blending basic diffusing contact receive - Search

Commune

Spells Player’s Handbook

You contact a deity or a divine proxy and ask up to three questions that can be answered with yes or no. You must ask your questions before the spell ends. You receive a correct answer for each

question. Divine beings aren’t necessarily omniscient, so you might receive “unclear” as an answer if a question pertains to information that lies beyond the deity’s knowledge. In

Commune Legacy

Spells Basic Rules (2014)

You contact your deity or a divine proxy and ask up to three questions that can be answered with a yes or no. You must ask your questions before the spell ends. You receive a correct answer for each

question. Divine beings aren't necessarily omniscient, so you might receive "unclear" as an answer if a question pertains to information that lies beyond the deity's knowledge. In a case where a one

Lizardfolk Legacy

Species Volo's Guide to Monsters

basic principles than those of warm-blooded creatures. Their dismal swamp homes might lie hundreds of miles from the nearest human settlement, but the gap between their way of thinking and that of the

. For example, humans confronted by an angry troll experience fear on a basic level. Their limbs shake, their thinking becomes panicked and jumbled, and they react by instinct. The emotion of fear takes

Boros Legionnaire

Backgrounds Guildmasters’ Guide to Ravnica

and receive the attention of medics. You are also paid a salary of 1 gp (a Boros-minted 1-zino coin) per week, which (combined with free lodging in your garrison) enables you to maintain a poor

-Boros Contacts table. Boros Contacts d8 Contact 1 A former comrade in arms was promoted into the prestigious Sunhome Guard. 2 One of my parents is a ranking Boros officer

Dimir Operative

Backgrounds Guildmasters’ Guide to Ravnica

met my guild contact, but I receive telepathic messages, usually in my dreams. 5 I’ve never met my guild contact, but I get coded messages from a pattern of street lights and graffiti

Contacts table, giving you an ally who serves as your contact in Dimir. Then roll twice on the table for your secondary guild. The first roll gives you an ally there, and the second roll gives you a rival

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

. 3 I’m eager to explain every detail of my most intricate experiments and theories to anyone who shows the least bit of interest. 4 I assume that everyone needs even the most basic

abundant connections among the Simic. The guild members live in watery sinkholes called zonots, and their isolation shelters them from much contact with outsiders. Nonetheless, a fair number of Simic

Selesnya Initiate

Backgrounds Guildmasters’ Guide to Ravnica

member you can receive free healing and care at a Selesnya enclave, though you must provide any material components needed for spells. Selesnya Guild Spells Prerequisite: Spellcasting or Pact Magic

. Selesnya Contacts d8 Contact 1 A wise centaur trainer believed in me even though I was a terrible student. 2 A good friend has risen to become a Ledev guardian. 3 I left

Chapter 4: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

ones, this chapter helps you create fun and memorable experiences for your players. Creating an adventure involves blending scenes of exploration, social interaction, and combat into a unified whole

that meets the needs of your players and your campaign. The basic elements of good storytelling should guide you throughout this process, joining the encounters into a coherent story.

Chapter 4: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

ones, this chapter helps you create fun and memorable experiences for your players. Creating an adventure involves blending scenes of exploration, social interaction, and combat into a unified whole

that meets the needs of your players and your campaign. The basic elements of good storytelling should guide you throughout this process, joining the encounters into a coherent story.

Chapter 4: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

ones, this chapter helps you create fun and memorable experiences for your players. Creating an adventure involves blending scenes of exploration, social interaction, and combat into a unified whole

that meets the needs of your players and your campaign. The basic elements of good storytelling should guide you throughout this process, joining the encounters into a coherent story.

Izzet Engineer

Backgrounds Guildmasters’ Guide to Ravnica

basic knowledge of the structure of buildings, including the stuff behind the walls. You can also find blueprints of a specific building in order to learn the details of its construction. Such

. Izzet Contacts d8 Contact 1 An older relative is a member of the guild’s board of directors. 2 I know a sprite who carries important messages among the guild’s

Entertainer - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

court. At such a place, you receive free lodging and food of a modest or comfortable standard (depending on the quality of the establishment), as long as you perform each night. In addition, your

occupation or social class that frequents the establishment. This contact is delighted to talk with you, and to listen. Variant Entertainer: Gladiator A gladiator is as much an

Chapter 3: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

published adventures, you’ll find advice in this chapter to help you create a fun and memorable experience for your players. Creating an adventure involves blending scenes of exploration, social

interaction, and combat into a unified whole that meets the needs of your players and your campaign. But it’s more than that. The basic elements of good storytelling should guide you throughout this process, so your players experience the adventure as a story and not a disjointed series of encounters.

Chapter 3: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

published adventures, you’ll find advice in this chapter to help you create a fun and memorable experience for your players. Creating an adventure involves blending scenes of exploration, social

interaction, and combat into a unified whole that meets the needs of your players and your campaign. But it’s more than that. The basic elements of good storytelling should guide you throughout this process, so your players experience the adventure as a story and not a disjointed series of encounters.

Chapter 3: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

published adventures, you’ll find advice in this chapter to help you create a fun and memorable experience for your players. Creating an adventure involves blending scenes of exploration, social

interaction, and combat into a unified whole that meets the needs of your players and your campaign. But it’s more than that. The basic elements of good storytelling should guide you throughout this process, so your players experience the adventure as a story and not a disjointed series of encounters.

Languages

Compendium - Sources->Dungeons & Dragons->Monster Manual (2014)

receive and respond to telepathic messages but can’t initiate or terminate a telepathic conversation. A telepathic monster doesn’t need to see a contacted creature and can end the telepathic contact at any