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Morkoth

Monsters Mordenkainen Presents: Monsters of the Multiverse

attack roll is rerolled against the chosen creature.Ancient and devious, morkoths are voracious collectors. Each one floats through the planes on a strange, mobile island, amassing the valuables

ocean to the void of the Astral Plane. Anything on or within a certain distance of a morkoth’s isle is drawn with it in its journey through the planes. Thus, people from lost civilizations and

Kobold

races Mordenkainen Presents: Monsters of the Multiverse

a scale color more akin to that of a chromatic or a metallic dragon. A kobold’s cry can express a range of emotion: anger, resolve, elation, fear, and more. Regardless of the emotion expressed

of certain types in different ways. For example, the cure wounds spell doesn’t work on a Construct or an Undead. Life Span The typical life span of a player character in the D&D multiverse

Knight of the Order

Backgrounds Sword Coast Adventurer's Guide

You belong to an order of knights who have sworn oaths to achieve a certain goal. The nature of this goal depends on the order you serve, but in your eyes it is without question a vital and honorable

again in ruins, Dove Falconhand decided to reform the group with the primary goal of building alliances and friendship between the civilized races of the world and goodly people in order to combat evil

How to Play

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

while a second examines an esoteric symbol engraved on a wall and a third keeps watch for monsters. The players don’t need to take turns, but the DM listens to every player and decides how to resolve

the flow of the game right back to step 1. This pattern holds whether the adventurers are cautiously exploring a ruin, talking to a devious prince, or locked in mortal combat against a mighty dragon

How to Play

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

while a second examines an esoteric symbol engraved on a wall and a third keeps watch for monsters. The players don’t need to take turns, but the DM listens to every player and decides how to resolve

the flow of the game right back to step 1. This pattern holds whether the adventurers are cautiously exploring a ruin, talking to a devious prince, or locked in mortal combat against a mighty dragon

How to Play

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

while a second examines an esoteric symbol engraved on a wall and a third keeps watch for monsters. The players don’t need to take turns, but the DM listens to every player and decides how to resolve

the flow of the game right back to step 1. This pattern holds whether the adventurers are cautiously exploring a ruin, talking to a devious prince, or locked in mortal combat against a mighty dragon

Time in the Campaign

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Time in the Campaign Most conflicts in a D&D campaign take weeks or months of in-world time to resolve. A typical campaign concludes within a year of in-world time unless you allow the characters to

certain times of year make for great adventure opportunities. Perhaps a ghostly castle appears on a certain hill on the winter solstice every year, or every thirteenth full moon is blood red and fills

Time in the Campaign

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Time in the Campaign Most conflicts in a D&D campaign take weeks or months of in-world time to resolve. A typical campaign concludes within a year of in-world time unless you allow the characters to

certain times of year make for great adventure opportunities. Perhaps a ghostly castle appears on a certain hill on the winter solstice every year, or every thirteenth full moon is blood red and fills

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Time in the Campaign

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Time in the Campaign Most conflicts in a D&D campaign take weeks or months of in-world time to resolve. A typical campaign concludes within a year of in-world time unless you allow the characters to

certain times of year make for great adventure opportunities. Perhaps a ghostly castle appears on a certain hill on the winter solstice every year, or every thirteenth full moon is blood red and fills

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

spellcasting, forming spirals that reflect the mathematical perfection of nature. Suggested Characteristics The bizarre science of the Simic Combine attracts a certain type of personality and encompasses

1 I helped create a krasis that I love like a pet and would carry with me everywhere … except it’s the size of a building, and it might eat me. 2 In my laboratory, I

Shades of Gray

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

hobgoblin general, whose descendants want it back. The ways to resolve these problems aren’t always simple. Certain situations demand straightforward decisions. If Emerald Claw cultists are about to

Shades of Gray

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

hobgoblin general, whose descendants want it back. The ways to resolve these problems aren’t always simple. Certain situations demand straightforward decisions. If Emerald Claw cultists are about to

Shades of Gray

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

hobgoblin general, whose descendants want it back. The ways to resolve these problems aren’t always simple. Certain situations demand straightforward decisions. If Emerald Claw cultists are about to

Death House Features

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

ceilings, the third floor has 8-foot-high ceilings, and the attic has 13-foot-high ceilings. Haunted Doors When Strahd enters the house later in this chapter, certain doors marked on the map become

the characters arrive. The cultists take oil lamps into the ritual chamber (area D38) when they gather there. The Mists When the characters enter Death House, the Mists surround the building and prevent

Death House Features

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

ceilings, the third floor has 8-foot-high ceilings, and the attic has 13-foot-high ceilings. Haunted Doors When Strahd enters the house later in this chapter, certain doors marked on the map become

the characters arrive. The cultists take oil lamps into the ritual chamber (area D38) when they gather there. The Mists When the characters enter Death House, the Mists surround the building and prevent

Death House Features

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

ceilings, the third floor has 8-foot-high ceilings, and the attic has 13-foot-high ceilings. Haunted Doors When Strahd enters the house later in this chapter, certain doors marked on the map become

the characters arrive. The cultists take oil lamps into the ritual chamber (area D38) when they gather there. The Mists When the characters enter Death House, the Mists surround the building and prevent

Dragonmarked Characters

Compendium - Sources->Dungeons & Dragons->Eberron: Forge of the Artificer

associate with different houses but have a common purpose. (See the “Building a Party” section below for suggestions on bringing together a party from different houses.) If the characters work for a single

Agent and various house heir backgrounds in chapter 2 suit characters in this campaign, giving them benefits and capabilities related to their house affiliation. Certain other backgrounds can reflect

Members Only

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Members Only Difficulty: Medium A secret club, cultist meeting, or thieves’ guild requires a password to enter. In this puzzle, those who guard a certain door are so secretive that they change the

, “Six.” The figure replies, “Three.” The guard then opens the door, allowing the figure to enter. This building seems to have only one entrance: the oak door with a small slide window. A guard opens the window and speaks a seemingly random number to anyone who knocks on the door.

Dragonmarked Characters

Compendium - Sources->Dungeons & Dragons->Eberron: Forge of the Artificer

associate with different houses but have a common purpose. (See the “Building a Party” section below for suggestions on bringing together a party from different houses.) If the characters work for a single

Agent and various house heir backgrounds in chapter 2 suit characters in this campaign, giving them benefits and capabilities related to their house affiliation. Certain other backgrounds can reflect

Members Only

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Members Only Difficulty: Medium A secret club, cultist meeting, or thieves’ guild requires a password to enter. In this puzzle, those who guard a certain door are so secretive that they change the

, “Six.” The figure replies, “Three.” The guard then opens the door, allowing the figure to enter. This building seems to have only one entrance: the oak door with a small slide window. A guard opens the window and speaks a seemingly random number to anyone who knocks on the door.

Members Only

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Members Only Difficulty: Medium A secret club, cultist meeting, or thieves’ guild requires a password to enter. In this puzzle, those who guard a certain door are so secretive that they change the

, “Six.” The figure replies, “Three.” The guard then opens the door, allowing the figure to enter. This building seems to have only one entrance: the oak door with a small slide window. A guard opens the window and speaks a seemingly random number to anyone who knocks on the door.

Dragonmarked Characters

Compendium - Sources->Dungeons & Dragons->Eberron: Forge of the Artificer

associate with different houses but have a common purpose. (See the “Building a Party” section below for suggestions on bringing together a party from different houses.) If the characters work for a single

Agent and various house heir backgrounds in chapter 2 suit characters in this campaign, giving them benefits and capabilities related to their house affiliation. Certain other backgrounds can reflect

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player’s Handbook