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Bard Legacy

Classes Basic Rules (2014)

, ensuring that her companions’ words will be well received. Whether scholar, skald, or scoundrel, a bard weaves magic through words and music to inspire allies, demoralize foes, manipulate minds

, create illusions, and even heal wounds. Music and Magic In the worlds of D&D, words and music are not just vibrations of air, but vocalizations with power all their own. The bard is a master

College of Lore Legacy

Classes Basic Rules (2014)

following the tenets of a deity. A noble who keeps such a bard as a herald or advisor knows that the bard would rather be honest than politic. The college’s members gather in libraries and

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

. 3 I’m eager to explain every detail of my most intricate experiments and theories to anyone who shows the least bit of interest. 4 I assume that everyone needs even the most basic

Everything I do is an attempt to impress someone I love. Flaws d6 Flaw 1 I have a rather embarrassing mutation that I do everything I can to keep hidden. 2 I’m more

College of Lore

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

monarch or following the tenets of a deity. A noble who keeps such a bard as a herald or advisor knows that the bard would rather be honest than politic. The college’s members gather in libraries and

choose must be of a level you can cast, as shown on the Bard table, or a cantrip. The chosen spells count as bard spells for you but don’t count against the number of bard spells you know. Peerless Skill

College of Lore

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

monarch or following the tenets of a deity. A noble who keeps such a bard as a herald or advisor knows that the bard would rather be honest than politic. The college’s members gather in libraries and

choose must be of a level you can cast, as shown on the Bard table, or a cantrip. The chosen spells count as bard spells for you but don’t count against the number of bard spells you know. Peerless Skill

Wealth

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

, measuring gold by the pound rather than by the coin. Only merchants, adventurers, and those offering professional services for hire commonly deal in coins. Starting Wealth by Class Class Funds

Barbarian 2d4 × 10 gp Bard 5d4 × 10 gp Cleric 5d4 × 10 gp Druid 2d4 × 10 gp Fighter 5d4 × 10 gp Monk 5d4 gp Paladin 5d4 × 10 gp Ranger 5d4 × 10 gp Rogue 4d4 × 10 gp Sorcerer 3d4 × 10 gp Warlock 4d4 × 10 gp Wizard 4d4 × 10 gp

Transferring Colleges

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

Transferring Colleges The loose association of minstrels and masters that was your bard college helps to define your knowledge and skills. Still, no matter what your original collegiate connections

, as a bard in an Acquisitions Incorporated campaign, you now focus that learning into your own personal school of business. College of Glamour The lessons taught by the College of Glamour are right in

Music and Magic

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Music and Magic In the worlds of D&D, words and music are not just vibrations of air, but vocalizations with power all their own. The bard is a master of song, speech, and the magic they contain

swords and armor. Their spells lean toward charms and illusions rather than blatantly destructive spells. They have a wide-ranging knowledge of many subjects and a natural aptitude that lets them do

Rakdos Lampooner

Compendium - Sources->Dungeons & Dragons->Guildmasters' Guide to Ravnica

guilds that have seized an outsized measure of power, those who need to be taken down a peg, rather than piling further humiliation onto those who are already struggling. They use masks, marionettes

save DC 14, +6 to hit with spell attacks). It knows the following bard spells: Cantrips (at will): dancing lights, minor illusion, vicious mockery 1st level (4 slots): bane, dissonant whispers

Music and Magic

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Music and Magic In the worlds of D&D, words and music are not just vibrations of air, but vocalizations with power all their own. The bard is a master of song, speech, and the magic they contain

swords and armor. Their spells lean toward charms and illusions rather than blatantly destructive spells. They have a wide-ranging knowledge of many subjects and a natural aptitude that lets them do

Preparing to Use the Deck

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

detail two ways to head off potential complications before the characters draw their first card. “Customizing Your Deck” suggests strategies for stacking the deck with only cards that will be fun for

your group. Meanwhile, “The Deck as Narrative” discusses having cards foreshadow future events, rather than triggering instantaneous effects, so you can incorporate the effects into your campaign when

Playing with Class

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

be reframed for an Acq Inc campaign. Each class section offers up suggestions for adding detail and narrative flair to your character. Where tables are presented as part of those suggestions, you can

: Barbarian: Path of the Ancestral Guardian, Path of the Zealot Bard: College of Glamour, College of Whispers Druid: Circle of Dreams, Circle of the Shepherd Fighter: Arcane Archer, Cavalier, Samurai

Xanthoria's Defeat

Compendium - Sources->Dungeons & Dragons->Candlekeep Mysteries

Xanthoria’s Defeat Once Xanthoria is defeated, the characters find the last few pages of her notes among her possessions. They detail her growing obsession with undead and her success at turning

. Convincing Thunderwing to give up her life should be handled through roleplaying rather than ability checks, although you can require the characters to succeed on a DC 15 Charisma (Persuasion) group

Edgin Darvis

Compendium - Sources->Dungeons & Dragons->Thieves’ Gallery

Edgin Darvis Edgin Darvis has a talent for improvisation and strategy. He’s a musician and tale-teller who relies on charisma first—rather than magic or muscle—to escape trouble. Once a member of the

Humanoid (Bard), Chaotic Good Armor Class 14 (leather armor) Hit Points 110 (17d8 + 34) Speed 30 ft. STR 14 (+2) DEX 16 (+3) CON 14 (+2) INT 14 (+2) WIS 16 (+3) CHA 18

Creating a Rival

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

the others might be neutral or good; conflicts with those rivals might be social or political, rather than manifesting as direct attacks. The best rivals have a connection with their adversaries on a

solve 3 High priest who worries the characters are diminishing the temple’s prestige 4 Wizard who blames the characters for some recent troubles 5 Rival adventuring party 6 Bard who loves a scandal

Adjudicating Areas of Effect

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

guidelines, and it’s fine to err on the side of affecting more creatures. For example, if eight zombies are crowded around a Fighter when the Bard centers a Shatter spell on the Fighter’s space, the

-foot 30-foot-radius — 20 *Use this column for Cylinders, Emanations (using the size of the Emanation rather than its radius), and Spheres.

Tools

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

represents broader knowledge of its use. For example, the DM might ask you to make a Dexterity check to carve a fine detail with your woodcarver's tools, or a Strength check to make something out of

proficiency bonus to any ability checks you make to play music with the instrument. A bard can use a musical instrument as a spellcasting focus. Each type of musical instrument requires a separate

Starting Points

Compendium - Sources->Dungeons & Dragons->Wayfinder's Guide to Eberron

give an initial focus to the campaign—setting a tone and giving players an initial investment in the story. The player characters may be meeting in a tavern—but it’s their favorite tavern. The bard

happen?” You Meet at a Tavern … But Which Tavern? Where do you spend your off hours? As a group, once you settle on a location, each player can add one cosmetic detail about it. This could involve a

Getting Players Invested

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

back favorites from earlier in the campaign for the occasional cameo. Player Favorites It’s often easier to describe people and places that are hostile or frightening than it is to detail a feature

a character’s player directly, but instead consider handing over your narrative reins and letting a player describe the perfect detail. For example, say you have a peaceful village you plan to feature

Rangers

Compendium - Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide

responded with a whoo, then went off into a complicated series of chattering hoots and whoos. Montolio took it all in, weighing every detail. With the help of his friends, particularly this rather

Kinds of Treasure

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Kinds of Treasure Use these guidelines in conjunction with the information in the Dungeon Master’s Guide to detail the treasures in a dragon’s hoard. Feel free to swap coins, gems, and art objects in

the Player’s Handbook) rather than coins 2–3 Coins from an ancient culture local to this region, ancestral to the people who live here now 4–5 Coins from an ancient culture in a distant

Baphomet

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

his personality. Baphomet studies every detail of the mazes he creates and exults in the dread that overcome those who become lost in them. He tracks them at his leisure, striking only after the

of Spiders and her brood rarely take part directly in the Blood War; rather, her agents in the Abyss contrive to lure her enemies into throwing themselves into the struggle. Her servitors spy on both

Respect for the Players

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

talking, and make sure you check in about what every character is doing, especially during periods of exploration and social interaction, rather than focusing just on one player’s character. Sometimes

seeing the people and places they care about threatened or destroyed. Other players gleefully detail a backstory full of beloved NPCs, fully expecting the DM to use those people as bait, tragic

Respect for the Players

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

talking, and make sure you check in about what every character is doing, especially during periods of exploration and social interaction, rather than focusing just on one player’s character. Sometimes

seeing the people and places they care about threatened or destroyed. Other players gleefully detail a backstory full of beloved NPCs, fully expecting the DM to use those people as bait, tragic

Gods of Good

Compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

. Rather, their highest pursuit is preserving mortal choice, despite the sorrowful knowledge that mortals sometimes choose ruinous paths. Symbols Left to Right: Paladine, Branchala, and Habbakuk

Krynn in the guise of Fizban, a befuddled old human mage in faded robes. Branchala Called the Bard King, Branchala is the god of music, poetry, and the inner beauty of all living things. Many elves

Special Features

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

table entries make more sense for certain items than for others. Some magic items are made only by certain kinds of creatures, for instance; a cloak of elvenkind is made by elves, rather than dwarves. If

you roll something that doesn’t make sense, roll again, choose a more appropriate entry, or use the rolled detail as inspiration to make up your own. Who Created It or Was Intended to Use It? d20

Home, Sweet Home

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

inspiration, or you can develop a unique location. Work with the players to develop the connections that each character has to the site. If the location is a tavern, for instance, a bard character

creative exercise, you could also allow each player to add a physical detail to the place or to describe one of the location's NPCs—the stuffed gorgon head over the hearth, another regular among the

1: Outer Gatehouse

Compendium - Sources->Dungeons & Dragons->Heroes of the Borderlands

Guard Stat Block: Guard This gullible recruit spends more time dreaming than patrolling. Distractable. Bartho is easily distracted from his post because he’d rather be doing anything else. Sleepy

daydreaming, might involve you pretending to yawn mid-sentence or getting distracted by a butterfly. Perhaps he confides with the characters that he’d rather be doing something else. Descriptive

Tools

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

represents broader knowledge of its use. For example, the DM might ask you to make a Dexterity check to carve a fine detail with your woodcarver’s tools, or a Strength check to make something out of

instrument. A bard can use a musical instrument as a spellcasting focus, as described in chapter 10. Each type of musical instrument requires a separate proficiency. Navigator’s Tools. This set of

28. Withers's Office

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

some regret, he finally announces that it’s time for them to die. Withers would rather escape than be destroyed or captured, so he uses his spells to retreat if the battle goes against him, saving wall

of fire to cut off pursuers when he flees. Journals Withers is a diligent scribe. His moldy journals track the history of Omu and the Tomb of the Nine Gods, and detail the arrival of the atropal and

Staff

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

creating nonplayer characters in chapter 4 of the Dungeon Master’s Guide to detail the majordomo, giving this individual a vibrant personality and backstory. The majordomo’s goals should be aligned

(sailors for a seagoing franchise, engineers for a giant hollow statue, and so on). Crew do not leave a franchise and cannot perform franchise tasks. They typically run rather than fight back when attacked

Inside the League

Compendium - Sources->Dungeons & Dragons->Guildmasters' Guide to Ravnica

the guild’s laboratories. Some vedalken are so obsessive about their work that they like to see to every detail themselves, rather than delegating any task to underlings or assistants. This attitude

Event-Based Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

repetitive in nature, rather than escalating to greater heights of depravity. The trick to catching such a villain lies in determining the pattern underlying the crimes. Though serial killers are a

characters you need to create, as well as how much detail you need to generate for each one. NPCs unlikely to become involved in combat don’t need full combat statistics, for example, just as characters

Class Training

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

me push beyond my limitations. 6 My anger needed to be channeled into battle, or I risked becoming an indiscriminate killer. Bard d6 I became a bard because … 1 I awakened my latent bardic

abilities through trial and error. 2 I was a gifted performer and attracted the attention of a master bard who schooled me in the old techniques. 3 I joined a loose society of scholars and orators to learn

Build Your Group

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Sleight of Hand and Stealth skills. Confiscators are often rogues, and many have a history of stealing for profit rather than national interest. Hunter. The Hunter stalks humanoid prey, for purposes

Operator, who might end up stepping into a different role when the need arises. The Operator is often a bard and might come from a soldier or noble background (being accustomed to leadership in one

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