benign bards diffusing causing relatively

A Bard's Muse

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

A Bard’s Muse Naturally, every bard has a repertoire of songs and stories. Some bards are generalists who can draw from a wide range of topics for each performance, and who take pride in their

versatility. Others adopt a more personal approach to their art, driven by their attachment to a muse — a particular concept that inspires much of what those bards do in front of an audience. A bard who

A Bard's Muse

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

A Bard’s Muse Naturally, every bard has a repertoire of songs and stories. Some bards are generalists who can draw from a wide range of topics for each performance, and who take pride in their

versatility. Others adopt a more personal approach to their art, driven by their attachment to a muse — a particular concept that inspires much of what those bards do in front of an audience. A bard who

A Bard's Muse

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

A Bard’s Muse Naturally, every bard has a repertoire of songs and stories. Some bards are generalists who can draw from a wide range of topics for each performance, and who take pride in their

versatility. Others adopt a more personal approach to their art, driven by their attachment to a muse — a particular concept that inspires much of what those bards do in front of an audience. A bard who

Cults of the Dragon Below

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

. However, your character could be a member of a relatively benign cult. You might have been raised in a cult but broke free from its influence. If your character was or is part of a cult, work with your DM to develop the details of your sect.

Cults of the Dragon Below

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

. However, your character could be a member of a relatively benign cult. You might have been raised in a cult but broke free from its influence. If your character was or is part of a cult, work with your DM to develop the details of your sect.

Cults of the Dragon Below

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

. However, your character could be a member of a relatively benign cult. You might have been raised in a cult but broke free from its influence. If your character was or is part of a cult, work with your DM to develop the details of your sect.

Bard Subclasses

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Bard Subclasses A Bard subclass is a specialization that grants you features at certain Bard levels, as specified in the subclass. Bards form loose associations, which they call colleges, to preserve

Harmony with the Cosmos Bards of the College of Dance know that the Words of Creation can’t be contained within speech or song; the words are uttered by the movements of celestial bodies and flow

Bard Subclasses

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Bard Subclasses A Bard subclass is a specialization that grants you features at certain Bard levels, as specified in the subclass. Bards form loose associations, which they call colleges, to preserve

Harmony with the Cosmos Bards of the College of Dance know that the Words of Creation can’t be contained within speech or song; the words are uttered by the movements of celestial bodies and flow

Bard Subclasses

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Bard Subclasses A Bard subclass is a specialization that grants you features at certain Bard levels, as specified in the subclass. Bards form loose associations, which they call colleges, to preserve

Harmony with the Cosmos Bards of the College of Dance know that the Words of Creation can’t be contained within speech or song; the words are uttered by the movements of celestial bodies and flow

Guilds and Groups

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

city of Sharn, which is both the cultural heart of Breland and a nexus for intrigue and diplomacy. Bards have much to gain from the company of other bards, as they exchange news, stories, and songs

. For this purpose, long ago a group of the finest bards in Sharn founded the Circle of Song, an alliance of entertainers and adventurers. The Circle of Song is an informal organization, open to any

Guilds and Groups

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

city of Sharn, which is both the cultural heart of Breland and a nexus for intrigue and diplomacy. Bards have much to gain from the company of other bards, as they exchange news, stories, and songs

. For this purpose, long ago a group of the finest bards in Sharn founded the Circle of Song, an alliance of entertainers and adventurers. The Circle of Song is an informal organization, open to any

Guilds and Groups

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

city of Sharn, which is both the cultural heart of Breland and a nexus for intrigue and diplomacy. Bards have much to gain from the company of other bards, as they exchange news, stories, and songs

. For this purpose, long ago a group of the finest bards in Sharn founded the Circle of Song, an alliance of entertainers and adventurers. The Circle of Song is an informal organization, open to any

Mortuary Encounters

Compendium - Sources->Dungeons & Dragons->Adventure Atlas: The Mortuary

characters interrupt or otherwise ruin the tune, 1d4 irascible specters emerge from the walls and attack, causing the bards to flee. 10 Three skeleton farmers quietly tend to corpse-white grave

to expel a dybbuk† from a corpse. The exorcist asks the characters to help in dispatch the Fiend. 9 Two bards† in the Heralds of Dust approach the characters and sing a ballad honoring the dead. If the

Mortuary Encounters

Compendium - Sources->Dungeons & Dragons->Adventure Atlas: The Mortuary

characters interrupt or otherwise ruin the tune, 1d4 irascible specters emerge from the walls and attack, causing the bards to flee. 10 Three skeleton farmers quietly tend to corpse-white grave

to expel a dybbuk† from a corpse. The exorcist asks the characters to help in dispatch the Fiend. 9 Two bards† in the Heralds of Dust approach the characters and sing a ballad honoring the dead. If the

Mortuary Encounters

Compendium - Sources->Dungeons & Dragons->Adventure Atlas: The Mortuary

characters interrupt or otherwise ruin the tune, 1d4 irascible specters emerge from the walls and attack, causing the bards to flee. 10 Three skeleton farmers quietly tend to corpse-white grave

to expel a dybbuk† from a corpse. The exorcist asks the characters to help in dispatch the Fiend. 9 Two bards† in the Heralds of Dust approach the characters and sing a ballad honoring the dead. If the

College of Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

College of Creation One bard’s song of creation is the score to another person’s nightmares. Tasha Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That

creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance

College of Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

College of Creation One bard’s song of creation is the score to another person’s nightmares. Tasha Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That

creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance

College of Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

College of Creation One bard’s song of creation is the score to another person’s nightmares. Tasha Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That

creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance

48. Shagambi's Tomb

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

perfectly still and pose no threat as long as the tomb remains relatively quiet. If any character talks loudly, steps on a piece of broken pottery, or makes any other equivalent noise while in the tomb, read

heaped around Shagambi’s bones: 200 gp, five moonstones (50 gp each), the fine music box activated by the trap (250 gp), and an instrument of the bards (Canaith mandolin). The instrument turns to dust and

48. Shagambi's Tomb

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

perfectly still and pose no threat as long as the tomb remains relatively quiet. If any character talks loudly, steps on a piece of broken pottery, or makes any other equivalent noise while in the tomb, read

heaped around Shagambi’s bones: 200 gp, five moonstones (50 gp each), the fine music box activated by the trap (250 gp), and an instrument of the bards (Canaith mandolin). The instrument turns to dust and

48. Shagambi's Tomb

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

perfectly still and pose no threat as long as the tomb remains relatively quiet. If any character talks loudly, steps on a piece of broken pottery, or makes any other equivalent noise while in the tomb, read

heaped around Shagambi’s bones: 200 gp, five moonstones (50 gp each), the fine music box activated by the trap (250 gp), and an instrument of the bards (Canaith mandolin). The instrument turns to dust and

The Dead Three

Compendium - Sources->Dungeons & Dragons->Baldur’s Gate Gazetteer