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Cube of Force Legacy

Magic Items Basic Rules (2014)

action to press one of the cube's faces, expending a number of charges based on the chosen face, as shown in the Cube of Force Faces table. Each face has a different effect. If the cube has insufficient

charges remaining, nothing happens. Otherwise, a barrier of invisible force springs into existence, forming a cube 15 feet on a side. The barrier is centered on you, moves with you, and lasts for 1

Longbow of the Healing Hearth

Magic Items Bigby Presents: Glory of the Giants

rolls made with this weapon. If you load no ammunition in the weapon, it produces its own, automatically creating one magic arrow when you pull back the string. The arrow created by the bow vanishes the

target has no unspent Hit Dice remaining, nothing happens. You can use a curative arrow only once per turn. Spellcasting. While holding the bow, you can use an action to expend 1 or more of its charges to

Staff of Power Legacy

Magic Items Basic Rules (2014)

against a solid surface, performing a retributive strike. The staff is destroyed and releases its remaining magic in an explosion that expands to fill a 30-foot-radius sphere centered on it. You have

staff. Every other creature in the area must make a DC 17 Dexterity saving throw. On a failed save, a creature takes an amount of damage based on how far away it is from the point of origin, as shown

Staff of the Magi Legacy

Magic Items Basic Rules (2014)

. Retributive Strike. You can use an action to break the staff over your knee or against a solid surface, performing a retributive strike. The staff is destroyed and releases its remaining magic in an

amount of damage based on how far away it is from the point of origin, as shown in the following table. On a successful save, a creature takes half as much damage. Distance from Origin Damage

War Oil

Equipment

point, such as the ground or a wall, and on an attack roll against AC 10, cause the War Oil to spill out of the ammunition, creating a circular patch of the viscous substance with a 10-foot radius. War

additional 2d4 Fire damage to any creature that ends its turn while in contact with it. An ignited creature can douse the flames by using an action. After burning for two rounds, being doused, or remaining unlit for 1 minute, War Oil dries up and ceases to be slippery or flammable.

Baphomet Legacy

Monsters Out of the Abyss

natures, for Baphomet envisions a world without restraint, where creatures live out their most savage desires. Cults devoted to Baphomet use mazes and complex knots as their emblems, creating secret

reversed within that room. Any creatures or objects in the room when this happens fall in the direction of the new pull of gravity, unless they have some means of remaining aloft. Baphomet can ignore the

Animate Objects Legacy

Spells Basic Rules (2014)

speed is 0. It has blindsight with a radius of 30 feet and is blind beyond that distance. When the animated object drops to 0 hit points, it reverts to its original object form, and any remaining

bonus and bludgeoning damage determined by its size. The GM might rule that a specific object inflicts slashing or piercing damage based on its form. At Higher Levels. If you cast this spell using a spell slot of 6th level or higher, you can animate two additional objects for each slot level above 5th.

Category 1 Krasis

Monsters Guildmasters’ Guide to Ravnica

creatures that can’t reproduce. A few multiply and become part of the guild’s standard menagerie. Creating a Krasis To create a krasis, choose the appropriate stat block: category 1

characteristics. The potency of some adaptations varies based on the category of the krasis, as indicated in the descriptions of those adaptations. Just a few examples of krasis are the battering

Category 2 Krasis

Monsters Guildmasters’ Guide to Ravnica

reproduce. A few multiply and become part of the guild’s standard menagerie. Creating a Krasis To create a krasis, choose the appropriate stat block: category 1 (Medium), category 2 (Large), or

of some adaptations varies based on the category of the krasis, as indicated in the descriptions of those adaptations. Just a few examples of krasis are the battering krasis (a fusion of hammerhead

Category 3 Krasis

Monsters Guildmasters’ Guide to Ravnica

creatures that can’t reproduce. A few multiply and become part of the guild’s standard menagerie. Creating a Krasis To create a krasis, choose the appropriate stat block: category 1

characteristics. The potency of some adaptations varies based on the category of the krasis, as indicated in the descriptions of those adaptations. Just a few examples of krasis are the battering

Baphomet

Monsters Mordenkainen Presents: Monsters of the Multiverse

fall in the direction of the new pull of gravity, unless they have some means of remaining aloft. Baphomet can ignore the gravity reversal if he’s in the room, although he likes to use this

for 1 minute or until Baphomet takes this lair action again. Regional Effects The region containing Baphomet’s lair is warped by his magic, creating one or more of the following effects

Sapphire Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

flaring with anger. Art of War The warlike sapphire dragons devise strategies and ambushes based on their ability to maneuver underground. A sapphire dragon often refrains from striking immediately

hoard is usually a cataloged, orderly collection of war gear, which can contain ancient relics of immense power. Creating a Sapphire Dragon Use the Sapphire Dragon Personality Traits and Sapphire

Young Topaz Dragon

Monsters Fizban's Treasury of Dragons

is weakened until the end of its next turn. A weakened creature has disadvantage on Strength-based ability checks and Strength saving throws, and the creature’s weapon attacks that rely on

by Undead, sometimes keeping them in their hoards as curios. Creating a Topaz Dragon Use the Topaz Dragon Personality Traits and Topaz Dragon Ideals tables to inspire your portrayal of distinctive

Young Sapphire Dragon

Monsters Fizban's Treasury of Dragons

strategies and ambushes based on their ability to maneuver underground. A sapphire dragon often refrains from striking immediately, preferring to assess intruders first in order to devise the most

, which can contain ancient relics of immense power. Creating a Sapphire Dragon Use the Sapphire Dragon Personality Traits and Sapphire Dragon Ideals tables to inspire your portrayal of distinctive

Topaz Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

":"Desiccating Breath", "rollDamageType":"necrotic"} necrotic damage and is weakened until the end of its next turn. A weakened creature has disadvantage on Strength-based ability checks and Strength

are particularly intrigued by Undead, sometimes keeping them in their hoards as curios. Creating a Topaz Dragon Use the Topaz Dragon Personality Traits and Topaz Dragon Ideals tables to inspire your

Ancient Sapphire Dragon

Monsters Fizban's Treasury of Dragons

horns and spines shift slightly with the dragons’ moods, bobbing in amusement or flaring with anger. Art of War The warlike sapphire dragons devise strategies and ambushes based on their

immense power. Creating a Sapphire Dragon Use the Sapphire Dragon Personality Traits and Sapphire Dragon Ideals tables to inspire your portrayal of distinctive sapphire dragon characters. Sapphire

Creating a Campaign

Compendium - Sources->Dungeons & Dragons->Dragon Delves

Creating a Campaign These adventures can be strung together as a complete dragon-themed campaign. Simply guide your players through the adventures in the order presented in this book and award story

-based level advancement at each adventure’s end, so their characters are the appropriate level for the next challenge they’ll face. (No level advancement is necessary before the final adventure.) You can also use one of the following narrative frameworks to connect the adventures to one another.

Greyhawk

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Greyhawk Greyhawk is a D&D setting you can use as the backdrop for your campaign or as a model you can reference while creating your own setting. Important aspects of Greyhawk are described herein so

that you can make it your own, expanding or altering it however you wish. Greyhawk is the invention of Gary Gygax, one of the D&D game’s original creators. Gary based many of D&D’s earliest

Experience Points

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Experience Points Experience points (XP) fuel level advancement for player characters and are most often the reward for completing combat encounters. Each monster has an XP value based on its

received substantial assistance from one or more NPCs, count those NPCs as party members when dividing up the XP. (Because the NPCs made the fight easier, individual characters receive fewer XP.) Chapter 3, "Creating Adventures" provides guidelines for designing combat encounters using experience points.

The Sea Ghost

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

The Sea Ghost In the next part of the adventure, the council asks the characters to take the fight to the remaining smugglers. A few days after their triumphant return from the destruction of the

smugglers’ ring at the haunted house, the characters are hastily summoned to an emergency meeting of the Saltmarsh Town Council. Here it is explained to them that, though the land-based operation of the

Chapter 1: Fantastical Races

Compendium - Sources->Dungeons & Dragons->Monsters of the Multiverse

of these races are based on creatures that appear in the Monster Manual or the bestiary of this book. Consult with your DM to see whether an option here is appropriate for your campaign. If you do use a race in this chapter, first read the “Creating Your Character” section below.

Chapter 6: The Final Enemy

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

adventures for characters who did not participate in the missions. The Final Enemy is designed for four to six characters of 7th level. If you want to use story-based character advancement (see

1983 adventure. As befits TSR UK’s talent for creating unique scenarios, The Final Enemy challenges players to plan and carry out reconnaissance on a dangerous sahuagin lair. We’ve added an epic

Creating a Campaign

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Creating a Campaign The adventures in this book provide play across a broad range of levels. They can be strung together as a complete campaign using the Infinite Staircase to travel between them

high enough level to advance to the next quest. The adventures also present narrative milestones for story-based level advancement (see the Dungeon Master’s Guide). After each adventure, have the

Against Demogorgon

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

lord searches for another target. Determine the characters’ starting positions based on their actions during the battle. Demogorgon should be at least 80 feet away from them initially, unless the

players specifically stated they were remaining close to the demon lord. Demogorgon has been wounded during the fight, giving the characters an edge in the battle to come. Apply the following penalties

Event-Based Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Event-Based Adventures In an event-based adventure, the focus is on what the characters and villains do and what happens as a result. The question of where those things happen is of secondary

importance. Building an event-based adventure is more work than building a location-based one, but the process can be simplified by following a number of straightforward steps. Several steps include tables

Deck of Many More Things

Magic Items The Book of Many Things

collectively as the Deck of Many More Things. (More information on creating new cards for this deck appears in chapter 2.) Like the Deck of Many Things, the Deck of Many More Things manifests differently on

takes effect. You must draw each card you declared no more than 1 hour after the previous draw. Unless a card states otherwise, if you fail to draw the chosen number, the remaining number of cards fly

Ancient Topaz Dragon

Monsters Fizban's Treasury of Dragons

", "rollDamageType":"necrotic"} necrotic damage and is weakened until the end of its next turn. A weakened creature has disadvantage on Strength-based ability checks and Strength saving throws, and the

manipulates negative energy. And they are particularly intrigued by Undead, sometimes keeping them in their hoards as curios. Creating a Topaz Dragon Use the Topaz Dragon Personality Traits and

Adult Sapphire Dragon

Monsters Fizban's Treasury of Dragons

the dragons’ moods, bobbing in amusement or flaring with anger. Art of War The warlike sapphire dragons devise strategies and ambushes based on their ability to maneuver underground. A

intrusion. The centerpiece of a sapphire dragon’s hoard is usually a cataloged, orderly collection of war gear, which can contain ancient relics of immense power. Creating a Sapphire Dragon Use

Adult Emerald Dragon

Monsters Fizban's Treasury of Dragons

illusions, allowing them to better conceal their treasures from prying eyes and divinations. Creating an Emerald Dragon Use the Emerald Dragon Personality Traits and Emerald Dragon Ideals tables to

hatchery. Visitors might discover an egg or an emerald dragon wyrmling in one of the chambers. Preserved Vaults. The dragon has left most of the remaining areas of the vaults as they were when their

Ancient Emerald Dragon

Monsters Fizban's Treasury of Dragons

, allowing them to better conceal their treasures from prying eyes and divinations. Creating an Emerald Dragon Use the Emerald Dragon Personality Traits and Emerald Dragon Ideals tables to inspire your

of the remaining areas of the vaults as they were when their creators abandoned them, taking great interest in the artifacts and architecture they left behind. Visitors who manage to convince the

Intrigue

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

a ruler or council, you might be looking at an intrigue adventure. The process of creating an intrigue adventure is similar to creating any other event-based adventure, with two main differences: how

Intrigue Intrigue adventures are event-based adventures that revolve around power struggles. Intrigues are common in the courts of the nobility, but power struggles can play out just as easily in

Orc Legacy

Species Volo's Guide to Monsters

battle or illness, but an orc can live to about 40, remaining healthy almost up until the end. Luthic’s divine blessing can further extend an orc’s life, though Gruumsh is never happy when

. These tenets vary from tribe to tribe, and are often based in events that the tribe has experienced. Here are a few examples: If a dwarf or a human invokes its god upon dying, you must carry the

Adult Topaz Dragon

Monsters Fizban's Treasury of Dragons

", "rollDamageType":"necrotic"} necrotic damage and is weakened until the end of its next turn. A weakened creature has disadvantage on Strength-based ability checks and Strength saving throws, and the creature

energy. And they are particularly intrigued by Undead, sometimes keeping them in their hoards as curios. Creating a Topaz Dragon Use the Topaz Dragon Personality Traits and Topaz Dragon Ideals tables

Random Magic Item Rarity

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Random Magic Item Rarity When you decide that a treasure contains magic items, there are two ways to determine the rarity of those items. You can choose an appropriate rarity based on the items

Characters If you’re starting a campaign for characters above level 1, “Creating a Character” offers suggestions for how many magic items such characters should start with and the rarity of those items

Qualith

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

fade and fail. An expression in Qualith is made up of four-line stanzas packed into interlocking blocks, creating complex patterns that are indecipherable by other creatures. Someone that touches a

check (DC based on the complexity of the contained thoughts) to try to derive some of the inscription’s meaning. Multiple successful attempts might uncover different aspects about the illithid author

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