before broad devil concept respective

Tiefling Legacy

Species Basic Rules (2014)

“But you do see the way people look at you, devil’s child.” Those black eyes, cold as a winter storm, were staring right into her heart and the sudden seriousness in his voice

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

Feral Tiefling

Species Sword Coast Adventurer's Guide

“But you do see the way people look at you, devil’s child.” Those black eyes, cold as a winter storm, were staring right into her heart and the sudden seriousness in his voice

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

Tiefling Names

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Tiefling Names Tiefling names fall into three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language

, passed down through generations, that reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and

Tiefling Names

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Tiefling Names Tiefling names fall into three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal

concept and then try to embody that concept. For some, the chosen name is a noble quest. For others, it’s a grim destiny. Male Infernal Names: Akmenos, Amnon, Barakas, Damakos, Ekemon, Iados, Kairon

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

in this introduction. That part covers the kinds of die rolls you make to determine success or failure at the tasks your character attempts, and describes the three broad categories of activity in the

Credits

compendium - Sources->Dungeons & Dragons->Forgotten Realms: Heroes of Faerûn

Velinov, Raoul Vitale, Sam White, Rafael Zanchetin Cartographer: Mike Schley Concept Art Director: Josh Herman Concept Artists: Alex Branwyn, Michael Broussard, Daarken, Lake Hurwitz, Titus Lunter

, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, Forgotten Realms, all other Wizards of the Coast product names, their respective logos, and The

Credits

compendium - Sources->Dungeons & Dragons->The Book of Many Things

, Craig J Spearing, Brian Valeza, Zuzanna Wuzyk, Jim Zaccaria Concept Art Director: Bree Heiss Concept Artist: Claudio Pozas Consultants: Nivair Gabriel, Basheer Ghouse, Jonathan Tomhave Project

, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are property of

The Balance

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

concept they espouse as the Balance, and they seek to maintain equilibrium across the cosmos above all. Mordenkainen and his compatriots are among its most notable devotees. Since a true appreciation of

follower might aid in consigning one city to domination by a devil cult while driving demonic cultists from another. For the sake of the Balance, the cosmos must remain in a static state where neither

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Morte’s Planar Parade

Yanner Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max Dunbar, Alex Konstad, Juho Laitila, Izzy Medrano, One Pixel Brush, Noor Rahman

, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries

Credits

compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

, Magali Villeneuve, Lauren Walsh, Shawn Wood, Zuzanna Wužyk, Kieran Yanner Concept Art Directors: Richard Whitters, Shawn Wood Concept Artists: Alix Branwyn, Tyler Jacobson, Chris Rahn, Magali

Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and their

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands

Wuzyk Cartographer: Jared Blando Poster Map Cartographer: Francesca Baerald Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max

dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest Roleplaying Game are

Credits

compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

, David Sladek, Craig J Spearing, Brian Valeza, Svetlin Velinov, Richard Whitters, Shawn Wood, Zuzanna Wuzyk Cartographers: Stacey Allan, Will Doyle, Mike Schley Concept Art Director: Shawn Wood

Concept Illustrators: Olga Drebas, Titus Lunter, April Prime, Chris Rahn, Jenn Ravenna, Richard Whitters, Shawn Wood, Kieran Yanner Senior Producer: Dan Tovar Producers: Bill Benham, Robert Hawkey

Credits

compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

, Cory Trego-Erdner, Brian Valeza, Anna Veltkamp, Magali Villeneuve, Richard Whitters, Mark Winters, Shawn Wood, Zuzanna Wuzyk, Kieran Yanner, Trish Yochum Concept Art Director: Shawn Wood Concept

product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are property of Wizards of the Coast. The

Credits

compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Wuzyk Cartographers: Francesca Baerald, Jared Blando, Dyson Logos, Mike Schley Concept Illustrators: Shawn Wood, Titus Lunter, Kieran Yanner, Richard Whitters Project Engineer: Cynda Callaway

, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All characters and

Credits

compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

, Riccardo Moscatello, Irina Nordsol, Hinchel Or, Vicki Pangestu, Claudio Pozas, Arash Radkia, Chris Rahn, Julio Reyna, Matias Tapia, Brian Valeza, Jabari Weathers, Daneen Wilkerson Concept Artists

settings, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are

Credits

compendium - Sources->Dungeons & Dragons->Phandelver and Below: The Shattered Obelisk

Valenzuela, Brian Valeza, Nino Vecia, Tyler Walpole, Jabari Weathers Concept Artists: Kent Davis, Richard Luong Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona, Kevin Yee

, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are property

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Astral Adventurer’s Guide

: CoupleofKooks, Dyson Logos Rock of Bral Poster Map Cartographer: Marco Bernardini Concept Illustrators: Titus Lunter, Shawn Wood Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona, Kevin

, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest

Credits

compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

, Brian Valeza, Jabari Weathers, Shawn Wood, Zuzanna Wuzyk Concept Illustrator: Shawn Wood Cultural Consultants: Nivair H. Gabriel, Jaymee Goh, Carmen Maria Marin Narrative Design Consultant

Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. All

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Boo’s Astral Menagerie

Nordsol, Claudio Pozas, April Prime, Julio Reyna, Craig J Spearing, Matt Stewart, Cory Trego-Erdner, Brian Valeza, Randy Vargas, Svetlin Velinov, Shawn Wood, Zuzanna Wuzyk Concept Illustrator: Shawn

Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Light of Xaryxis

: CoupleofKooks, Dyson Logos Concept Illustrators: Titus Lunter, Shawn Wood Stat Block Analysts: Makenzie De Armas, Taymoor Rehman Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona

, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, their respective logos, and The World’s Greatest

Credits

compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Logos Concept Illustrators: Shawn Wood, April Prime Project Engineer: Cynda Callaway Imaging Technician: Kevin Yee Prepress Specialist: Jefferson Dunlap D&D Studio Executive Producer

. DUNGEONS & DRAGONS, D&D, Wizards of the Coast, the dragon ampersand, Player’s Handbook, Monster Manual, Dungeon Master’s Guide, all other Wizards of the Coast product names, and their respective

Alabaster Racetrack

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

depicted on map 8.2. If the characters enter the stable area, read or paraphrase the following: Six nightmares snort and paw at the ground in their respective stalls, their flaming manes dancing as

devil jockeys attend to the steeds. The reeking stench of offal rises from the feed buckets. In one corner stands a bored-looking pit fiend. Dyson Logos Map 8.2: Alabaster Racetrack Stables View Player

Dungeon Locations

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

a thin, golden mask shaped like a devil’s face (and worth 25 gp to an interested buyer). The censers contain burning incense. A devil mask covers its wearer’s whole face except for the eyes, nostrils

upon them eventually and warns the barbed devil in area V26. Assuming it hasn’t been defeated already, the devil scours the dungeon for trespassers once notified of their presence. V23. Cold Storage

High Hall Cathedral

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

). These locations are keyed to map 2.2, map 2.3, and map 2.4, respectively. Most of these descriptions highlight what the areas contain if a devil attack has not taken place there. Based on the encounters

provided in the “Cathedral Assault” section above, you can adjust the text to describe what is happening in an area and what it looks like during or after a devil attack. HIGH HALL CATHEDRAL FEATURES

The Yawning Portal

Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal

sat the deep, broad well that was the only known entrance to the dungeon. Around this well he built a tavern and inn that caters to adventurers and those who seek their services, and he called it the

a free city that stands at the nexus between a devil-haunted empire, a vast domain locked in the iron-tight grip of a demigod of evil, and a splintered, bickering host of kingdoms nominally committed

Creating a Monster Stat Block

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Manual guide you. Once you have a monster concept in mind, follow the steps below. Step 1. Name A monster’s name should be given as much consideration as any other aspect of the monster, if not more. Your

Player’s Handbook. Step 3. Type A monster’s type provides insight into its origins and nature. The Monster Manual describes each monster type. Choose the type that best fits your concept for the monster

Mausoleum Locations

Compendium - Sources->Dungeons & Dragons->Divine Contention

here are broad, but in combat it’s simplest to allow them the opportunity to “rewind” one action and take it again, or to reroll a failed saving throw (if it can still take actions). . Each use of

trouble nearby chant to their god for aid. If at least one cultist chants for three rounds, a bone devil appears in the circle to serve the cult. Secret Door. The secret door in here leads to area E6 and

Afterlife Casino Locations

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

, with shouting and cheering patrons clustered around it. Numbered rats scurry along their respective lanes. As the rats cross the finish line, cries of victory and groans of defeat erupt from the

patrons. Just south of the track are a pair of lounge chairs and two cashier booths staffed by tieflings wearing devil masks. Security Mirrors. A security mirror overlooks the cashier booths in the

3. Central Basin

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

questions they have. The sovereign describes this entity in favorable terms, using “she” and “her” as it does so. Because myconids have no concept of gender, this unusual speech is further indication of

to give the party a guided tour of all the circles in areas 1 through 4, where it introduces them to the respective circle leaders, pointing out which leaders support it, and which ones support

Alignment

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

plane of lawful evil. A devil does not choose to be lawful evil or tend toward lawful evil, but rather it is lawful evil in its essence. If it somehow ceases to be lawful evil, it changes into something

one person, concept, or event that you are terrified of? What are your vices? TIKA AND ARTEMIS: PERSONAL CHARACTERISTICS Tika and Artemis have distinct personality traits. Tika Waylan dislikes

Gate of Illumination Locations

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

trait can tell the passage isn’t natural and was constructed using magic (no check required). I2: Hall of Histories Bright murals cover the walls of this broad, pillared hall, depicting people through

offerings, causing other tlexolotls to stir. Izel doesn’t understand or care that the awakening tlexolotls endanger the region’s populace. The Elemental has little experience with Humanoids or the concept of

Tour of the Planes

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

reality. New arrivals are subject to forced conscription when encountered (whether by angel, demon, or devil), if they aren’t summarily dispatched. Amid the constant strife, windstorms of blades scour

draws merchants and travelers from across reality. Syrania is home to a host of angels that devote their immortal lives to serene contemplation. Each angel seeks to achieve mastery of one pure concept

Chromatic Dragons

Compendium - Sources->Dungeons & Dragons->Monster Manual (2014)

collapse of humanoid kingdoms. They make their homes in fetid swamps and crumbling ruins where kingdoms once stood. With deep-socketed eyes and broad nasal openings, a black dragon’s face resembles a skull

land within 6 miles of the lair. A dust devil has the statistics of an air elemental, but it can’t fly, has a speed of 50 feet, and has an Intelligence and Charisma of 1 (−5). Hidden sinkholes form in

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