being before dance conquest rites

Ankhtepot

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

gods he once served. Immediately he set to wiping out that religion, replacing it with new gods of his own imagining, false divinities for whom he alone spoke. Using blasphemous rites, Ankhtepot

together the dead conquered the souls of Har’Akir. The ages have marched ever on. Ankhtepot has known treachery and conquest. He has known divinity and rule. But now he knows only boredom and despair

Orc Legacy

Species Volo's Guide to Monsters

dance to any tune. — Volo To feel the thunder of orcish war drums outside the gate and to hear a chorus of voices growling, “Gruumsh!” is the nightmare of every civilized place in

rangers might be familiar with many of these symbols, enabling them to keep their charges from inadvertently stumbling into a tribe’s territory. Colors of Conquest Three colors have special meaning

Bard Subclasses

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

their traditions. This section presents the College of Dance, College of Glamour, College of Lore, and College of Valor subclasses. College of Dance KATERINA LADON College of Dance Subclass Move in

Harmony with the Cosmos Bards of the College of Dance know that the Words of Creation can’t be contained within speech or song; the words are uttered by the movements of celestial bodies and flow

Cult of the Eternal Flame

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

encompasses fiendish inventiveness and a drive to devise new tools for their mad cause. They are masters of fire and forge, taking captives to work in their infernal foundries. Fire cultists see conquest

with only her cunning intelligence. In her youth, she learned to dance for coin and slowly worked her way up from the wine sinks of the laborers’ districts to the elegant chambers of the city’s nobles

Loose Pantheons

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

religious rites and festivals. Priests at such sites relate stories of the gods, teach the ethics of their patron deities, offer advice and blessings, perform religious rites, and provide training in

Life, War Dragon’s head, in profile, facing left Bane, god of war and conquest LE War Claw with three talons pointing down Corellon, god of magic and the arts CG Light Eight

Life in San Citlán

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

dance, ball games are a common pastime, ranging from ancient variations played with the hip to more contemporary kicking games. Wrestling evolved into its own form of theatrical entertainment: La

splendid and anticipated is the Night of the Remembered, a celebration that evolved from ancient funerary rites and draws on the magic of the city. During this night, people can be visited by deceased

Eternal Flame Cultists

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

Elemental Fire, through a series of painful rites. A flamewrath’s skin is burned and scarred. Inured to pain, the flamewrath revels in battle, using an array of fire spells to incinerate enemies who would

try to douse the power of elemental fire. Melee combatants who draw too close face fires that can dance across the flamewrath’s skin and burn attackers. Flamewrath Medium humanoid (human), chaotic

City Locations

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

name Skanda Drond. Sental is unaware that the bandit lords of Stoink are pawns of Iuz, whose dreams of conquest extend to the Free City of Greyhawk and far beyond. The city’s constable—who serves as

morning rites, as well as all-day observances every Godsday. Sarana, the temple’s Archpriest (Neutral Good), is a middle-aged, human woman wearing a sun-shaped headdress and yellow-and-gold robes. She is

Tier 1 Locations

Compendium - Sources->Dungeons & Dragons->Dragon Delves

gardens for resources the merchant might exploit. But the naga in area G6 captured them and transformed them into their current forms through sinister rites and excruciating torture. The yuan-ti have no

frescoes on the walls between exits feature scenes of conquest, each lorded over by a githyanki warrior mounted on an enormous red dragon. A column of shimmering air connects large shafts in the floor and

Daoine Gloine

Compendium - Sources->Dungeons & Dragons->Lost Laboratory of Kwalish

bolted to the wall across from some sort of large glass device hints at the horrid rites that must once have taken place here. The wall murals can be deciphered with a successful DC 12 Wisdom

never-ending dance. The armatures are not aggressive, but they defend themselves if attacked (use skeleton statistics). (Kwalish uses this space to stress test his armatures’ operation and movement.) 4 An

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