because both danger continue real

Aerisi Kalinoth

Monsters Princes of the Apocalypse

melee attack, plus 3 (1d6);{"diceNotation":"1d6","rollType":"damage","rollAction":"Windvane","rollDamageType":"lightning"} lightning damage.In the Air Node When danger threatens the Temple of Howling

, without using components or a spell slot. She can’t cast the same spell two rounds in a row, although she can continue to concentrate on a spell she previously cast using a lair action. Aerisi can

Bugbear Legacy

races Volo's Guide to Monsters

commands to the severed heads to wake Hruggek if any danger threatens him. Bugbears admire the qualities of both brothers. Because of Hruggek, they consider bravery and physical superiority to be their

instead of killing them, he showed mercy and even honored them in a way by setting them free — under his control — so that bugbears could continue to employ their talents against his enemies

Elf Legacy

races Basic Rules (2014)

insults with vengeance. Like the branches of a young tree, elves are flexible in the face of danger. They trust in diplomacy and compromise to resolve differences before they escalate to violence. They

might continue to use the child name. Each elf’s adult name is a unique creation, though it might reflect the names of respected individuals or other family members. Little distinction exists

Details

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

it, and might distract from the real danger. Here are a couple of tricks you can use: In a given encounter area, choose one object or feature to describe in some detail. It need not be important to

Details In a horror story, there’s no telling where danger might be lurking. A leering gargoyle might be a monster in disguise, or merely a fiendish sculpture. A mirror hanging on a wall might have

Details

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

it, and might distract from the real danger. Here are a couple of tricks you can use: In a given encounter area, choose one object or feature to describe in some detail. It need not be important to

Details In a horror story, there’s no telling where danger might be lurking. A leering gargoyle might be a monster in disguise, or merely a fiendish sculpture. A mirror hanging on a wall might have

Details

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

it, and might distract from the real danger. Here are a couple of tricks you can use: In a given encounter area, choose one object or feature to describe in some detail. It need not be important to

Details In a horror story, there’s no telling where danger might be lurking. A leering gargoyle might be a monster in disguise, or merely a fiendish sculpture. A mirror hanging on a wall might have

Far Realm Invader

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

, unaware of the danger, Zorhanna donned the shard solitaire necklace to see how it looked with a new gown she planned to wear at the gala. Zorhanna’s close contact with the necklace allowed the Far Realm

, preparing for the arrival of the gala’s guests, while the real Zorhanna remains trapped inside the shard solitaire.

Far Realm Invader

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

, unaware of the danger, Zorhanna donned the shard solitaire necklace to see how it looked with a new gown she planned to wear at the gala. Zorhanna’s close contact with the necklace allowed the Far Realm

, preparing for the arrival of the gala’s guests, while the real Zorhanna remains trapped inside the shard solitaire.

Far Realm Invader

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

, unaware of the danger, Zorhanna donned the shard solitaire necklace to see how it looked with a new gown she planned to wear at the gala. Zorhanna’s close contact with the necklace allowed the Far Realm

, preparing for the arrival of the gala’s guests, while the real Zorhanna remains trapped inside the shard solitaire.

School of Illusion

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

the impossible seem real. Some illusionists — including many gnome wizards — are benign tricksters who use their spells to entertain. Others are more sinister masters of deception, using their

the illusion), provided that you can see the illusion. Illusory Self Beginning at 10th level, you can create an illusory duplicate of yourself as an instant, almost instinctual reaction to danger. When

School of Illusion

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

the impossible seem real. Some illusionists — including many gnome wizards — are benign tricksters who use their spells to entertain. Others are more sinister masters of deception, using their

the illusion), provided that you can see the illusion. Illusory Self Beginning at 10th level, you can create an illusory duplicate of yourself as an instant, almost instinctual reaction to danger. When

School of Illusion

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

the impossible seem real. Some illusionists — including many gnome wizards — are benign tricksters who use their spells to entertain. Others are more sinister masters of deception, using their

the illusion), provided that you can see the illusion. Illusory Self Beginning at 10th level, you can create an illusory duplicate of yourself as an instant, almost instinctual reaction to danger. When

The Horror of Defeat

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons