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Returning 35 results for 'dead mythos art'.
Monsters
Mordenkainen Presents: Monsters of the Multiverse
adhered to the giant unless the giant is dead, in which case the magic works normally, freeing the petrified creature as well as ending the petrified condition on it.The surface of the world is an alien
there is permanent, so nothing there is real. What happens on the surface doesn’t matter. Promises and bargains made there needn’t be honored. Life and even art hold less value there
Monsters
Icewind Dale: Rime of the Frostmaiden
her divine spark vanishes. She is dead until the next winter solstice, when she reappears at full health in a cold, remote location of her choosing.
Frigid Aura. So long as Auril has at least 1 hit
heart of the diamond.
If Auril is killed in her third and final form, she is dead until the next winter solstice. While she is dead, her mortal worshipers lose their god-granted spells and abilities
Monsters
Van Richten’s Guide to Ravenloft
, unique monstrous slayers.
Relentless Origins
d6
Origin
1
It was left for dead and granted new life to seek revenge.
2
It was turned into a weapon of vengeance by a family member
.
Relentless Methods
d8
Method
1
Artist. The killer turns its victims into works of art, perhaps creating grisly tableaus or using their blood in the forging of new weapons.
2
Monsters
Van Richten’s Guide to Ravenloft
was left for dead and granted new life to seek revenge.
2
It was turned into a weapon of vengeance by a family member’s bargain with sinister forces.
3
It was marked by a fiend before
victims into works of art, perhaps creating grisly tableaus or using their blood in the forging of new weapons.
2
Author. The killer leaves messages, poems, song lyrics, or parts of its creative
Monsters
Fizban's Treasury of Dragons
horns and spines shift slightly with the dragons’ moods, bobbing in amusement or flaring with anger.
Art of War
The warlike sapphire dragons devise strategies and ambushes based on their
easily accessible entrances or exits at all, and trespassers who do find their way inside must then contend with a maze of corridors, dead ends, and steep inclines.
Sapphire Dragon Lair Features
The
Monsters
Eberron: Rising from the Last War
missile, shield, sleep
2nd level (3 slots): blur, detect thoughts, mirror image
3rd level (3 slots): animate dead, counterspell, fireball, fly, lightning bolt
4th level (3 slots): blight, confusion
Emerald Claw, but her motives for founding the order are buried in her past. Lady Illmarrow has no interest in ruling the living. Rather, she seeks to become Queen of the Dead.
The Mark of Death
Backgrounds
Tomb of Annihilation
original purpose and determine its builders, whether those were dwarves, elves, humans, yuan-ti, or some other known race. In addition, you can determine the monetary value of art objects more than a
no qualms about stealing from the dead.
5
I’m happier in a dusty old tomb than I am in the centers of civilization.
6
Traps don’t make me nervous. Idiots who trigger traps make
Backgrounds
Spelljammer: Adventures in Space
have camped on the petrified hulks of dead gods and narrowly escaped the psychic winds that sweep across the Astral Sea while also avoiding prolonged contact with the plane’s most dangerous
of art and magic
2
Tymora, god of good fortune
3
Fharlanghn, god of horizons and travel
4
Istus, god of fate and destiny
5
Nuada, god of war and warriors
6
Zivilyn, god
Monsters
Fizban's Treasury of Dragons
the dragons’ moods, bobbing in amusement or flaring with anger.
Art of War
The warlike sapphire dragons devise strategies and ambushes based on their ability to maneuver underground. A
trespassers who do find their way inside must then contend with a maze of corridors, dead ends, and steep inclines.
Sapphire Dragon Lair Features
The sapphire dragon lair shown in map 5.12 is a series
Backgrounds
Tomb of Annihilation
, rituals, religious beliefs, languages, and art, you have learned how tribes, empires, and all forms of society in between craft their own destinies and doom. This knowledge came to you not only through
desensitized to violence.
5
I would risk life and limb to discover a new culture or unravel the secrets of a dead one.
6
When I arrive at a new settlement for the first time, I must learn all its
monsters
the baleful will of a dead cultist. When a powerful spellcaster, usually one pledged to the Cthulhu Mythos, dies, the mage’s ambition, evil, and thirst for power linger on. This aura of evil
Command. The lesser crawling one chooses up to three willing Undead or Mythos creatures it can see. Each of the chosen creatures can take a Reaction to move up to its Speed, and each creature gains
monsters
following actions. The greater crawling one regains all expended uses at the start of each of its turns.
By My Command. The greater crawling one chooses up to three willing Undead or Mythos
shape of a human body. The collective mass of wriggling creatures possesses the mind of a dead spellcaster, long since devoured by the maggoty horde. The ingested “will” of the mage
monsters
, dead-eyed rudiment of a head swayed drunkenly from side to side. Its fore paws were extended, with talons spread wide, and its whole body was taut with murderous malignity despite its utter lack of
Old One’ however, their individual motivations remain a mystery. When found assisting a Mythos cult, their aims are as inscrutable to the cultists who work with them as they are to the
Lizardfolk
Legacy
This doesn't reflect the latest rules and lore.
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Species
Volo's Guide to Monsters
utility and importance. Nowhere does this come through as strongly as when lizardfolk deal with the dead. To a lizardfolk, a comrade who dies becomes a potential source of food. That companion might have
swamps they inhabit are filled with a staggering variety of threats. Lizardfolk focus on survival above all, without sentiment.
Lizardfolk assess everyone and everything in terms of utility. Art and
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
facet of existence—magical or otherwise—applying magic to whatever they study. At Strixhaven, historians call the spirits of the dead to aid their lessons about the past, and arcano-biologists use
necromancy to pull at life and coax out death when teaching about the natural world. Simultaneously, mage-artists sculpt elemental energy to create animate art, and arcane symbologists teach students how to recognize and understand the magical glyphs they encounter.
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
facet of existence—magical or otherwise—applying magic to whatever they study. At Strixhaven, historians call the spirits of the dead to aid their lessons about the past, and arcano-biologists use
necromancy to pull at life and coax out death when teaching about the natural world. Simultaneously, mage-artists sculpt elemental energy to create animate art, and arcane symbologists teach students how to recognize and understand the magical glyphs they encounter.
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
, armor, and weapons of long-dead foes to portraits, personal items, and oddities such as a single ancient coin or an arcane clockwork. Copper Dragon Art Objects d8 Object
1 A jeweled cloak pin
Copper Dragon Treasures Copper dragons love burnished metals, particularly those with red and yellow tones, along with gleaming gemstones of all kinds and colors. They also like fine art objects
Compendium
- Sources->Dungeons & Dragons->Tales from the Yawning Portal
Johnson, Tim Jones, Jeff Leason, Dave Sutherland, Jean Wells
Art: Dave Sutherland, Erol Otus, Darlene Pekul, Jeff Dee, David S. LaForce, Jim Roslof, Bill Willingham
The Hidden Shrine of Tamoachan (1980
: Erol Otus, Jeff Dee, Gregory K. Fleming, David S. LaForce, David C. Sutherland III
Against the Giants (1981) Design: Gary Gygax
Editing: Mike Carr, Timothy Jones, Jon Pickens, Lawrence Schick
Art
Compendium
- Sources->Dungeons & Dragons->Tales from the Yawning Portal
Johnson, Tim Jones, Jeff Leason, Dave Sutherland, Jean Wells
Art: Dave Sutherland, Erol Otus, Darlene Pekul, Jeff Dee, David S. LaForce, Jim Roslof, Bill Willingham
The Hidden Shrine of Tamoachan (1980
: Erol Otus, Jeff Dee, Gregory K. Fleming, David S. LaForce, David C. Sutherland III
Against the Giants (1981) Design: Gary Gygax
Editing: Mike Carr, Timothy Jones, Jon Pickens, Lawrence Schick
Art
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
, armor, and weapons of long-dead foes to portraits, personal items, and oddities such as a single ancient coin or an arcane clockwork. Copper Dragon Art Objects d8 Object
1 A jeweled cloak pin
Copper Dragon Treasures Copper dragons love burnished metals, particularly those with red and yellow tones, along with gleaming gemstones of all kinds and colors. They also like fine art objects
Compendium
- Sources->Dungeons & Dragons->Keys from the Golden Vault
they already helped themselves to the magic items on display in the art gallery (area P6), Eliphas considers their reward paid in full. If one or more characters died but Zorhanna survived, she makes
. If Zorhanna perished but Eliphas survived, he calls in a few favors to raise characters from the dead.
Compendium
- Sources->Dungeons & Dragons->Keys from the Golden Vault
they already helped themselves to the magic items on display in the art gallery (area P6), Eliphas considers their reward paid in full. If one or more characters died but Zorhanna survived, she makes
. If Zorhanna perished but Eliphas survived, he calls in a few favors to raise characters from the dead.
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
. Lizardfolk focus on survival above all, without sentiment. Lizardfolk assess everyone and everything in terms of utility. Art and beauty have little meaning for them. A sharp sword serves a useful
and good purpose, while a dull sword is a dead weight without a whetstone. Lizardfolk see little need to plan more than a season or so into the future. This approach allows them to maintain their
Compendium
- Sources->Dungeons & Dragons->Volo's Guide to Monsters
. Lizardfolk focus on survival above all, without sentiment. Lizardfolk assess everyone and everything in terms of utility. Art and beauty have little meaning for them. A sharp sword serves a useful
and good purpose, while a dull sword is a dead weight without a whetstone. Lizardfolk see little need to plan more than a season or so into the future. This approach allows them to maintain their
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
the circle of kind souls in van Richten’s orbit have kept him engaged over the years. Erasmus is a unique spirit. His behavior and rare appearances mark him as a thoughtful, art-loving teenager. He
. When possible, he depicts information and conveys emotions or warnings. Erasmus’s art is fleeting, though, vanishing in seconds. Sadly, his father cannot perceive him or any manifestation he creates
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
Extracurricular Options (A-H) Student characters can join any of the following Extracurriculars. Dead Languages Society Skills: Athletics, History Member: Drazhomir Yarnask, Quentillius A. Melentor
create fine works and to discuss the latest techniques and trends in the world of art. Dragonchess Club Skills: Deception, Investigation Member: Bhedum “Rampart” Sooviij, Tilana Kapule These experts in the
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
Extracurricular Options (A-H) Student characters can join any of the following Extracurriculars. Dead Languages Society Skills: Athletics, History Member: Drazhomir Yarnask, Quentillius A. Melentor
create fine works and to discuss the latest techniques and trends in the world of art. Dragonchess Club Skills: Deception, Investigation Member: Bhedum “Rampart” Sooviij, Tilana Kapule These experts in the
Compendium
- Sources->Dungeons & Dragons->Journeys through the Radiant Citadel
spoken in her dead friend Culley’s voice. Kianna shares that she blames herself for Culley’s death at Cradlelace Lake, and when she heard his voice, she thought the gods might be giving her a chance
to make amends. Now she just wants to return to Promise. If asked about or shown her paintings from areas F3 or area F4, she has no memory of creating them, though they’re clearly in her art style. A
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
the circle of kind souls in van Richten’s orbit have kept him engaged over the years. Erasmus is a unique spirit. His behavior and rare appearances mark him as a thoughtful, art-loving teenager. He
. When possible, he depicts information and conveys emotions or warnings. Erasmus’s art is fleeting, though, vanishing in seconds. Sadly, his father cannot perceive him or any manifestation he creates
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
with different “friends.” Brass Dragon Art Objects d10 Object
1 A finely carved bust of a long-dead human ruler, which the dragon has named Cornelius and argues with incessantly
2 An
Brass Dragon Treasures Brass dragons prefer yellow, orange, and brown gemstones that coordinate with their own scales, and they favor precious art objects fashioned from brass, including items such
Compendium
- Sources->Dungeons & Dragons->Journeys through the Radiant Citadel
spoken in her dead friend Culley’s voice. Kianna shares that she blames herself for Culley’s death at Cradlelace Lake, and when she heard his voice, she thought the gods might be giving her a chance
to make amends. Now she just wants to return to Promise. If asked about or shown her paintings from areas F3 or area F4, she has no memory of creating them, though they’re clearly in her art style. A
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
with different “friends.” Brass Dragon Art Objects d10 Object
1 A finely carved bust of a long-dead human ruler, which the dragon has named Cornelius and argues with incessantly
2 An
Brass Dragon Treasures Brass dragons prefer yellow, orange, and brown gemstones that coordinate with their own scales, and they favor precious art objects fashioned from brass, including items such
Compendium
- Sources->Dungeons & Dragons->Curse of Strahd
eastern doors is mounted the skull of a dragon.
Cyrus Belview (see area K62) created this enormous work of art out of the bones of dead servants and slain adventurers. It has taken him many years
with Strahd in this area, he is sitting comfortably at one end of the table, holding the skull of a long-dead foe.
Compendium
- Sources->Dungeons & Dragons->Wayfinder's Guide to Eberron
Cyre (The Mournland) Capital: Metrol (destroyed) Noted for Artifice, art, jewelry, music, oratory, philosophy; creativity, versatility Destroyed at the end of the Last War, Cyre now only exists in
Mourning and is presumed to be dead. Her son Prince Oargev ir’Wynarn holds court in New Cyre, a massive refugee camp set up in Breland. Some refugees support Oargev and the dream of a restored Cyre, while
Compendium
- Sources->Dungeons & Dragons->Curse of Strahd
eastern doors is mounted the skull of a dragon.
Cyrus Belview (see area K62) created this enormous work of art out of the bones of dead servants and slain adventurers. It has taken him many years
with Strahd in this area, he is sitting comfortably at one end of the table, holding the skull of a long-dead foe.