blending bhaal diffusing call read

Scion of the Three

Classes Forgotten Realms: Heroes of Faerûn

Become a Gruesome Agent of Malice A Scion of the Three draws power from a group of malevolent gods known in Baldur’s Gate as the Dead Three: Bane, a god of tyranny; Bhaal, a god of violence

mortals before ascending to godhood. Underground cults to Bane, Bhaal, and Myrkul often count Scions of the Three among their most useful agents. Outside Baldur’s Gate, secular thieves’ guilds

Night Blade

Monsters Baldur’s Gate: Descent into Avernus

charming and disarming when they wish, but in combat their true, bloodthirsty nature comes to the fore. Bloodletters. All cultists of Bhaal learn to call upon their god’s power to leave their

cause terrible pain and bleeding. Killers from the Shadows. Bhaal’s followers are cunning murderers who kill to strike fear and thrive on sowing terror in the cities they inhabit. They can call

Reaper of Bhaal

Monsters Baldur’s Gate: Descent into Avernus

the cities they inhabit. They can call upon their god's power to blend into the shadows with ease, or even turn invisible for a crucial moment. Cult Ranks. Low-ranking cultists of Bhaal are called night

, carrying out gruesome murders to spread fear and horror. They are charming and disarming when they wish, but in combat their true, bloodthirsty nature comes to the fore. Bloodletters. All cultists of Bhaal

Death's Head of Bhaal

Monsters Baldur’s Gate: Descent into Avernus

. They are charming and disarming when they wish, but in combat their true, bloodthirsty nature comes to the fore. Bloodletters. All cultists of Bhaal learn to call upon their god's power to leave their

terrible pain and bleeding. Killers from the Shadows. Bhaal's followers are cunning murderers who kill to strike fear and thrive on sowing terror in the cities they inhabit. They can call upon their god's

Sword of Kas Legacy

Magic Items Dungeon Master’s Guide (2014)

) from it: call lightning, divine word, or finger of death. Once you use the sword to cast a spell, you can’t cast that spell again from it until the next dawn. Sentience. The Sword of Kas is a

its wielder and can speak, read, and understand Common. Personality. The sword’s purpose is to bring ruin to Vecna. Killing Vecna’s worshipers, destroying the lich’s works, and

Shifter Legacy

races Mordenkainen Presents: Monsters of the Multiverse

they can temporarily enhance their animalistic features by entering a state they call shifting. Shifters are similar to humans in height and build but are typically more lithe and flexible. Their

raise any of your scores above 20. Languages Your character can speak, read, and write Common and one other language that you and your DM agree is appropriate for the character. The Player’s

Arasta

Monsters Mythic Odysseys of Theros

is a formidable enemy under normal circumstances, but to give characters a truly mythic challenge, you can have her call on her Armor of Spiders. Her use of this trait signals a drastic turn in the

encounter, as Arasta summons her arachnid children to protect her. While she has temporary hit points from this trait, she can choose one of her mythic actions when she uses a legendary action. Read or

Wand of Orcus Legacy

Magic Items Dungeon Master’s Guide (2014)

spells using 2 fewer charges (minimum of 0). Call Undead. While you are holding the wand, you can use an action to conjure skeleton;skeletons and zombie;zombies, calling forth as many of them as you

to a range of 120 feet. The wand communicates telepathically with its wielder and can speak, read, and understand Abyssal and Common. Personality. The wand’s purpose is to help satisfy Orcus

Chapter 3: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

, traps, puzzles, and conflicts. When you design an adventure, you call the shots. You do things exactly the way you want to. Fundamentally, adventures are stories. An adventure shares many of the

published adventures, you’ll find advice in this chapter to help you create a fun and memorable experience for your players. Creating an adventure involves blending scenes of exploration, social

Chapter 3: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

, traps, puzzles, and conflicts. When you design an adventure, you call the shots. You do things exactly the way you want to. Fundamentally, adventures are stories. An adventure shares many of the

published adventures, you’ll find advice in this chapter to help you create a fun and memorable experience for your players. Creating an adventure involves blending scenes of exploration, social

Chapter 3: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

, traps, puzzles, and conflicts. When you design an adventure, you call the shots. You do things exactly the way you want to. Fundamentally, adventures are stories. An adventure shares many of the

published adventures, you’ll find advice in this chapter to help you create a fun and memorable experience for your players. Creating an adventure involves blending scenes of exploration, social

Meeting Captain Zodge