burned break diffusing consult resolve

Silverquill Professor of Shadow

Monsters Strixhaven: A Curriculum of Chaos

wit and debilitating inky shadow. Whether weaving their magic through spoken incantations and scathing insults or through shadows, these teachers break down the resolve of their foes. The professors

focus on words that find the tiniest, most invisible cracks in an opponent’s defenses and break them. Silverquill Scholars The scholars of Silverquill College study the power of magic shaped

Juiblex

Monsters Mordenkainen Presents: Monsters of the Multiverse

the first time on a turn or ends its turn there, that creature must make the same save. The slime lasts for 1 hour or until it is burned away with fire. If the slime is set on fire, it burns away

as it remains in the slimy area or until it breaks free. The restrained creature, or another creature that can reach it, can use its action to try to break free and must succeed on a DC 21 Strength

Juiblex Legacy

Monsters Out of the Abyss

lair. The area can be up to 10 feet on a side. The slime lasts for 1 hour or until it is burned away with fire. When the slime appears, each creature in that area must succeed on a DC 21 Strength

remains in the slimy area or until it breaks free. The restrained creature, or another creature who can reach it, can use its action to try to break free and must succeed on a DC 21 Strength check

Valaara

monsters

next turn deals 1 Fire damage to the creature and kills the rot grubs, ending the effect. After this time, the rot grubs are too far under the skin to be burned. Discordant Cicadas. Wisdom Saving

, but it’s also possible to collapse a passage and break a connection. The upper tunnels of Valaara’s realm are usually formed of fused glass-like material, then as explorers delve deeper

Kenku Legacy

Species Volo's Guide to Monsters

at the burned-out building, a sudden cacophony erupted around us. Birds squawked, cats hissed, and dogs growled. Lidda hustled us back to the city’s safer avenues. Only when we were back within

. Others strike out on their own in search of the secrets of flight, to master magic, or to uncover the secret of their curse and find a method to break it. Kenku adventurers, despite their relative

Kobold

Species Mordenkainen Presents: Monsters of the Multiverse

a scale color more akin to that of a chromatic or a metallic dragon. A kobold’s cry can express a range of emotion: anger, resolve, elation, fear, and more. Regardless of the emotion expressed

that humans have in our world. If you’d like to determine your character’s height or weight randomly, consult the Random Height and Weight table in the Player’s Handbook, and choose the row in the table that best represents the build you imagine for your character.

Strahd von Zarovich

Monsters Curse of Strahd

against other members of the adventuring party. The Vampire’s Minions Whenever Strahd appears in a location other than his tomb or the place indicated by the card reading, roll a d20 and consult

, provided it has at least 1 hit point remaining. Strahd can, as a bonus action on his turn, break his link to the Heart of Sorrow so that it no longer absorbs damage dealt to him. Strahd can

Confronting Galin

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

Confronting Galin If confronted with evidence against him, Galin accuses the adventurers (publicly if necessary) of being in league with the cult and attempting to break the resolve of Altand’s

Tiers of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

hopes of striking a useful alliance. The tiers of play represent the ideal milestones for introducing new world-shaking events to the campaign. As the characters resolve one event, a new danger arises

increasingly powerful. This approach also allows you to break your design work down into smaller pieces. Create material such as adventures, NPCs, maps, and so on for one tier at a time. You only need to worry

Tiers of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

hopes of striking a useful alliance. The tiers of play represent the ideal milestones for introducing new world-shaking events to the campaign. As the characters resolve one event, a new danger arises

increasingly powerful. This approach also allows you to break your design work down into smaller pieces. Create material such as adventures, NPCs, maps, and so on for one tier at a time. You only need to worry

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

immune to effects that require other saves. When an object drops to 0 hit points, it breaks. A character can also attempt a Strength check to break an object. The DM sets the DC for any such check.

Confronting Galin

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

Confronting Galin If confronted with evidence against him, Galin accuses the adventurers (publicly if necessary) of being in league with the cult and attempting to break the resolve of Altand’s

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

immune to effects that require other saves. When an object drops to 0 hit points, it breaks. A character can also attempt a Strength check to break an object. The DM sets the DC for any such check.

Confronting Galin

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

Confronting Galin If confronted with evidence against him, Galin accuses the adventurers (publicly if necessary) of being in league with the cult and attempting to break the resolve of Altand’s

Tiers of Play

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

hopes of striking a useful alliance. The tiers of play represent the ideal milestones for introducing new world-shaking events to the campaign. As the characters resolve one event, a new danger arises

increasingly powerful. This approach also allows you to break your design work down into smaller pieces. Create material such as adventures, NPCs, maps, and so on for one tier at a time. You only need to worry

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

immune to effects that require other saves. When an object drops to 0 hit points, it breaks. A character can also attempt a Strength check to break an object. The DM sets the DC for any such check.

Confronting Galin

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

Confronting Galin If confronted with evidence against him, Galin accuses the adventurers (publicly if necessary) of being in league with the cult and attempting to break the resolve of Altand’s

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

immune to effects that require other saves. When an object drops to 0 hit points, it breaks. A character can also attempt a Strength check to break an object. The DM sets the DC for any such check.

Confronting Galin

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

Confronting Galin If confronted with evidence against him, Galin accuses the adventurers (publicly if necessary) of being in league with the cult and attempting to break the resolve of Altand’s

Confronting Galin

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

Confronting Galin If confronted with evidence against him, Galin accuses the adventurers (publicly if necessary) of being in league with the cult and attempting to break the resolve of Altand’s

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

immune to effects that require other saves. When an object drops to 0 hit points, it breaks. A character can also attempt a Strength check to break an object. The DM sets the DC for any such check.

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

immune to effects that require other saves. When an object drops to 0 hit points, it breaks. A character can also attempt a Strength check to break an object. The DM sets the DC for any such check.

Travel-Montage Approach

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

encounter nothing of interest” is okay, but far less evocative and memorable than, “A light rain dampens the rolling plains as you travel north. Around midday, you break for lunch under a lonely tree

trees, an area where the forest has burned or been cut down, and so on. Also describe notable smells and sounds, such as the roar of a faraway monster, the stench of burned wood, or the sweet aroma

Travel-Montage Approach

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

encounter nothing of interest” is okay, but far less evocative and memorable than, “A light rain dampens the rolling plains as you travel north. Around midday, you break for lunch under a lonely tree

trees, an area where the forest has burned or been cut down, and so on. Also describe notable smells and sounds, such as the roar of a faraway monster, the stench of burned wood, or the sweet aroma

Travel-Montage Approach

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

encounter nothing of interest” is okay, but far less evocative and memorable than, “A light rain dampens the rolling plains as you travel north. Around midday, you break for lunch under a lonely tree

trees, an area where the forest has burned or been cut down, and so on. Also describe notable smells and sounds, such as the roar of a faraway monster, the stench of burned wood, or the sweet aroma

Alien Technology

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

, chainsaw, or hovercraft). Then consult the Figuring Out Alien Technology table. Consider making the item break if a character fails four or more times before taking a long rest. A character who has

Meeting at the Tomb

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

are already on the scene. The overgrown cemetery sprawls beneath the eastern wall of the city. Gnarled trees and crumbling mausoleums break line of sight all around. Three humans are gathered around

citizens should find themselves engaged in an ugly bit of skulduggery involving opening a tomb. Underneath the self-deprecating manner is a stern resolve. The Kraken Society paid good money for the orb

Meeting at the Tomb

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

are already on the scene. The overgrown cemetery sprawls beneath the eastern wall of the city. Gnarled trees and crumbling mausoleums break line of sight all around. Three humans are gathered around

citizens should find themselves engaged in an ugly bit of skulduggery involving opening a tomb. Underneath the self-deprecating manner is a stern resolve. The Kraken Society paid good money for the orb

Alien Technology

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

, chainsaw, or hovercraft). Then consult the Figuring Out Alien Technology table. Consider making the item break if a character fails four or more times before taking a long rest. A character who has

Alien Technology

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

, chainsaw, or hovercraft). Then consult the Figuring Out Alien Technology table. Consider making the item break if a character fails four or more times before taking a long rest. A character who has

Meeting at the Tomb

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

are already on the scene. The overgrown cemetery sprawls beneath the eastern wall of the city. Gnarled trees and crumbling mausoleums break line of sight all around. Three humans are gathered around

citizens should find themselves engaged in an ugly bit of skulduggery involving opening a tomb. Underneath the self-deprecating manner is a stern resolve. The Kraken Society paid good money for the orb

During the Siege

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

horde soon begins overwhelming defenses nearby. Once the characters defeat a few zombies, roll 1d6 and consult the Zombie Siege Encounters table. The event rolled unfolds within sight of one of the

consult the “Concluding the Siege” section to guide the battle toward its climax. Zombie Siege Encounters d6s Encounter 1 Zombies rip apart a soldier, causing those nearby to freeze or flee

During the Siege

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

horde soon begins overwhelming defenses nearby. Once the characters defeat a few zombies, roll 1d6 and consult the Zombie Siege Encounters table. The event rolled unfolds within sight of one of the

consult the “Concluding the Siege” section to guide the battle toward its climax. Zombie Siege Encounters d6s Encounter 1 Zombies rip apart a soldier, causing those nearby to freeze or flee

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Interacting with Objects Interacting with objects is often simple to resolve. The player tells the DM that their character is doing something, such as moving a lever or opening a door, and the DM

rules glossary. Breaking Objects As an action, you can automatically break or otherwise destroy a fragile, nonmagical object, such as a glass container or a piece of paper. If you try to damage something more resilient, the DM might use the rules on breaking objects in the rules glossary.

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Interacting with Objects Interacting with objects is often simple to resolve. The player tells the DM that their character is doing something, such as moving a lever or opening a door, and the DM

rules glossary. Breaking Objects As an action, you can automatically break or otherwise destroy a fragile, nonmagical object, such as a glass container or a piece of paper. If you try to damage something more resilient, the DM might use the rules on breaking objects in the rules glossary.

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