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Returning 35 results for 'player acting and his clans'.
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Species
Sword Coast Adventurer's Guide
Chondalwood and a few other isolated forests, clustered in tight-knit clans.
Many ghostwise clans select a natural landmark as the center of their territory, and members carry a piece of that landmark with
. Ask your DM if you can play a member of this subrace, which has the halfling traits in the Player’s Handbook, plus the subrace traits below.
Backgrounds
Sword Coast Adventurer's Guide
Bloodaxes. Founded in Sundabar nearly two centuries ago, the Bloodaxes were originally a group of dwarves outcast from their clans for crimes against the teachings of Moradin Soulforger. They began
chapter 8 of the Player’s Handbook).
Suggested Characteristics
Use the tables for the soldier background below as the basis for your traits and motivations, modifying the entries
Monsters
Curse of Strahd
","rollType":"roll","rollAction":"Children of the Night"} rounds, acting as allies of Strahd and obeying his spoken commands. The beasts remain for 1 hour, until Strahd dies, or until he dismisses
intelligently and do everything you can to make him a terrifying and cunning adversary for the player characters.
When you run an encounter with Strahd, keep the following facts in mind:
Strahd
Monsters
Fizban's Treasury of Dragons
of my power. (Evil)
6
Patience. All creatures might teach me something, and I’m willing to wait and find out what that might be rather than acting in haste. (Good)
Deep Dragon
with a drow matriarch for centuries. Each move represents what that player plans to do next in the competitors’ long struggle for domination in the Underdark.
2
A fire giant who
Compendium
- Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden
might visit Skytower Shelter to resolve a long-standing dispute between the two goliath clans (see “Tall Tales in Ten-Towns” and “A Goliath Problem”). Or a goliath player character who hails from
Compendium
- Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden
might visit Skytower Shelter to resolve a long-standing dispute between the two goliath clans (see “Tall Tales in Ten-Towns” and “A Goliath Problem”). Or a goliath player character who hails from
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
players. But an adventure you create for your home campaign doesn’t have to appeal to every possible player interest—only to the players at your table. You can design encounters that appeal to multiple
player motivations. Imagine a fight pitting the characters against a gang of gnolls, delighting the players who enjoy fighting. Then a young dragon wanders into the middle of the fight. Suddenly the
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
players. But an adventure you create for your home campaign doesn’t have to appeal to every possible player interest—only to the players at your table. You can design encounters that appeal to multiple
player motivations. Imagine a fight pitting the characters against a gang of gnolls, delighting the players who enjoy fighting. Then a young dragon wanders into the middle of the fight. Suddenly the
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
character or otherwise. Player Fears Versus Character Fears. Understand the difference between scaring characters and scaring players. If you know a player has a fear of spiders, never employ that
knowledge when contributing to a creepy scene. Consent Is a Priority. If a plot leads you to consider a path involving another player’s character, always ask that player’s permission before acting. Their
Compendium
- Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft
character or otherwise. Player Fears Versus Character Fears. Understand the difference between scaring characters and scaring players. If you know a player has a fear of spiders, never employ that
knowledge when contributing to a creepy scene. Consent Is a Priority. If a plot leads you to consider a path involving another player’s character, always ask that player’s permission before acting. Their
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
(with their input), arbitrate the rules, and settle arguments. And when you’re narrating the action of the game, the players should be paying attention. Player Die Rolling Players should roll their dice
in full view of everyone. If a player scoops up their dice before anyone else can see what they rolled, encourage that player to be less secretive. When a die falls on the floor, do you count it or
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
(with their input), arbitrate the rules, and settle arguments. And when you’re narrating the action of the game, the players should be paying attention. Player Die Rolling Players should roll their dice
in full view of everyone. If a player scoops up their dice before anyone else can see what they rolled, encourage that player to be less secretive. When a die falls on the floor, do you count it or
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
(with their input), arbitrate the rules, and settle arguments. And when you’re narrating the action of the game, the players should be paying attention. Player Die Rolling Players should roll their dice
in full view of everyone. If a player scoops up their dice before anyone else can see what they rolled, encourage that player to be less secretive. When a die falls on the floor, do you count it or
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
(with their input), arbitrate the rules, and settle arguments. And when you’re narrating the action of the game, the players should be paying attention. Player Die Rolling Players should roll their dice
in full view of everyone. If a player scoops up their dice before anyone else can see what they rolled, encourage that player to be less secretive. When a die falls on the floor, do you count it or
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
creativity beyond just acting to incorporate singing, rapping, or dancing is encouraged! No matter what approach the player takes to their character’s performance, impressing the crowd also requires a
acting. Anyone who wishes to play a character on stage chooses a prompt, dons a few costume elements from the trunks of costumes provided by the Playactors Drama Guild, and lines up on the east end of
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
that city’s most trusted institutions. Acting on a tip from the Royal Eyes of Aundair, elite forces raided a House Vadalis facility and discovered a nightmare. Captain Allis says that her soldiers
serve the demon overlord Sul Khatesh in exchange for secrets of magic. In the Mror Holds, dwarf clans bargain with Dyrrn the Corruptor to gain symbionts and sinister gifts. The Shadow Marches contain
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
that city’s most trusted institutions. Acting on a tip from the Royal Eyes of Aundair, elite forces raided a House Vadalis facility and discovered a nightmare. Captain Allis says that her soldiers
serve the demon overlord Sul Khatesh in exchange for secrets of magic. In the Mror Holds, dwarf clans bargain with Dyrrn the Corruptor to gain symbionts and sinister gifts. The Shadow Marches contain
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
creativity beyond just acting to incorporate singing, rapping, or dancing is encouraged! No matter what approach the player takes to their character’s performance, impressing the crowd also requires a
acting. Anyone who wishes to play a character on stage chooses a prompt, dons a few costume elements from the trunks of costumes provided by the Playactors Drama Guild, and lines up on the east end of
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
appeal to players of any tastes. Appeal to Player Preferences. Players who like acting (see “Know Your Players” in this chapter) thrive in social interactions, so let those players take the spotlight
moment now and then to involve someone else. You might have an NPC address another character directly: “And what about your hulking friend? What will you pledge in exchange for my favor?” If a player
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
appeal to players of any tastes. Appeal to Player Preferences. Players who like acting (see “Know Your Players” in this chapter) thrive in social interactions, so let those players take the spotlight
moment now and then to involve someone else. You might have an NPC address another character directly: “And what about your hulking friend? What will you pledge in exchange for my favor?” If a player
Compendium
- Sources->Dungeons & Dragons->Tales from the Yawning Portal->a6
Running the Adventures This is a series of three linked adventures. It is designed for a group of four or five player characters of 11th level. If the characters persevere, they are likely to advance
(from the steading to the rift and from the rift to Snurre’s hall); freed captives may join forces with their rescuers (this is a good way to introduce replacement player characters). This assumes
Compendium
- Sources->Dungeons & Dragons->Tales from the Yawning Portal->a6
Running the Adventures This is a series of three linked adventures. It is designed for a group of four or five player characters of 11th level. If the characters persevere, they are likely to advance
(from the steading to the rift and from the rift to Snurre’s hall); freed captives may join forces with their rescuers (this is a good way to introduce replacement player characters). This assumes
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
: emerald dragon lair View Player Version Emerald Dragon Lair Features The emerald dragon lair shown in map 5.8 is a series of ancient vaults situated beneath a city built in the caldera of a dormant
their creators abandoned them, taking great interest in the artifacts and architecture they left behind. Visitors who manage to convince the dragon they are not a threat are treated to a tour of the vaults, with the dragon acting like the curator of a museum.
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
View Player Version Copper Dragon Lair Features The copper dragon lair shown in map 5.6 is a network of tunnels and large chambers dug beneath dry, rocky hills. The dragon’s acid breath has left the
dragon often sleeps in the adjoining chamber, acting as a final line of defense against intruders. Additional Lair Actions At your discretion, a legendary (adult or ancient) copper dragon can use one or
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
View Player Version Copper Dragon Lair Features The copper dragon lair shown in map 5.6 is a network of tunnels and large chambers dug beneath dry, rocky hills. The dragon’s acid breath has left the
dragon often sleeps in the adjoining chamber, acting as a final line of defense against intruders. Additional Lair Actions At your discretion, a legendary (adult or ancient) copper dragon can use one or
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
students and the doors to the annex building are locked. Map 3.5: the rose stage View Player Version R1. General Seating This area contains rows of benches, magically treated to resist the elements
used by production groups to rig backdrops and other set pieces. All improvisational acting during the festival must take place on the stage. Members of the Playactors Drama Guild are set up to the south
Compendium
- Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos
students and the doors to the annex building are locked. Map 3.5: the rose stage View Player Version R1. General Seating This area contains rows of benches, magically treated to resist the elements
used by production groups to rig backdrops and other set pieces. All improvisational acting during the festival must take place on the stage. Members of the Playactors Drama Guild are set up to the south
Compendium
- Sources->Dungeons & Dragons->Fizban's Treasury of Dragons
: emerald dragon lair View Player Version Emerald Dragon Lair Features The emerald dragon lair shown in map 5.8 is a series of ancient vaults situated beneath a city built in the caldera of a dormant
their creators abandoned them, taking great interest in the artifacts and architecture they left behind. Visitors who manage to convince the dragon they are not a threat are treated to a tour of the vaults, with the dragon acting like the curator of a museum.
Compendium
- Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden
Tall Tales in Ten-Towns By the time the characters reach 3rd level, they have garnered enough of a reputation that NPCs in Ten-Towns will share tall tales with them. When the player characters are
ready to explore more of Icewind Dale, use the Tall Tales in Ten-Towns table to entice them. You can either choose which tales to share with the players, or you can ask each player to roll once on the
Compendium
- Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden
Tall Tales in Ten-Towns By the time the characters reach 3rd level, they have garnered enough of a reputation that NPCs in Ten-Towns will share tall tales with them. When the player characters are
ready to explore more of Icewind Dale, use the Tall Tales in Ten-Towns table to entice them. You can either choose which tales to share with the players, or you can ask each player to roll once on the
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
something to do during a roleplaying-heavy game session, consider one or more of the following approaches. Appeal to Player Preferences. There are in-game activities that players enjoy more than others, as
discussed in the Introduction. Players who like acting thrive in interaction situations, and it’s fine to let those players take the spotlight. They often inspire other players by their example, but
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
something to do during a roleplaying-heavy game session, consider one or more of the following approaches. Appeal to Player Preferences. There are in-game activities that players enjoy more than others, as
discussed in the Introduction. Players who like acting thrive in interaction situations, and it’s fine to let those players take the spotlight. They often inspire other players by their example, but
Compendium
- Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden
the destruction of Ten-Towns. He believes the duergar are acting on behalf of Asmodeus, the Lord of the Hells and his infernal jailer, but has not shared this information with the cult. The cult’s
character must succeed on a DC 10 Charisma saving throw or become lawful evil, unless the character has that alignment already. Take the character’s player aside to describe how the player should
Compendium
- Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden
the destruction of Ten-Towns. He believes the duergar are acting on behalf of Asmodeus, the Lord of the Hells and his infernal jailer, but has not shared this information with the cult. The cult’s
character must succeed on a DC 10 Charisma saving throw or become lawful evil, unless the character has that alignment already. Take the character’s player aside to describe how the player should
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
Paladin friend and roll Initiative to regain expended uses of Rage. In any situation where a character’s actions initiate combat, you can give the acting character Advantage on their Initiative roll
turn is starting, consider also mentioning who’s next, prompting that character’s player to think ahead. Open List You can track Initiative on a list that is visible to the players using any of the