before bards diffusing charms relatively

Bard Legacy

Classes Basic Rules (2014)

of song, speech, and the magic they contain. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation

still resound throughout the cosmos. The music of bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer

Music and Magic

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

Music and Magic

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

The Drow

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

the injuries suffered by his predecessor, Jorlan Duskryn. Shoor is relatively young and quite arrogant for a drow male, proud of his abilities and accomplishments. He is still flush with his success in

benefits that came with both roles. Jorlan thought that Lolth favored him, or at least that his charms had deflected her malice, until he had the misfortune of a run-in with a black pudding on an

48. Shagambi's Tomb

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

perfectly still and pose no threat as long as the tomb remains relatively quiet. If any character talks loudly, steps on a piece of broken pottery, or makes any other equivalent noise while in the tomb, read

heaped around Shagambi’s bones: 200 gp, five moonstones (50 gp each), the fine music box activated by the trap (250 gp), and an instrument of the bards (Canaith mandolin). The instrument turns to dust and

Area Locations

Compendium - Sources->Dungeons & Dragons->Vecna: Nest of the Eldritch Eye

holy symbol of Oghma, god of knowledge and patron to bards and wizards. If the check succeeds by 3 or more, the character intuits that rededicating the shrine to Oghma could help against the zombies

either charm, the character has the unshakeable feeling that they are being watched. See the next section for descriptions of these charms.

Brimstone Hold Locations

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

here when he isn’t conducting business in area B25 or entertaining visitors in area B26. Treasure. The lyre is an instrument of the bards (Cli lyre) decorated with carvings of phoenixes. Jarazoun

and cracked, and the room’s walls are veined with narrow fissures that disappear into darkness. The Book of Vile Darkness If the characters had a relatively easy time getting here, add two

Locations E - H

Compendium - Sources->Dungeons & Dragons->Storm King's Thunder

Marches. The section between Triboar and Yartar is an ancient road, relatively flat and composed of tight-fitting stones. East of Yartar, the road becomes a gravel and dirt wagon trail that passes a

charms or refuse to leave, calling on the centaurs to aid them (which the centaurs are more than happy to do). Whenever a dryad is killed, one or more conjured animals rise up out of the ground within

D&D Beyond

Search Results