before both destroyed concept respective

Firbolg Legacy

Species Volo's Guide to Monsters

destroyed, might not have a choice in the matter. Most adventuring firbolgs fall into this latter category. Outcast firbolgs can never return home. They committed some unforgivable deed, usually

call home. Orphaned firbolgs are those whose clans or homelands have been destroyed. They become crusaders for nature, seeking to avenge their loss and prevent the further destruction of the natural

Rod of Seven Parts

Magic Items Vecna: Eve of Ruin

annihilation. Desperate to save themselves and their allies, powerful elemental beings called the Wind Dukes of Aaqa rose against Miska. Committed to the concept of law, the Wind Dukes descended from a

destroyed in this way, but each piece re-forms one year after it has succumbed. A re-formed piece teleports to a random place in the multiverse.

Credits

compendium - Sources->Dungeons & Dragons->Forgotten Realms: Heroes of Faerûn

Velinov, Raoul Vitale, Sam White, Rafael Zanchetin Cartographer: Mike Schley Concept Art Director: Josh Herman Concept Artists: Alex Branwyn, Michael Broussard, Daarken, Lake Hurwitz, Titus Lunter

, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, Forgotten Realms, all other Wizards of the Coast product names, their respective logos, and The

Credits

compendium - Sources->Dungeons & Dragons->The Book of Many Things

, Craig J Spearing, Brian Valeza, Zuzanna Wuzyk, Jim Zaccaria Concept Art Director: Bree Heiss Concept Artist: Claudio Pozas Consultants: Nivair Gabriel, Basheer Ghouse, Jonathan Tomhave Project

, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are property of

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Morte’s Planar Parade

Yanner Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max Dunbar, Alex Konstad, Juho Laitila, Izzy Medrano, One Pixel Brush, Noor Rahman

, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries

Credits

compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

, Magali Villeneuve, Lauren Walsh, Shawn Wood, Zuzanna Wužyk, Kieran Yanner Concept Art Directors: Richard Whitters, Shawn Wood Concept Artists: Alix Branwyn, Tyler Jacobson, Chris Rahn, Magali

Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and their

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands

Wuzyk Cartographer: Jared Blando Poster Map Cartographer: Francesca Baerald Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max

dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest Roleplaying Game are

Credits

compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

, David Sladek, Craig J Spearing, Brian Valeza, Svetlin Velinov, Richard Whitters, Shawn Wood, Zuzanna Wuzyk Cartographers: Stacey Allan, Will Doyle, Mike Schley Concept Art Director: Shawn Wood

Concept Illustrators: Olga Drebas, Titus Lunter, April Prime, Chris Rahn, Jenn Ravenna, Richard Whitters, Shawn Wood, Kieran Yanner Senior Producer: Dan Tovar Producers: Bill Benham, Robert Hawkey

Credits

compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

, Cory Trego-Erdner, Brian Valeza, Anna Veltkamp, Magali Villeneuve, Richard Whitters, Mark Winters, Shawn Wood, Zuzanna Wuzyk, Kieran Yanner, Trish Yochum Concept Art Director: Shawn Wood Concept

product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are property of Wizards of the Coast. The

Credits

compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Wuzyk Cartographers: Francesca Baerald, Jared Blando, Dyson Logos, Mike Schley Concept Illustrators: Shawn Wood, Titus Lunter, Kieran Yanner, Richard Whitters Project Engineer: Cynda Callaway

, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and

Credits

compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

, Riccardo Moscatello, Irina Nordsol, Hinchel Or, Vicki Pangestu, Claudio Pozas, Arash Radkia, Chris Rahn, Julio Reyna, Matias Tapia, Brian Valeza, Jabari Weathers, Daneen Wilkerson Concept Artists

settings, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are

Credits

compendium - Sources->Dungeons & Dragons->Phandelver and Below: The Shattered Obelisk

Valenzuela, Brian Valeza, Nino Vecia, Tyler Walpole, Jabari Weathers Concept Artists: Kent Davis, Richard Luong Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona, Kevin Yee

, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are property

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Astral Adventurer’s Guide

: CoupleofKooks, Dyson Logos Rock of Bral Poster Map Cartographer: Marco Bernardini Concept Illustrators: Titus Lunter, Shawn Wood Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona, Kevin

, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest

Credits

compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

, Brian Valeza, Jabari Weathers, Shawn Wood, Zuzanna Wuzyk Concept Illustrator: Shawn Wood Cultural Consultants: Nivair H. Gabriel, Jaymee Goh, Carmen Maria Marin Narrative Design Consultant

Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Boo’s Astral Menagerie

Nordsol, Claudio Pozas, April Prime, Julio Reyna, Craig J Spearing, Matt Stewart, Cory Trego-Erdner, Brian Valeza, Randy Vargas, Svetlin Velinov, Shawn Wood, Zuzanna Wuzyk Concept Illustrator: Shawn

Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Light of Xaryxis

: CoupleofKooks, Dyson Logos Concept Illustrators: Titus Lunter, Shawn Wood Stat Block Analysts: Makenzie De Armas, Taymoor Rehman Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona

, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest

Credits

compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Logos Concept Illustrators: Shawn Wood, April Prime Project Engineer: Cynda Callaway Imaging Technician: Kevin Yee Prepress Specialist: Jefferson Dunlap D&D Studio Executive Producer

. DUNGEONS & DRAGONS, D&D, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective

History of Eberron

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

embodying a concept. Their final work was the Material Plane, where all ideas would become manifest: a realm that could know war and peace, life and death, order and chaos. But cruel Khyber sought ultimate

alliance of dragons and celestials—eventually defeated the Overlords. But these fiends couldn’t be destroyed; instead, their immortal essences were bound in Khyber. Whatever the true details of this tale

Water Weird

Compendium - Sources->Dungeons & Dragons->Monster Manual (2014)

. Good and Evil Weirds. Like most elementals, a water weird has no concept of good or evil. However, a water weird bound to a sacred or befouled source of water begins to take on the nature of that site

immersed in water. Water Bound. The water weird dies if it leaves the water to which it is bound or if that water is destroyed. Actions Constrict. Melee Weapon Attack: +5 to hit, reach 10 ft., one

Evil Inchoate

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

absolute evil, demons have no concept of empathy. Each demon believes that only its needs and desires matter. This self-centeredness applies even with regard to other demons. These fiends have no

benefit doesn’t come without its own perils. A demon that stores part of its essence in a demonic amulet can avoid being destroyed even if it is killed in the Abyss. On the other hand, anyone else who

Gith Tables

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

a spice that makes life worth living. 4 Old age is a concept that I find fascinating. Maybe someday I too will be aged. Githyanki Ideals d4 Trait 1 Fidelity. Warriors are only as good as the vows

footsteps. 4 I will not rest until the last elder brain is destroyed. Githzerai Flaws d4 Flaw 1 I see githyanki machinations behind every threat. 2 I believe in the supremacy of the gith and that

Puzzle Cubes

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

god. Each cube weighs half a pound. A detect magic spell or similar effect reveals an aura of abjuration magic around each cube. The puzzle cubes can’t be destroyed by any means. If they’re discarded

, buried, or taken more than a mile outside Omu, they teleport back to their resting places inside their respective shrines. If the characters return to a previously cleared shrine, there’s a cumulative

Prismari Faculty

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

professor of expression) is the current Dean of Expression. Nazzari always want to see art that is bigger, more radical in concept, and more emotionally powerful. For their final project as a mage

-student, Nassari famously “turned in” an earthquake, which almost destroyed three campus buildings. The piece received a standing ovation from the mage-student body—and a grumpy thumbs down from the campus

Triton

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

was forced to focus. As the beast drew closer, Dalakos sought ways to turn the monstrosity from its path. He worked day and night, but ultimately his plans failed. All that Dalakos knew was destroyed

life to another, or after significant life events. Leaving a home community or transitioning to live among dryfolk might constitute such life changes. Tritons also have a fluid concept of gender and

Confronting Vecna

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

annihilation. Desperate to save themselves and their allies, powerful elemental beings called the Wind Dukes of Aaqa rose against Miska. Committed to the concept of law, the Wind Dukes descended from

the rod may be temporarily destroyed in this way, but each piece re-forms one year after it has succumbed. A re-formed piece teleports to a random place in the multiverse. The Rod’s Pieces During this

3. Central Basin

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

questions they have. The sovereign describes this entity in favorable terms, using “she” and “her” as it does so. Because myconids have no concept of gender, this unusual speech is further indication of

to give the party a guided tour of all the circles in areas 1 through 4, where it introduces them to the respective circle leaders, pointing out which leaders support it, and which ones support

Factions in the North

Compendium - Sources->Dungeons & Dragons->Storm King's Thunder

their respective lords. Key representatives of the Lords’ Alliance include the canny Lord Dagult Neverember of Neverwinter, the resplendent Lady Laeral Silverhand of Waterdeep, the grave Lord Taern

footholds destroyed by rampaging giants. As it strives to protect its holdings, the Zhentarim also wants to understand the giants’ motivations. The leaders of the Black Network are open to the

Uthgardt Lands

Compendium - Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide

the Uthgardt tribes today. Blue Bear. The easternmost of the Uthgardt are the Blue Bear — thought destroyed more than a century ago — who have recently emerged from inside the High Forest and

season might come to trade during the next. They do understand the concept of belonging to a larger group, and that those groups might be in conflict. After all, each tribe of Uthgardt has its ancestral

Gate of Illumination Locations

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

offerings, causing other tlexolotls to stir. Izel doesn’t understand or care that the awakening tlexolotls endanger the region’s populace. The Elemental has little experience with Humanoids or the concept of

didn’t harm them—it seemed curious about them, not hostile. The warriors use the stat blocks of scouts, but their weapons have been destroyed and they each have 1 hit point remaining. Their manacles have

Random Encounters in Yon

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

ground beneath them. This Elemental can’t speak and is a manifestation of the Feywild’s anger toward the characters. It attacks the party and fights until destroyed. There are plenty of boulders in the

in love. This statement causes the cyclops to blink in confusion and ask, “What is love?” If the concept is explained to him, Mudlump declares that he’d like to be in love, too, and gives the

Tomb Locations

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

, and immunity to poison and psychic damage. The noise of breaking down the doors can be heard by all creatures on the tomb’s lower level. These creatures remain in their respective locations but are

“Fountain” below). If one or more myconids are killed, the surviving myconids use their Rapport Spores to signal their surrender. The shambling mound, however, fights until destroyed. Fountain. A narrow

Lambent Zenith Locations

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

chair. The broken chair on the ground was the ship’s helm but is now irrevocably destroyed. Treasure. A character who examines the captain’s chair and succeeds on a DC 15 Wisdom (Perception) check

stretching toward the stern segment and the starboard segment, respectively. These tethers indicate the links between the wards and the runes in these respective locations. Z19: Safe Room An

Headquarters Features

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

malfunctioning magic, and so forth. The DM approves the headquarters concept and decides how large or small the initial structure can be, as well as any useful features. DMs and players can work together

stocks of food and water to crew and passengers. Escape Pod. A walking statue’s head can also serve as an escape pod. If the headquarters is ever destroyed, or if the character controlling the statue

Fortress Level 2

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

took over the fortress, they destroyed the statue, breaking it into stone fragments and leaving only the head, before the baron intervened. Instead of allowing them to destroy the head, the baron

sahuagin champions and the sahuagin complainant leave through the main entrance in the south and travel to their respective posts. Development. Combat in the throne room attracts the attention of a

D&D Beyond

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