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Mage Hand

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Mage Hand Conjuration Cantrip (Bard, Sorcerer, Warlock, Wizard) Casting Time: Action Range: 30 feet Components: V, S Duration: 1 minute A spectral, floating hand appears at a point you choose

manipulate an object, open an unlocked door or container, stow or retrieve an item from an open container, or pour the contents out of a vial. As a Magic action on your later turns, you can control the hand

Mage Hand

Compendium - Sources->Dungeons & Dragons->Uni and the Hunt for the Lost Horn

Mage Hand Conjuration Cantrip (Bard, Sorcerer, Warlock, Wizard) Casting Time: Action Range: 30 feet Components: V, S Duration: 1 minute A spectral, floating hand appears at a point you choose

manipulate an object, open an unlocked door or container, stow or retrieve an item from an open container, or pour the contents out of a vial. As a Magic action on your later turns, you can control the hand

Mage Hand

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Mage Hand Conjuration Cantrip (Bard, Sorcerer, Warlock, Wizard) Casting Time: Action Range: 30 feet Components: V, S Duration: 1 minute A spectral, floating hand appears at a point you choose

manipulate an object, open an unlocked door or container, stow or retrieve an item from an open container, or pour the contents out of a vial. As a Magic action on your later turns, you can control the hand

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Interacting with Objects Interacting with objects is often simple to resolve. The player tells the DM that their character is doing something, such as moving a lever or opening a door, and the DM

rules glossary. Breaking Objects As an action, you can automatically break or otherwise destroy a fragile, nonmagical object, such as a glass container or a piece of paper. If you try to damage something more resilient, the DM might use the rules on breaking objects in the rules glossary.

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Interacting with Objects Interacting with objects is often simple to resolve. The player tells the DM that their character is doing something, such as moving a lever or opening a door, and the DM

Rules Glossary. Breaking Objects As an action, you can automatically break or otherwise destroy a fragile, nonmagical object, such as a glass container or a piece of paper. If you try to damage something more resilient, the DM might use the rules on breaking objects in the Rules Glossary.

Character Creation

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

of the corruptible, the resolve of the truly heroic—the Dark Powers savor these traits. Whether for a night or an eternity, Ravenloft seeks heroes of all sorts and pits them against their greatest

whether the Dark Powers of Ravenloft have exerted their influence upon you, granting you a double-edged supernatural gift. Subclass Options. Consider choosing the College of Spirits bard or the

Silverquill Scholars

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

Apprentice Silverquill Apprentice Medium or Small Humanoid (Bard), Any Alignment Armor Class 12 (15 with mage armor) Hit Points 44 (8d8 + 8) Speed 30 ft. STR 10 (+0) DEX 14 (+2

Medium or Small Humanoid (Bard), Any Alignment Armor Class 13 (16 with mage armor) Hit Points 66 (12d8 + 12) Speed 30 ft. STR 10 (+0) DEX 16 (+3) CON 13 (+1) INT

Roleplaying

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

of the game, and it comes to the fore during social interactions. Your character’s quirks, mannerisms, and personality influence how interactions resolve. There are two styles you can use when

sits at Tordek’s table and tries to strike up a conversation with the dwarf. Chris says, “Tordek spits on the floor, growls an insult at the bard, and stomps over to the bar. He sits on a stool and

Roleplaying

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

of the game, and it comes to the fore during social interactions. Your character’s quirks, mannerisms, and personality influence how interactions resolve. There are two styles you can use when

sits at Tordek’s table and tries to strike up a conversation with the dwarf. Chris says, “Tordek spits on the floor, growls an insult at the bard, and stomps over to the bar. He sits on a stool and

Starting Points

Compendium - Sources->Dungeons & Dragons->Wayfinder's Guide to Eberron

give an initial focus to the campaign—setting a tone and giving players an initial investment in the story. The player characters may be meeting in a tavern—but it’s their favorite tavern. The bard

performs twice a week and the barbarian has a huge bar tab to resolve. This section explores three different starting points. Callestan is in Lower Dura. It’s a dangerous district riddled with crime and

Creating a Rival

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

solve 3 High priest who worries the characters are diminishing the temple’s prestige 4 Wizard who blames the characters for some recent troubles 5 Rival adventuring party 6 Bard who loves a scandal

you resolve one or more workweeks of downtime, pick one of the ways a rival’s plans might be advanced and introduce it into play. Think about how a rival might operate in order to bring specific

Tu'narath

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

Tu’narath They call it the City of Death. I would mock such a tired excuse for a name, but if it fits, who am I to argue? — Gimble, gnome bard When the githyanki fled from the illithids

ventured into this area in recent years. Supposedly, the Thayans once emerged with a huge adamantine container that rumbled and shook, as if to the beat of a monstrous heart. SURVIVOR COMMUNITIES As

Areas of the Sanctum

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dragon Heist

even if the glass is shattered. Simulacrum Sarcophagus. This ice-carved container weighs 1,000 pounds and begins to melt if taken out of the room. The snow figure in the sarcophagus is part of the

swashbuckler; see appendix B) and Agorn Fuoco (NE male Turami human bard; see appendix B). Vevette is relaxing in a chair, while Agorn strums a lyre. An alabaster staircase ascends 10 feet to area E9

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