bards before demand combat resolve - Search

Akroan Hoplite

Monsters Mythic Odysseys of Theros

called stratians, number among the fiercest soldiers on Theros. They train relentlessly and possess unflinching resolve. In the annals of Akros, tales abound of squads of stratians that defended a

glorification of the warrior's spirit, the basis of an ethos that forges an unbreakable bond between members of a military unit. In combat, hoplites typically work in groups and use coordinated tactics to

Entertainer Legacy

Backgrounds Player’s Handbook (2014)

enjoy. This kind of flashy combat is your entertainer routine, though you might also have some skills as a tumbler or actor. Using your By Popular Demand feature, you can find a place to perform in

6 Instrumentalist 7 Poet 8 Singer 9 Storyteller 10 Tumbler FEATURE: BY POPULAR DEMAND You can always find a place to perform, usually in an inn or tavern

Viari

Monsters Acquisitions Incorporated

and earnest debate, he demonstrates an equal flair for planning and forethought, mad combat moves (involving leaping off high places whenever possible), and dark vengeance. Viari's career as an

adventurer was nearly cut short during a battle of which the bards still sing. Unleashing a devastating attack with the aptly named Apocalypse Dagger, the rogue destroyed a giant single-handedly — and lost

Gavel of the Venn Rune

Magic Items Storm King's Thunder

used as part of rituals to resolve disputes. The gavel has the following properties. Arbiter’s Shield. At the start of every combat, attack rolls against you have disadvantage before the start of

Clay Snake Tail

Equipment

Combat Utility Whimsy 8 6 5 Clay snakes are fairly docile and non-venomous, which makes catching one a fairly easy task. The tips of a clay snake’s tail are in high

demand from witches and potion makers, and luckily for the clay snakes, their tails grow back within a few weeks. Clay snakes are found by riverbanks and lakeshores where there are rich deposits of clay, but the most desirable ones are found in the Land of Hot Water.

Mellowort

Equipment

Combat Utility Whimsy 4 8 7 Go into any hot spring or spa and the scent of Mellowort is sure to be wafting around with its soothing aroma. There are many songs written by

bards about the benefits and relaxing properties of this flowering plant. Mellowort is a tall, slender plant that is found in the lowlands of Obojima.

Gladiator Legacy

Backgrounds Player’s Handbook (2014)

; FEATURE: BY POPULAR DEMAND You can always find a place to perform in any place that features combat for entertainment — perhaps a gladiatorial arena or secret pit fighting club. At such

A gladiator is as much an entertainer as any minstrel or circus performer, trained to make the arts of combat into a spectacle the crowd can enjoy. This kind of flashy combat is your entertainer

Sea Water

Equipment

Combat Utility Whimsy 1 0 0 Sea water is a staple in many potion brewing processes but some master potion makers will demand seawater from certain areas around Obojima due

Sleeping Merchant

Equipment

Combat Utility Whimsy 13 13 13 Known for its naturally soporific effects, the sleeping merchant got its name through its use by traveling traders who traditionally drink its

ponds and lakes which has made attempts to grow sleeping merchant plants in other bodies of water impossible. Thus, the demand for this plant is high among the tea vendors of Obojima.

Sword of Kas Legacy

Magic Items Dungeon Master’s Guide (2014)

dominated by the sword, as if by the dominate monster spell, and the sword demands that it be bathed in blood. The spell effect ends when the sword’s demand is met. Random Properties. The Sword of Kas

your person, you add a d10 to your initiative at the start of every combat. In addition, when you use an action to attack with the sword, you can transfer some or all of its attack bonus to your Armor

Bard Legacy

Classes Basic Rules (2014)

versatility. Many bards prefer to stick to the sidelines in combat, using their magic to inspire their allies and hinder their foes from a distance. But bards are capable of defending themselves in melee if

of song, speech, and the magic they contain. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation

Entertainer - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

skills as a tumbler or actor. Using your By Popular Demand feature, you can find a place to perform in any place that features combat for entertainment — perhaps a gladiatorial arena or secret

Storyteller 10 Tumbler FEATURE: BY POPULAR DEMAND You can always find a place to perform, usually in an inn or tavern but possibly with a circus, at a theater, or even in a noble’s

Petrified Alligator

Equipment

Combat Utility Whimsy 15 16 13 Bards speak of the mad druid Fennistrix, who had a penchant for petrification along with a bizarre alligator obsession that resulted in almost

Entertainer

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

Entertainer Bards and performers are always in demand in Saltmarsh. You can use your By Popular Demand feature to find work at the Wicker Goat or the Snapping Line. The Wicker Goat is popular with

Cleric Legacy

Classes Basic Rules (2014)

their combat training to let them wade into melee with the power of the gods on their side. Divine Agents Not every acolyte or officiant at a temple or shrine is a cleric. Some priests are called to

. Most adventuring clerics maintain some connection to established temples and orders of their faiths. A temple might ask for a cleric’s aid, or a high priest might be in a position to demand it

Ancient Crystal Dragon

Monsters Fizban's Treasury of Dragons

the greatest bards and philosophers to partake in “the Great Dialogue” in the dragon’s mountaintop lair. But only the dragon knows that the Great Dialogue has no end, and no one can

ancient crystal dragon;ancient crystal dragon's lair. The dwarves mine the area aggressively, unaware that the dragon is spying on them—and intends to demand recompense at some point in the

Yuan-ti Pureblood Legacy

Species Volo's Guide to Monsters

serpent gods began to demand more and more sacrifices, the yuan-ti stepped up their raids on bordering settlements to meet this need. Calm long-view schemers, innate deceivers, and immune to poison

others can be exploited through bribes, favors, or threats. As creatures devoid of emotion, yuan-ti exhibit behavior and use tactics that exemplify that outlook (or lack of one). Whether in combat

Music and Magic

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

sidelines in combat, using their magic to inspire their allies and hinder their foes from a distance. But bards are capable of defending themselves in melee if necessary, using their magic to bolster their

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

Music and Magic

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

sidelines in combat, using their magic to inspire their allies and hinder their foes from a distance. But bards are capable of defending themselves in melee if necessary, using their magic to bolster their

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

Attack Rolls

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Attack Rolls In combat, an attack roll is used to determine whether an attack hits. You can also use attack rolls to resolve noncombat activities that are similar to attacks in combat, such as an

Running Social Interaction

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Running Social Interaction During a social interaction, the adventurers usually have a goal. They want to extract information, secure aid, win someone’s trust, escape punishment, avoid combat

rarely come into play. Other DMs resolve interactions by having characters make Charisma checks. Most games fall somewhere in between, balancing roleplaying with the occasional ability check.

Shades of Gray

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

hobgoblin general, whose descendants want it back. The ways to resolve these problems aren’t always simple. Certain situations demand straightforward decisions. If Emerald Claw cultists are about to

Social Interaction

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Social Interaction During a social interaction, the adventurers usually have a goal. They want to extract information, secure aid, win someone’s trust, escape punishment, avoid combat, negotiate a

roleplaying exercise, where dice rarely come into play. Other DMs prefer to resolve the outcome of an interaction by having characters make Charisma checks. Either approach works, and most games fall

Moral Quandaries

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Moral Quandaries If you want to give the characters a crisis that no amount of spellcasting or swordplay can resolve, add a moral quandary to the adventure. A moral quandary is a problem of

NPC that one or more of the characters cares about makes an impossible demand on the characters. A love interest might demand that a character turn away from a dangerous quest. A dear friend might

Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s actions. In combat, everyone takes

chapter 2 offers advice on combat. Spellcasting. If a character casts a spell, you can usually let the player tell you what the spell does and how to resolve it. If questions arise, read the text of

Encounters

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

bookshelf. Outside combat, the characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s

actions. In combat, everyone takes turns in Initiative order. Step 3: Describe What Happens After the players describe their characters’ actions, it’s the DM’s job to resolve those actions, guided by the

Crew in Combat

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

Casualties Slaying a ship’s crew reduces the number of actions most ships can take, making the crew a tempting target in combat. Resolve individual attacks as normal, using the guidelines for

Crew in Combat Managing a ship’s entire crew in combat can prove cumbersome, especially as larger ships often host dozens of sailors. Typically the crew is too busy managing the ship to do anything

Large Groups

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Large Groups The biggest considerations with large groups are maintaining order at the table and keeping combat from becoming too slow. Structured Turns If you find yourself in a situation where

individual players are having trouble getting a chance to do things during exploration or social interaction, have the characters roll Initiative and act in Initiative order, just as you do in combat

Breaking the Archetypes

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

subtlety and precision over simply busting heads. Add in your knowledge of the more cerebral aspects of combat, including all-important insight into the strengths and weaknesses of the enemy, and it’s

look at the balance sheet. But there’s one exception to that nonrule that can make a big difference in the successful operation of a franchise — the focused, no-frills approach to combat of the champion

Rhythm of Play

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

resolve their activity. In combat, the characters take turns. The DM Narrates the Results of the Adventurers’ Actions. Sometimes resolving a task is easy. If an adventurer walks across a room and

Rhythm of Play The three main pillars of D&D play are social interaction, exploration, and combat. Whichever one you’re experiencing, the game unfolds according to this basic pattern: The Dungeon

Rhythm of Play

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

resolve their activity. In combat, the characters take turns. The DM Narrates the Results of the Adventurers’ Actions. Sometimes resolving a task is easy. If an adventurer walks across a room and

Rhythm of Play The three main pillars of D&D play are social interaction, exploration, and combat. Whichever one you’re experiencing, the game unfolds according to this basic pattern: The Dungeon

Top Card: The Challenge

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

road, or a situation the characters are asked to resolve. You decide the scope of the decision the characters must make. You can ask them to make a simple choice (“Do you want to take the path along

small dungeon or an encounter (which might involve multiple ability checks or even combat). Let the character of the player who flipped the card be the focus of the day’s events and make any required

Aftermath

Compendium - Sources->Dungeons & Dragons->Infernal Machine Rebuild

the party down to demand a duel by combat. He explains what the characters have really done, and offers to lead the characters back to the woods to right their wrongs if they can be persuaded to. If

Zil Characters

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

appropriate, reflecting their love of intrigue. Classes that specialize in melee combat are rare among the Zil. The soldiers of Zilargo include rogues, bards, wizards, and artificers. The Trust. In

Ghost Stories

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

heroes to spirits in ways they won’t predict, such as revealing that a phantasmal villain was a hero’s ancestor. Heroes are pure-hearted or unsuspecting individuals whose resolve is shaken by the story’s

events. Look for ways to test heroes’ psychology with your hauntings. Heroes need agency—a way to put spirits to rest. Once the story is revealed, ensure the way to combat the haunting is clear. Spirits are often evil, but they need not be. A spirit might appear to warn heroes of impending doom.

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