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Returning 9 results for 'dream mythos arguments'.
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dreams method arguments
dreams methods arguments
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dream methods argument
monsters
to whatever strange realm he dwells in as his defeated form is torn apart by unseen forces. Mythos creatures with a combined CR of up to 20 emerge from the pile of gore, occupying the nearest, empty
dark god or fallen archangel, and around whose eyes there lurked the languid sparkle of capricious humor.
—H.P. Lovecraft, The Dream-Quest of Unknown Kadath
Nyarlathotep is the messenger of
monsters
cult of Cthulhu, protecting the cult from its enemies and lending the Mythos lore needed to enact the cult’s aims. Invariably, when one of those horrors appears, the Cthulhu cult is on the rise in
riches, or a patient star-spawn waiting.
Horrid Inspiration. Humans living within the area of an entombed and sleeping star-spawn may be subject to its psychic residue, a form of dream sending that can
monsters
agents in the world. They venture forth from the ocean depths when called by a cult of Cthulhu, protecting the cult from its enemies and lending the Mythos lore needed to enact the cult’s aims
star-spawn may be subject to its psychic residue, a form of dream sending that can “speak” to susceptible subjects. Much like Cthulhu itself, the star-spawn seeks to create a subtle but
Compendium
- Sources->Dungeons & Dragons->Domains of Delight: A Feywild Accessory
were alive (which it is not). Arguments between the two—or, more precisely, Stagefright and himself—always end with Stagefright bashing the scepter’s head against something hard.
Alignment. Chaotic
found in every experience.”
Bond. “Wonders abound in the Feywild, and I would never dream of leaving it.”
Flaw. “I laugh in the face of danger, often to my detriment.”
Zybilna of Prismeer
Compendium
- Sources->Dungeons & Dragons->Domains of Delight: A Feywild Accessory
were alive (which it is not). Arguments between the two—or, more precisely, Stagefright and himself—always end with Stagefright bashing the scepter’s head against something hard.
Alignment. Chaotic
found in every experience.”
Bond. “Wonders abound in the Feywild, and I would never dream of leaving it.”
Flaw. “I laugh in the face of danger, often to my detriment.”
Zybilna of Prismeer
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
shifting light, endless sky, changing climate, and eroding wind, represents a dream state, an unreality where nothing lasts and therefore nothing has significance. Ordning of Artistry Among stone giants
all present who ranks where. Arguments about ranking within the ordning are rare, but all the giants in the group studiously examine every sign for evidence that one among them might be the greatest
Compendium
- Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
it were alive (which it is not). Arguments between the two—or, more precisely, Stagefright and himself—always end with Stagefright bashing the scepter’s head against something hard.
Alignment
be found in every experience.”
Bond. “Wonders abound in the Feywild, and I would never dream of leaving it.”
Flaw. “I laugh in the face of danger, often to my detriment.”
Zybilna of Prismeer
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
shifting light, endless sky, changing climate, and eroding wind, represents a dream state, an unreality where nothing lasts and therefore nothing has significance. Ordning of Artistry Among stone giants
all present who ranks where. Arguments about ranking within the ordning are rare, but all the giants in the group studiously examine every sign for evidence that one among them might be the greatest
Compendium
- Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
it were alive (which it is not). Arguments between the two—or, more precisely, Stagefright and himself—always end with Stagefright bashing the scepter’s head against something hard.
Alignment
be found in every experience.”
Bond. “Wonders abound in the Feywild, and I would never dream of leaving it.”
Flaw. “I laugh in the face of danger, often to my detriment.”
Zybilna of Prismeer