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Returning 35 results for 'being being diffusing creates response'.
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Monsters
Monster Manual
":"Greatsword"}, reach 5 ft. Hit: 19 (4d6 + 5);{"diceNotation":"4d6+5", "rollType":"damage", "rollAction":"Greatsword", "rollDamageType":"Slashing"} Slashing damage. The warrior also creates one of the following
until the end of the target’s next turn.Counterattack. Trigger: The warrior is hit by an attack roll. Response: The warrior adds 4 to its AC against that attack, possibly causing it to miss. On a
Monsters
Monster Manual
hag casts Counterspell in response to that spell’s trigger, using the same spellcasting ability as Spellcasting. If the target fails its saving throw, it is cursed until the end of its next turn
Each arch-hag creates a magical home, such as a hidden demiplane, a mansion atop a storm cloud or—in the case of the arch-hag Baba Yaga—a hut atop giant chicken legs. The interiors of these
Monsters
Keys from the Golden Vault
", "rollAction":"Cinder Spite"}. Charmayne creates a magical explosion of fire centered on a point she can see within 120 feet of herself. Each creature in a 20-foot-radius sphere centered on that point must
reactions per round but only one per turn.
Elemental Rebuke. In response to being hit by an attack, Charmayne utters a word in Ignan, dealing 10 (3d6);{"diceNotation":"3d6", "rollType":"damage", "rollAction
Monsters
Mythic Odysseys of Theros
paraphrase the following text when Arasta uses her Armor of Spiders trait:
The nightmarish arachnid unleashes a shriek that sounds like a thousand spider carapaces scarring slate. In response, the
The region containing Arasta’s lair is warped by her presence, which creates one or more of the following effects:
Spiders and insects within 1 mile of Arasta’s lair serve as her eyes
Monsters
Quests from the Infinite Staircase
.
Zephyr Step. In response to being hit by an attack roll, Nafas moves up to half his flying speed without provoking opportunity attack;opportunity attacks.Nafas is the breath of the multiverse, an
"} lightning damage.
Stardust. Nafas creates a 20-foot-radius sphere of multiversal dust centered on a point anywhere in his lair. The sphere spreads around corners, and its area is heavily obscured. The
Compendium
- Sources->Dungeons & Dragons->Lost Laboratory of Kwalish
Abyssal Throne Gate Opening either of these devices (in the central abbey or the tomb of the medusa) creates the effect of casting a gate spell. As per that spell, the characters might wish to name a
specific creature from the plane the gate leads to, hoping to interact with it. Or you might have a creature Kwalish previously met through the gate arrive in response to it being opened. That
Compendium
- Sources->Dungeons & Dragons->Lost Laboratory of Kwalish
Abyssal Throne Gate Opening either of these devices (in the central abbey or the tomb of the medusa) creates the effect of casting a gate spell. As per that spell, the characters might wish to name a
specific creature from the plane the gate leads to, hoping to interact with it. Or you might have a creature Kwalish previously met through the gate arrive in response to it being opened. That
Compendium
- Sources->Dungeons & Dragons->Monster Manual
ft. Hit: 19 (4d6 + 5) Slashing damage. The warrior also creates one of the following effects:
Sap. The target has Disadvantage on its next attack roll before the start of the warrior’s next turn
straight toward an enemy it can see without provoking Opportunity Attacks.
Reactions
Counterattack. Trigger: The warrior is hit by an attack roll. Response: The warrior adds 4 to its AC against that
Compendium
- Sources->Dungeons & Dragons->Lost Laboratory of Kwalish
Abyssal Throne Gate Opening either of these devices (in the central abbey or the tomb of the medusa) creates the effect of casting a gate spell. As per that spell, the characters might wish to name a
specific creature from the plane the gate leads to, hoping to interact with it. Or you might have a creature Kwalish previously met through the gate arrive in response to it being opened. That
Compendium
- Sources->Dungeons & Dragons->Monster Manual
ft. Hit: 19 (4d6 + 5) Slashing damage. The warrior also creates one of the following effects:
Sap. The target has Disadvantage on its next attack roll before the start of the warrior’s next turn
straight toward an enemy it can see without provoking Opportunity Attacks.
Reactions
Counterattack. Trigger: The warrior is hit by an attack roll. Response: The warrior adds 4 to its AC against that
Compendium
- Sources->Dungeons & Dragons->Monster Manual
ft. Hit: 19 (4d6 + 5) Slashing damage. The warrior also creates one of the following effects:
Sap. The target has Disadvantage on its next attack roll before the start of the warrior’s next turn
straight toward an enemy it can see without provoking Opportunity Attacks.
Reactions
Counterattack. Trigger: The warrior is hit by an attack roll. Response: The warrior adds 4 to its AC against that
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
house are willing to be channeled only once per day, so the party must wait until after the following dawn to conduct another séance. Preparation and Ambiance. Plan for séances in a way that creates a
board, don’t move the planchette and see if the players unconsciously guide the planchette to a response.
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
house are willing to be channeled only once per day, so the party must wait until after the following dawn to conduct another séance. Preparation and Ambiance. Plan for séances in a way that creates a
board, don’t move the planchette and see if the players unconsciously guide the planchette to a response.
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
house are willing to be channeled only once per day, so the party must wait until after the following dawn to conduct another séance. Preparation and Ambiance. Plan for séances in a way that creates a
board, don’t move the planchette and see if the players unconsciously guide the planchette to a response.
Compendium
- Sources->Dungeons & Dragons->Guildmasters' Guide to Ravnica
harmony. A society’s values, they contend, are reflected in the laws it creates. Something is good if it is lawful. To the Azorius, the highest virtue is a society built on stability and order, and the
abhor the satirical shows of the Rakdos (in part because the Azorius are frequently ridiculed by Rakdos performers) and attempt to curb them with new decrees about public performances. In response to
Compendium
- Sources->Dungeons & Dragons->Guildmasters' Guide to Ravnica
harmony. A society’s values, they contend, are reflected in the laws it creates. Something is good if it is lawful. To the Azorius, the highest virtue is a society built on stability and order, and the
abhor the satirical shows of the Rakdos (in part because the Azorius are frequently ridiculed by Rakdos performers) and attempt to curb them with new decrees about public performances. In response to
Compendium
- Sources->Dungeons & Dragons->Guildmasters' Guide to Ravnica
harmony. A society’s values, they contend, are reflected in the laws it creates. Something is good if it is lawful. To the Azorius, the highest virtue is a society built on stability and order, and the
abhor the satirical shows of the Rakdos (in part because the Azorius are frequently ridiculed by Rakdos performers) and attempt to curb them with new decrees about public performances. In response to
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
to make players much more careful about what they say, which can dampen the atmosphere and discourage humor.
Other DMs let players change their minds freely. This creates a more relaxed mood at the
behavior is a learned response to too many unpleasant surprises in past adventures, and sometimes it’s just a manifestation of players’ personalities. Here are some in-game techniques you can use to
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
to make players much more careful about what they say, which can dampen the atmosphere and discourage humor.
Other DMs let players change their minds freely. This creates a more relaxed mood at the
behavior is a learned response to too many unpleasant surprises in past adventures, and sometimes it’s just a manifestation of players’ personalities. Here are some in-game techniques you can use to
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
to make players much more careful about what they say, which can dampen the atmosphere and discourage humor.
Other DMs let players change their minds freely. This creates a more relaxed mood at the
behavior is a learned response to too many unpleasant surprises in past adventures, and sometimes it’s just a manifestation of players’ personalities. Here are some in-game techniques you can use to
Compendium
- Sources->Dungeons & Dragons->Monster Manual
Arch-hag Lairs Each arch-hag creates a magical home, such as a hidden demiplane, a mansion atop a storm cloud, or—in the case of the arch-hag Baba Yaga—a hut atop giant chicken legs. The interiors of
Twister. The hag casts Counterspell in response to that spell’s trigger, using the same spellcasting ability as Spellcasting. If the target fails its saving throw, it is cursed until the end of its next
Compendium
- Sources->Dungeons & Dragons->Monster Manual
Arch-hag Lairs Each arch-hag creates a magical home, such as a hidden demiplane, a mansion atop a storm cloud, or—in the case of the arch-hag Baba Yaga—a hut atop giant chicken legs. The interiors of
Twister. The hag casts Counterspell in response to that spell’s trigger, using the same spellcasting ability as Spellcasting. If the target fails its saving throw, it is cursed until the end of its next
Compendium
- Sources->Dungeons & Dragons->Monster Manual
Arch-hag Lairs Each arch-hag creates a magical home, such as a hidden demiplane, a mansion atop a storm cloud, or—in the case of the arch-hag Baba Yaga—a hut atop giant chicken legs. The interiors of
Twister. The hag casts Counterspell in response to that spell’s trigger, using the same spellcasting ability as Spellcasting. If the target fails its saving throw, it is cursed until the end of its next
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
to make players much more careful about what they say, which can dampen the atmosphere and discourage humor.
Other DMs let players change their minds freely. This creates a more relaxed mood at the
behavior is a learned response to too many unpleasant surprises in past adventures, and sometimes it’s just a manifestation of players’ personalities. Here are some in-game techniques you can use to
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
to make players much more careful about what they say, which can dampen the atmosphere and discourage humor.
Other DMs let players change their minds freely. This creates a more relaxed mood at the
behavior is a learned response to too many unpleasant surprises in past adventures, and sometimes it’s just a manifestation of players’ personalities. Here are some in-game techniques you can use to
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
to make players much more careful about what they say, which can dampen the atmosphere and discourage humor.
Other DMs let players change their minds freely. This creates a more relaxed mood at the
behavior is a learned response to too many unpleasant surprises in past adventures, and sometimes it’s just a manifestation of players’ personalities. Here are some in-game techniques you can use to
Compendium
- Sources->Dungeons & Dragons->Quests from the Infinite Staircase
10 feet of that point must succeed on a DC 21 Dexterity saving throw or take 16 (3d10) lightning damage. Stardust. Nafas creates a 20-foot-radius sphere of multiversal dust centered on a point
that area must succeed on a DC 22 Strength saving throw or be pushed up to 15 feet away from him.
Zephyr Step. In response to being hit by an attack roll, Nafas moves up to half his flying speed
Compendium
- Sources->Dungeons & Dragons->Quests from the Infinite Staircase
10 feet of that point must succeed on a DC 21 Dexterity saving throw or take 16 (3d10) lightning damage. Stardust. Nafas creates a 20-foot-radius sphere of multiversal dust centered on a point
that area must succeed on a DC 22 Strength saving throw or be pushed up to 15 feet away from him.
Zephyr Step. In response to being hit by an attack roll, Nafas moves up to half his flying speed
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
creates one spectral duplicate of itself in an unoccupied space it can see within 60 feet of it. While the duplicate exists, the berbalang is unconscious. A berbalang can have only one duplicate at a
Deadly Reach. In response to a visible enemy moving into its reach, the boneclaw makes one claw attack against that enemy. If the attack hits, the boneclaw can make a second claw attack against the target.
Compendium
- Sources->Dungeons & Dragons->Quests from the Infinite Staircase
10 feet of that point must succeed on a DC 21 Dexterity saving throw or take 16 (3d10) lightning damage. Stardust. Nafas creates a 20-foot-radius sphere of multiversal dust centered on a point
that area must succeed on a DC 22 Strength saving throw or be pushed up to 15 feet away from him.
Zephyr Step. In response to being hit by an attack roll, Nafas moves up to half his flying speed
Compendium
- Sources->Dungeons & Dragons->Keys from the Golden Vault
the name of an imaginary friend Tockworth invented in her childhood. This long-lost imaginary friend has resurfaced recently in response to Tockworth’s mounting loneliness.) L9: Tockworth’s Workshop
middle of this design, embedded in the floor, is a one-foot-square metal box with a keyhole in the top of it.
This workshop is where Tockworth creates her clockwork automatons. Two suits of
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
creates one spectral duplicate of itself in an unoccupied space it can see within 60 feet of it. While the duplicate exists, the berbalang is unconscious. A berbalang can have only one duplicate at a
Deadly Reach. In response to a visible enemy moving into its reach, the boneclaw makes one claw attack against that enemy. If the attack hits, the boneclaw can make a second claw attack against the target.
Compendium
- Sources->Dungeons & Dragons->Keys from the Golden Vault
the name of an imaginary friend Tockworth invented in her childhood. This long-lost imaginary friend has resurfaced recently in response to Tockworth’s mounting loneliness.) L9: Tockworth’s Workshop
middle of this design, embedded in the floor, is a one-foot-square metal box with a keyhole in the top of it.
This workshop is where Tockworth creates her clockwork automatons. Two suits of
Compendium
- Sources->Dungeons & Dragons->Keys from the Golden Vault
the name of an imaginary friend Tockworth invented in her childhood. This long-lost imaginary friend has resurfaced recently in response to Tockworth’s mounting loneliness.) L9: Tockworth’s Workshop
middle of this design, embedded in the floor, is a one-foot-square metal box with a keyhole in the top of it.
This workshop is where Tockworth creates her clockwork automatons. Two suits of
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
creates one spectral duplicate of itself in an unoccupied space it can see within 60 feet of it. While the duplicate exists, the berbalang is unconscious. A berbalang can have only one duplicate at a
Deadly Reach. In response to a visible enemy moving into its reach, the boneclaw makes one claw attack against that enemy. If the attack hits, the boneclaw can make a second claw attack against the target.