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Symbol

Spells Player’s Handbook

feet in diameter. If you choose an object, it must remain in place; if it is moved more than 10 feet from where you cast this spell, the glyph is broken, and the spell ends without being triggered

surface, common triggers include touching or stepping on the glyph, removing another object covering it, or approaching within a certain distance of it. For glyphs inscribed within an object, common

Glyph of Warding

Spells Player’s Handbook

) to conceal the glyph. The glyph can cover an area no larger than 10 feet in diameter. If the surface or object is moved more than 10 feet from where you cast this spell, the glyph is broken, and the

a surface, common triggers include touching or stepping on the glyph, removing another object covering it, or approaching within a certain distance of it. For glyphs inscribed within an object, common

Glyph of Warding Legacy

Spells Basic Rules (2014)

where you cast this spell, the glyph is broken, and the spell ends without being triggered. The glyph is nearly invisible and requires a successful Intelligence (Investigation) check against your

another object covering the glyph, approaching within a certain distance of the glyph, or manipulating the object on which the glyph is inscribed. For glyphs inscribed within an object, the most common

Symbol Legacy

Spells Basic Rules (2014)

; if the object is moved more than 10 feet from where you cast this spell, the glyph is broken, and the spell ends without being triggered. The glyph is nearly invisible, requiring an Intelligence

stepping on the glyph, removing another object covering it, approaching within a certain distance of it, or manipulating the object that holds it. For glyphs inscribed within an object, the most

Criminal / Spy Legacy

Backgrounds Basic Rules (2014)

. Even criminals who operate outside of such organizations have strong preferences for certain kinds of crimes over others. Choose the role you played in your criminal life, or roll on the table below

be broken, as are those who would forge them. (Chaotic) 3 Charity. I steal from the wealthy so that I can help people in need. (Good) 4 Greed. I will do whatever it takes to become wealthy

Star Spawn Grue

Monsters Mordenkainen Presents: Monsters of the Multiverse

skin, and its long fingers end in broken and dirty nails. Grues are the weakest of the star spawn. A host of writhing, scrambling grues typically accompanies more powerful star spawn. Their constant

blasphemous texts, and conduct the mind-searing rituals that guide star spawn into the world. Elder Evil Blessings Disciples of certain Elder Evils can bestow supernatural gifts on those who serve

Dwarf Legacy

Species Basic Rules (2014)

friend. In spite of the added discomfort, the dwarf’s long, pointed, often-broken nose and gray-streaked though still-fiery red beard came as a welcome sight to Drizzt. “Knew I’d find

common shades are light brown or deep tan, like certain tones of earth. Their hair, worn long but in simple styles, is usually black, gray, or brown, though paler dwarves often have red hair. Male

Kobold

Species Mordenkainen Presents: Monsters of the Multiverse

a scale color more akin to that of a chromatic or a metallic dragon. A kobold’s cry can express a range of emotion: anger, resolve, elation, fear, and more. Regardless of the emotion expressed

of certain types in different ways. For example, the cure wounds spell doesn’t work on a Construct or an Undead. Life Span The typical life span of a player character in the D&D multiverse

Adult Crystal Dragon

Monsters Fizban's Treasury of Dragons

bards and philosophers to partake in “the Great Dialogue” in the dragon’s mountaintop lair. But only the dragon knows that the Great Dialogue has no end, and no one can leave the lair

are the most common materials they use in the construction of a lair, crystal and other precious minerals feature prominently in certain areas. In this way, crystal dragons’ hoards literally

Ancient Crystal Dragon

Monsters Fizban's Treasury of Dragons

the greatest bards and philosophers to partake in “the Great Dialogue” in the dragon’s mountaintop lair. But only the dragon knows that the Great Dialogue has no end, and no one can

certain areas. In this way, crystal dragons’ hoards literally become the fabric of their homes. Crystal Dragon Lair Features The crystal dragon lair shown in map 5.7 is the home of a dragon who

Druid Legacy

Classes Basic Rules (2014)

water—must remain in equilibrium. If one element were to gain power over the others, the world could be destroyed, drawn into one of the elemental planes and broken apart into its component

20th +6 Archdruid 4 4 3 3 3 3 2 2 1 1 SACRED PLANTS AND WOOD A druid holds certain plants to be sacred, particularly alder, ash

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Time in the Campaign

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Time in the Campaign Most conflicts in a D&D campaign take weeks or months of in-world time to resolve. A typical campaign concludes within a year of in-world time unless you allow the characters to

certain times of year make for great adventure opportunities. Perhaps a ghostly castle appears on a certain hill on the winter solstice every year, or every thirteenth full moon is blood red and fills

Charisma

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

. The Deception, Intimidation, Performance, and Persuasion skills reflect aptitude in certain kinds of Charisma checks. Deception Your Charisma (Deception) check determines whether you can convincingly

trying to pry information out of a prisoner, convincing street thugs to back down from a confrontation, or using the edge of a broken bottle to convince a sneering vizier to reconsider a decision

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

certain objects have resistance or immunity to certain kinds of attacks. (It's hard to cut a rope with a club, for example.) Objects always fail Strength and Dexterity saving throws, and they are

Charisma

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

. The Deception, Intimidation, Performance, and Persuasion skills reflect aptitude in certain kinds of Charisma checks. Deception. Your Charisma (Deception) check determines whether you can convincingly

trying to pry information out of a prisoner, convincing street thugs to back down from a confrontation, or using the edge of a broken bottle to convince a sneering vizier to reconsider a decision

Bardic Colleges

Compendium - Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide

the bards, each of which is named after one of the colleges. See chapter 7 of the Dungeon Master’s Guide for the game statistics of these magic instruments. Long ago, bards who sought the rank of

tradition fell when the colleges went into decline, but some bards dream of restoring it. College of Fochlucan The original College of Fochlucan once stood on the northeastern edge of Silverymoon. Many years

College of Glamour

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

College of Glamour The College of Glamour is the home of bards who mastered their craft in the vibrant realm of the Feywild or under the tutelage of someone who dwelled there. Tutored by satyrs

, eladrin, and other fey, these bards learn to use their magic to delight and captivate others. The bards of this college are regarded with a mixture of awe and fear. Their performances are the stuff of

Bard Subclass

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Bard Subclass A Bard subclass is a specialization that grants you features at certain Bard levels, as specified in the subclass. Bards form loose associations, which they call colleges, to preserve

their traditions. This section presents the College of Lore subclass. College of Lore Plumb the Depths of Magical Knowledge Bards of the College of Lore collect spells and secrets from diverse sources

Shades of Gray

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

hobgoblin general, whose descendants want it back. The ways to resolve these problems aren’t always simple. Certain situations demand straightforward decisions. If Emerald Claw cultists are about to

College of Whispers

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

College of Whispers Most folk are happy to welcome a bard into their midst. Bards of the College of Whispers use this to their advantage. They appear to be like other bards, sharing news, singing

songs, and telling tales to the audiences they gather. In truth, the College of Whispers teaches its students that they are wolves among sheep. These bards use their knowledge and magic to uncover

Actions in Exploration

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

in action.) In such situations, have the characters take turns, though it’s usually not necessary to roll Initiative as you would in a combat encounter. Resolve one character’s actions before moving

something during exploration, you decide whether that action requires an ability check to determine success (as described in the earlier “Resolving Outcomes” section). Certain situations might call

Build Your Group

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

certain types of theft, such as housebreaking or picking pockets. Besides characters with the criminal background, young urchins often find a place in criminal syndicates by filling this role. Rogues

give them a broad range of knowledge to support their schemes. Bards, rogues, and wizards are often drawn to this role. Safecracker. The “breaking” part of “breaking and entering” is the Safecracker’s

Bard Subclasses

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Bard Subclasses A Bard subclass is a specialization that grants you features at certain Bard levels, as specified in the subclass. Bards form loose associations, which they call colleges, to preserve

Harmony with the Cosmos Bards of the College of Dance know that the Words of Creation can’t be contained within speech or song; the words are uttered by the movements of celestial bodies and flow

Roleplaying Vishtai

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

actions. Please, save Caden and return him to his father. House Orien would owe you a great debt, and you see how broken the man is. There is an enclosed lift five buildings north of this estate. Look

use has been modified in some way to reach Old Sharn. If the characters rescue Caden, Vishtai is certain that he and Alden can help them track down the kidnapper.

Casting Time

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

cast as a reaction, the spell description tells you exactly when you can do so. Longer Casting Times Certain spells (including spells cast as rituals) require more time to cast: minutes or even hours

your concentration is broken, the spell fails, but you don't expend a spell slot. If you want to try casting the spell again, you must start over. CASTING IN ARMOR Because of the mental focus and

2. Vast Cavern

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

, and immunity to bludgeoning, piercing, and slashing damage from nonmagical weapons that aren’t made of adamantine. Destroying the arch all but dooms the project, since Zox lacks the resolve to start

dotted with the remains of broken machines. Corpses. Two ogres clad in iron armor lie dead among the metal detritus, their flesh pierced by dozens of metal crossbow bolts. The ogres served the hobgoblins until they were shot dead by Zox’s arbalests a few days ago.

Casting Time

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Casting Time entry. Some spells that have a casting time of a Bonus Action are also cast in response to a trigger defined in the spell. Longer Casting Times Certain spells—including a spell cast as a Ritual

Concentration (see the Rules Glossary) while you do so. If your Concentration is broken, the spell fails, but you don’t expend a spell slot. To cast the spell again, you must start over.

Shipboard Tasks

Compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Astral Adventurer’s Guide

wants to keep a character busy, roll on the Shipboard Tasks table to determine what needs to be done. The time it takes to complete a task is at least 1 hour, and certain tasks might take longer at your

crew with tall tales or gossip. 10 Fix the captain’s broken spyglass, which requires jeweler’s tools or tinker’s tools. (A mending spell also does the trick.) 11 Teach the captain the basics of a

How to Play

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

while a second examines an esoteric symbol engraved on a wall and a third keeps watch for monsters. The players don’t need to take turns, but the DM listens to every player and decides how to resolve

. In certain situations, particularly combat, the action is more structured and the players (and DM) do take turns choosing and resolving actions. But most of the time, play is fluid and flexible

Casting Time

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Casting Time entry. Some spells that have a casting time of a Bonus Action are also cast in response to a trigger defined in the spell. Longer Casting Times Certain spells—including a spell cast as a Ritual

Concentration (see the rules glossary) while you do so. If your Concentration is broken, the spell fails, but you don’t expend a spell slot. To cast the spell again, you must start over.

Rhythm of Play

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

resolve their activity. In combat, the characters take turns. The DM Narrates the Results of the Adventurers’ Actions. Sometimes resolving a task is easy. If an adventurer walks across a room and

certain situations—particularly combat—the action is more structured, and everyone takes turns. Exceptions Supersede General Rules General rules govern each part of the game. For example, the combat

Glyph of Warding

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

feet from where you cast this spell, the glyph is broken, and the spell ends without being triggered. The glyph is nearly invisible and requires a successful Intelligence (Investigation) check

, removing another object covering the glyph, approaching within a certain distance of the glyph, or manipulating the object on which the glyph is inscribed. For glyphs inscribed within an object, the

K36. Dining Hall of the Count

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

eye to the window, which has been broken outward. Scattered about the floor are chunks of the moldy cake, as if something had burst out of it. There are two explanations for the burst cake and broken

doesn’t appear again. If the characters attack the ghost, it attacks them in turn. Treasure The lute, though old and covered in dust, has survived the passage of time. It is a magic instrument of the bards called a Doss lute.

Lorehold Student

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

Lorehold. Bards thrive in Lorehold, and wizards (particularly those of the School of Divination) are numerous among its students. Clerics (often with the Knowledge or Light domains) are also quite common

of a broken statue that houses the consciousness of a snarky sage 5 A sheet of parchment embossed with tactile lettering, glowing red 6 A broken dagger with a wavy blade and a serpentine hilt

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