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Cairnwight

Monsters Bigby Presents: Glory of the Giants

exclusion of all other tasks, retreating into a spacious cavern and blocking out all distractions. Creating a masterwork can become such a driving obsession that death can’t stop it: a giant who dies

while creating art might rise as a cairnwight and continue the work. Once the artwork is completed, the cairnwight remains as its undying guardian. A cairnwight looks much like an emaciated stone

College of Creation (TCoE)

Classes Tasha’s Cauldron of Everything

Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That creative work included harmonies that continue to resound through existence today, a power known as

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

College of Creation

Classes Tasha’s Cauldron of Everything

Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That creative work included harmonies that continue to resound through existence today, a power known as

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

Instrument of the Bards (p. 176)

Compendium - Sources->Dungeons & Dragons->Sage Advice & Errata

Instrument of the Bards (p. 176) The final paragraph is replaced with the following: “You can play the instrument while casting a spell that causes any of its targets to be charmed on a failed saving

Alignment (p. 122)

Compendium - Sources->Dungeons & Dragons->Sage Advice & Errata

Alignment (p. 122) In the description of each alignment, the final sentence has been replaced as shown below. Lawful Good. “Gold dragons and paladins are typically lawful good.” Neutral Good. “Many

are traditionally neutral, as are typical townsfolk.” Chaotic Neutral. “Many rogues and bards are chaotic neutral.” Lawful Evil. “Devils and blue dragons are typically lawful evil.” Neutral Evil. “Yugoloths are typically neutral evil.” Chaotic Evil. “Demons and red dragons are typically chaotic evil.”

Orc Legacy

Species Volo's Guide to Monsters

to be invincible. They see the principles that define them and their deities at work every day in the world around them — nature rewards the strong and mercilessly eliminates the weak and the

who study its ebb and flow to expect the stalemate to continue. A different view is put forth by the archmage Tzunk, who notes that Maglubiyet has never faced a foe as ferocious and protective as

Bard

Compendium - Sources->Dungeons & Dragons->Sage Advice Compendium

spell learned through your Magical Secrets feature counts as a bard spell for you, so it can be replaced upon gaining a bard level later. But it must be replaced by a bard spell, according to the rule

in the Spellcasting feature. Which spell scrolls can bards understand—spells from the bard list only, or spells from the bard list plus spells from Magical Secrets? A bard can use any spell scroll

Levels 17-20: Masters of the World

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

existence itself. Characters who reach 20th level have attained the pinnacle of mortal achievement. Their deeds are recorded in the annals of history and recounted by bards for centuries. Their

characters might be called on to undertake grand adventures on the cosmic stage. And as a result of these adventures, their capabilities can continue to evolve. Characters gain no more levels at this

Trouble at the Docks

Compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Light of Xaryxis

ten thugs blocking her path work for him. Traevus and his thugs are indifferent toward the party but turn hostile if the characters try to force their way onto the Moondancer with Captain Sartell in

of his thugs while the others continue to hold back the mob that has gathered at the docks. If Traevus is defeated, any remaining thugs in his employ lose their will to fight. Some are overrun by the

Cairnwight

Compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

tasks, retreating into a spacious cavern and blocking out all distractions. Creating a masterwork can become such a driving obsession that death can’t stop it: a giant who dies while creating art might

rise as a cairnwight and continue the work. Once the artwork is completed, the cairnwight remains as its undying guardian. A cairnwight looks much like an emaciated stone giant. Its form is caked with

Alignment

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

, evil, or neutral), and the other describes attitudes toward society and order (lawful, chaotic, or neutral). Thus, nine distinct alignments define the possible combinations. These brief summaries of the

townsfolk. Chaotic neutral (CN) creatures follow their whims, holding their personal freedom above all else. Many rogues and bards are chaotic neutral. Lawful evil (LE) creatures methodically take what

Build Your Group

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Charisma to work in the service of the state. These characters often come from a noble background and bring proficiency in skills such as Intimidation and Persuasion to their work. Bards are natural fits in

land and bringing fugitives to justice. Fighters and paladins make natural Marshals, many being former soldiers who continue fighting the Last War in different venues. They often have reasonable

Modifying a Class

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

firmly in the world by associating the class with a particular race or culture. For example, you might decide that bards, sorcerers, warlocks, and wizards represent the magical traditions of four

. You could break that down still further: bards of the College of Lore could be high elves, and bards of the College of War could be wood elves. Gnomes discovered the school of illusion, so all wizards

13. Umberlee's Chosen

Compendium - Sources->Dungeons & Dragons->Locathah Rising

characters enter the chamber, read or paraphrase the following boxed text: Seated on a rough throne made of an odd arrangement of coral, bones, and barnacles, is a man whose right arm has been replaced

, blocking them in. If anyone is hesitant to enter, he’ll beckon for them to come forward, asking them to converse with him. In this regard, his demeanor is regal, but gracious and non-hostile. “Please. Come

Bard: College of Spirits

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Bard: College of Spirits Bards of the College of Spirits seek tales with inherent power—be they legends, histories, or fictions—and bring their subjects to life. Using occult trappings, these bards

number on both dice, you can ignore the number and choose any effect on the table. SPIRIT TALES Storytellers, like bards of the College of Spirits, often give voice to tales inspired by some greater

The Mists

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

). DEATH HOUSE’S FEATURES Death House is aware of its surroundings and all creatures within it. Its goal is to continue the work of the cult by luring visitors to their doom. Various important features

house to complete its resurrection. Items taken from the house aren’t replaced, nor are undead that are destroyed. The dungeon level isn’t considered part of the house and can’t repair itself in this fashion.

Gates of Gravenhollow

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

through the gates, instructs them to continue straight ahead, then quickly disappears down a side passage. Walking across the threshold of Gravenhollow is like stepping into another realm. The

oppressive gloom of the Underdark is replaced by light and a sense of openness that brings back memories of the surface world. The corridor beyond the gates is wide enough for ten people to walk side by side

Seeds of Fear

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

change. A character never has more than three Seeds of Fear; if you gain a new seed and already have three, choose which of your old fears is replaced by the new one. Seeds of Fear d12 Seed

crack in a cave wall to continue an adventure. If the player portrays the character’s response in a way that reinforces that fear, such as refusing and finding another way around, taking time and making

Setessa's Surroundings

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

and Akros, no villages or military outposts mark Setessan territory, but a few key features in the Nessian Wood define the area under Setessan control. Amatrophon The Amatrophon encompasses a large

worthy mortals, blessing them with the long lives of mighty trees. The grown seedlings of Nikaia and Nylea’s other favored continue to share their wisdom and protect Setessa to this day.

G. Tser Pool Encampment

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

G. Tser Pool Encampment The road gradually disappears and is replaced by a twisted, muddy path through the trees. Deep ruts in the earth are evidence of the comings and goings of wagons. The canopy

insults. Otherwise, the characters are offered flasks of wine and invited to join the reverie. If the characters linger at the camp, continue with “A Vistana’s Tale” below. If they seem in a hurry to leave

Campaign Events

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Campaign Events The Dungeon Master’s Guide includes a discussion of world-shaking events that might define turning points at the start, middle, or end of a campaign. One way to give dragons a

wrath? Will these rampages continue? What might appease the creature? Assault or Invasion. A dragon might attack a stronghold of civilization, or an army marching under Tiamat’s banner with dragon

College of Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

creative work included harmonies that continue to resound through existence today, a power known as the Song of Creation. The bards of the College of Creation draw on that primeval song through dance

College of Creation One bard’s song of creation is the score to another person’s nightmares. Tasha Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That

Mortuary Encounters

Compendium - Sources->Dungeons & Dragons->Adventure Atlas: The Mortuary

to expel a dybbuk† from a corpse. The exorcist asks the characters to help in dispatch the Fiend. 9 Two bards† in the Heralds of Dust approach the characters and sing a ballad honoring the dead. If the

characters interrupt or otherwise ruin the tune, 1d4 irascible specters emerge from the walls and attack, causing the bards to flee. 10 Three skeleton farmers quietly tend to corpse-white grave

Goblin Ambush

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

feet ahead of you, blocking the path. Each has several black-feathered arrows sticking out of it. The woods press close to the trail here, with a steep embankment and dense thickets on either side. If

event that the goblins defeat the adventurers, they leave them unconscious, loot them and the wagon, then head back to the Cragmaw hideout. The characters can continue on to Phandalin, buy new gear at

Redcloak Battalion

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Battalion. This elite unit fought at the forefront of the Last War, and Brelish bards still sing of the exploits of Khandan the Hammer and Meira the Huntress. At the end of the war, the battalion was split

of the Last War; if the group is to continue, the Redcloaks of the future have to learn the soldier’s trade in different battles. To such ends, senior members of the battalion send your party on

Respect for the DM

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

prefer to let the DM make a call and continue playing. If you gloss over a rules issue in play, make a note of it and return to the issue later. Some players like to use the rules to argue against

wants to pause play to find a specific rule or reference, you can invite the player to search for it while you and the rest of the players continue the game. That player’s character essentially steps

Respect for the DM

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

discussions at the table. Some groups don’t mind putting the game on hold while they discuss different interpretations of a rule. Others prefer to let the DM make a call and continue playing. If you

invite the player to search for it while you and the rest of the players continue the game. That player’s character essentially steps out of the game for as long as it takes. Monsters don’t attack the

Arrival in Phandalin

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

to slip away, continue: A portly, well-dressed male human on the stage points unexpectedly at your group and shouts. “You see? This is exactly what I mean! Just when things start to calm down in

replaced by a council of three prominent citizens, elected every two years. However, the recent abdication of one councilor and the town’s growing size have prompted the townsfolk to decide that it’s

Alignment

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

, evil, or neutral), and the other describes attitudes toward society and order (lawful, chaotic, or neutral). Thus, nine distinct alignments define the possible combinations. These brief summaries of the

townsfolk. Chaotic Neutral. (CN) creatures follow their whims, holding their personal freedom above all else. Many rogues and bards are chaotic neutral. Lawful Evil. (LE) creatures methodically take

Halflings

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

Scholars, wizards, druids, and bards of other races have different ideas about how halflings escape peril, suggesting that by virtue of something in their nature, they occupy a special place in the

makes them wary of any new “friend” that doesn’t come across as genuine. Although they might not be able to define the feeling, halflings sense when something isn’t quite right, keeping their distance

Orrery Vault

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

the room, though they continue to respond to characters engaging them in conversation even during the fight. (If a character attempts to seize the component, see “The Missing Component,” below

be moved or manipulated by magic. When any creature attempts to physically seize the component, it reveals itself as an illusion. As the illusion dissolves, it is replaced by a small (real) leather

The Mountain Door

Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal->a2

. The orcs in area 4 continue to fire at characters in areas 1 and 2. One orc from area 4 moves through the secret door leading to area 3, intending to close and bar the double doors leading to area 2

other archers continue to fire at exposed characters. The orcs in the eastern half of area 3 cut the rope bridge and prepare to defend the doors that lead to area 5. Round 8. The orcs in area 14 arrive

Shipwreck Locations

Compendium - Sources->Dungeons & Dragons->Dragons of Stormwreck Isle

seconds. C4: Captain’s Quarters The door to the captain’s quarters is barricaded from the inside, though the heavy wooden bar blocking the door is half rotten. A character who tries to force the door

follows: 19 Tarsakh Our journey is ended, though I fear my own is to continue in the most horrible way imaginable. Compass Rose wrecked on a shoal south of Neverwinter. Many sailors perished with

World-Shaking Events

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

. What are the ongoing effects of this cataclysm? The following points can help you define the nature and consequences of the disaster: Decide what caused this cataclysm and where it originated. An omen

scale of your campaign, the area might be as small as a section of a city or as large as a continent, world, or plane of existence. Define the aggressor and whether it represents a known enemy or a

Gods of the Orcs

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

Gods of the Orcs Orcs believe their gods to be invincible. They see the principles that define them and their deities at work every day in the world around them — nature rewards the strong and

study its ebb and flow to expect the stalemate to continue. A different view is put forth by the archmage Tzunk, who notes that Maglubiyet has never faced a foe as ferocious and protective as Luthic. He

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