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Mark of Handling Human

Species Eberron: Rising from the Last War

were born to rule it. —Dalin d’Vadalis The Mark of Handling gives its bearer a primal connection to beasts and the natural world, granting the power to calm and coax. This extends beyond

Sphinx of Judgment

Monsters Guildmasters’ Guide to Ravnica

sphinx has the following wizard spells prepared: Cantrips (at will): friends, mage hand, message 1st level (4 slots): command, ensnaring strike, shield 2nd level (3 slots): calm emotions, hold person

criminals and compel truth from them.A Sphinx’s Lair A sphinx presides over an ancient temple, sepulcher, or vault, within which are hidden divine secrets and treasures beyond the reach of mortals

Bard Legacy

Classes Basic Rules (2014)

of song, speech, and the magic they contain. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation

still resound throughout the cosmos. The music of bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer

Selesnya Initiate

Backgrounds Guildmasters’ Guide to Ravnica

messenger, calm emotions, warding bond 3rd plant growth, speak with plants 4th aura of life, conjure minor elementals 5th awaken, commune with nature

always straining to peer into another reality that seems to be just beyond my senses. 5 I’m uneasy if I can’t see plants growing or feel soil beneath my feet. 6 Seeing illness

Ki-rin

Monsters Mordenkainen Presents: Monsters of the Multiverse

: banishment, calm emotions, create food and water, greater restoration, plane shift, protection from evil and good, revivify, wind walkThe ki-rin can take 3 legendary actions, choosing from the options

violet eyes. In a breeze or when aloft, the creature’s scales and hair appear to blaze with a holy, golden fire. Beyond their coloration, ki-rins vary in appearance based on the deity each one

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Crook of Rao

Magic Items Tasha’s Cauldron of Everything

years to complete, at the end of which the gate becomes a permanent portal to Pazunia, the first layer of the Abyss. Destroying or Repairing the Crook. The Crook of Rao can either be destroyed or

sought revelations beyond the multiverse long ago. The Crook dissolves if immersed in the god’s tear for a year and a day. If washed in the tear daily for 30 days, the Crook loses its Failing Matrix property.

The Mark of Handling

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

that we were born to rule it. —Dalin d’Vadalis The Mark of Handling gives its bearer a primal connection to beasts and the natural world, granting the power to calm and coax. This extends beyond purely natural animals; the mark allows its bearer to guide a hippogriff as easily as a horse.

The Mark of Handling

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

that we were born to rule it. —Dalin d’Vadalis The Mark of Handling gives its bearer a primal connection to beasts and the natural world, granting the power to calm and coax. This extends beyond purely natural animals; the mark allows its bearer to guide a hippogriff as easily as a horse.

Sergei and Ireena

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

being of flesh and blood—in shining armor and a flapping cape. His countenance shows great strength of will, yet the forcefulness of his presence is tempered by his calm, sad eyes. His features are

those of Strahd, yet subtly different. His voice is calm and peaceful. “My name is Sergei von Zarovich.” He turns to Ireena. “Tatyana, the time is at hand to rest. Come, my love and wife.” He stretches

Sergei and Ireena

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

being of flesh and blood—in shining armor and a flapping cape. His countenance shows great strength of will, yet the forcefulness of his presence is tempered by his calm, sad eyes. His features are

those of Strahd, yet subtly different. His voice is calm and peaceful. “My name is Sergei von Zarovich.” He turns to Ireena. “Tatyana, the time is at hand to rest. Come, my love and wife.” He stretches

The Mark of Handling

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

that we were born to rule it. —Dalin d’Vadalis The Mark of Handling gives its bearer a primal connection to beasts and the natural world, granting the power to calm and coax. This extends beyond purely natural animals; the mark allows its bearer to guide a hippogriff as easily as a horse.

Sergei and Ireena

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

being of flesh and blood—in shining armor and a flapping cape. His countenance shows great strength of will, yet the forcefulness of his presence is tempered by his calm, sad eyes. His features are

those of Strahd, yet subtly different. His voice is calm and peaceful. “My name is Sergei von Zarovich.” He turns to Ireena. “Tatyana, the time is at hand to rest. Come, my love and wife.” He stretches

5. Portrait of a Mad Mage

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

beyond the Material Plane. Halaster’s face is chillingly calm despite the violent chaos around him, and his piercing gaze seems to follow anyone who views the portrait. Any creature that beholds the

5. Portrait of a Mad Mage

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

beyond the Material Plane. Halaster’s face is chillingly calm despite the violent chaos around him, and his piercing gaze seems to follow anyone who views the portrait. Any creature that beholds the

5. Portrait of a Mad Mage

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

beyond the Material Plane. Halaster’s face is chillingly calm despite the violent chaos around him, and his piercing gaze seems to follow anyone who views the portrait. Any creature that beholds the

Large Vehicles

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

speed. In a dead calm (no wind), waterborne ships can’t move under sail and must be rowed. Keelboats and Rowboats are used on lakes and rivers. If going downstream, add the speed of the current

. Repairing 1 Hit Point of damage requires 1 day and costs 20 GP for materials and labor. If the repairs are made in a location where supplies and skilled labor are abundant, such as a city shipyard, the

Large Vehicles

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

speed. In a dead calm (no wind), waterborne ships can’t move under sail and must be rowed. Keelboats and Rowboats are used on lakes and rivers. If going downstream, add the speed of the current

. Repairing 1 Hit Point of damage requires 1 day and costs 20 GP for materials and labor. If the repairs are made in a location where supplies and skilled labor are abundant, such as a city shipyard, the

Large Vehicles

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

speed. In a dead calm (no wind), waterborne ships can’t move under sail and must be rowed. Keelboats and Rowboats are used on lakes and rivers. If going downstream, add the speed of the current

. Repairing 1 Hit Point of damage requires 1 day and costs 20 GP for materials and labor. If the repairs are made in a location where supplies and skilled labor are abundant, such as a city shipyard, the

Large Vehicles

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

speed. In a dead calm (no wind), waterborne ships can’t move under sail and must be rowed. Keelboats and Rowboats are used on lakes and rivers. If going downstream, add the speed of the current

. Repairing 1 Hit Point of damage requires 1 day and costs 20 GP for materials and labor. If the repairs are made in a location where supplies and skilled labor are abundant, such as a city shipyard, the

Large Vehicles

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

speed. In a dead calm (no wind), waterborne ships can’t move under sail and must be rowed. Keelboats and Rowboats are used on lakes and rivers. If going downstream, add the speed of the current

. Repairing 1 Hit Point of damage requires 1 day and costs 20 GP for materials and labor. If the repairs are made in a location where supplies and skilled labor are abundant, such as a city shipyard, the

Large Vehicles

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

speed. In a dead calm (no wind), waterborne ships can’t move under sail and must be rowed. Keelboats and Rowboats are used on lakes and rivers. If going downstream, add the speed of the current

. Repairing 1 Hit Point of damage requires 1 day and costs 20 GP for materials and labor. If the repairs are made in a location where supplies and skilled labor are abundant, such as a city shipyard, the

Rock Gnome

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Rock Gnome As a rock gnome, you have a natural inventiveness and hardiness beyond that of other gnomes. Most gnomes in the worlds of D&D are rock gnomes, including the tinker gnomes of the