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Returning 35 results for 'provide art and his cover'.
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Galazeth Prismari
 Monsters Strixhaven: A Curriculum of Chaos
Elements Breath"}. Galazeth exhales a blast of flames and ice in a 90-foot cone. Each creature in that area must make a DC 22 Dexterity saving throw, gaining no benefit from cover (other than total
cover) and taking 38 (7d10);{"diceNotation":"7d10", "rollType":"damage", "rollAction":"Dancing Elements Breath", "rollDamageType":"fire"} fire damage and 38 (7d10);{"diceNotation":"7d10", "rollType
Harengon Sniper
 Monsters The Wild Beyond the Witchlight
Crossbow. Ranged Weapon Attack: +5;{"diceNotation":"1d20+5", "rollType":"to hit", "rollAction":"Light Crossbow"} to hit (the target gains no benefit from less than total cover), range 320 ft., one
harengon can use the Hide action.Harengon snipers provide artillery support to gangs of harengon brigand;harengon brigands. They hide atop bluffs, in the high branches of trees, and behind shelter
Zikran
 Monsters Candlekeep Mysteries
on a successful one. The basement furnishings provide half cover, should a creature wish to hide behind them. The cannon is a Large object with AC 16, 80 hit points, and immunity to poison and psychic
Froghemoth
 Monsters Mordenkainen Presents: Monsters of the Multiverse
damage, and the target is swallowed if it is a Medium or smaller creature. A swallowed creature is blinded and restrained, has total cover against attacks and other effects outside the froghemoth, and
before following the rest. The bullywugs gather food as tribute for it, provide it with a comfortable lair, protect it from harm, and try to ensure that any of its offspring reach maturity.Fire, Lightning
Everything you need to embark on a Stranger Things adventure! Mike Wheeler from Hawkins, Indiana, has created an awesome Dungeons & Dragons adventure...and now you get to play it! View Cover Art
 Compendium - Sources->Dungeons & Dragons->Stranger Things
Everything you need to embark on a Stranger Things adventure! Mike Wheeler from Hawkins, Indiana, has created an awesome Dungeons & Dragons adventure...and now you get to play it! View Cover Art Hunt for the Thessalhydra A D&D Campaign by Mike Wheeler
Everything you need to embark on a Stranger Things adventure! Mike Wheeler from Hawkins, Indiana, has created an awesome Dungeons & Dragons adventure...and now you get to play it! View Cover Art
 Compendium - Sources->Dungeons & Dragons->Stranger Things
Everything you need to embark on a Stranger Things adventure! Mike Wheeler from Hawkins, Indiana, has created an awesome Dungeons & Dragons adventure...and now you get to play it! View Cover Art Hunt for the Thessalhydra A D&D Campaign by Mike Wheeler
Feral Tiefling
 Species Sword Coast Adventurer's Guide
. Their skin tones cover the full range of human coloration, but also include various shades of red. Their hair, cascading down from behind their horns, is usually dark, from black or brown to dark red
, Therai Female Infernal Names: Akta, Anakis, Bryseis, Criella, Damaia, Ea, Kallista, Lerissa, Makaria, Nemeia, Orianna, Phelaia, Rieta “Virtue” Names: Art, Carrion, Chant, Creed, Despair
Auril (Second Form)
 Monsters Icewind Dale: Rime of the Frostmaiden
trapped in the crystal, which is immovable. If the saving throw succeeds, the crystal shatters and nothing else happens. A creature trapped in the crystal is stunned, has total cover against attacks and
;s Guide.) Auril’s beloved ice grasps all things in her clutches, preserving them against the ravages of time. She hoards beauty in all forms, from art objects and flowers to skilled
Ancient Deep Dragon
 Monsters Fizban's Treasury of Dragons
, chosen to pique visitors’ curiosity and provide an excuse for the host to tell these items’ tales.A Deep Dragon’s Lair Deep dragons make their lairs in well-hidden caves or sunless
fungi within 6 miles of the dragon’s lair grow faster and cover a greater area than they normally would. Foraging in this area yields twice the usual amount of food. If the dragon dies, these
Adult Deep Dragon
 Monsters Fizban's Treasury of Dragons
inaccessible or storied locales, chosen to pique visitors’ curiosity and provide an excuse for the host to tell these items’ tales.A Deep Dragon’s Lair Deep dragons make their lairs in
. Verdant Growth. Vegetation and fungi within 6 miles of the dragon’s lair grow faster and cover a greater area than they normally would. Foraging in this area yields twice the usual amount of food
Anthropologist
 Backgrounds Tomb of Annihilation
, rituals, religious beliefs, languages, and art, you have learned how tribes, empires, and all forms of society in between craft their own destinies and doom. This knowledge came to you not only through
leadership, and I do my utmost to provide it. (Lawful) 5 Protection. I must do everything possible to save a society facing extinction. (Good) 6 Indifferent. Life is cruel. What
Darkling Legacy This doesn't reflect the latest rules and lore. Learn More
 Monsters Volo's Guide to Monsters
, and doing so wizens the creature, much like the effect of rapid aging. For this reason, darklings cover every part of their body with clothing when exposure to light is a risk. The light a darkling
absorbs over the course of its lifetime explodes outward when the darkling dies, incinerating the creature and much of its possessions. Love of Art. Despite their curse, darklings retain a fondness
Darkling Elder Legacy This doesn't reflect the latest rules and lore. Learn More
 Monsters Volo's Guide to Monsters
. The Killing Light. The Summer Queen's curse causes a darkling's body to absorb light, and doing so wizens the creature, much like the effect of rapid aging. For this reason, darklings cover every
much of its possessions. Love of Art. Despite their curse, darklings retain a fondness for the beauty of art. A darkling might risk taking a peek at a sunset or lighting a tiny candle to glimpse
Fog Giant
 Monsters Mordenkainen's Fiendish Folio Volume 1
giant’s desires. Instead, they seek out grand works of art, wondrous jewelry, and beautiful sculptures. Reasonable Offers. Fog giants are powerful warriors, but they prefer to use threats and
the chosen prize. A giant might undertake a carefully planned robbery, making extensive use of magic to cover their presence. Or it might engage in a brute-force raid that involves tearing off the
Tiefling Legacy This doesn't reflect the latest rules and lore. Learn More
 Species Basic Rules (2014)
. Their skin tones cover the full range of human coloration, but also include various shades of red. Their hair, cascading down from behind their horns, is usually dark, from black or brown to dark red
, Therai Female Infernal Names: Akta, Anakis, Bryseis, Criella, Damaia, Ea, Kallista, Lerissa, Makaria, Nemeia, Orianna, Phelaia, Rieta “Virtue” Names: Art, Carrion, Chant, Creed, Despair
Credits
 Compendium - Sources->Dungeons & Dragons->Descent into the Lost Caverns of Tsojcanth
Credits Lead Designer: Justice Ramin Arman Designer: Dan Dillon Rules Developer: Ron Lundeen Art Director: Fury Galluzzi Lead Editor: Judy Bauer Editor: Hannah Rose Graphic Designer
: Paolo Vacala Cover Illustrator: Jodie Muir Cartographer: Mike Schley Interior Illustrators: Stephen Andrade, Mark Behm, Zoltan Boros, Adrián Ibarra Lugo, Arash Radkia Premade Character
Cover
 Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)
Cover Walls, trees, creatures, and other obstacles can provide cover during combat, making a target more difficult to harm. A target can benefit from cover only when an attack or other effect
originates on the opposite side of the cover. There are three degrees of cover. If a target is behind multiple sources of cover, only the most protective degree of cover applies; the degrees aren’t added
Cover
 Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)
Cover Walls, trees, creatures, and other obstacles can provide cover during combat, making a target more difficult to harm. A target can benefit from cover only when an attack or other effect
originates on the opposite side of the cover. There are three degrees of cover. If a target is behind multiple sources of cover, only the most protective degree of cover applies; the degrees aren’t added
Cover
 Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)
Cover Walls, trees, creatures, and other obstacles can provide cover during combat, making a target more difficult to harm. A target can benefit from cover only when an attack or other effect
originates on the opposite side of the cover. There are three degrees of cover. If a target is behind multiple sources of cover, only the most protective degree of cover applies; the degrees aren't added
Credits
 Compendium - Sources->Dungeons & Dragons->Descent into the Lost Caverns of Tsojcanth
Credits Lead Designer: Justice Ramin Arman Designer: Dan Dillon Rules Developer: Ron Lundeen Art Director: Fury Galluzzi Lead Editor: Judy Bauer Editor: Hannah Rose Graphic Designer
: Paolo Vacala Cover Illustrator: Jodie Muir Cartographer: Mike Schley Interior Illustrators: Stephen Andrade, Mark Behm, Zoltan Boros, Adrián Ibarra Lugo, Arash Radkia Premade Character
Cover
 Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)
Cover Walls, trees, creatures, and other obstacles can provide cover during combat, making a target more difficult to harm. A target can benefit from cover only when an attack or other effect
originates on the opposite side of the cover. There are three degrees of cover. If a target is behind multiple sources of cover, only the most protective degree of cover applies; the degrees aren't added
Credits
 Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation
Art Director: Kate Irwin Additional Art Direction: Shauna Narciso, Richard Whitters Graphic Designer: Emi Tanji Cover Illustrator: Ben Oliver Interior Illustrators: Mark Behm, Eric Belisle
Cartographer: Mike Schley Producer: Stan! Project Manager: Heather Fleming Product Engineer: Cynda Callaway Imaging Technician: Carmen Cheung Art Administration: David Gershman Prepress
Credits
 Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal
Editors: Kim Mohan, Michele Carter Editorial Assistance: Chris Dupuis, Ben Petrisor, Matt Sernett Art Director: Kate Irwin Additional Art Direction: Shauna Narciso, Richard Whitters Graphic
Designer: Emi Tanji Cover Illustrator: Tyler Jacobson Interior Illustrators: Mark Behm, Eric Belisle, Zoltan Boros, Noah Bradley, Sam Carr, Jedd Chevrier, Bud Cook, Olga Drebas, Wayne England, Lake
Credits
 Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation
Art Director: Kate Irwin Additional Art Direction: Shauna Narciso, Richard Whitters Graphic Designer: Emi Tanji Cover Illustrator: Ben Oliver Interior Illustrators: Mark Behm, Eric Belisle
Cartographer: Mike Schley Producer: Stan! Project Manager: Heather Fleming Product Engineer: Cynda Callaway Imaging Technician: Carmen Cheung Art Administration: David Gershman Prepress
Credits
 Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal
Editors: Kim Mohan, Michele Carter Editorial Assistance: Chris Dupuis, Ben Petrisor, Matt Sernett Art Director: Kate Irwin Additional Art Direction: Shauna Narciso, Richard Whitters Graphic
Designer: Emi Tanji Cover Illustrator: Tyler Jacobson Interior Illustrators: Mark Behm, Eric Belisle, Zoltan Boros, Noah Bradley, Sam Carr, Jedd Chevrier, Bud Cook, Olga Drebas, Wayne England, Lake
Credits
 Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase
Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead
Editor: Judy Bauer Editors: Eytan Bernstein, Michele Carter, Janica Carter, Laura Hirsbrunner, Sadie Lowry, Patrick Renie Principle Graphic Designer: Trish Yochum Cover Illustrators: John Patrick
Credits
 Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase
Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead
Editor: Judy Bauer Editors: Eytan Bernstein, Michele Carter, Janica Carter, Laura Hirsbrunner, Sadie Lowry, Patrick Renie Principle Graphic Designer: Trish Yochum Cover Illustrators: John Patrick
Cover
 Compendium - Sources->Dungeons & Dragons->Player’s Handbook
Cover Walls, trees, creatures, and other obstacles can provide cover, making a target more difficult to harm. As detailed in the Cover table, there are three degrees of cover, each of which gives a
different benefit to a target. A target can benefit from cover only when an attack or other effect originates on the opposite side of the cover. If a target is behind multiple sources of cover, only
Cover
 Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules
Cover Walls, trees, creatures, and other obstacles can provide cover, making a target more difficult to harm. As detailed in the Cover table, there are three degrees of cover, each of which gives a
different benefit to a target. A target can benefit from cover only when an attack or other effect originates on the opposite side of the cover. If a target is behind multiple sources of cover, only
Cover
 Compendium - Sources->Dungeons & Dragons->Player’s Handbook
Cover Walls, trees, creatures, and other obstacles can provide cover, making a target more difficult to harm. As detailed in the Cover table, there are three degrees of cover, each of which gives a
different benefit to a target. A target can benefit from cover only when an attack or other effect originates on the opposite side of the cover. If a target is behind multiple sources of cover, only
Cover
 Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules
Cover Walls, trees, creatures, and other obstacles can provide cover, making a target more difficult to harm. As detailed in the Cover table, there are three degrees of cover, each of which gives a
different benefit to a target. A target can benefit from cover only when an attack or other effect originates on the opposite side of the cover. If a target is behind multiple sources of cover, only
2. Goblin Blind
 Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver
difficult terrain, but they aren’t dangerous—just annoying. They provide half cover to creatures behind them. (See “Difficult Terrain” and “Cover” in the Basic Rules for more information.)
provide room for guards to lie hidden and watch the area—including a pair of goblins lurking there right now! Two goblins are stationed here. If the goblins notice intruders in area 1, they open
Credits
 Compendium - Sources->Dungeons & Dragons->Storm King's Thunder
Crawford Art Director: Kate Irwin Additional Art Direction: Shauna Narciso, Richard Whitters Graphic Designer: Emi Tanji Cover Illustrator: Tyler Jacobson Interior Illustrators: John-Paul
Product Engineer: Cynda Callaway Imaging Technicians: Sven Bolen, Carmen Cheung, Kevin Yee Art Administration: David Gershman Prepress Specialist: Jefferson Dunlap Other D&D Team Members: Greg
Credits
 Compendium - Sources->Dungeons & Dragons->Storm King's Thunder
Crawford Art Director: Kate Irwin Additional Art Direction: Shauna Narciso, Richard Whitters Graphic Designer: Emi Tanji Cover Illustrator: Tyler Jacobson Interior Illustrators: John-Paul
Product Engineer: Cynda Callaway Imaging Technicians: Sven Bolen, Carmen Cheung, Kevin Yee Art Administration: David Gershman Prepress Specialist: Jefferson Dunlap Other D&D Team Members: Greg
2. Goblin Blind
 Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver
difficult terrain, but they aren’t dangerous—just annoying. They provide half cover to creatures behind them. (See “Difficult Terrain” and “Cover” in the Basic Rules for more information.)
provide room for guards to lie hidden and watch the area—including a pair of goblins lurking there right now! Two goblins are stationed here. If the goblins notice intruders in area 1, they open