Temple

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

cultists stop playing. Frustrated with the mediocre initiates, Windharrow asks if the characters are skilled musicians and if they would like to audition for the band. If a bard character or a character

moat and connect the plaza to other parts of the ruined dwarven enclave. A short bridge spans the moat to the south. Holding up the bridge and colonnades are enormous statues of dwarves submerged up

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