basics before drive combat recover

Sacred Statue

Monsters Mordenkainen Presents: Monsters of the Multiverse

False Appearance. If the statue is motionless at the start of combat, it has advantage on its initiative roll. Moreover, if a creature hasn’t observed the statue move or act, that creature must

soul; it then animates this effigy and uses the statue to drive out the intruders.Cold, Necrotic, PoisonAcid, Fire, Lightning; Bludgeoning, Piercing, and Slashing from Nonmagical Attacks

Stone Cursed

Monsters Mordenkainen Presents: Monsters of the Multiverse

Cunning Opportunist. The stone cursed has advantage on the attack rolls of opportunity attack;opportunity attacks. False Appearance. If the stone cursed is motionless at the start of combat, it has

, animating the statue and turning it into a useful guardian. Stone cursed possess a malevolent drive to slay the living, yet they are utterly loyal to whoever performed the ritual to animate them, and

Vinyl Record

Equipment

Combat Utility Whimsy 15 15 15 These black disks are covered in a continuous spiral that moves to the center of the disk—believed to be an ancient and lost way of

objects are found in caches where they are often stacked like plates in a restaurant. But discoveries are few and far between, and merchants are sure to drive a hard bargain.

Fighter Legacy

Classes Basic Rules (2014)

Specialists Fighters learn the basics of all combat styles. Every fighter can swing an axe, fence with a rapier, wield a longsword or a greatsword, use a bow, and even trap foes in a net with some degree of

mastery with weapons and armor, and a thorough knowledge of the skills of combat. And they are well acquainted with death, both meting it out and staring it defiantly in the face. Well-Rounded

Barbarian Legacy

Classes Basic Rules (2014)

of his drow foe, then turns to drive his armored elbow into the gut of another. These barbarians, different as they might be, are defined by their rage: unbridled, unquenchable, and unthinking fury

by walls and crowds. They thrive in the wilds of their homelands: the tundra, jungle, or grasslands where their tribes live and hunt. Barbarians come alive in the chaos of combat. They can enter a

Marine

Backgrounds Ghosts of Saltmarsh

who rarely lose composure on the battlefield. Marines who leave the service tend to work as mercenaries, but their combat experience also makes them excellent adventurers. Though they are self-reliant

difficult and struggle to say the right thing in social situations. 3 My intensity can drive others away. 4 I hold grudges and have difficulty forgiving others. 5 I become irrational when

Warlock Legacy

Classes Basic Rules (2014)

(such as the ability to see in darkness or to read any language) to access to powerful spells. Unlike bookish wizards, warlocks supplement their magic with some facility at hand-to-hand combat. They

gained. Rather, the vast majority of warlocks spend their days in active pursuit of their goals, which typically means some kind of adventuring. Furthermore, the demands of their patrons drive

Cleric Legacy

Classes Basic Rules (2014)

her holy symbol as light pours from it to drive back the zombies crowding in on her companions. Clerics are intermediaries between the mortal world and the distant planes of the gods. As varied as the

their combat training to let them wade into melee with the power of the gods on their side. Divine Agents Not every acolyte or officiant at a temple or shrine is a cleric. Some priests are called to

Well-Rounded Specialists

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Well-Rounded Specialists Fighters learn the basics of all combat styles. Every fighter can swing an axe, fence with a rapier, wield a longsword or a greatsword, use a bow, and even trap foes in a net

with some degree of skill. Likewise, a fighter is adept with shields and every form of armor. Beyond that basic degree of familiarity, each fighter specializes in a certain style of combat. Some

Well-Rounded Specialists

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Well-Rounded Specialists Fighters learn the basics of all combat styles. Every fighter can swing an axe, fence with a rapier, wield a longsword or a greatsword, use a bow, and even trap foes in a net

with some degree of skill. Likewise, a fighter is adept with shields and every form of armor. Beyond that basic degree of familiarity, each fighter specializes in a certain style of combat. Some

Instructor

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Instructor Some fighters are natural-born combatants who have a talent for surviving in battle. Others learned the basics of their combat prowess in their formative years from spending time in a

accomplished veteran of the craft. That instructor was, or perhaps still is, well versed in a certain aspect of combat that relates to the student’s background. If you decide that your character had an

Paladin Legacy

Classes Basic Rules (2014)

skills of combat, mastering a variety of weapons and armor. Even so, their martial skills are secondary to the magical power they wield: power to heal the sick and injured, to smite the wicked and the

while you were at prayer? Did another paladin sense the potential within you and decide to train you as a squire? Or did some terrible event—the destruction of your home, perhaps—drive you to

Noncombat Challenges

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Noncombat Challenges You decide whether to award experience to characters for overcoming challenges outside combat. If the adventurers complete a tense negotiation with a baron, forge a trade

agreement with a clan of surly dwarves, or successfully navigate the Chasm of Doom, you might decide that they deserve an XP reward. As a starting point, use the rules for building combat encounters in

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

game: exploration, interaction, and combat. Part 3 (chapters 10–11) is all about magic. It covers the nature of magic in the worlds of D&D, the rules for spellcasting, and the huge variety of spells available to magic-using characters (and monsters) in the game.

Folk Horror Plots

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Folk Horror Plots Folk horror stories often involve outsiders or an unwitting new member of the community discovering a unsettling practices. Folk Horror Plots d8 Plot 1 Recover a missing

horseback is imprisoned and sentenced to death. 4 Help a cult summon a fiend to combat an impending greater evil. 5 Defeat a violent hag who’s protected by everyone in town and called

Rest Variants

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

of 5 minutes and a long rest of 1 hour. This change makes combat more routine, since characters can easily recover from every battle. You might want to make combat encounters more difficult to

carefully judge the benefits and drawbacks of combat. Characters can’t afford to engage in too many battles in a row, and all adventuring requires careful planning. This approach encourages the characters to

Healing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Healing These optional rules make it easier or harder for adventurers to recover from injury, either increasing or reducing the amount of time your players can spend adventuring before rest is

Surges This optional rule allows characters to heal up in the thick of combat and works well for parties that feature few or no characters with healing magic, or for campaigns in which magical healing is

Awarding XP

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

NPCs made the challenge easier. (See also “Nonplayer Characters” in chapter 3.) Noncombat Challenges You decide whether to award XP to characters for overcoming challenges outside combat. If the

point, use the rules for building combat encounters in chapter 4 to gauge the difficulty of the challenge. Then award the characters XP as if it had been a combat encounter of the same difficulty

Encounter Chains

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dragon Heist

.” Don’t feel bound by an encounter chain. Let the characters’ decisions and actions drive the story. You can change the order in which encounters happen, remove encounters you don’t need, or create new

recover the gold, which takes another 2d6 days. Once the gold is recovered, the villain moves forward with a master plan as detailed in the introduction. If the characters are still alive, they could oppose the villain by stealing the gold from the villain’s lair.

Using These Rules

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

. Part 2 details the rules of how to play the game, beyond the basics described in this introduction. That part covers the kinds of die rolls you make to determine success or failure at the tasks your

character attempts, and describes the three broad categories of activity in the game: exploration, interaction, and combat. Part 3 is all about magic. It covers the nature of magic in the worlds of D

Adventure Hooks

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

the original palace on the site of Cair Ophidian decide the new complex is an outrageous insult. With a retinue of extraplanar servants, they drive Euryale out. This conflict could be resolved

. Euryale discovers a wounded traveler in the Outlands and brings them to Cair Ophidian to recover. This guest remembers nothing from before Euryale found them, not even their name. Euryale asks the

Divine Ordeals

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

described in chapter 1. Will the character’s drive prove strong enough to overcome everything else? An ordeal is a single encounter, which might involve combat, interaction, a series of ability checks

dreamscape constructed by the god. Work to craft an ordeal that provides a significant challenge for the character to overcome. Fundamentally, an ordeal is a test of the character’s heroic drive, as

Character Objectives

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

combat encounter, characters might have to fight their way through evil minions before attempting to disrupt the ritual’s magic. This could also drive an exploration encounter, where the challenge is

its own ends. An encounter aimed at making peace might involve only social interaction, perhaps with the threat of combat if negotiations go poorly. It could also begin as a combat encounter, with the

The Attack

Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath

sidekicks, approach from the other direction. Velleen is a female Damaran master thief (see appendix A). As the combat begins, the two evil groups recognize each other, and also attack one another when

appropriate. (See “Running a Three-sided Battle” sidebar for advice.) RUNNING A THREE-SIDED BATTLE Combat is a highlight of the game for a large number of players: they love the challenge, the

The Winged God

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Warriors (Neutral) who demand that the merchant surrender his goods. In combat, the kobolds shout things like “For the Winged God!” and “Fight to reclaim our home!” If four of them fall in battle, the

if the adventurers drive off the dragon. Kobold Camp. If the adventurers follow fleeing kobolds, they can find the kobolds’ camp on a nearby outcropping. The kobolds there don’t fight, though, instead

Dragon as Monster

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

. It might be possible to drive the dragon off or somehow change the dragon’s behavior, but sometimes killing the dragon is the only option. Reclaim the Dragon’s Lair. A dragon has displaced an entire

acquire the needed item. Alternatively, a dragon might seek adventurers to recover items stolen from the dragon’s hoard—with a threat that local folk will suffer if the characters fail. Sometimes the

Goristro Raid

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

“treasure” that the erinyes are after: a unicorn named Sterling in an iron cage. Nykaia explains that Kypris will drive the war machine close to the goristro. The three erinyes will then fly to the

the demons in the palanquin. True Treasure Revealed. Once combat finishes, the three erinyes carry down their claimed treasure: A large cage lands with a thud before the vehicle. Through the iron

Ephara's Champions

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

new city, or perhaps reviving a dead one. One focused on development could go beyond the basics of what a city needs to survive and get into what a city requires to thrive—which could easily lead to

campaigns less focused on combat and more on social encounters and intrigue. Lastly, a campaign focused on defending a city could present a range of threats, from external foes—like wild creatures or

Arguing Princes

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

about his past adventuring missions, downplaying Simbon’s own combat experience. Kirina’s Secret During the expedition, Prince Kirina seeks opportunities to look heroic and undermine his rival, Prince

before Kirina does. Alternatively, a character who sees Kirina drop the paper and recover it can steal the page from Kirina with a successful DC 14 Dexterity (Sleight of Hand) check. If asked about the

Conflict without End

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

conflict is a great war of attrition — the combatants don’t often gain or lose territory as the result of battle. But on a personal scale, combat is brutal, with no quarter given or expected. The duergar

activity or to recover stolen treasures if they can do so without attracting too much attention. This eternal enmity between duergar and dwarves doesn’t consume either side; both have other concerns

Adventure Duration

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

, adventures in a shared campaign are designed to take either 2 hours or 4 hours. In each hour of play, assume the characters can complete the following: Three or four simple combat encounters, or one or

dungeon presents a natural limit on character options, while still giving the players choices. The adventure could be a quest to defeat a creature or recover an item, but the path to achieving that goal

Adult Topaz Dragon

Monsters Fizban's Treasury of Dragons

beauty of the ocean. (Good) 6 Code of Combat. I despise most other dragons, but I meet them face to face without resorting to the base trickery I use on lesser creatures. (Lawful) Topaz

drive the giant away. 2 An adult topaz dragon and an adult bronze dragon are finding their centuries-old enmity turning into a more romantic passion. 3 A djinni hopes to convince a topaz

What You Need

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

way to learn the basics of D&D is to watch people play it. The Internet offers videos of D&D play that show off the tremendous range of possibilities the game offers. As you watch, pay attention to the

miniatures to run combat encounters, since they help everyone visualize the action. A battle grid can be anything marked out in 1-inch squares, from disposable sheets of paper to poster maps. And

T7: Dining Hall

Compendium - Sources->Dungeons & Dragons->Dragon Delves

. Yondis is Indifferent toward the characters, whether or not they wear the crimson robes of Xia’s cult. If the characters combat him, Yondis fights until he is Bloodied, at which point he surrenders. The

information Yondis can share about the cult). Secret Door. A secret door in the south wall (see “Temple Features”) pulls open to reveal the library beyond (area T6). Stolen Goods to Recover. Yondis’s broom is a stolen item (see “Stolen Goods”).

Ghosts of Saltmarsh

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

possibly drive away or exterminate the lizardfolk, which he sees as a dire threat after being fed tales by his Brotherhood handlers of the lizardfolk’s preference for eating humans. If presented

Brotherhood. Solmor receives information about it and hires the characters to recover the treasure aboard the ship. He is led to believe that the ship was once owned by his family, but characters who research

D&D Beyond

Search Results