building burden diffusing craft run

Pirate Legacy

Backgrounds Player’s Handbook (2014)

You sailed on a seagoing vessel for years. In that time, you faced down mighty storms, monsters of the deep, and those who wanted to sink your craft to the bottomless depths. Your first love is the

board—boatswain, captain, navigator, cook, or some other position? Who were the captain and first mate? Did you leave your ship on good terms with your fellows, or on the run? You spent your youth

Tortle Legacy

races The Tortle Package

watch a frog croaking on a lily pad, or to stand in a crowded human marketplace. Tortles like to learn new skills. They craft their own tools and weapons, and they are good at building structures and

put to use when building forts to contain their offspring. Although they spend a considerable portion of their lives in isolation, tortles are social creatures that like to form meaningful

Sailor Legacy

Backgrounds Player’s Handbook (2014)

You sailed on a seagoing vessel for years. In that time, you faced down mighty storms, monsters of the deep, and those who wanted to sink your craft to the bottomless depths. Your first love is the

board—boatswain, captain, navigator, cook, or some other position? Who were the captain and first mate? Did you leave your ship on good terms with your fellows, or on the run? Skill

Haunted One

Backgrounds Curse of Strahd: Character Options

You are haunted by something so terrible that you dare not speak of it. You’ve tried to bury it and run away from it, to no avail. Whatever this thing is that haunts you can’t be slain

with a sword or banished with a spell. It might come to you as a shadow on the wall, a bloodcurdling nightmare, a memory that refuses to die, or a demonic whisper in the dark. The burden has taken its

Topaz Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

visibly in the gem-like spines that run in a ridge from the crown of the head to the tip of the tail. These spines hover above a living topaz dragon’s back, dancing and shifting with the dragon

, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the

Young Topaz Dragon

Monsters Fizban's Treasury of Dragons

spines that run in a ridge from the crown of the head to the tip of the tail. These spines hover above a living topaz dragon’s back, dancing and shifting with the dragon’s mood. Embodiment of

to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the dragon’s clutches

Sailor - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

, characters with this background are common. You sailed on a seagoing vessel for years. In that time, you faced down mighty storms, monsters of the deep, and those who wanted to sink your craft to

fellows, or on the run? Skill Proficiencies: Athletics, Perception Tool Proficiencies: Navigator’s tools, vehicles (water) Equipment: A belaying pin (club), 50 feet of silk rope, a lucky

Creating Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

to run. Beyond that, a well-crafted encounter usually has a straightforward objective as well as some connection to the overarching story of your campaign, building on the encounters that precede it

Creating Encounters Encounters are the individual scenes in the larger story of your adventure. First and foremost, an encounter should be fun for the players. Second, it shouldn’t be burden for you

Creating Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

to run. Beyond that, a well-crafted encounter usually has a straightforward objective as well as some connection to the overarching story of your campaign, building on the encounters that precede it

Creating Encounters Encounters are the individual scenes in the larger story of your adventure. First and foremost, an encounter should be fun for the players. Second, it shouldn’t be burden for you

Creating Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

to run. Beyond that, a well-crafted encounter usually has a straightforward objective as well as some connection to the overarching story of your campaign, building on the encounters that precede it

Creating Encounters Encounters are the individual scenes in the larger story of your adventure. First and foremost, an encounter should be fun for the players. Second, it shouldn’t be burden for you

Izzet Engineer

Backgrounds Guildmasters’ Guide to Ravnica

basic knowledge of the structure of buildings, including the stuff behind the walls. You can also find blueprints of a specific building in order to learn the details of its construction. Such

suspension. 7 Great ideas are fine, but great results are what counts. 8 If you can guess what I’m about to do, that means I’ve run out of imagination. Ideals d6

Shipwright

Backgrounds Ghosts of Saltmarsh

. 4 I repair broken things to redeem what’s broken in myself. 5 I will craft a boat capable of sailing through the most dangerous of storms. 6 A kraken destroyed my masterpiece; its

don’t belong to me, especially if they are very well made. Saltmarsh Ties Ships make Saltmarsh’s economy run. You have contacts with one of the following leaders in town. Choose

Sage - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

craft dangerous magical wares without batting an eyelash. Whenever a noteworthy crime or mysterious happening occurs in the city, you immediately have a list of 1d4 suspects who, if they aren’t

back. d6 Flaw 1 I am easily distracted by the promise of information. 2 Most people scream and run when they see a demon. I stop and take notes on its anatomy. 3

Undead Attack

Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath

Triboar Trail and the High Road. Two entrances into the building are apparent: a smaller one at the northern corner, and a larger one, suitable for beasts of burden and wagons, near the first. Right now

Undead Attack This encounter occurs at night. As the characters approach the junction of the Triboar Trail and the High Road, set the scene: An oddly shaped building sits at the juncture of the

Undead Attack

Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath

Triboar Trail and the High Road. Two entrances into the building are apparent: a smaller one at the northern corner, and a larger one, suitable for beasts of burden and wagons, near the first. Right now

Undead Attack This encounter occurs at night. As the characters approach the junction of the Triboar Trail and the High Road, set the scene: An oddly shaped building sits at the juncture of the

Undead Attack

Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath

Triboar Trail and the High Road. Two entrances into the building are apparent: a smaller one at the northern corner, and a larger one, suitable for beasts of burden and wagons, near the first. Right now

Undead Attack This encounter occurs at night. As the characters approach the junction of the Triboar Trail and the High Road, set the scene: An oddly shaped building sits at the juncture of the

Dragons in Play

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Dragons in Play This chapter is intended for the Dungeon Master. The ideas and tables herein can help inspire you as you prepare to use dragons in your D&D game, whether you’re building a single

divided into five main sections: “Roleplaying Dragons” presents tips and tricks for building a dragon character as complex and distinctive as any other villain, ally, or mysterious figure in your

Dragons in Play

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Dragons in Play This chapter is intended for the Dungeon Master. The ideas and tables herein can help inspire you as you prepare to use dragons in your D&D game, whether you’re building a single

divided into five main sections: “Roleplaying Dragons” presents tips and tricks for building a dragon character as complex and distinctive as any other villain, ally, or mysterious figure in your

Dragons in Play

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Dragons in Play This chapter is intended for the Dungeon Master. The ideas and tables herein can help inspire you as you prepare to use dragons in your D&D game, whether you’re building a single

divided into five main sections: “Roleplaying Dragons” presents tips and tricks for building a dragon character as complex and distinctive as any other villain, ally, or mysterious figure in your

Missing Players

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

should strive to keep the character alive and use resources wisely. Run the character yourself. It’s an extra burden for you, but it can work. Decide the character isn’t there. Invent a good reason for

Missing Players How should you deal with the characters of missing players? Consider these options: Have another player run the missing player’s character. The player running the extra character

Criminal - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

Guild took over your family business, ran it into the ground, and burned the building for insurance money. You were driven into crime yourself, but you’ll never work for the Guild. You take

tail and run when things look bad. 6 An innocent person is in prison for a crime that I committed. I’m okay with that.

Missing Players

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

should strive to keep the character alive and use resources wisely. Run the character yourself. It’s an extra burden for you, but it can work. Decide the character isn’t there. Invent a good reason for

Missing Players How should you deal with the characters of missing players? Consider these options: Have another player run the missing player’s character. The player running the extra character

Missing Players

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

should strive to keep the character alive and use resources wisely. Run the character yourself. It’s an extra burden for you, but it can work. Decide the character isn’t there. Invent a good reason for

Missing Players How should you deal with the characters of missing players? Consider these options: Have another player run the missing player’s character. The player running the extra character

Exploration Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

exploration encounter could also involve the characters spending a day crossing a rolling plain or traversing vast caverns. The “Running Exploration” section in chapter 2 can help you craft these encounters as

well as run them. Various sections in chapter 3 can also help you detail obstacles and dangers in an exploration encounter: see “Chases,” “Curses and Magical Contagions,” “Doors,” “Environmental Effects,” “Hazards,” “Poison,” and “Traps” in particular.

Exploration Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

exploration encounter could also involve the characters spending a day crossing a rolling plain or traversing vast caverns. The “Running Exploration” section in chapter 2 can help you craft these encounters as

well as run them. Various sections in chapter 3 can also help you detail obstacles and dangers in an exploration encounter: see “Chases,” “Curses and Magical Contagions,” “Doors,” “Environmental Effects,” “Hazards,” “Poison,” and “Traps” in particular.

Kenku Legacy

races Volo's Guide to Monsters

at the burned-out building, a sudden cacophony erupted around us. Birds squawked, cats hissed, and dogs growled. Lidda hustled us back to the city’s safer avenues. Only when we were back within

legitimate trades. These kenku adopt noises made as part of their craft. A sailor duplicates the sound of a fluttering sail, while a smith mimics the clanging of a hammer on metal. Non-kenku describe these folk by their trade sounds, such as Sail Snap, Hammerer, and Cutter.

Exploration Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

exploration encounter could also involve the characters spending a day crossing a rolling plain or traversing vast caverns. The “Running Exploration” section in chapter 2 can help you craft these encounters as

well as run them. Various sections in chapter 3 can also help you detail obstacles and dangers in an exploration encounter: see “Chases,” “Curses and Magical Contagions,” “Doors,” “Environmental Effects,” “Hazards,” “Poison,” and “Traps” in particular.

Joint DMs

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters step out of the action when their players take their turns as DM. Joint DMs can also team up to run each session of a campaign, with each DM focusing on the aspects of the game they most

enjoy or the DMs trading focus from session to session. One DM might run combat description and keep a battle moving while the other focuses on miniatures and music. The two DMs can play two different

Joint DMs

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters step out of the action when their players take their turns as DM. Joint DMs can also team up to run each session of a campaign, with each DM focusing on the aspects of the game they most

enjoy or the DMs trading focus from session to session. One DM might run combat description and keep a battle moving while the other focuses on miniatures and music. The two DMs can play two different

Joint DMs

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters step out of the action when their players take their turns as DM. Joint DMs can also team up to run each session of a campaign, with each DM focusing on the aspects of the game they most

enjoy or the DMs trading focus from session to session. One DM might run combat description and keep a battle moving while the other focuses on miniatures and music. The two DMs can play two different

Haunted One

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

Haunted One You are haunted by something so terrible that you dare not speak of it. You’ve tried to bury it and run away from it, to no avail. Whatever this thing is that haunts you can’t be slain

with a sword or banished with a spell. It might come to you as a shadow on the wall, a bloodcurdling nightmare, a memory that refuses to die, or a demonic whisper in the dark. The burden has taken its

Haunted One

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Haunted One You are haunted by something so terrible that you dare not speak of it. You’ve tried to bury it and run away from it, to no avail. Whatever this thing is that haunts you can’t be slain

with a sword or banished with a spell. It might come to you as a shadow on the wall, a bloodcurdling nightmare, a memory that refuses to die, or a demonic whisper in the dark. The burden has taken its

Haunted One

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Haunted One You are haunted by something so terrible that you dare not speak of it. You’ve tried to bury it and run away from it, to no avail. Whatever this thing is that haunts you can’t be slain

with a sword or banished with a spell. It might come to you as a shadow on the wall, a bloodcurdling nightmare, a memory that refuses to die, or a demonic whisper in the dark. The burden has taken its

Approaching the City

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

noisy or repugnant for more genteel citizens. Here travelers must leave any sizable mounts or beasts of burden at one of countless stables and caravanserais before paying the fees to pass through the

gates into the city proper. Travelers from the south are twice blessed in this regard, paying once for the bridge at Wyrm’s Crossing and again once they’ve run the gauntlet of Outer City neighborhoods

Haunted One

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

Haunted One You are haunted by something so terrible that you dare not speak of it. You’ve tried to bury it and run away from it, to no avail. Whatever this thing is that haunts you can’t be slain

with a sword or banished with a spell. It might come to you as a shadow on the wall, a bloodcurdling nightmare, a memory that refuses to die, or a demonic whisper in the dark. The burden has taken its

D&D Beyond

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