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Clapperclaw the Scarecrow

Monsters The Wild Beyond the Witchlight

harengon brigands, who stole its head, which the scarecrow describes as a most glorious stag skull. It desperately wants its head back, and it’s a bit self-conscious about its replacement head: a

knows it can be off-putting to strangers, and it relies on humor to defuse tension. Alignment. Lawful neutral. Personality Trait. “I’m generally positive, and I make jokes when I’m

Mirror Image Legacy

Spells Basic Rules (2014)

one of your duplicates. If you have three duplicates, you must roll a 6 or higher to change the attack's target to a duplicate. With two duplicates, you must roll an 8 or higher. With one duplicate

hits it. It ignores all other damage and effects. The spell ends when all three duplicates are destroyed. A creature is unaffected by this spell if it can't see, if it relies on senses other than sight, such as blindsight, or if it can perceive illusions as false, as with truesight.

Swarmkeeper

Classes Tasha’s Cauldron of Everything

. Other Swarmkeepers enjoy building vibrant communities that work for the mutual benefit of all those they consider part of their swarm. A Swarmkeeper’s swarm and spells are reflections of the

into the swarm, instead of a cloud of mist, or the arcane eye spell could create an extension of your swarm that spies for you. Such descriptions don’t change the effects of spells, but they are

Vedalken

Species Guildmasters’ Guide to Ravnica

feelings about them. To members of other races, vedalken often seem cold, even emotionless. That assessment isn’t fair—they feel emotion every bit as intensely as other folk do, but they are

skilled at not displaying it. Cool rationality guides their actions, they make and follow careful plans, and they are patient enough to do nothing when the ideal outcome relies on such inaction

Mind Crystal

Magic Items Phandelver and Below: The Shattered Obelisk

These gemstones contain a crystallized bit of spellcasting magic. Different types of mind crystals exist, each with a different single-use effect. When you cast a spell that has a casting time of 1

saving throw it makes against the spell. Mind Crystal (Quickened);Quickened (Rare). You change the spell’s casting time to 1 bonus action for this casting. Mind Crystal (Subtle);Subtle (Common). You cast the spell without any somatic or verbal components for this casting.

Tortle Legacy

Species The Tortle Package

watch a frog croaking on a lily pad, or to stand in a crowded human marketplace. Tortles like to learn new skills. They craft their own tools and weapons, and they are good at building structures and

put to use when building forts to contain their offspring. Although they spend a considerable portion of their lives in isolation, tortles are social creatures that like to form meaningful

Eladrin Legacy

Species Mordenkainen’s Tome of Foes

finishing a long rest, any eladrin can change their season. An eladrin might choose the season that is present in the world or perhaps the season that most closely matches the eladrin’s current

emotional state. For example, an eladrin might shift to autumn if filled with contentment, another eladrin could change to winter if plunged into sorrow, still another might be bursting with joy and become an

Swarmkeeper (TCoE)

Classes Tasha’s Cauldron of Everything

. Other Swarmkeepers enjoy building vibrant communities that work for the mutual benefit of all those they consider part of their swarm. A Swarmkeeper’s swarm and spells are reflections of the

into the swarm, instead of a cloud of mist, or the arcane eye spell could create an extension of your swarm that spies for you. Such descriptions don’t change the effects of spells, but they are

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

. 3 I’m eager to explain every detail of my most intricate experiments and theories to anyone who shows the least bit of interest. 4 I assume that everyone needs even the most basic

in my communication. Ideals d6 Ideal 1 Guild. My guild is all that really matters. (Any) 2 Change. All life is meant to progress toward perfection, and

Goliath Legacy

Species Elemental Evil Player's Companion

elements that can tip the balance one way or the other. Goliaths happily rely on such benefits, but they are careful to remember that such an advantage can always be lost. A goliath who relies too

the one tasked with doing it. A goliath’s nickname is a description that can change on the whim of a chieftain or tribal elder. It refers to a notable deed, either a success or failure

Topaz Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

":"1d6","rollType":"roll","rollAction":"Ideal"} Ideal 1 Solitude. My own company obviates the need for others in my life, whether they are dragons or lesser creatures. (Any) 2 Change

, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the

Young Topaz Dragon

Monsters Fizban's Treasury of Dragons

","rollAction":"Ideal"} Ideal 1 Solitude. My own company obviates the need for others in my life, whether they are dragons or lesser creatures. (Any) 2 Change. Consistency is stagnation

to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the dragon’s clutches

Adult Topaz Dragon

Monsters Fizban's Treasury of Dragons

) 2 Change. Consistency is stagnation. (Chaotic) 3 Mental Superiority. I hone my mental powers so I can confuse, control, or kill any who annoy me. (Evil) 4 Territoriality. Any creature

from the sea, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter

Azorius Functionary

Backgrounds Guildmasters’ Guide to Ravnica

. 8 I never change my mind once it’s made up. Ideals d6 Ideal 1 Guild. My guild is all that really matters. (Any) 2 Order. The law is meant to ensure

best at everything in my legal training, and now I work with the person who was always just a little bit better. 6 A good friend was promoted into work they can’t tell me about. 7 I

Ending

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Ending The ending encompasses the climax — the scene or encounter in which the tension building throughout the adventure reaches its peak. A strong climax should have the players on edge, with the

in a neat bow. Story threads can be left hanging, waiting to be resolved in a later adventure. A little bit of unfinished business is an easy way to transition from one adventure to the next.

Ending

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Ending The ending encompasses the climax — the scene or encounter in which the tension building throughout the adventure reaches its peak. A strong climax should have the players on edge, with the

in a neat bow. Story threads can be left hanging, waiting to be resolved in a later adventure. A little bit of unfinished business is an easy way to transition from one adventure to the next.

Ending

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Ending The ending encompasses the climax — the scene or encounter in which the tension building throughout the adventure reaches its peak. A strong climax should have the players on edge, with the

in a neat bow. Story threads can be left hanging, waiting to be resolved in a later adventure. A little bit of unfinished business is an easy way to transition from one adventure to the next.

Ancient Topaz Dragon

Monsters Fizban's Treasury of Dragons

lesser creatures. (Any) 2 Change. Consistency is stagnation. (Chaotic) 3 Mental Superiority. I hone my mental powers so I can confuse, control, or kill any who annoy me. (Evil) 4

injured and stranded far from the sea, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching

7: Bank

Compendium - Sources->Dungeons & Dragons->Heroes of the Borderlands

bank sports a teller’s window with a drop-down counter. A bespectacled halfling woman in a silk tabard sits behind the glass. Outside, a bored human guard stands watch. The banker, Quink, relies on the

provisioner’s shop can outfit you with quality gear.” (True) “I’ve heard dragons are a bit like bankers—we obsess over every coin. If you ever encounter a dragon, don’t touch its hoard unless you want to

7: Bank

Compendium - Sources->Dungeons & Dragons->Heroes of the Borderlands

bank sports a teller’s window with a drop-down counter. A bespectacled halfling woman in a silk tabard sits behind the glass. Outside, a bored human guard stands watch. The banker, Quink, relies on the

provisioner’s shop can outfit you with quality gear.” (True) “I’ve heard dragons are a bit like bankers—we obsess over every coin. If you ever encounter a dragon, don’t touch its hoard unless you want to

7: Bank

Compendium - Sources->Dungeons & Dragons->Heroes of the Borderlands

bank sports a teller’s window with a drop-down counter. A bespectacled halfling woman in a silk tabard sits behind the glass. Outside, a bored human guard stands watch. The banker, Quink, relies on the

provisioner’s shop can outfit you with quality gear.” (True) “I’ve heard dragons are a bit like bankers—we obsess over every coin. If you ever encounter a dragon, don’t touch its hoard unless you want to

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

change over the course of the session? Turns of Phrase. Were there any words or bits of narration you really liked? (If so, jot them down.) World-building. What elements of the DM’s world or the adventure grabbed your attention?

Ancient Deep Dragon Legacy

Monsters Fizban's Treasury of Dragons

. Change Shape. The dragon magically transforms into any creature that is Medium or Small, while retaining its game statistics (other than its size). This transformation ends if the dragon is reduced to 0

, they use local settlements—and any competent visitors—as pawns in their struggle. 4 An ancient deep dragon has put the folk of a city to work building the dragon a metropolis to rule

Mirror Image

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

with an attack during the spell’s duration, roll a d20 to determine whether the attack instead targets one of your duplicates. If you have three duplicates, you must roll a 6 or higher to change the

destroyed. A creature is unaffected by this spell if it can’t see, if it relies on senses other than sight, such as blindsight, or if it can perceive illusions as false, as with truesight.

Mirror Image

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

with an attack during the spell’s duration, roll a d20 to determine whether the attack instead targets one of your duplicates. If you have three duplicates, you must roll a 6 or higher to change the

destroyed. A creature is unaffected by this spell if it can’t see, if it relies on senses other than sight, such as blindsight, or if it can perceive illusions as false, as with truesight.

Mirror Image

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

with an attack during the spell’s duration, roll a d20 to determine whether the attack instead targets one of your duplicates. If you have three duplicates, you must roll a 6 or higher to change the

destroyed. A creature is unaffected by this spell if it can’t see, if it relies on senses other than sight, such as blindsight, or if it can perceive illusions as false, as with truesight.

Mirror Image

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

with an attack during the spell’s duration, roll a d20 to determine whether the attack instead targets one of your duplicates. If you have three duplicates, you must roll a 6 or higher to change the

destroyed. A creature is unaffected by this spell if it can’t see, if it relies on senses other than sight, such as blindsight, or if it can perceive illusions as false, as with truesight.

Mirror Image

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

with an attack during the spell’s duration, roll a d20 to determine whether the attack instead targets one of your duplicates. If you have three duplicates, you must roll a 6 or higher to change the

destroyed. A creature is unaffected by this spell if it can’t see, if it relies on senses other than sight, such as blindsight, or if it can perceive illusions as false, as with truesight.

Siege Weapon Sabotage

Compendium - Sources->Dungeons & Dragons->Hold Back The Dead

back away while we work.” “Corlie” is actually a Doppelganger, and the three human squires (Medium, Neutral Evil Scouts) are loyal to the Red Wizards. Characters suspicious of this unexpected change

realizes that this Corlie is an imposter; she is a bit too tall, and her voice a bit too low. If the characters allow, the false Corlie and squires move to the siege weapon and begin attacking it

Mirror Image

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

with an attack during the spell’s duration, roll a d20 to determine whether the attack instead targets one of your duplicates. If you have three duplicates, you must roll a 6 or higher to change the

destroyed. A creature is unaffected by this spell if it can’t see, if it relies on senses other than sight, such as blindsight, or if it can perceive illusions as false, as with truesight.

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