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Returning 11 results for 'player are and his cultural'.
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player are and his culture
player are and his cultures
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Acquisitions Incorporated
different ways. The verdan assign no cultural or biological relevance to any particular coloration, physical features, or gender.
Cultural Chameleons
The clan homes of the Underdark goblinoids who
enclaves, and others near the widespread human settlements of Faerûn.
Without a cultural identity or memory of their own, the verdan quickly adopted the cultural practices of the areas into which they
Compendium
- Sources->Dungeons & Dragons->Wayfinder's Guide to Eberron
never crossed the Graywall Mountains or explored the jungles of the east. The Five Nations always had cultural differences and those who yearned for independence. But still, the map showed us at our best
their people. So, most player characters begin their adventures on the continent of Khorvaire. While humans make up the majority of the population in the civilized nations of Khorvaire, the continent
Compendium
- Sources->Dungeons & Dragons->Wayfinder's Guide to Eberron
never crossed the Graywall Mountains or explored the jungles of the east. The Five Nations always had cultural differences and those who yearned for independence. But still, the map showed us at our best
their people. So, most player characters begin their adventures on the continent of Khorvaire. While humans make up the majority of the population in the civilized nations of Khorvaire, the continent
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
and loss, or as an antihero, a monstrous character gives a player a chance to take on an unusual challenge in the campaign. Before allowing monstrous characters in your campaign, consider the following
architects of grand, heavily fortified edifices, which other folk dwell in for a price. The cultural notes in chapter 1 are the standard D&D depiction of these creatures, but by no means do they define them
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
and loss, or as an antihero, a monstrous character gives a player a chance to take on an unusual challenge in the campaign. Before allowing monstrous characters in your campaign, consider the following
architects of grand, heavily fortified edifices, which other folk dwell in for a price. The cultural notes in chapter 1 are the standard D&D depiction of these creatures, but by no means do they define them
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
Romantic in-character dialogue Themes of mental and physical health involving the body and the mind Real-world religion and politics, or analogs of them Topics related to real-world social or cultural
, use the following questions to query players about gameplay considerations: How scary do you want the game to be? Do you enjoy being creeped out as a player, or should the characters alone experience
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
Romantic in-character dialogue Themes of mental and physical health involving the body and the mind Real-world religion and politics, or analogs of them Topics related to real-world social or cultural
, use the following questions to query players about gameplay considerations: How scary do you want the game to be? Do you enjoy being creeped out as a player, or should the characters alone experience
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
your world might worship a patron deity, performing secret missions in that deity’s name. To reflect this cultural detail, you could add Religion to the list of skills that a rogue character can choose
associated with different races or cultures. You decide how flexible you want to be in allowing a player character to break these restrictions. Can a half-elf live among the elves and study their bardic
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
your world might worship a patron deity, performing secret missions in that deity’s name. To reflect this cultural detail, you could add Religion to the list of skills that a rogue character can choose
associated with different races or cultures. You decide how flexible you want to be in allowing a player character to break these restrictions. Can a half-elf live among the elves and study their bardic
compendium
- Sources->Dungeons & Dragons->Grim Hollow: Player’s Guide
feeling different than the Dwarves known to most characters in the world.
However, when a player builds an Accursed character, there is no norm for that character to relate to. Accursed characters are
people, or do you quietly push against the social and cultural norms that others expect to define you? As an adventurer in Etharis, you have even more reason than most to break the expectations that
compendium
- Sources->Dungeons & Dragons->Grim Hollow: Player’s Guide
cultural customs to fade quicker and preventing them from becoming stifled by their own traditions. Every human culture has been touched by another heritage in the lands they’ve come to settle. In the
still fit into Grim Hollow.
Siraj Fakhri
Accursed typically don’t represent a people or a culture and are often entirely unique unto themselves. One player might create an accursed character