I’ll start with a confession: I played D&D for many years before I considered hopping behind the screen, and when I finally did, I was terribly nervous. I worried, will I get the rules right? Will my story be satisfying? Will my players have a good time? And who am I to say whether you passed that Survival check, anyway? When I finally gave it a shot, though, I realized the most important question was the one I hadn’t thought to ask: Do you have any idea how rewarding it can be to take your friends on your very own epic adventure?
The answer is "very rewarding."
Once you’ve decided to build an adventure, you’ll discover your needs are very basic: you want to give your players a situation, present a problem, and see how (or whether) they manage to solve it. For some folks, constructing elaborate scenarios seems to come easily, but if you’re just starting it may seem like an intimidating prospect. The good news is that it’s a skill you can learn, like any other, and the bones of the process are simple. Ask yourself these questions, in any order, and write down your answers.
Step 1: What’s the problem?
This is the basic gist of your adventure. The problem (or conflict) can be anything: a theft, a threat, an item mysteriously lost, a journey through dangerous waters, a secret that can’t get out... any of these could set your party on the road to adventure. Some conflicts are simple, and some complex; some are easy to deal with and some are difficult. Those qualities don’t always go together, either: a bandit attack over breakfast might be challenging but straightforward while unraveling a mystery with clues all over Waterdeep might be a little easier but a lot more complicated.
If you feel stuck for any idea at all, then start simple or, better yet, borrow! Elements from movies, books, or history can make great foundations for your story. Is there a particular terrain you’d like to explore? Look at the way adventures like Icewind Dale: Rime of the Frostmaiden draw on an environment for their stories. You could craft an adventure inspired by the time of year, pick out an interesting page in the Monster Manual and work backward from there, or base the whole session on a terrible pun. By the time you and your players get through with it, you’ll collectively have made something unique to your group and your memories.
By way of example, let's pick a beastie from the Monster Manual for our problem: A ferocious zorbo! And if we're setting this in one of the frigid Ten Towns of Icewind Dale, answers are already making themselves known to us: Something is attacking and eating livestock. What could it be?! How did a family of zorbo end up in the tundra? What is the correct plural of 'zorbo?'
See? You made one decision (a monster) and your story already has a ton of shape to it.
Step 2: Who needs you?
The most common answer to this question, and the easiest to start with, is that someone in your world needs your party’s help. This is your first NPC! They could be sympathetic, mean, trustworthy, or terrifying, but they are your best chance to explain the situation to your players and make them understand what’s at stake in your adventure. Play around with characters of different ages, reputations, and personalities. You’ll need to decide who they are, how they find the party (or vice versa), and, whether it’s gold, honor, or fear, you’ll need some idea of what will get your party on board. Remember, your characters exist in a wider world, and the problem they are going to deal with does, too. Who else might want to help your party, and who might want to stop them?
To continue our Z Quest- if a town's livestock is at risk, perhaps you're dealing with the Elder? They may not love outsiders, but they're desperate. They've sent scouts into the wilds to find assistance- and those scouts found your party's camp.
Step 3: What could go wrong?
Here’s where you start spinning your idea out into an adventure. What complications could arise on the path your players are taking? What are the natural dangers of this part of the world? If you’ve decided someone wants to stop your players, what will they try, and when? Perhaps the townspeople are unfriendly because they have a secret to protect. Perhaps someone else was supposed to take this journey and your players find there are some challenges to replacing them. Perhaps something in the woods wants to eat your Sorcerer for lunch!
Plenty can go wrong in our zorbo hunt, for example- your party could cross the wrong villager- or see something they weren't supposed to witness while staking out a snow-chicken coop. Perhaps left unchecked, the little jerks make the jump from livestock to live folks!
Step 4: What's the big finish? (Or, 'where is this all going?')
This is your adventure’s climax, and many times, this will be the first question you answer. A cave, surrounded by spiders. The island with the buried treasure… and its ferocious guard. The mansion of the corrupt baron, where you present him with the damning evidence you’ve found. It’s fine to come up with this first and work backward, but most adventures will have some kind of final confrontation to work towards. If you have a big secret or plot twist to reveal, and you didn’t use it as a complication in Step 3, here is where it’s going to land; what does that look like, and how does it change the situation for your characters?
Logic can help you through our example here. The zorbo would be desperate to stay warm. Perhaps it has found an underground hot spring. Maybe the blacksmith 'adopted' the little critters to keep them warm by the forge and got in over their head? You could have a big zorbo fight on your hands or a decision to make: to take pity on these poor suckers and try to take them somewhere they can thrive. After all, lookit their little faces. And who dropped them in Icewind Dale? Does that jerk need to be found?
Step 5: Why me? An adventurer’s plea
This is primarily a way to help flesh out your story. What are the personal stakes of this story for your players’ characters? Sometimes this question has an easy answer: if a wagon needs a guard and you’re affordable, you’ve got yourself a job! But this can also be an opportunity to draw deeper connections. Are there people, events, and themes in your PC’s backstories that would link up nicely with what you’re planning? Is there a source of conflict you can play on, or a choice you can offer them that will give them something meaningful to look back on?
Early on, this is a pretty simple answer. Adventuring is all about that gold! We have a zorbo problem, you have a solution, and we can pay you for it.
Step 6: Are your eyes bigger than your stomach? (aka 'watch the clock')
This is especially important for one-shots, but it’s always a good idea to pay attention to pacing, and keep in mind how much time you have, the size of your party, and how much you can really expect to get done in a session. It may be tempting to imagine a complex, sophisticated society, and to want your players to expose the decades-long treachery of the Viscount and his allies before the Queen’s reign is corrupted beyond repair. If you only have three hours, though, what’s the best, clearest version of that story? Perhaps there’s a specific assassination plot, scheduled for a specific noble’s wedding day, which can be prevented… if they act in time.
And look, we're very ready to delve into the exotic animal trafficker currently making their way through Icewind Dale who happens to be short a family of zorbos, and how their main client is a creepy necrophysicist that's using these creatures for all sorts of terrible experiments- and we're even more excited to explain what a necrophysicist is because it sounds very cool, but maybe that's all for another week.
Step 7: How’d we get into this?
You need a beginning for your adventure. It doesn’t have to be fancy; the classic answer to this question, “you all meet in a tavern,” is a classic for a reason; it’s a public space and, after all, most of your characters eat. You can begin with your party together or separate, let them wander towards town or ambush them in their bedrolls, but one way or another you’re going to need to introduce them to your answers for Steps 1 and 2. If this is also your players’ first time together, or their characters’ introductions to each other, try to give them something to react to and a little time to do it so they can get to know each other- but don’t forget Step 6: Watch the Clock.
Nothing wrong with starting in the middle- tell everyone that this morning they were strangers eating breakfast, and now some crazy scout is leading them into the blizzardy wilderness. Might as well introduce yourselves before the hike ends.
Step 8: How do we get out of it?
Another way to think of this is to ask, “What are some ways this could go?” Think about a few major possible outcomes for the conflict you invented in Step 1. Perhaps your heroes are able to resolve the problem completely, and the village is saved. Perhaps they are partially successful, and they evacuate the citizens, at least, who will live to rebuild another day. Perhaps they solve the problem but their solution creates a new, different problem; if you’re running a long campaign, this could be great news for you! You can never entirely predict what your players will do, but it’s a good idea to think through a couple of different options they might choose, and how that would work out for your world and your story.
Did they find the zorbos? Did they kill them? Did they spend a bunch of time befriending them so that the village would have the gift of domesticated zorbos? Keep your ending slushy- let the destination follow your players and their choices- don't push their choices to a destination.
Step 9: Wait, what if …?
Speaking of unpredictable players, remember to expect the unexpected! Keep some spare NPC and place names handy for when your party gets oddly attached to the stablehand or pumps the blacksmith for local history. Look at some of your plans for Step 3 and choose which pieces you might be able to expand on or drop, depending on how much time you have left in your session. Consider some backup plans for moving the plot along, in case a stray fireball has an unfortunate encounter with your crew’s only lead.
Let's see here, the Blacksmith's name is Grax the Hobgoblin, and let's not forget Dorall the dwarf, the Elder's daughter Wren who keeps trying to hang out with everyone, and when in doubt, there's always Tim. Who is Tim? Whoever you need him to be.
Step 10: What now? Putting it together
Once you have your answers for Steps 1-9, all that’s left to do is transform them into the elements you’ll need to play: a few key NPCs, settings, enemies, and skill challenges. You may want to try out the Encounters tool and see if the battle you’re planning seems about right for your group’s level. As you prep, focus your descriptions on what your characters might see, hear, or even smell. Add a memorable detail or two to your NPCs; a distinctive speech pattern, a cheery or grumpy temperament, or their extravagant fashion sense could help them stick in your players’ minds. For skill challenges, try brainstorming not just for success and failure but for multiple outcomes; what might they find on a spectacular success, or miss if they just barely make their way through the woods?
Running the adventure
Time to play! Remember, you are all here to have fun. No one expects you to be perfect. If you run into a game question, you can always pause to look up a rule, spell or feat in D&D Beyond, or you can also just make a quick call to keep things moving. Check out more great tips on running your first game here. Bear in mind that your party can help you world-build, too. You may want to let your players describe the look of their magic, suggest what they hope to find on an Investigation check, tell you what they remember about a town’s history, or even provide a name for that Innkeeper they keep coming back to for drinks.
As the adventure comes to an end, make sure to take a moment to celebrate everything that went well! When you narrate the end of the story or session, think about what has changed as a result of your player’s actions. It’s a great opportunity to reinforce something cool that each character did or discovered that day, and suggest what their stories might hold for the future. Of course, you can also take some time to think about what worked and what didn’t, and which parts you enjoyed most. Did you relish describing a spooky setting? Enjoy the looks on your players’ faces when your villains sprang from the shadows? Are you still laughing at something the Rogue said?
And then? Congratulations: you’re a DM. You and your party just told a story no one before you has ever told, and that’s yours to keep, forever. Feels good, right?
Start getting ready for the next adventure! Zorbos are optional.
Amy Dallen (@enthusiamy) is a performer, writer, and professional nerd who started rolling dice in elementary school and will probably never stop. You might know her work from Geek & Sundry, DC Universe, Collider, or her own twitch streams, where she plays games and runs a Book Club.
Even if this article did not give me anything new, still, I am actually liking the new articles, they seem more useful somehow.
Yes... they need to edit that out and put in the correct book.
So there's a problem in the hamlet of Treefoil, a badly hurt guard stumbled into the Fort guarding the approach to Fort Quay formerly a small trading outpost that has flourished forcing the building of Forts as it expands beyond its original boundaries.
His story of bandits waylaying caravans coming through the Dreadful Forest means vital mining supplies from the mountain dwarves as well as medicinal herbs from the hamlet of Gimli aren't reaching Fort Quay where they're shipped overseas for buyers who help maintain the now small city's importance. And so its decided two wagons of guards will be sent with supplies to help establish a permanent presence in the hamlet and along with them a number of local adventurers'.
Alas there's little interest in the mission so a local guide is hired to lead a small group of recruits (the PCs) are assigned along with them.
They reach the Forest, but ambushed by a pack of wolves the guards head on ahead as the new recruits handle the wolves much to their disgust at the disdain the guards have shown towards them.
They discover the wolves were sent by a druid who openly howls at their defeat causing them to hurry as the druids angry tirade reveal the guards are heading into a trap.
They arrive in time to find bandits waylaying the wagons with the aid of a fiend and some undead. They can rescue a few of the guards but one wagon is already been seized and not all of the guards are accounted for either meaning they were captured or slain to turn into undead!
They eventually reach the other side of the Forest and find the hamlet still recovering from nocturnal visits from the winged fiend and her undead cohorts.
The hamlet is otherwise unharmed.
Asking around the next day they learn what route the fiend is using and backtracking they locate her lair a ziggurat almost stripped bare of it stonework leaving only a stone staircase and an altar hiding a secret.
They could wait until nightfall, but a lucky search might discover the secret entrance and descending within the slumbering fiend and her dormant undead.
A tough fight, but not as bad if they waited until nightfall when the darkness makes them more likely to leave the hidden vault.
Defeating them reveals some treasure and evidence that the Fiend isn't either of the two they witnessed attacking the guards and their wagons.
Somewhere out there the bandits are hiding along with whoever or whatever summoned these fiends and animating the dead.
Returning victorious to the hamlet they know their job has only begun.
Thanks to Ian for the original adventure!
Did you name the hamlet after Gimli the Dwarf from LotR
Awesome way to break it all down.
Ian named it Gimble I kept getting it wrong as the only thing I remember about that place was the dwarf who was standing guard over the ill patients and kept calling it Gimli!
What can I say I think it makes a fine name for a Hamlet despite being located in a Swamp!
Great article Amy! This method helps generate dynamic plot-driven adventures!
Great article, Amy! Thank you!
I've made some homebrew adventures before, and they're so much fun to run! It's amazing to see your ideas make your players excited and to watch them try and solve the problems you place in front of them. My players take a lot of initiative in deciding what to do next, so I usually know what problems and obstacles to prep for them and let them go crazy. This also serves the purpose of both letting you use cool ideas, but letting the players have some ability to control their own character arcs. Usually, you have to give them plot hooks at first, and then let the whole thing expand from there.
My current adventure arc has gone like this:
1. They hunted down a murdering gang of sahuagin and took them out on the orders of a criminal syndicate.
2. On a tip from the sahuagin's boss, they went to rob a museum of its prized magical trident.
3. They went to the museum and stole the trident, but triggered an alarm and committed murder on several guards and a police wizard, leaving several witnesses.
4. Now they need to get the heck out of town before stronger police people take em' down.
I can't wait to prep the journey away. They're gonna have some pretty troublesome encounters.
BTW, the collective party alignment is shifting dangerously close to chaotic evil. Those guys were literally just doing their job...
This is a great article! I wish I'd had this two years ago when I started DMing . . .
GODSEND! I am literally preparing for a campaign in 6 days (and this is only my 2nd time DMing[1st time totally sucked but my friends are forgiving] and I needed a guide) and this pops up! Thank you so much! Also if anyone has any good ideas for my campaign, please post a reply w your idea. Once again, thanks
Agreed
Well, one idea I had was that there is a mage trying to unseat another mage to take their place on the council by spreading rumors and gaining public favor. There's a powerful wizard/witch in town who isn't part of the council but everyone knows could basically take over the town that turns out to be related to one of the PCs. They're also related to the mage spreading rumors. So the mage spreading rumors is related to one of the PCs. The wizard/witch can help the characters (limitedly because of something, you decide, maybe a pact and they're a warlock) to get to the villain, but they have to take the villain down on their own. The villain has a different character's relative locked up, who will be executed if they die. They tell the PCs this. The relative, if gotten out, will tell the PCs about a greater power who made the villain their pawn, hoping to get influence over the city, probably something that would be recognized and met with disfavor, at best. The PCs then have to fight that. You can go from there.
It’s zorbos, zorbi is weird.
Great Article! Thanks!
Good suggestions. I would add two more.
A) if your players really want to do something badly, let them do that, write some vague consequences, and use them later on. Your players will enjoy both the freedom to experiment, and the fact that their actions have consequences. For example, one of my player's character once insisted to perform a rite in a graveyard to discover some hidden knowledge. I let him, and added this as a little sidenote. Later on, I let the homicidal spirit free in the PC village when my PC needed to be somewhere else for a pivotal plot moment. My players were wowed and awed when they understood the price of their actions in the graveyard sessions before.
B) Have some notes ready, but don't obsess over them. Notes shod give you an idea of what might happen, not what must necessarily happen. As a GM, you will often throw away carefully prepared ideas on the spot because a player thinked out of the box. Depending on the situation, you can still adapt your material for sometimes later on, or just lock it in a drawer for another game. On the plus side, this means that you can prepare notes with a lot of holes in them. Players will fill them anyway.
As someone who is not a DM but instead an aspiring author, this gave me alot of confidence to get more work done on the story. <3
Wow, thank u so much that is a great idea
thx i was so confused on how to make a campain
*ahem* AMY DALLEN!!!!!!!!!!!!!! YESS!!!!!!!
that is all