better burden diffusing connection rebels

Zlan

monsters Forgotten Realms: Adventures in Faerûn

Crenshinibon, better known as the Crystal Shard. Zlan Clervish was one of those seven liches, and that lich’s will predominates in the fused entity. All seven bodies are frozen together with ice and

black crystal called chardalyn, fragments of the shattered Crystal Shard. Zlan has leveraged its connection with the shattered Artifact to psychically infest chardalyn, using the crystalline material to

Mark of Handling Human

races Eberron: Rising from the Last War

were born to rule it. —Dalin d’Vadalis The Mark of Handling gives its bearer a primal connection to beasts and the natural world, granting the power to calm and coax. This extends beyond

rumors claim that Vadalis has crafted monsters of its own. Some rumors even insist that Vadalis is trying to magebreed better humans.

Urchin - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

circumstances and embark on a better life? Skill Proficiencies: Sleight of Hand, StealthTool Proficiencies: Disguise kit, thieves’ toolsEquipment: A small knife, a map of the city you grew up

speed would normally allow. BALDUR’S GATE FEATURE: GATEGUIDE CONNECTION Even though you might not be a member of the Gateguides crew, you’ve associated with enough of them that you know

Creating Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Creating Encounters Encounters are the individual scenes in the larger story of your adventure. First and foremost, an encounter should be fun for the players. Second, it shouldn’t be burden for you

to run. Beyond that, a well-crafted encounter usually has a straightforward objective as well as some connection to the overarching story of your campaign, building on the encounters that precede it

Creating Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Creating Encounters Encounters are the individual scenes in the larger story of your adventure. First and foremost, an encounter should be fun for the players. Second, it shouldn’t be burden for you

to run. Beyond that, a well-crafted encounter usually has a straightforward objective as well as some connection to the overarching story of your campaign, building on the encounters that precede it

Creating Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Creating Encounters Encounters are the individual scenes in the larger story of your adventure. First and foremost, an encounter should be fun for the players. Second, it shouldn’t be burden for you

to run. Beyond that, a well-crafted encounter usually has a straightforward objective as well as some connection to the overarching story of your campaign, building on the encounters that precede it

Components of a Curse

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Components of a Curse Most curses have three distinct components: pronouncement, burden, and resolution. Whatever form these take, at least one of them, especially the burden or resolution, should

have an ironic connection to the action that triggered the curse.A dying priest of Ezra curses his murderer Pronouncement The first component of a curse is the pronouncement, which amounts to a threat

Components of a Curse

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Components of a Curse Most curses have three distinct components: pronouncement, burden, and resolution. Whatever form these take, at least one of them, especially the burden or resolution, should

have an ironic connection to the action that triggered the curse.A dying priest of Ezra curses his murderer Pronouncement The first component of a curse is the pronouncement, which amounts to a threat

Components of a Curse

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Components of a Curse Most curses have three distinct components: pronouncement, burden, and resolution. Whatever form these take, at least one of them, especially the burden or resolution, should

have an ironic connection to the action that triggered the curse.A dying priest of Ezra curses his murderer Pronouncement The first component of a curse is the pronouncement, which amounts to a threat

A Second Request

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

assignment as a chance for the characters to correct their missteps. Artavazda has learned another group of rebels, the Silent Roar, is planning a gathering that night at the Twilight Rose theater. The

reward for this assignment. If a character tells Artavazda about their meeting with Laleh Ghorbani, the pari is delighted that they already have a connection with the Silent Roar—one they can use in

A Second Request

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

assignment as a chance for the characters to correct their missteps. Artavazda has learned another group of rebels, the Silent Roar, is planning a gathering that night at the Twilight Rose theater. The

reward for this assignment. If a character tells Artavazda about their meeting with Laleh Ghorbani, the pari is delighted that they already have a connection with the Silent Roar—one they can use in

A Second Request

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

assignment as a chance for the characters to correct their missteps. Artavazda has learned another group of rebels, the Silent Roar, is planning a gathering that night at the Twilight Rose theater. The

reward for this assignment. If a character tells Artavazda about their meeting with Laleh Ghorbani, the pari is delighted that they already have a connection with the Silent Roar—one they can use in

Stage 2

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat