Search Results

All Results
Characters
Compendium
Spells
Items
Monsters
Vehicles
Forums
Returning 35 results for 'bards being diffusing clutches real'.
Other Suggestions: bards being diffusing clutches realms bards being diffusing clutches reach bards being diffusing clutches realm bards being diffusing clutches ready bards being diffusing clutches read
Dream Eater
 Monsters Monstrous Compendium Vol. 2: Dragonlance Creatures
dream eater lies not in brute force but in the ability to pierce its illusions and wrest others from its terrors. As such, bards and other persuasive adventurers find themselves uniquely poised to
) check to convince the engulfed target the nightmare isn’t real, with the target escaping on a success. The creature making the check takes 10 (3d6);{"diceNotation":"3d6", "rollType":"damage
Goose Mother
 Monsters Monstrous Compendium Vol. 4: Eldraine Creatures
Goose Mother is real. Centuries ago, an enterprising witch created a frothy stew composed of hydra’s blood and goose feathers. It is from this noxious slurry that the Goose Mother was born. Within
hour. Sometimes these eggs hatch into clutches of young geese that grow up to terrorize the marshes of Eldraine. Other times, the eggs contain trinkets or valuables. The fae folk of Eldraine’s
Bard Legacy This doesn't reflect the latest rules and lore. Learn More
 Classes Basic Rules (2014)
of song, speech, and the magic they contain. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation
still resound throughout the cosmos. The music of bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer
Wyrmskull Throne
 Magic Items Storm King's Thunder
energy when the throne’s powers are activated. After the fall of Shanatar, the Wyrmskull Throne fell into the clutches of less honorable creatures. A band of adventurers wrested the throne from
breaking at least five Ruling Scepters of Shanatar simultaneously on it. This fact has never been recorded or sung of among the dwarves or any bards or storytellers, and it can’t be discovered
Creating a Bard
 Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)
Creating a Bard Bards thrive on stories, whether those stories are true or not. Your character’s background and motivations are not as important as the stories that he or she tells about them
a story. Some bards acquire their magical music through extraordinary means, including the inspiration of fey or other supernatural creatures. Did you serve an apprenticeship, studying under a master
Creating a Bard
 Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)
Creating a Bard Bards thrive on stories, whether those stories are true or not. Your character’s background and motivations are not as important as the stories that he or she tells about them
a story. Some bards acquire their magical music through extraordinary means, including the inspiration of fey or other supernatural creatures. Did you serve an apprenticeship, studying under a master
Creating a Bard
 Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)
Creating a Bard Bards thrive on stories, whether those stories are true or not. Your character’s background and motivations are not as important as the stories that he or she tells about them
a story. Some bards acquire their magical music through extraordinary means, including the inspiration of fey or other supernatural creatures. Did you serve an apprenticeship, studying under a master
Creating a Bard
 Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)
Creating a Bard Bards thrive on stories, whether those stories are true or not. Your character’s background and motivations are not as important as the stories that he or she tells about them
a story. Some bards acquire their magical music through extraordinary means, including the inspiration of fey or other supernatural creatures. Did you serve an apprenticeship, studying under a master
Creating a Bard
 Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)
Creating a Bard Bards thrive on stories, whether those stories are true or not. Your character’s background and motivations are not as important as the stories that he or she tells about them
a story. Some bards acquire their magical music through extraordinary means, including the inspiration of fey or other supernatural creatures. Did you serve an apprenticeship, studying under a master
Journey into Death
 Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros
can such souls find rest. WHAT HAPPENS WHEN A SOUL ESCAPES? If a soul meets all the challenges set before it and slips from Erebos’s clutches, several things likely happen: The soul becomes a
no further connection to the soul; it is an inert, empty shell. Casting spells on the body that restore it to life simply have no effect. Any object carried out of the Underworld becomes a real, physical thing in the mortal world, with all the properties and features common to objects of its type.
Journey into Death
 Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros
can such souls find rest. WHAT HAPPENS WHEN A SOUL ESCAPES? If a soul meets all the challenges set before it and slips from Erebos’s clutches, several things likely happen: The soul becomes a
no further connection to the soul; it is an inert, empty shell. Casting spells on the body that restore it to life simply have no effect. Any object carried out of the Underworld becomes a real, physical thing in the mortal world, with all the properties and features common to objects of its type.
Journey into Death
 Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros
can such souls find rest. WHAT HAPPENS WHEN A SOUL ESCAPES? If a soul meets all the challenges set before it and slips from Erebos’s clutches, several things likely happen: The soul becomes a
no further connection to the soul; it is an inert, empty shell. Casting spells on the body that restore it to life simply have no effect. Any object carried out of the Underworld becomes a real, physical thing in the mortal world, with all the properties and features common to objects of its type.
Creating a Bard
 Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)
Creating a Bard Bards thrive on stories, whether those stories are true or not. Your character’s background and motivations are not as important as the stories that he or she tells about them
a story. Some bards acquire their magical music through extraordinary means, including the inspiration of fey or other supernatural creatures. Did you serve an apprenticeship, studying under a master
Dream Eater
 Compendium - Sources->Dungeons & Dragons->Monstrous Compendium Volume Two
engulfing its prey in a phantasmagorical nightmare. The key to defeating a dream eater lies not in brute force but in the ability to pierce its illusions and wrest others from its terrors. As such, bards
requires the creature to use its action to make a DC 16 Charisma (Persuasion) check to convince the engulfed target the nightmare isn’t real, with the target escaping on a success. The creature
Dream Eater
 Compendium - Sources->Dungeons & Dragons->Monstrous Compendium Volume Two
engulfing its prey in a phantasmagorical nightmare. The key to defeating a dream eater lies not in brute force but in the ability to pierce its illusions and wrest others from its terrors. As such, bards
requires the creature to use its action to make a DC 16 Charisma (Persuasion) check to convince the engulfed target the nightmare isn’t real, with the target escaping on a success. The creature
Dream Eater
 Compendium - Sources->Dungeons & Dragons->Monstrous Compendium Volume Two
engulfing its prey in a phantasmagorical nightmare. The key to defeating a dream eater lies not in brute force but in the ability to pierce its illusions and wrest others from its terrors. As such, bards
requires the creature to use its action to make a DC 16 Charisma (Persuasion) check to convince the engulfed target the nightmare isn’t real, with the target escaping on a success. The creature
Goose Mother
 Compendium - Sources->Dungeons & Dragons->Monstrous Compendium Volume Four
knights of Eldraine consider its existence a myth, the folk of the wilds know that the Goose Mother is real. Jesper Ejsing Centuries ago, an enterprising witch created a frothy stew composed of hydra’s
where it lives to this day. The Goose Mother lays one golden egg every hour, precisely on the hour. Sometimes these eggs hatch into clutches of young geese that grow up to terrorize the marshes of
Build Your Group
 Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War
this character’s divine connection. The Prophet is often a cleric or druid, but could also be an NPC with no real adventuring skills, who needs the group’s protection. Scholar. The Scholar brings
Persuasion (or sometimes Intimidation) and Religion can be useful for this character. Many clerics fill this role, but devout bards can also be effective Teachers. Some Teachers bring skills from the
Build Your Group
 Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War
this character’s divine connection. The Prophet is often a cleric or druid, but could also be an NPC with no real adventuring skills, who needs the group’s protection. Scholar. The Scholar brings
Persuasion (or sometimes Intimidation) and Religion can be useful for this character. Many clerics fill this role, but devout bards can also be effective Teachers. Some Teachers bring skills from the
L4. Workshop
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
the tin soldiers in area L7. All three children want to escape the hag’s clutches, although Philomena weeps if she’s forced to leave without her beloved piglet, Oink, who is kept in the pigpen (area L5
real bloodstains around its jaws A toy windmill with a crank on one side that turns the vanes and the millstone A set of playing cards depicting weeping children A wind-up drunkard doll that totters a
Build Your Group
 Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War
this character’s divine connection. The Prophet is often a cleric or druid, but could also be an NPC with no real adventuring skills, who needs the group’s protection. Scholar. The Scholar brings
Persuasion (or sometimes Intimidation) and Religion can be useful for this character. Many clerics fill this role, but devout bards can also be effective Teachers. Some Teachers bring skills from the
Goose Mother
 Compendium - Sources->Dungeons & Dragons->Monstrous Compendium Volume Four
knights of Eldraine consider its existence a myth, the folk of the wilds know that the Goose Mother is real. Jesper Ejsing Centuries ago, an enterprising witch created a frothy stew composed of hydra’s
where it lives to this day. The Goose Mother lays one golden egg every hour, precisely on the hour. Sometimes these eggs hatch into clutches of young geese that grow up to terrorize the marshes of
L4. Workshop
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
the tin soldiers in area L7. All three children want to escape the hag’s clutches, although Philomena weeps if she’s forced to leave without her beloved piglet, Oink, who is kept in the pigpen (area L5
real bloodstains around its jaws A toy windmill with a crank on one side that turns the vanes and the millstone A set of playing cards depicting weeping children A wind-up drunkard doll that totters a
Goose Mother
 Compendium - Sources->Dungeons & Dragons->Monstrous Compendium Volume Four
knights of Eldraine consider its existence a myth, the folk of the wilds know that the Goose Mother is real. Jesper Ejsing Centuries ago, an enterprising witch created a frothy stew composed of hydra’s
where it lives to this day. The Goose Mother lays one golden egg every hour, precisely on the hour. Sometimes these eggs hatch into clutches of young geese that grow up to terrorize the marshes of
L4. Workshop
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
the tin soldiers in area L7. All three children want to escape the hag’s clutches, although Philomena weeps if she’s forced to leave without her beloved piglet, Oink, who is kept in the pigpen (area L5
real bloodstains around its jaws A toy windmill with a crank on one side that turns the vanes and the millstone A set of playing cards depicting weeping children A wind-up drunkard doll that totters a
Little Oak
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
children until the hag’s sisters placed a curse on him that warmed his heart, changing his alignment from lawful evil to chaotic good. He now strives to help children escape from Skabatha’s clutches
a real unicorn and a make-believe one. To reach the lake themselves, the kids created a crude unicorn costume under which they can hide. (They keep the costume in their treehouse and can lend it to
Little Oak
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
children until the hag’s sisters placed a curse on him that warmed his heart, changing his alignment from lawful evil to chaotic good. He now strives to help children escape from Skabatha’s clutches
a real unicorn and a make-believe one. To reach the lake themselves, the kids created a crude unicorn costume under which they can hide. (They keep the costume in their treehouse and can lend it to
Little Oak
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
children until the hag’s sisters placed a curse on him that warmed his heart, changing his alignment from lawful evil to chaotic good. He now strives to help children escape from Skabatha’s clutches
a real unicorn and a make-believe one. To reach the lake themselves, the kids created a crude unicorn costume under which they can hide. (They keep the costume in their treehouse and can lend it to
Appendix D: Roleplaying Cards
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
real name is Fug. He has a strong affection for Mishka (the only child in Loomlurch who doesn’t fear or mock him) and treats her like a younger sibling. He resists any attempt to remove the maggot
Miser CHAPTER 3: THITHER Nib (whose real name is Meryl Caberstock) is a tall, rake-thin, elderly man dressed in threadbare finery and a housecoat. He wears a blindfold to avoid glimpsing the
Appendix: Roleplaying Cards
 Compendium - Sources->Dungeons & Dragons->Domains of Delight: A Feywild Accessory
real name is Fug. He has a strong affection for Mishka (the only child in Loomlurch who doesn’t fear or mock him) and treats her like a younger sibling. He resists any attempt to remove the maggot that
Miser CHAPTER 3: THITHER Nib (whose real name is Meryl Caberstock) is a tall, rake-thin, elderly man dressed in threadbare finery and a housecoat. He wears a blindfold to avoid glimpsing the
Appendix D: Roleplaying Cards
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
real name is Fug. He has a strong affection for Mishka (the only child in Loomlurch who doesn’t fear or mock him) and treats her like a younger sibling. He resists any attempt to remove the maggot
Miser CHAPTER 3: THITHER Nib (whose real name is Meryl Caberstock) is a tall, rake-thin, elderly man dressed in threadbare finery and a housecoat. He wears a blindfold to avoid glimpsing the
Appendix: Roleplaying Cards
 Compendium - Sources->Dungeons & Dragons->Domains of Delight: A Feywild Accessory
real name is Fug. He has a strong affection for Mishka (the only child in Loomlurch who doesn’t fear or mock him) and treats her like a younger sibling. He resists any attempt to remove the maggot that
Miser CHAPTER 3: THITHER Nib (whose real name is Meryl Caberstock) is a tall, rake-thin, elderly man dressed in threadbare finery and a housecoat. He wears a blindfold to avoid glimpsing the
Appendix: Roleplaying Cards
 Compendium - Sources->Dungeons & Dragons->Domains of Delight: A Feywild Accessory
real name is Fug. He has a strong affection for Mishka (the only child in Loomlurch who doesn’t fear or mock him) and treats her like a younger sibling. He resists any attempt to remove the maggot that
Miser CHAPTER 3: THITHER Nib (whose real name is Meryl Caberstock) is a tall, rake-thin, elderly man dressed in threadbare finery and a housecoat. He wears a blindfold to avoid glimpsing the
Appendix D: Roleplaying Cards
 Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight
real name is Fug. He has a strong affection for Mishka (the only child in Loomlurch who doesn’t fear or mock him) and treats her like a younger sibling. He resists any attempt to remove the maggot
Miser CHAPTER 3: THITHER Nib (whose real name is Meryl Caberstock) is a tall, rake-thin, elderly man dressed in threadbare finery and a housecoat. He wears a blindfold to avoid glimpsing the
Conservatory Locations
 Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault
demonic stone hand rises from the floor and clutches a three-foot-tall, three-foot-wide brazier. The hand has five fingers instead of four. The stone hand merges seamlessly with the stone floor
duration of the spell). Once the glyph is triggered, the trunk is safe to open. Treasure. The trunk contains, among personal items and clothing of little value, the instrument of the bards (Canaith mandolin