Search Results
All Results
Characters
Compendium
Spells
Items
Monsters
Vehicles
Forums
Returning 35 results for 'creative with point'.
Other Suggestions:
creature with point
create with point
creating with point
creation with point
Species
Spelljammer: Adventures in Space
the passage of time. Some are prone to melancholy, while others might display an absence of feeling. Many look for creative ways to occupy themselves. Whether they choose to live in quiet
determine the scores, such as rolling or point buy.
The “Quick Build” section for your character’s class offers suggestions on which scores to increase. You’re free to follow those
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
be difficult, but the potential rewards for the characters are tremendous. And for the players, making the franchise the focal point of the campaign provides a joint goal and a shared vessel of creative input.
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
be difficult, but the potential rewards for the characters are tremendous. And for the players, making the franchise the focal point of the campaign provides a joint goal and a shared vessel of creative input.
Compendium
- Sources->Dungeons & Dragons->Basic Rules (2014)
fantasy gaming worlds exist within the Material Plane, making it the starting point for most campaigns and adventures. The rest of the multiverse is defined in relation to the Material Plane. The worlds
of the Material Plane are infinitely diverse, for they reflect the creative imagination of the DMs who set their games there, as well as the players whose heroes adventure there. They include magic
Compendium
- Sources->Dungeons & Dragons->Basic Rules (2014)
fantasy gaming worlds exist within the Material Plane, making it the starting point for most campaigns and adventures. The rest of the multiverse is defined in relation to the Material Plane. The worlds
of the Material Plane are infinitely diverse, for they reflect the creative imagination of the DMs who set their games there, as well as the players whose heroes adventure there. They include magic
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
point. Two pages is a reasonable maximum. Even if you have a burst of creative energy that produces twenty pages of great background material, save it for your adventures. Let the players uncover the details gradually in play.
starting, such as the name of the town, important locations in and around it, prominent NPCs they’d know about, and perhaps rumors that point to trouble that’s brewing. Keep this handout short and to the
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
point. Two pages is a reasonable maximum. Even if you have a burst of creative energy that produces twenty pages of great background material, save it for your adventures. Let the players uncover the details gradually in play.
starting, such as the name of the town, important locations in and around it, prominent NPCs they’d know about, and perhaps rumors that point to trouble that’s brewing. Keep this handout short and to the
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
the worlds of D&D exist within the Material Plane, making it the starting point for most campaigns and adventures. The rest of the multiverse is defined in relation to the Material Plane. The worlds of
the Material Plane are infinitely diverse, for they reflect the creative imagination of the DMs who set their games there, as well as the players whose heroes adventure there. They include magic
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
the worlds of D&D exist within the Material Plane, making it the starting point for most campaigns and adventures. The rest of the multiverse is defined in relation to the Material Plane. The worlds of
the Material Plane are infinitely diverse, for they reflect the creative imagination of the DMs who set their games there, as well as the players whose heroes adventure there. They include magic
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
for your campaign. Use them as a starting point for your own ideas. Outcast or Ambassador? Consider how a monstrous character’s native culture views the character. Is the character an outcast, a spy
, an ambassador, or something else? Work with the player to determine how the character ended up as an adventurer. The character’s bond is a great starting point to consider for this question. How did
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
for your campaign. Use them as a starting point for your own ideas. Outcast or Ambassador? Consider how a monstrous character’s native culture views the character. Is the character an outcast, a spy
, an ambassador, or something else? Work with the player to determine how the character ended up as an adventurer. The character’s bond is a great starting point to consider for this question. How did
Compendium
- Sources->Dungeons & Dragons->Princes of the Apocalypse
clever, impulsive, and creative. They usually see themselves as smarter, quicker, and more capable than others they meet. Howling Hatred cultists dislike open battle. They prefer to work in secret
Howling Hatred find the Black Earth cultists to be coarse, rude, unimaginative, and stubborn to the point of stupidity. Most offensively, the earth cultists are bluntly unimpressed by the Howling
Compendium
- Sources->Dungeons & Dragons->Princes of the Apocalypse
clever, impulsive, and creative. They usually see themselves as smarter, quicker, and more capable than others they meet. Howling Hatred cultists dislike open battle. They prefer to work in secret
Howling Hatred find the Black Earth cultists to be coarse, rude, unimaginative, and stubborn to the point of stupidity. Most offensively, the earth cultists are bluntly unimpressed by the Howling
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
insightful feedback, which she tailors to each individual. After a review, she often offers a small piece of advice that alters the student’s point of view and work forever—for the better. Uvilda
prospect of guiding a new generation of students on the course of study he so greatly enjoyed. He particularly delights in finding new ways to help students work collaboratively to unlock the heights of their creative potential. Characters might encounter Instructor Minexes in chapter 6.
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
spontaneous? Is mastery of art a matter of honing precise techniques to a point of perfection or of perfectly expressing a raw emotional state? Does art aspire to express universal truths or intensely
creative fire into personal strength Expression 6 Ice sculptor, crafting ice and cold into immersive experiences Perfection 7 Mistmage, shaping cloud, fog, and mist into lasting sculptures Perfection 8
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
spontaneous? Is mastery of art a matter of honing precise techniques to a point of perfection or of perfectly expressing a raw emotional state? Does art aspire to express universal truths or intensely
creative fire into personal strength Expression 6 Ice sculptor, crafting ice and cold into immersive experiences Perfection 7 Mistmage, shaping cloud, fog, and mist into lasting sculptures Perfection 8
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
insightful feedback, which she tailors to each individual. After a review, she often offers a small piece of advice that alters the student’s point of view and work forever—for the better. Uvilda
prospect of guiding a new generation of students on the course of study he so greatly enjoyed. He particularly delights in finding new ways to help students work collaboratively to unlock the heights of their creative potential. Characters might encounter Instructor Minexes in chapter 6.
Compendium
- Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything
creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance
soft music, causing the creature to gain temporary hit points equal to the number rolled on the Bardic Inspiration die plus your Charisma modifier (minimum of 1 temporary hit point). Performance of
Compendium
- Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything
creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance
soft music, causing the creature to gain temporary hit points equal to the number rolled on the Bardic Inspiration die plus your Charisma modifier (minimum of 1 temporary hit point). Performance of
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
creative exercise, you could also allow each player to add a physical detail to the place or to describe one of the location's NPCs—the stuffed gorgon head over the hearth, another regular among the
customers, and so on. This is a way to make this location truly feel like home, and to give each player a personal investment in it. This location becomes an automatic starting point for adventures, the
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
conforms to the will of the creatures inhabiting it. Creative imaginations can create whole islands of their own invention within the plane, sometimes maintaining those places for years. A nonsapient
Intelligence check to stabilize an area within a 30-foot-radius Sphere centered on a point it can see on the plane. On a successful check, the creature prevents the area from being altered by the plane for
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
creative exercise, you could also allow each player to add a physical detail to the place or to describe one of the location's NPCs—the stuffed gorgon head over the hearth, another regular among the
customers, and so on. This is a way to make this location truly feel like home, and to give each player a personal investment in it. This location becomes an automatic starting point for adventures, the
Compendium
- Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands
in the decaying cavity. A typical Bedlam greeting involves spitting at another’s feet—presuming the greeter is upwind—followed by a curt yet creative insult. An obsidian tower protrudes from the
Sites Bedlam is split into three layers. The noisy Gatemouth district rests at the basin’s lowest point, while the Bleakheights loom over the basin’s lip and cling to its steep edge. They are
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
conforms to the will of the creatures inhabiting it. Creative imaginations can create whole islands of their own invention within the plane, sometimes maintaining those places for years. A nonsapient
Intelligence check to stabilize an area within a 30-foot-radius Sphere centered on a point it can see on the plane. On a successful check, the creature prevents the area from being altered by the plane for
Compendium
- Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus
Enterprising and creative players might want their characters to find or create equipment to assist them in their descent. Parachutes, gliders, and hot-air balloons are just a few of the off-the-wall ideas
or tool proficiencies the characters might have that could be useful in the creation of improvised equipment. Unless the characters completely botch their ability checks to the point where creating
Compendium
- Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus
Enterprising and creative players might want their characters to find or create equipment to assist them in their descent. Parachutes, gliders, and hot-air balloons are just a few of the off-the-wall ideas
or tool proficiencies the characters might have that could be useful in the creation of improvised equipment. Unless the characters completely botch their ability checks to the point where creating
Compendium
- Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands
in the decaying cavity. A typical Bedlam greeting involves spitting at another’s feet—presuming the greeter is upwind—followed by a curt yet creative insult. An obsidian tower protrudes from the
Sites Bedlam is split into three layers. The noisy Gatemouth district rests at the basin’s lowest point, while the Bleakheights loom over the basin’s lip and cling to its steep edge. They are
Compendium
- Sources->Dungeons & Dragons->Tomb of Annihilation
, beyond the plateaus to the south (see “Wreck of the Star Goddess”). About a hundred feet below the lip of the plateau, the path (which is proceeding west across the cliff at that point) veers directly
ways that make creative use of the natural shape of the rock. When the characters reach the top of the steps, read: The stone steps emerge onto the top of the plateau beneath a once grand, but now
Compendium
- Sources->Dungeons & Dragons->Tomb of Annihilation
, beyond the plateaus to the south (see “Wreck of the Star Goddess”). About a hundred feet below the lip of the plateau, the path (which is proceeding west across the cliff at that point) veers directly
ways that make creative use of the natural shape of the rock. When the characters reach the top of the steps, read: The stone steps emerge onto the top of the plateau beneath a once grand, but now
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
exceedingly narrow is a natural choke point that forces invaders to fight from a disadvantaged position. Such a location usually includes a small chamber in the ceiling that features murder holes, allowing the
offerings such as metal nuggets, raw gems, and teeth can be left. Traps Kobolds are amazingly creative at building traps, especially when adapting natural hazards and salvaged materials. They pound nails
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
exceedingly narrow is a natural choke point that forces invaders to fight from a disadvantaged position. Such a location usually includes a small chamber in the ceiling that features murder holes, allowing the
offerings such as metal nuggets, raw gems, and teeth can be left. Traps Kobolds are amazingly creative at building traps, especially when adapting natural hazards and salvaged materials. They pound nails
Compendium
- Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage
windows, but close examination reveals gaps in the walls that a Tiny creature or a creature in gaseous form can navigate. 7a. Junk Room Zox stores curious bits of junk here until he finds creative uses
is a Tiny object with AC 10, 1 hit point, and immunity to poison and psychic damage. Provided it has 1 hit point, the box can be repaired with tinker’s tools. Repairing it requires 10 minutes and a
Compendium
- Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage
windows, but close examination reveals gaps in the walls that a Tiny creature or a creature in gaseous form can navigate. 7a. Junk Room Zox stores curious bits of junk here until he finds creative uses
is a Tiny object with AC 10, 1 hit point, and immunity to poison and psychic damage. Provided it has 1 hit point, the box can be repaired with tinker’s tools. Repairing it requires 10 minutes and a
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
as sharing it would not contradict that goal. For example, the player running Gwendolyn should not share their goal with the player running Tannus, because the whole point is for Gwendolyn to
damage a creature. (You can decide whether to allow Tannus to fight to protect himself or others, but should encourage the player running him to think about creative nonattack ways to influence the fight
Compendium
- Sources->Dungeons & Dragons->Acquisitions Incorporated
as sharing it would not contradict that goal. For example, the player running Gwendolyn should not share their goal with the player running Tannus, because the whole point is for Gwendolyn to
damage a creature. (You can decide whether to allow Tannus to fight to protect himself or others, but should encourage the player running him to think about creative nonattack ways to influence the fight