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Wizard

Classes Player’s Handbook

explosive fire, arcing lightning, subtle deception, and spectacular transformations. Their magic conjures monsters from other planes of existence, glimpses the future, or forms protective barriers. Their

mightiest spells change one substance into another, call meteors from the sky, or open portals to other worlds. Most Wizards share a scholarly approach to magic. They examine the theoretical

Quandrix Professor of Theory

Monsters Strixhaven: A Curriculum of Chaos

probability to impede attacks and strike at the minds of their foes with lancing equations that disrupt the opponent’s resolve. Professors of theory hold that altering the way a person

interacts with the world can change the world. They impress upon their students to use magic as a tool to shape the overall experience of reality, and in turn make the world a better place. Quandrix

Swarmkeeper

Classes Tasha’s Cauldron of Everything

. Other Swarmkeepers enjoy building vibrant communities that work for the mutual benefit of all those they consider part of their swarm. A Swarmkeeper’s swarm and spells are reflections of the

into the swarm, instead of a cloud of mist, or the arcane eye spell could create an extension of your swarm that spies for you. Such descriptions don’t change the effects of spells, but they are

Tortle Legacy

Species The Tortle Package

watch a frog croaking on a lily pad, or to stand in a crowded human marketplace. Tortles like to learn new skills. They craft their own tools and weapons, and they are good at building structures and

put to use when building forts to contain their offspring. Although they spend a considerable portion of their lives in isolation, tortles are social creatures that like to form meaningful

Eladrin Legacy

Species Mordenkainen’s Tome of Foes

finishing a long rest, any eladrin can change their season. An eladrin might choose the season that is present in the world or perhaps the season that most closely matches the eladrin’s current

emotional state. For example, an eladrin might shift to autumn if filled with contentment, another eladrin could change to winter if plunged into sorrow, still another might be bursting with joy and become an

Knight of the Rose

Feats Dragonlance: Shadow of the Dragon Queen

You are a Knight of Solamnia aligned with the Order of the Rose, a group known for leadership, justice, and wisdom. Your resolve grants you these benefits: Ability Score Increase. Increase your

this path or another, they retain what they learned as a member of an order even if they join another. Characters can change what knightly order they’re a part of, but they always have access to any Knight of Solamnia feats they’ve acquired.

Swarmkeeper (TCoE)

Classes Tasha’s Cauldron of Everything

. Other Swarmkeepers enjoy building vibrant communities that work for the mutual benefit of all those they consider part of their swarm. A Swarmkeeper’s swarm and spells are reflections of the

into the swarm, instead of a cloud of mist, or the arcane eye spell could create an extension of your swarm that spies for you. Such descriptions don’t change the effects of spells, but they are

Topaz Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

":"1d6","rollType":"roll","rollAction":"Ideal"} Ideal 1 Solitude. My own company obviates the need for others in my life, whether they are dragons or lesser creatures. (Any) 2 Change

, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the

Young Topaz Dragon

Monsters Fizban's Treasury of Dragons

","rollAction":"Ideal"} Ideal 1 Solitude. My own company obviates the need for others in my life, whether they are dragons or lesser creatures. (Any) 2 Change. Consistency is stagnation

to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the dragon’s clutches

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

in my communication. Ideals d6 Ideal 1 Guild. My guild is all that really matters. (Any) 2 Change. All life is meant to progress toward perfection, and

1 I helped create a krasis that I love like a pet and would carry with me everywhere … except it’s the size of a building, and it might eat me. 2 In my laboratory, I

Azorius Functionary

Backgrounds Guildmasters’ Guide to Ravnica

5th dominate person Your magic often takes the form of blue or golden runes floating and glowing in the air in circular patterns or of shimmering azure barriers of magical energy. If you

. 8 I never change my mind once it’s made up. Ideals d6 Ideal 1 Guild. My guild is all that really matters. (Any) 2 Order. The law is meant to ensure

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Tiers of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Tiers of Play As characters grow in power, their ability to change the world around them grows with them. It helps to think ahead when creating your campaign to account for this change. As the

hopes of striking a useful alliance. The tiers of play represent the ideal milestones for introducing new world-shaking events to the campaign. As the characters resolve one event, a new danger arises

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Tiers of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Tiers of Play As characters grow in power, their ability to change the world around them grows with them. It helps to think ahead when creating your campaign to account for this change. As the

hopes of striking a useful alliance. The tiers of play represent the ideal milestones for introducing new world-shaking events to the campaign. As the characters resolve one event, a new danger arises

Tiers of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Tiers of Play As characters grow in power, their ability to change the world around them grows with them. It helps to think ahead when creating your campaign to account for this change. As the

hopes of striking a useful alliance. The tiers of play represent the ideal milestones for introducing new world-shaking events to the campaign. As the characters resolve one event, a new danger arises

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

The Dungeon Master

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

game sessions to resolve. When strung together, these adventures form an ongoing campaign. A D&D campaign can include dozens of adventures and last for months or years. A Dungeon Master gets to wear

supporting characters, breathing life into them. And as a referee, the DM interprets the rules and decides when to abide by them and when to change them. Inventing, writing, storytelling, improvising, acting

The Dungeon Master

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

game sessions to resolve. When strung together, these adventures form an ongoing campaign. A D&D campaign can include dozens of adventures and last for months or years. A Dungeon Master gets to wear

supporting characters, breathing life into them. And as a referee, the DM interprets the rules and decides when to abide by them and when to change them. Inventing, writing, storytelling, improvising, acting

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Ancient Deep Dragon Legacy

Monsters Fizban's Treasury of Dragons

. Change Shape. The dragon magically transforms into any creature that is Medium or Small, while retaining its game statistics (other than its size). This transformation ends if the dragon is reduced to 0

, they use local settlements—and any competent visitors—as pawns in their struggle. 4 An ancient deep dragon has put the folk of a city to work building the dragon a metropolis to rule

The Dungeon Master

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

game sessions to resolve. When strung together, these adventures form an ongoing campaign. A D&D campaign can include dozens of adventures and last for months or years. A Dungeon Master gets to wear

supporting characters, breathing life into them. And as a referee, the DM interprets the rules and decides when to abide by them and when to change them. Inventing, writing, storytelling, improvising, acting

Vault Guards

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

building to investigate suspicious sounds. A new shift starts every four hours, and six guards show up at each shift change.

guards are posted on the balcony and one guard patrols around the outside of the building at ground level. A character can avoid the notice of the exterior guards with a successful DC 12 Dexterity

Vault Guards

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

building to investigate suspicious sounds. A new shift starts every four hours, and six guards show up at each shift change.

guards are posted on the balcony and one guard patrols around the outside of the building at ground level. A character can avoid the notice of the exterior guards with a successful DC 12 Dexterity

Guiding Aspect

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

die and the new spring forth. 2 Oak trees represent strength and vitality. Meditating under an oak fills your body and mind with resolve and fortitude. 3 The river’s endless flow reminds you of the

great span of the world. You seek to act with the long-term interests of nature in mind. 4 The sea is a constant, churning cauldron of power and chaos. It reminds you that accepting change is necessary

Vault Guards

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

building to investigate suspicious sounds. A new shift starts every four hours, and six guards show up at each shift change.

guards are posted on the balcony and one guard patrols around the outside of the building at ground level. A character can avoid the notice of the exterior guards with a successful DC 12 Dexterity

Guiding Aspect

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

die and the new spring forth. 2 Oak trees represent strength and vitality. Meditating under an oak fills your body and mind with resolve and fortitude. 3 The river’s endless flow reminds you of the

great span of the world. You seek to act with the long-term interests of nature in mind. 4 The sea is a constant, churning cauldron of power and chaos. It reminds you that accepting change is necessary

Guiding Aspect

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

die and the new spring forth. 2 Oak trees represent strength and vitality. Meditating under an oak fills your body and mind with resolve and fortitude. 3 The river’s endless flow reminds you of the

great span of the world. You seek to act with the long-term interests of nature in mind. 4 The sea is a constant, churning cauldron of power and chaos. It reminds you that accepting change is necessary

Members Only

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Members Only Difficulty: Medium A secret club, cultist meeting, or thieves’ guild requires a password to enter. In this puzzle, those who guard a certain door are so secretive that they change the

, “Six.” The figure replies, “Three.” The guard then opens the door, allowing the figure to enter. This building seems to have only one entrance: the oak door with a small slide window. A guard opens the window and speaks a seemingly random number to anyone who knocks on the door.

Members Only

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Members Only Difficulty: Medium A secret club, cultist meeting, or thieves’ guild requires a password to enter. In this puzzle, those who guard a certain door are so secretive that they change the

, “Six.” The figure replies, “Three.” The guard then opens the door, allowing the figure to enter. This building seems to have only one entrance: the oak door with a small slide window. A guard opens the window and speaks a seemingly random number to anyone who knocks on the door.

Members Only

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Members Only Difficulty: Medium A secret club, cultist meeting, or thieves’ guild requires a password to enter. In this puzzle, those who guard a certain door are so secretive that they change the

, “Six.” The figure replies, “Three.” The guard then opens the door, allowing the figure to enter. This building seems to have only one entrance: the oak door with a small slide window. A guard opens the window and speaks a seemingly random number to anyone who knocks on the door.

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Interacting with Objects Interacting with objects is often simple to resolve. The player tells the DM that their character is doing something, such as moving a lever or opening a door, and the DM

, inanimate item like a window, door, sword, book, table, chair, or stone. It isn’t a building or a vehicle, which are composed of many objects. Time-Limited Object Interactions When time is short, such

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Interacting with Objects Interacting with objects is often simple to resolve. The player tells the DM that their character is doing something, such as moving a lever or opening a door, and the DM

, inanimate item like a window, door, sword, book, table, chair, or stone. It isn’t a building or a vehicle, which are composed of many objects. Time-Limited Object Interactions When time is short, such

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